need_for_type 0.1.0 → 0.2.1

data/assets/texts/text-578.txt

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+To drive out of the Central Valley of California on a hot day and into San Francisco is to feel like you're landing on another planet. Over our two-hour drive, the temperature went from nearly a hundred to the middle sixties.

data/assets/texts/text-579.txt

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+To drive out of the Central Valley of California on a hot day and into San Francisco is to feel like you're landing on another planet.

data/assets/texts/text-58.txt

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+My darling, you have to be standing up in order to be able to fall. I mean, if you keep sitting on your ass, nothing's gonna happen. "Only brave warriors fall off their horses in battle. How can kneeling cowards know what a fall is?"

data/assets/texts/text-580.txt

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+So it's all come back round to breaking apart again. Breaking apart like I'm made up of glass again. Making it up behind my back again. Holding my breath for the fear of sleep again. Holding it up behind my head again. Cut in deep to the heart of the bone again. Round and round and round and it's coming apart again. Over and over and over.

data/assets/texts/text-581.txt

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+So it's all come back round to breaking apart again. Breaking apart like I'm made up of glass again.

data/assets/texts/text-582.txt

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+Now that I know that I'm breaking to pieces, I'll pull out my heart and I'll feed it to anyone. Crying for sympathy, crocodiles cry for the love of the crowd and the free cheers from everyone. Dropping through sky, through the glass of the roof, through the roof of your mouth, through the mouth of your eye, through the eye of the needle, it's easier for me to get closer to heaven than ever feel whole again.

data/assets/texts/text-583.txt

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+Dropping through sky, through the glass of the roof, through the roof of your mouth, through the mouth of your eye, through the eye of the needle, it's easier for me to get closer to heaven than ever feel whole again.

data/assets/texts/text-584.txt

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+I never said I would stay to the end - I knew I would leave you with babies and everything. Screaming like this in the hole of sincerity, screaming me over and over and over. I leave you with photographs, pictures of trickery, and stains on the carpet, stains on the memory, and songs about happiness murmured in dreams, when we both of us knew how the end always is.

data/assets/texts/text-585.txt

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+I leave you with photographs, pictures of trickery, and stains on the carpet, stains on the memory, and songs about happiness murmured in dreams, when we both of us knew how the end always is.

data/assets/texts/text-586.txt

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+Come sail your ships around me and burn your bridges down. We make a little history, baby, every time you come around. Come loose your dogs upon me and let your hair hang down. You are a little mystery to me every time you come around. We talk about it all night long, we define our moral ground. But when I crawl into your arms everything comes tumbling down.

data/assets/texts/text-587.txt

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+Come sail your ships around me and burn your bridges down. We make a little history, baby, every time you come around.

data/assets/texts/text-588.txt

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+Your face has fallen sad now, for you know the time is nigh. But when I must remove your wings and you, you must try to fly. Come sail your ships around me and burn your bridges down. We make a little history, baby, every time you come around.

data/assets/texts/text-589.txt

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+Mac knew the score even if Aunt Ella didn't. Shot through the left lung and that was that, as they say. Believe it was that night. She buried him the next mornin. Diggin in that hard caliche. What you got ain't nothin new. This country is hard on people. Hard and crazy. Got the devil in it yet folks never seem to hold it to account.

data/assets/texts/text-59.txt

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+Throughout my academic career, I'd given some pretty good talks. But being considered the best speaker in the Computer Science department is like being known as the tallest of the Seven Dwarfs.

data/assets/texts/text-590.txt

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+This country is hard on people. Hard and crazy. Got the devil in it yet folks never seem to hold it to account.

data/assets/texts/text-591.txt

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+Had dreams. Two of 'em. Both had my father. It's peculiar. I'm older now'n he ever was by twenty years. So in a sense he's the younger man. Anyway, first one I don't remember so well but it was about money and I think I lost it. The second one, it was like we was both back in older times and I was on horseback goin' through the mountains of a night. Goin' through this pass in the mountains. It was cold and snowin, hard ridin. Hard country.

data/assets/texts/text-592.txt

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+Had dreams. Two of 'em. Both had my father. It's peculiar. I'm older now'n he ever was by twenty years. So in a sense he's the younger man. Anyway, first one I don't remember so well but it was about money and I think I lost it. The second one, it was like we was both back in older times and I was on horseback goin' through the mountains of a night.

data/assets/texts/text-593.txt

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+Had dreams. Two of 'em. Both had my father. It's peculiar. I'm older now'n he ever was by twenty years. So in a sense he's the younger man.

data/assets/texts/text-594.txt

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+He rode past me and kept on goin'. Never said nothin' goin' by. He just rode on past and he had his blanket wrapped around him and his head down. And when he rode past I seen he was carryin' fire in a horn the way people used to do and I could see the horn from the light inside of it. About the color of the moon. And in the dream I knew that he was goin' on ahead and that he was fixin' to make a fire somewhere out there in all that dark and all that cold, and I knew that whenever I got there he would be there. Out there up ahead.

data/assets/texts/text-595.txt

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+And when he rode past I seen he was carryin' fire in a horn the way people used to do and I could see the horn from the light inside of it. About the color of the moon. And in the dream I knew that he was goin' on ahead and that he was fixin' to make a fire somewhere out there in all that dark and all that cold, and I knew that whenever I got there he would be there. Out there up ahead.

data/assets/texts/text-596.txt

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+And in the dream I knew that he was goin' on ahead and that he was fixin' to make a fire somewhere out there in all that dark and all that cold, and I knew that whenever I got there he would be there. Out there up ahead.

data/assets/texts/text-597.txt

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+And when he rode past I seen he was carryin' fire in a horn the way people used to do and I could see the horn from the light inside of it. About the color of the moon.

data/assets/texts/text-598.txt

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+I believe in love, and I know that you do too. And I believe in some kind of path that we can walk down, me and you. So keep your candles burning and make her journey bright and pure.

data/assets/texts/text-599.txt

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+I don't believe in an interventionist God, but I know, darling, that you do. But if I did I would kneel down and ask him not to intervene when it came to you. Not to touch a hair on your head, to leave you as you are, and if he felt he had to direct you, then direct you into my arms.

data/assets/texts/text-6.txt

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+The creation ends in South Georgia, at the very edge of the sweet earth. Only the sky, widest of the wide, goes on, flatness against flatness. The sky appears so close that, with a long-enough extension ladder, you think you could touch it, and sometimes you do, when clouds descend in the night to set a fine pelt of dew on the grasses, leaving behind white trails of fog and mist.

data/assets/texts/text-60.txt

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+No matter how bad things are, you can always make things worse.  At the same time, it is often within your power to make them better. I learned this lesson well on New Year's Eve, 2001.

data/assets/texts/text-600.txt

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+I don't believe in an interventionist God, but I know, darling, that you do. But if I did I would kneel down and ask him not to intervene when it came to you.

data/assets/texts/text-601.txt

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+And I don't believe in the
+existence of angels but looking at you I wonder if that's true. But if
+I did I would summon them together, and ask them to watch over you. To
+each burn a candle for you, to make bright and clear your path. And to
+walk, like Christ, in grace and love and guide you into my
+arms.

data/assets/texts/text-602.txt

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+And I don't believe in the existence of angels but looking at you I wonder if that's true. But if I did I would summon them together, and ask them to watch over you.

data/assets/texts/text-603.txt

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+Having endured the racial turmoil of the Civil Rights Movement without the overt violent conflict that haunted some of its southern neighbors, Atlanta was a city obsessed with economic progress. Just as editor Henry Grady had looked north for investment and support in the wake of the Civil War, the city's newest generation of boosters saw international dollars as the future for Atlanta.

data/assets/texts/text-604.txt

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+Having endured the racial turmoil of the Civil Rights Movement without the overt violent conflict that haunted some of its southern neighbors, the Atlanta of the 1970s was a city obsessed with economic progress, and it would undergo tremendous expansion in the last decades of the twentieth century.

data/assets/texts/text-605.txt

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+Glancing through the 1977 Atlanta Yellow Pages reveals a city that had yet to be transformed by the proliferation of ethnic food: only ninety-two out of approximately fifteen hundred restaurants could be classified as non-American.

data/assets/texts/text-606.txt

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+With forty-six Chinese, fourteen Japanese, eighteen Mexican, and only two Thai restaurants, Atlanta was a city still characterized by "all-American" food.

data/assets/texts/text-607.txt

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+Grits and fried chicken won't disappear, but perhaps future southerners will enjoy them with a side of rice noodles or enchilada sauce.

data/assets/texts/text-608.txt

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+Historian James C. Cobb has described southern identity as "not a story of continuity versus change, but continuity within change." Grits and fried chicken won't disappear, but perhaps future southerners will enjoy them with a side of rice noodles or enchilada sauce.

data/assets/texts/text-609.txt

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+As customers of all races, nationalities, and cultures visit the Dekalb Farmers Market by the thousands, I doubt that many stand in awe and contemplate the meaning of its existence. But in the capital of the Sunbelt South, the quiet revolution of immigration and food continues to upset and redefine the meanings of local, regional, and global identity.

data/assets/texts/text-61.txt

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+I was hugely impressed. Kirk, I mean
+Shatner, was the ultimate example of a man who knew what he didn't
+know, was perfectly willing to admit it, and didn't want to leave
+until he understood. That's heroic to me.

data/assets/texts/text-610.txt

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+In the capital of the Sunbelt South, the quiet revolution of immigration and food continues to upset and redefine the meanings of local, regional, and global identity.

data/assets/texts/text-611.txt

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+It was an effect of light: quick sunlight dappling, yellow leaves falling (but from what? Were there even trees on West Fifty-seventh Street?), a shower of gold, spangled, very fast, a falling of the bright. Later I watched for this effect on similar bright days but never again experienced it. I wondered then if it had been a seizure, or stroke of some kind.

data/assets/texts/text-612.txt

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+It was an effect of light: quick sunlight dappling, yellow leaves falling (but from what? Were there even trees on West Fifty-seventh Street?), a shower of gold, spangled, very fast, a falling of the bright. Later I watched for this effect on similar bright days but never again experienced it.

data/assets/texts/text-613.txt

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+It was an effect of light: quick sunlight dappling, yellow leaves falling (but from what? Were there even trees on West Fifty-seventh Street?), a shower of gold, spangled, very fast, a falling of the bright.

data/assets/texts/text-614.txt

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+It was an effect of light: quick sunlight dappling, yellow leaves falling, a shower of gold, spangled, very fast, a falling of the bright.

data/assets/texts/text-615.txt

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+Air-conditioned, odorless, illuminated by buzzing fluorescent tubes, the American supermarket doesn't present itself as having very much to do with Nature. And yet what is this place if not a landscape (manmade, it's true) teeming with plants and animals?

data/assets/texts/text-616.txt

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+When I was a kid, you never saw radicchio in the produce section, or a half dozen different kinds of mushrooms, or kiwis and passion fruit and durians and mangoes. Indeed, in the last few years a whole catalog of exotic species from the tropics has colonized, and considerably enlivened, the produce department.

data/assets/texts/text-617.txt

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+When I was a kid, you never saw radicchio in the produce section, or a half dozen different kinds of mushrooms, or kiwis and passion fruit and durians and mangoes.

data/assets/texts/text-618.txt

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+As the netted bag says, this potato was grown in Idaho, that onion came from a farm in Texas. Move over to Meat, though, and the chain grows longer and less comprehensible: The label doesn't mention that that rib-eye steak came from a steer born in South Dakota and fattened in a Kansas feedlot on grain grown in Iowa.

data/assets/texts/text-619.txt

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+The label doesn't mention that that rib-eye steak came from a steer born in South Dakota and fattened in a Kansas feedlot on grain grown in Iowa.

data/assets/texts/text-62.txt

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+Whenever you watch the mind, you withdraw consciousness from mind forms, and it then becomes what we call the watcher or the witness. When consciousness frees itself from identification with physical and mental forms, it becomes what we may call pure or enlightened consciousness, or presence.

data/assets/texts/text-620.txt

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+Once you get into the processed foods you have to be a fairly determined ecological detective to follow the intricate and increasingly obscure lines of connection linking the Twinkie, or the nondairy creamer, to a plant growing in the earth some place, but it can be done.

data/assets/texts/text-621.txt

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+You have to be a fairly determined ecological detective to follow the intricate and increasingly obscure lines of connection linking the Twinkie to a plant growing in the earth some place.

data/assets/texts/text-622.txt

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+The great edifice of variety and choice that is an American supermarket turns out to rest on a remarkably narrow biological foundation comprised of a tiny group of plants that is dominated by a single species: Zea mays, the giant tropical grass most Americans know as corn.

data/assets/texts/text-623.txt

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+And though my journeys did take me to a great many states, and covered a great many miles, at the very end of these food chains (which is to say, at the very beginning), I invariably found myself in almost exactly the same place: a farm field in the American Corn Belt.

data/assets/texts/text-624.txt

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+At the very end of these food chains (which is to say, at the very beginning), I invariably found myself in almost exactly the same place: a farm field in the American Corn Belt.

data/assets/texts/text-625.txt

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+Corn is what feeds the steer that becomes the steak. Corn feeds the chicken and the pig, the turkey and the lamb, the catfish and the tilapia and, increasingly, even the salmon, a carnivore by nature that the fish farmers are reengineering to tolerate corn. The eggs are made of corn. The milk and cheese and yogurt, which once came from dairy cows that grazed on grass, now typically come from cows that spend their working lives indoors tethered to machines, eating corn.

data/assets/texts/text-626.txt

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+The milk and cheese and yogurt, which once came from dairy cows that grazed on grass, now typically come from cows that spend their working lives indoors tethered to machines, eating corn.

data/assets/texts/text-627.txt

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+To wash down your chicken nuggets with virtually any soft drink in the supermarket is to have some corn with your corn. Since the 1980s virtually all the sodas and most of the fruit drinks sold in the supermarket have been sweetened with high-fructose corn syrup.

data/assets/texts/text-628.txt

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+To wash down your chicken nuggets with virtually any soft drink in the supermarket is to have some corn with your corn.

data/assets/texts/text-629.txt

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+Since the 1980s virtually all the sodas and most of the fruit drinks sold in the supermarket have been sweetened with high-fructose corn syrup. Grab a beer for your beverage instead and you'd still be drinking corn, in the form of alcohol fermented from glucose refined from corn. Read the ingredients on the label of any processed food and, provided you know the chemical names it travels under, corn is what you will find.

data/assets/texts/text-63.txt

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+Whenever you watch the mind, you withdraw consciousness from mind forms, and it then becomes what we call the watcher or the witness.

data/assets/texts/text-630.txt

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+It takes more than a calorie of
+fossil fuel energy to produce a calorie of food. From the standpoint
+of industrial efficiency, it's too bad we can't simply drink the
+petroleum directly, because there's a lot less energy in a bushel of
+corn (measured in calories) than there is in the half gallon or so of
+oil required to produce it. Ecologically this is a fabulously
+expensive way to produce food.

data/assets/texts/text-631.txt

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+It takes more than a calorie of fossil fuel energy to produce a calorie of food. From the standpoint of industrial efficiency, it's too bad we can't simply drink the petroleum directly.

data/assets/texts/text-632.txt

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+Imagine for a moment if we once again knew these few unremarkable things: What it is we're eating. Where it came from. How it found its way to our table. And what, in a true accounting, it really cost. We would no longer need any reminding that however we choose to feed ourselves, we eat by the grace of nature, not industry, and what we're eating is never anything more or less than the body of the world.

data/assets/texts/text-633.txt

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+However we choose to feed ourselves, we eat by the grace of nature, not industry, and what we're eating is never anything more or less than the body of the world.

data/assets/texts/text-634.txt

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+Danger is a topic you're often asked about as a sprinter. The common perception is that the final 200 meters of a Tour stage are the most dangerous and the most frightening. That might be half right, but while it may hold true that the final few seconds of a bike race are fastest and apparently chaotic, at 70 kph and 200 heartbeats per minute, there's simply no time for anxiety. Adrenaline, yes, Instinct, sure. But fear, no.

data/assets/texts/text-635.txt

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+While it may hold true that the final few seconds of a bike race are fastest and apparently chaotic, at 70 kph and 200 heartbeats per minute, there's simply no time for anxiety. Adrenaline, yes, Instinct, sure. But fear, no.

data/assets/texts/text-636.txt

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+While it may hold true that the final few seconds of a bike race are fastest and apparently chaotic, at 70 kph and 200 heartbeats per minute, there's simply no time for anxiety.

data/assets/texts/text-637.txt

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+Pulp: 1. A soft, moist, shapeless mass or matter. 2. A magazine or book containing lurid subject matter and being characteristically printed on rough, unfinished paper.

data/assets/texts/text-638.txt

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+Pulp: a soft, moist, shapeless mass or matter.

data/assets/texts/text-639.txt

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+This business is filled to the brim with unrealistic people who thought their bods aged like wine. If you mean it turns to vinegar, it does. If you mean it gets better with age, it don't. Besides Butch, how many fights you think you got left in you anyway? Two? Boxers don't have an old timer's pension. You came close, but you never made it, and if you were gonna make it, you woulda made it by now.

data/assets/texts/text-64.txt

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+Step out the front door like a ghost into the fog where no one notices the contrast of white on white. And in between the moon and you the angels get a better view of the crumbling difference between wrong and right. I walk in the air between the rain through myself and back again. Where? I don't know.

data/assets/texts/text-640.txt

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+This business is filled to the brim with unrealistic people who thought their bods aged like wine. If you mean it turns to vinegar, it does. If you mean it gets better with age, it don't. Boxers don't have an old timer's pension.

data/assets/texts/text-641.txt

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+This business is filled to the brim with unrealistic people who thought their bods aged like wine. If you mean it turns to vinegar, it does. If you mean it gets better with age, it don't.

data/assets/texts/text-642.txt

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+You came close, but you never made it, and if you were gonna make it, you woulda made it by now.

data/assets/texts/text-643.txt

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+I think you're gonna find - when all this stuff is over and done - I think you're gonna find yourself one smiling guy. Thing is Butch, right now you got ability. But painful as it may be, ability don't last. Now that's a hard fact of life, but it's a fact of life you're gonna have to get realistic about.

data/assets/texts/text-644.txt

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+I think you're gonna find - when all this stuff is over and done - I think you're gonna find yourself one smiling guy.

data/assets/texts/text-645.txt

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+Thing is Butch, right now you got ability. But painful as it may be, ability don't last. Now that's a hard fact of life, but it's a fact of life you're gonna have to get realistic about.

data/assets/texts/text-646.txt

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+Thing is Butch, right now you got ability. But painful as it may be, ability don't last.

data/assets/texts/text-647.txt

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+I'll miss the sea, but a person needs new experiences. They jar something deep inside, allowing him to grow. Without change something sleeps inside us, and seldom awakens. The sleeper must awaken.

data/assets/texts/text-648.txt

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+I'll miss the sea, but a person needs new experiences. Without change something sleeps inside us, and seldom awakens.

data/assets/texts/text-649.txt

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+I must not fear. Fear is the mind killer. Fear is the little death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when my fear is gone I will turn and face fear's path, and only I will remain.

data/assets/texts/text-65.txt

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+Overhead the albatross hangs motionless upon the air and deep beneath the rolling waves, in labyrinths of coral caves - the echo of a distant tide comes willowing across the sand, and everything is green and submarine.

data/assets/texts/text-650.txt

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+I must not fear. Fear is the mind killer. Fear is the little death that brings total obliteration. I will face my fear.

data/assets/texts/text-651.txt

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+It is by will alone I set my mind in motion. It is by the juice of Sapho that thoughts acquire speed, the lips acquire stains, the stains become a warning. It is by will alone I set my mind in motion.

data/assets/texts/text-652.txt

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+I've flown seven million miles. And I've been waiting on people almost 20 years. The best job I could get after my bust was Cabo Air, which is the worst job you can get in this industry. I make about sixteen thousand, with retirement benefits that ain't worth a damn. And now with this arrest hanging over my head, I'm scared. If I lose my job I gotta start all over again, but I got nothing to start over with.

data/assets/texts/text-653.txt

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+I've flown seven million miles. And I've been waiting on people almost 20 years. The best job I could get after my bust was Cabo Air, which is the worst job you can get in this industry. And now with this arrest hanging over my head, I'm scared. If I lose my job I gotta start all over again, but I got nothing to start over with.

data/assets/texts/text-654.txt

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+I've flown seven million miles. And I've been waiting on people almost 20 years. The best job I could get after my bust was Cabo Air, which is the worst job you can get in this industry.

data/assets/texts/text-655.txt

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+In most cases, there is more to be gained by maximizing the performance of the driver than tricking out the car. The most important factor is the driver, the ultimate control system of a race car.

data/assets/texts/text-656.txt

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+In most cases, there is more to be gained by maximizing the performance of the driver than tricking out the car.

data/assets/texts/text-657.txt

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+If you want to drive a race car well, whether to win an Indy car race or just have fun competing in the middle of the pack in an amateur race, you must be seated properly in the car. First of all, you must be comfortable, otherwise it will be overly tiring and very difficult to concentrate. Many races have been lost simply because a driver lost concentration due to discomfort from a poorly fitted seat.

data/assets/texts/text-658.txt

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+First of all, you must be comfortable, otherwise it will be overly tiring and very difficult to concentrate. Many races have been lost simply because a driver lost concentration due to discomfort from a poorly fitted seat.

data/assets/texts/text-659.txt

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+First of all, you must be comfortable, otherwise it will be overly tiring and very difficult to concentrate. Many races have been lost due to discomfort from a poorly fitted seat.

data/assets/texts/text-66.txt

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+Hello, hello, hello, is there anybody in there? Just nod if you can hear me. Is there anyone home? Come on, come on, out, I hear you're feeling down. I can ease your pain and get you on your feet again. Relax, relax, relax, I need some information first. Just the basic facts, can you show me where it hurts?

data/assets/texts/text-660.txt

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+Being comfortable in the car is critical. If you're not comfortable, it will not only take more physical energy to drive, but it will also affect you mentally. A painful body will reduce your concentration level.

data/assets/texts/text-661.txt

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+I often see racers, particularly at the back of the pack in amateur races, trying to go fast, with their arms flailing around, banging off shifts, jerking the steering into a turn with feet stabbing at the pedals - the car usually in massive slides through the turns. It may feel as fast and even look fast, but I'll guarantee it's not. If the driver would only slow down, the car would actually go faster. It reminds me of the saying, "never confuse movement for action."

data/assets/texts/text-662.txt

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+I often see racers, particularly at the back of the pack in amateur races, trying to go fast, with their arms flailing around, banging off shifts, jerking the steering into a turn with feet stabbing at the pedals. If the driver would only slow down, the car would actually go faster. It reminds me of the saying, "never confuse movement for action."

data/assets/texts/text-663.txt

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+If the driver would only slow down, the car would actually go faster. It reminds me of the saying, "never confuse movement for action."

data/assets/texts/text-664.txt

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+The less you do with the controls, the less chance of error. Steer, shift, and use the pedals smoothly, and with finesse - not with blinding speed and brute force. The slower you move, the faster the car moves.

data/assets/texts/text-665.txt

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+The less you do with the controls, the less chance of error. The slower you move, the faster the car moves.

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+Sometimes you concentrate more on racing the cars around you, rather than focusing on what you need to do. Having said that, some drivers actually perform best when there is a little extra incentive - like chasing another car. But be careful you don't get too caught up in what the competition is doing. Focus on your own performance rather than on the competition.

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+Some drivers actually perform best when there is a little extra incentive - like chasing another car. But be careful you don't get too caught up in what the competition is doing. Focus on your own performance rather than on the competition.

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+Be careful you don't get too caught up in what the competition is doing. Focus on your own performance rather than on the competition.

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+Look and think as far ahead as possible. Often, a driver's natural reaction is to look at the wall or the point you're just about to get to. That's not enough. You won't drive a smooth, flowing line if you don't look far ahead. Looking well ahead, and concentrating on getting to where I'm looking, seems to really help me.

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+There is no pain, you are receding.
+A distant ship smoke on the horizon. You are only coming through in
+waves. Your lips move but I can't hear what you're saying. When I was
+a child, I had a fever. My hands felt just like two balloons. Now I've
+got that feeling once again. I can't explain you will not understand.
+This is not how I am.

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+Look and think as far ahead as possible. Often, a driver's natural reaction is to look at the wall or the point you're just about to get to. That's not enough. You won't drive a smooth, flowing line if you don't look far ahead.

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+Look and think as far ahead as possible. Often, a driver's natural reaction is to look at the point you're just about to get to. That's not enough.

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+We often believe the more we practice a skill or technique - over and over again, many times - the better we'll get. This is not necessarily true. In fact, every time you practice a technique incorrectly, you're increasing your chances of doing it wrong again. It's easy to become very experienced at repeating the same mistakes. Practice doesn't make perfect; only perfect practice makes perfect.

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+Every time you practice a technique incorrectly, you're increasing your chances of doing it wrong again. It's easy to become very experienced at repeating the same mistakes. Practice doesn't make perfect; only perfect practice makes perfect.

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+Every time you practice a technique incorrectly, you're increasing your chances of doing it wrong again. Practice doesn't make perfect; only perfect practice makes perfect.

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+Don't practice too much at first, or you're likely to develop incorrect patterns or movements. Instead, begin with a few laps, maintaing intense concentration and motivation. If you begin to repeat an error, or if your concentration or attention starts to fade, if you start to become casual, then stop. Clear your head, get your concentration and motivation back, then go again.

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+If you begin to repeat an error, or if your concentration or attention starts to fade, if you start to become casual, then stop. Clear your head, get your concentration and motivation back, then go again.

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+Don't practice too much at first, or you're likely to develop incorrect patterns or movements.

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+Races are not won in the first corner; however, they are often lost there. It's usually best to run as quick as you can for the first few laps, then settle into a comfortable, consistent pace - all the while ready to take advantage of any opportunity to pass. Never turn down an opportunity to pass - you may not get it again.

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+Races are not won in the first corner; however, they are often lost there. It's usually best to run as quick as you can for the first few laps, then settle into a comfortable, consistent pace - all the while ready to take advantage of any opportunity to pass.

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+There is no pain, you are receding. A distant ship smoke on the horizon. You are only coming through in waves. Your lips move but I can't hear what you're saying.

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+Races are not won in the first corner; however, they are often lost there. It's usually best to run as quick as you can for the first few laps, then settle into a comfortable, consistent pace.

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+It's usually best to run as quick as you can for the first few laps, then settle into a comfortable, consistent pace.

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+Never give up. Most races are decided in the last 10 percent of the race.

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+Never give up, no matter how far behind you are, no matter how unlikely it seems you will catch your competitor in front of you. Keep pushing until the checkered flag falls. How many times have you seen the leader of a race have a mechanical problem with only a few laps to go? You will never be able to take advantage of their problems if you are not close. You have to be close to take advantage of luck.

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+How many times have you seen the leader of a race have a mechanical problem with only a few laps to go? You will never be able to take advantage of their problems if you are not close. You have to be close to take advantage of luck.

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+Never give up, no matter how far behind you are, no matter how unlikely it seems you will catch your competitor in front of you. Keep pushing until the checkered flag falls.

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+Never give up, no matter how far behind you are, no matter how unlikely it seems you will catch your competitor in front of you.

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+When she returns to the forum page, her post is there. It is a way now, approximately, of being at home. The forum has become one of the most consistent places in her life, like a familiar cafe that exists somehow outside of geography and beyond time zones.

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+The forum has become one of the most consistent places in her life, like a familiar cafe that exists somehow outside of geography and beyond time zones.

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+There are perhaps twenty regular posters on the forum, and some much larger and uncounted number of lurkers. And right now there are three people in chat, but there's no way of knowing exactly who until you are in there, and the chat room she finds not so comforting. It's strange even with friends, like sitting in a pitch-dark cellar conversing with people a distance of about fifteen feet.

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+Run to the bedroom, in the suitcase on the left, you'll find my favorite axe. Don't look so frightened, this is just a passing phase - just one of my bad days. Would you like to watch TV? Or get between the sheets? Or contemplate the silent freeway? Would you like something to eat? Would you like to learn to fly? Would you like to see me try? Would you like to call the cops? Do you think it's time I stopped? Why are you running away...

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+The chat room she finds not so comforting. It's strange even with friends, like sitting in a pitch-dark cellar conversing with people a distance of about fifteen feet. The hectic speed, and the brevity of the lines in the thread, plus the feeling that everyone is talking at once, at counter-purposes, deter her.

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+Right now there are three people in chat, but there's no way of knowing exactly who until you are in there, and the chat room she finds not so comforting.

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+There are perhaps twenty regular posters on the forum, and some much larger and uncounted number of lurkers.

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+The hectic speed, and the brevity of the lines in the thread, plus the feeling that everyone is talking at once, at counter-purposes, deter her.

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+How do I live without the ones I love? Time still turns the pages of the book it's burned. Place and time always on my mind. I have so much to say but you're so far away.

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+I've been thinking lots about my life and how quick I'd wash it down the drain. Past tense, the future, nothing matters now. I act on my own and I'm to blame. Living's a wicked dream, where things turn out all wrong. We're all so weak, no matter how strong.

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+I've been thinking lots about my life and how quick I'd wash it down the drain. Past tense, the future, nothing matters now. I act on my own and I'm to blame.

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+Ultimately, this is not about solving your problems. It's about realizing that there are no problems. Only situations - to be dealt with now, or to be left alone and accepted as part of the "isness" of the present moment until they change or can be dealt with.

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+It's about realizing that there are no problems. Only situations - to be dealt with now, or to be left alone and accepted as part of the "isness" of the present moment until they change or can be dealt with.

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+Problems are mind-made and need time to survive. They cannot survive in the actuality of the Now.

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+The day dawned bleak and chill, a moving wall of gray light out of the northeast which, instead of dissolving into moisture, seemed to disintegrate into minute and venomous  particles, like dust that, when Dilsey opened the door of the cabin and emerged, needled laterally into her flesh, precipitating not so much a moisture as a substance partaking of the quality of thin, not quite congealed oil.

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+We don't need no education. We don't need no thought control. No dark sarcasm in the classroom - teachers leave them kids alone! All in all it's just another brick in the wall.

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+Focus your attention on the Now and tell me what problem you have at this moment. I am not getting any answer because it is impossible to have a problem when your attention is fully in the Now. A situation that needs to be either dealt with or accepted - yes.

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+Focus your attention on the Now and tell me what problem you have at this moment. I am not getting any answer because it is impossible to have a problem when your attention is fully in the Now.

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+Buddhism addresses two major types of meditation. Vipassana can be translated as "insight," a clear awareness of exactly what is happening as it happens. Samatha can be translated as "concentration" or "tranquility". It is a state in which the mind is brought to rest, focused only on one item and not allowed to wander.

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+Samatha is a state in which the mind is brought to rest, focused only on one item and not allowed to wander. When this is done, a deep calm pervades body and mind, a state of tranquility which must be experienced to be understood.