musa-dsl 0.40.0 → 0.41.0

data/lib/musa-dsl/music/scale_kinds/modes/phrygian_scale_kind.rb

@@ -0,0 +1,111 @@
+# frozen_string_literal: true
+
+module Musa
+  module Scales
+    # Phrygian mode (third mode of major scale).
+    #
+    # PhrygianScaleKind defines the Phrygian mode, a minor mode with a characteristic
+    # lowered second degree. It's built on the third degree of the major scale
+    # and has a dark, exotic, Spanish/Middle Eastern quality.
+    #
+    # ## Pitch Structure
+    #
+    # 7 diatonic degrees plus extended harmony (8th-13th):
+    #
+    # **Scale Degrees** (Roman numerals, lowercase for minor):
+    #
+    # - **i** (tonic): Root (0 semitones)
+    # - **ii** (supertonic): **Minor second** (1 semitone) ← CHARACTERISTIC
+    # - **iii** (mediant): Minor third (3 semitones)
+    # - **iv** (subdominant): Perfect fourth (5 semitones)
+    # - **v** (dominant): Perfect fifth (7 semitones)
+    # - **vi** (submediant): Minor sixth (8 semitones)
+    # - **vii** (subtonic): Minor seventh (10 semitones)
+    #
+    # ## Key Difference from Natural Minor
+    #
+    # The **ii** degree is lowered from 2 semitones (major second) to
+    # 1 semitone (minor second), creating:
+    #
+    # - A dark, exotic quality
+    # - The characteristic "Phrygian color"
+    # - Strong association with Spanish/Flamenco music
+    #
+    # ## Musical Character
+    #
+    # The Phrygian mode:
+    #
+    # - Maintains minor quality (minor third)
+    # - Has a lowered 2nd that creates tension
+    # - Common in flamenco, metal, and Middle Eastern music
+    # - The half-step from ii to i creates strong resolution
+    #
+    # ## Usage
+    #
+    #     e_phrygian = Scales[:et12][440.0][:phrygian][64]
+    #     e_phrygian.tonic  # E (64)
+    #     e_phrygian.ii     # F (65) - minor second (characteristic)
+    #
+    # @see ScaleKind Abstract base class
+    # @see MinorNaturalScaleKind Natural minor (with major 2nd)
+    # @see DorianScaleKind Dorian mode
+    class PhrygianScaleKind < ScaleKind
+      @base_metadata = {
+        family: :greek_modes,
+        brightness: -2,
+        character: [:dark, :spanish, :exotic],
+        parent: { scale: :major, degree: 3 }
+      }.freeze
+
+      class << self
+        @@pitches =
+            [{ functions: %i[i _1 tonic first],
+               pitch: 0 },
+             { functions: %i[ii _2 supertonic second],
+               pitch: 1 },
+             { functions: %i[iii _3 mediant third],
+               pitch: 3 },
+             { functions: %i[iv _4 subdominant fourth],
+               pitch: 5 },
+             { functions: %i[v _5 dominant fifth],
+               pitch: 7 },
+             { functions: %i[vi _6 submediant sixth],
+               pitch: 8 },
+             { functions: %i[vii _7 subtonic seventh],
+               pitch: 10 },
+             { functions: %i[viii _8 eighth],
+               pitch: 12 },
+             { functions: %i[ix _9 ninth],
+               pitch: 12 + 1 },
+             { functions: %i[x _10 tenth],
+               pitch: 12 + 3 },
+             { functions: %i[xi _11 eleventh],
+               pitch: 12 + 5 },
+             { functions: %i[xii _12 twelfth],
+               pitch: 12 + 7 },
+             { functions: %i[xiii _13 thirteenth],
+               pitch: 12 + 8 }].freeze
+
+        # Pitch structure.
+        # @return [Array<Hash>] pitch definitions with functions and offsets
+        def pitches
+          @@pitches
+        end
+
+        # Number of diatonic degrees.
+        # @return [Integer] 7
+        def grades
+          7
+        end
+
+        # Scale kind identifier.
+        # @return [Symbol] :phrygian
+        def id
+          :phrygian
+        end
+      end
+
+      EquallyTempered12ToneScaleSystem.register PhrygianScaleKind
+    end
+  end
+end

data/lib/musa-dsl/music/scale_kinds/pentatonic/pentatonic_major_scale_kind.rb

@@ -0,0 +1,93 @@
+# frozen_string_literal: true
+
+module Musa
+  module Scales
+    # Major pentatonic scale kind.
+    #
+    # PentatonicMajorScaleKind defines the major pentatonic scale, a five-note
+    # scale derived from the major scale by omitting the 4th and 7th degrees.
+    # It has a bright, open sound and is extremely common in folk, rock, and blues.
+    #
+    # ## Pitch Structure
+    #
+    # 5 diatonic degrees plus extended (6th-10th):
+    #
+    # **Scale Degrees** (Roman numerals, uppercase for major):
+    #
+    # - **I** (tonic): Root (0 semitones)
+    # - **II** (supertonic): Major second (2 semitones)
+    # - **III** (mediant): Major third (4 semitones)
+    # - **V** (dominant): Perfect fifth (7 semitones)
+    # - **VI** (submediant): Major sixth (9 semitones)
+    #
+    # ## Relationship to Major Scale
+    #
+    # Major pentatonic = Major scale minus 4th and 7th degrees.
+    # This removes all semitone intervals, creating a scale with no dissonance.
+    #
+    # ## Musical Character
+    #
+    # The major pentatonic:
+    #
+    # - Has a bright, happy, open quality
+    # - No semitones = no tension or dissonance
+    # - Universal across cultures (found in music worldwide)
+    # - Common in folk, country, rock, pop, and blues
+    #
+    # ## Usage
+    #
+    #     c_pent = Scales[:et12][440.0][:pentatonic_major][60]
+    #     c_pent.tonic     # C (60)
+    #     c_pent.dominant  # G (67)
+    #
+    # @see ScaleKind Abstract base class
+    # @see MajorScaleKind Major scale
+    # @see PentatonicMinorScaleKind Minor pentatonic
+    class PentatonicMajorScaleKind < ScaleKind
+      @base_metadata = {
+        family: :pentatonic,
+        brightness: 1,
+        character: [:bright, :simple, :folk],
+        parent: nil
+      }.freeze
+
+      class << self
+        @@pitches =
+            [{ functions: %i[I _1 tonic first],
+               pitch: 0 },
+             { functions: %i[II _2 supertonic second],
+               pitch: 2 },
+             { functions: %i[III _3 mediant third],
+               pitch: 4 },
+             { functions: %i[V _4 dominant fourth],
+               pitch: 7 },
+             { functions: %i[VI _5 submediant fifth],
+               pitch: 9 },
+             { functions: %i[VIII _6 sixth],
+               pitch: 12 },
+             { functions: %i[IX _7 seventh],
+               pitch: 12 + 2 },
+             { functions: %i[X _8 eighth],
+               pitch: 12 + 4 },
+             { functions: %i[XII _9 ninth],
+               pitch: 12 + 7 },
+             { functions: %i[XIII _10 tenth],
+               pitch: 12 + 9 }].freeze
+
+        def pitches
+          @@pitches
+        end
+
+        def grades
+          5
+        end
+
+        def id
+          :pentatonic_major
+        end
+      end
+
+      EquallyTempered12ToneScaleSystem.register PentatonicMajorScaleKind
+    end
+  end
+end

data/lib/musa-dsl/music/scale_kinds/pentatonic/pentatonic_minor_scale_kind.rb

@@ -0,0 +1,99 @@
+# frozen_string_literal: true
+
+module Musa
+  module Scales
+    # Minor pentatonic scale kind.
+    #
+    # PentatonicMinorScaleKind defines the minor pentatonic scale, a five-note
+    # scale derived from the natural minor scale by omitting the 2nd and 6th degrees.
+    # It's the foundation of blues and rock improvisation.
+    #
+    # ## Pitch Structure
+    #
+    # 5 diatonic degrees plus extended (6th-10th):
+    #
+    # **Scale Degrees** (Roman numerals, lowercase for minor):
+    #
+    # - **i** (tonic): Root (0 semitones)
+    # - **iii** (mediant): Minor third (3 semitones)
+    # - **iv** (subdominant): Perfect fourth (5 semitones)
+    # - **v** (dominant): Perfect fifth (7 semitones)
+    # - **vii** (subtonic): Minor seventh (10 semitones)
+    #
+    # ## Relationship to Natural Minor
+    #
+    # Minor pentatonic = Natural minor minus 2nd and 6th degrees.
+    # This removes all semitone intervals, creating a scale with no dissonance.
+    #
+    # ## Relative Major Pentatonic
+    #
+    # A minor pentatonic shares the same notes as C major pentatonic.
+    # They are relative scales.
+    #
+    # ## Musical Character
+    #
+    # The minor pentatonic:
+    #
+    # - Has a bluesy, soulful quality
+    # - Foundation of blues and rock guitar solos
+    # - Works over both minor and dominant 7th chords
+    # - Easy to improvise with (no "wrong" notes)
+    #
+    # ## Usage
+    #
+    #     a_pent = Scales[:et12][440.0][:pentatonic_minor][69]
+    #     a_pent.tonic     # A (69)
+    #     a_pent.dominant  # E (76)
+    #
+    # @see ScaleKind Abstract base class
+    # @see MinorNaturalScaleKind Natural minor scale
+    # @see PentatonicMajorScaleKind Major pentatonic
+    # @see BluesScaleKind Blues scale (pentatonic + blue note)
+    class PentatonicMinorScaleKind < ScaleKind
+      @base_metadata = {
+        family: :pentatonic,
+        brightness: -1,
+        character: [:bluesy, :simple, :rock],
+        parent: nil
+      }.freeze
+
+      class << self
+        @@pitches =
+            [{ functions: %i[i _1 tonic first],
+               pitch: 0 },
+             { functions: %i[iii _2 mediant second],
+               pitch: 3 },
+             { functions: %i[iv _3 subdominant third],
+               pitch: 5 },
+             { functions: %i[v _4 dominant fourth],
+               pitch: 7 },
+             { functions: %i[vii _5 subtonic fifth],
+               pitch: 10 },
+             { functions: %i[viii _6 sixth],
+               pitch: 12 },
+             { functions: %i[x _7 seventh],
+               pitch: 12 + 3 },
+             { functions: %i[xi _8 eighth],
+               pitch: 12 + 5 },
+             { functions: %i[xii _9 ninth],
+               pitch: 12 + 7 },
+             { functions: %i[xiv _10 tenth],
+               pitch: 12 + 10 }].freeze
+
+        def pitches
+          @@pitches
+        end
+
+        def grades
+          5
+        end
+
+        def id
+          :pentatonic_minor
+        end
+      end
+
+      EquallyTempered12ToneScaleSystem.register PentatonicMinorScaleKind
+    end
+  end
+end

data/lib/musa-dsl/music/scale_kinds/symmetric/diminished_hw_scale_kind.rb

@@ -0,0 +1,110 @@
+# frozen_string_literal: true
+
+module Musa
+  module Scales
+    # Diminished half-whole scale kind.
+    #
+    # DiminishedHWScaleKind defines the half-whole diminished scale (also called
+    # octatonic scale), an eight-note symmetric scale alternating half steps and
+    # whole steps. It's commonly used over diminished 7th chords.
+    #
+    # ## Pitch Structure
+    #
+    # 8 degrees plus extended:
+    #
+    # **Scale Degrees** (pattern: H-W-H-W-H-W-H-W):
+    #
+    # - **i** (_1): Root (0 semitones)
+    # - **ii** (_2): Minor second (1 semitone)
+    # - **iii** (_3): Minor third (3 semitones)
+    # - **iv** (_4): Major third (4 semitones)
+    # - **v** (_5): Diminished fifth (6 semitones)
+    # - **vi** (_6): Perfect fifth (7 semitones)
+    # - **vii** (_7): Major sixth (9 semitones)
+    # - **viii** (_8): Minor seventh (10 semitones)
+    #
+    # ## Symmetric Properties
+    #
+    # - Only 3 distinct diminished scales exist
+    # - Repeats every minor third (3 semitones)
+    # - Contains 4 minor thirds, 4 major thirds, 2 tritones
+    # - Every diminished 7th chord is contained within
+    #
+    # ## Musical Character
+    #
+    # The half-whole diminished scale:
+    #
+    # - Tense, dark, unstable quality
+    # - Used over diminished 7th chords
+    # - Common in jazz, film scores, classical
+    # - Creates strong chromatic tension
+    #
+    # ## Usage
+    #
+    #     c_dim = Scales[:et12][440.0][:diminished_hw][60]
+    #     c_dim[0].pitch  # C (60)
+    #     c_dim[1].pitch  # Db (61)
+    #
+    # @see ScaleKind Abstract base class
+    # @see DiminishedWHScaleKind Whole-half diminished (dominant diminished)
+    # @see WholeToneScaleKind Whole tone scale
+    class DiminishedHWScaleKind < ScaleKind
+      @base_metadata = {
+        family: :symmetric,
+        brightness: nil,
+        character: [:diminished, :tense, :jazz],
+        parent: nil
+      }.freeze
+
+      class << self
+        @@pitches =
+            [{ functions: %i[i _1 tonic first],
+               pitch: 0 },
+             { functions: %i[ii _2 second],
+               pitch: 1 },
+             { functions: %i[iii _3 third],
+               pitch: 3 },
+             { functions: %i[iv _4 fourth],
+               pitch: 4 },
+             { functions: %i[v _5 fifth],
+               pitch: 6 },
+             { functions: %i[vi _6 sixth],
+               pitch: 7 },
+             { functions: %i[vii _7 seventh],
+               pitch: 9 },
+             { functions: %i[viii _8 eighth],
+               pitch: 10 },
+             { functions: %i[ix _9 ninth],
+               pitch: 12 },
+             { functions: %i[x _10 tenth],
+               pitch: 12 + 1 },
+             { functions: %i[xi _11 eleventh],
+               pitch: 12 + 3 },
+             { functions: %i[xii _12 twelfth],
+               pitch: 12 + 4 },
+             { functions: %i[xiii _13 thirteenth],
+               pitch: 12 + 6 },
+             { functions: %i[xiv _14 fourteenth],
+               pitch: 12 + 7 },
+             { functions: %i[xv _15 fifteenth],
+               pitch: 12 + 9 },
+             { functions: %i[xvi _16 sixteenth],
+               pitch: 12 + 10 }].freeze
+
+        def pitches
+          @@pitches
+        end
+
+        def grades
+          8
+        end
+
+        def id
+          :diminished_hw
+        end
+      end
+
+      EquallyTempered12ToneScaleSystem.register DiminishedHWScaleKind
+    end
+  end
+end

data/lib/musa-dsl/music/scale_kinds/symmetric/diminished_wh_scale_kind.rb

@@ -0,0 +1,110 @@
+# frozen_string_literal: true
+
+module Musa
+  module Scales
+    # Diminished whole-half scale kind.
+    #
+    # DiminishedWHScaleKind defines the whole-half diminished scale (also called
+    # dominant diminished), an eight-note symmetric scale alternating whole steps
+    # and half steps. It's commonly used over dominant 7th chords with altered tensions.
+    #
+    # ## Pitch Structure
+    #
+    # 8 degrees plus extended:
+    #
+    # **Scale Degrees** (pattern: W-H-W-H-W-H-W-H):
+    #
+    # - **I** (_1): Root (0 semitones)
+    # - **II** (_2): Major second (2 semitones)
+    # - **III** (_3): Minor third (3 semitones)
+    # - **IV** (_4): Perfect fourth (5 semitones)
+    # - **V** (_5): Diminished fifth (6 semitones)
+    # - **VI** (_6): Augmented fifth (8 semitones)
+    # - **VII** (_7): Major sixth (9 semitones)
+    # - **VIII** (_8): Major seventh (11 semitones)
+    #
+    # ## Symmetric Properties
+    #
+    # - Only 3 distinct diminished scales exist
+    # - Repeats every minor third (3 semitones)
+    # - Same notes as half-whole, but different starting point
+    # - Contains natural 9, #9, #11, 13 over dominant chord
+    #
+    # ## Musical Character
+    #
+    # The whole-half diminished scale:
+    #
+    # - Used over dominant 7th chords (hence "dominant diminished")
+    # - Provides b9, #9, #11, and natural 13 tensions
+    # - Common in bebop and modern jazz
+    # - Creates sophisticated altered dominant sound
+    #
+    # ## Usage
+    #
+    #     g_dom_dim = Scales[:et12][440.0][:diminished_wh][67]
+    #     g_dom_dim[0].pitch  # G (67)
+    #     g_dom_dim[1].pitch  # A (69)
+    #
+    # @see ScaleKind Abstract base class
+    # @see DiminishedHWScaleKind Half-whole diminished
+    # @see AlteredScaleKind Altered scale (another dominant scale)
+    class DiminishedWHScaleKind < ScaleKind
+      @base_metadata = {
+        family: :symmetric,
+        brightness: nil,
+        character: [:diminished, :dominant, :jazz],
+        parent: nil
+      }.freeze
+
+      class << self
+        @@pitches =
+            [{ functions: %i[I _1 tonic first],
+               pitch: 0 },
+             { functions: %i[II _2 second],
+               pitch: 2 },
+             { functions: %i[III _3 third],
+               pitch: 3 },
+             { functions: %i[IV _4 fourth],
+               pitch: 5 },
+             { functions: %i[V _5 fifth],
+               pitch: 6 },
+             { functions: %i[VI _6 sixth],
+               pitch: 8 },
+             { functions: %i[VII _7 seventh],
+               pitch: 9 },
+             { functions: %i[VIII _8 eighth],
+               pitch: 11 },
+             { functions: %i[IX _9 ninth],
+               pitch: 12 },
+             { functions: %i[X _10 tenth],
+               pitch: 12 + 2 },
+             { functions: %i[XI _11 eleventh],
+               pitch: 12 + 3 },
+             { functions: %i[XII _12 twelfth],
+               pitch: 12 + 5 },
+             { functions: %i[XIII _13 thirteenth],
+               pitch: 12 + 6 },
+             { functions: %i[XIV _14 fourteenth],
+               pitch: 12 + 8 },
+             { functions: %i[XV _15 fifteenth],
+               pitch: 12 + 9 },
+             { functions: %i[XVI _16 sixteenth],
+               pitch: 12 + 11 }].freeze
+
+        def pitches
+          @@pitches
+        end
+
+        def grades
+          8
+        end
+
+        def id
+          :diminished_wh
+        end
+      end
+
+      EquallyTempered12ToneScaleSystem.register DiminishedWHScaleKind
+    end
+  end
+end

data/lib/musa-dsl/music/scale_kinds/symmetric/whole_tone_scale_kind.rb

@@ -0,0 +1,99 @@
+# frozen_string_literal: true
+
+module Musa
+  module Scales
+    # Whole tone scale kind.
+    #
+    # WholeToneScaleKind defines the whole tone scale, a six-note symmetric
+    # scale where every interval is a whole step (major second). It has a
+    # dreamy, ambiguous quality with no clear tonal center.
+    #
+    # ## Pitch Structure
+    #
+    # 6 degrees plus extended:
+    #
+    # **Scale Degrees**:
+    #
+    # - **I** (_1): Root (0 semitones)
+    # - **II** (_2): Major second (2 semitones)
+    # - **III** (_3): Major third (4 semitones)
+    # - **IV#** (_4): Augmented fourth (6 semitones)
+    # - **V#** (_5): Augmented fifth (8 semitones)
+    # - **VII** (_6): Minor seventh (10 semitones)
+    #
+    # ## Symmetric Properties
+    #
+    # - Only 2 distinct whole tone scales exist (C and C#)
+    # - Every note can function as the root
+    # - Divides the octave into 6 equal parts
+    # - No perfect fifths = no strong harmonic function
+    #
+    # ## Musical Character
+    #
+    # The whole tone scale:
+    #
+    # - Dreamy, floating, ambiguous quality
+    # - No leading tones or tendency tones
+    # - Associated with impressionism (Debussy)
+    # - Used over augmented and dominant 7#5 chords
+    #
+    # ## Usage
+    #
+    #     c_whole = Scales[:et12][440.0][:whole_tone][60]
+    #     c_whole[0].pitch  # C (60)
+    #     c_whole[3].pitch  # F# (66)
+    #
+    # @see ScaleKind Abstract base class
+    # @see DiminishedHWScaleKind Diminished scale (another symmetric scale)
+    class WholeToneScaleKind < ScaleKind
+      @base_metadata = {
+        family: :symmetric,
+        brightness: nil,
+        character: [:floating, :impressionist, :ambiguous],
+        parent: nil
+      }.freeze
+
+      class << self
+        @@pitches =
+            [{ functions: %i[I _1 tonic first],
+               pitch: 0 },
+             { functions: %i[II _2 second],
+               pitch: 2 },
+             { functions: %i[III _3 third],
+               pitch: 4 },
+             { functions: %i[IV _4 fourth],
+               pitch: 6 },
+             { functions: %i[V _5 fifth],
+               pitch: 8 },
+             { functions: %i[VI _6 sixth],
+               pitch: 10 },
+             { functions: %i[VII _7 seventh],
+               pitch: 12 },
+             { functions: %i[VIII _8 eighth],
+               pitch: 12 + 2 },
+             { functions: %i[IX _9 ninth],
+               pitch: 12 + 4 },
+             { functions: %i[X _10 tenth],
+               pitch: 12 + 6 },
+             { functions: %i[XI _11 eleventh],
+               pitch: 12 + 8 },
+             { functions: %i[XII _12 twelfth],
+               pitch: 12 + 10 }].freeze
+
+        def pitches
+          @@pitches
+        end
+
+        def grades
+          6
+        end
+
+        def id
+          :whole_tone
+        end
+      end
+
+      EquallyTempered12ToneScaleSystem.register WholeToneScaleKind
+    end
+  end
+end

data/lib/musa-dsl/music/scale_systems/equally_tempered_12_tone_scale_system.rb

@@ -0,0 +1,80 @@
+# frozen_string_literal: true
+
+require_relative 'twelve_semitones_scale_system'
+
+module Musa
+  module Scales
+    # Equal temperament 12-tone scale system.
+    #
+    # EquallyTempered12ToneScaleSystem implements the standard equal temperament
+    # tuning where each semitone has exactly the same frequency ratio: 2^(1/12).
+    # This is the most common tuning system in modern Western music.
+    #
+    # ## Frequency Calculation
+    #
+    # Uses the equal temperament formula based on A440 concert pitch:
+    #
+    #     frequency = a_frequency × 2^((pitch - 69) / 12)
+    #
+    # Where:
+    #
+    # - **a_frequency**: Reference A frequency (typically 440 Hz)
+    # - **pitch**: MIDI pitch number (69 = A4)
+    #
+    # ## Historical Pitch Standards
+    #
+    # Different A frequencies represent different historical standards:
+    #
+    # - **440 Hz**: Modern concert pitch (ISO 16)
+    # - **442 Hz**: Used by some orchestras (brighter sound)
+    # - **415 Hz**: Baroque pitch (approximately A=415)
+    # - **432 Hz**: Alternative tuning (some claim harmonic benefits)
+    #
+    # ## Registration
+    #
+    # This system is registered as the default scale system, accessible via:
+    #
+    #     Scales[:et12]                    # By ID
+    #     Scales.default_system            # As default
+    #
+    # ## Usage
+    #
+    #     # Get system with standard A440 tuning
+    #     system = Scales[:et12][440.0]
+    #
+    #     # Get system with baroque tuning
+    #     baroque = Scales[:et12][415.0]
+    #
+    #     # Access scale kinds
+    #     c_major = system[:major][60]
+    #     a_minor = system[:minor][69]
+    #
+    # @see TwelveSemitonesScaleSystem Abstract base class
+    # @see ScaleSystem#frequency_of_pitch Abstract method implemented here
+    class EquallyTempered12ToneScaleSystem < TwelveSemitonesScaleSystem
+      class << self
+        # Calculates frequency for a pitch using equal temperament.
+        #
+        # Implements the equal temperament tuning formula where each semitone
+        # has a frequency ratio of 2^(1/12) ≈ 1.059463.
+        #
+        # @param pitch [Integer] MIDI pitch number
+        # @param _root_pitch [Integer] unused (required by interface)
+        # @param a_frequency [Numeric] reference A4 frequency in Hz
+        # @return [Float] frequency in Hz
+        #
+        # @example Standard A440 tuning
+        #   frequency_of_pitch(69, nil, 440.0)  # => 440.0 (A4)
+        #   frequency_of_pitch(60, nil, 440.0)  # => 261.63 (C4, middle C)
+        #
+        # @example Baroque tuning
+        #   frequency_of_pitch(69, nil, 415.0)  # => 415.0 (A4)
+        def frequency_of_pitch(pitch, _root_pitch, a_frequency)
+          (a_frequency * Rational(2)**Rational(pitch - 69, 12)).to_f
+        end
+      end
+
+      Scales.register EquallyTempered12ToneScaleSystem, default: true
+    end
+  end
+end