musa-dsl 0.30.2 → 0.41.0

data/lib/musa-dsl/music/scale_kinds/blues/blues_scale_kind.rb

@@ -0,0 +1,99 @@
+# frozen_string_literal: true
+
+module Musa
+  module Scales
+    # Blues scale kind (minor blues).
+    #
+    # BluesScaleKind defines the blues scale, a six-note scale that adds
+    # the "blue note" (b5) to the minor pentatonic scale. This is the
+    # quintessential scale for blues, rock, and jazz improvisation.
+    #
+    # ## Pitch Structure
+    #
+    # 6 degrees plus extended:
+    #
+    # **Scale Degrees** (lowercase for minor quality):
+    #
+    # - **i** (tonic): Root (0 semitones)
+    # - **iii** (mediant): Minor third (3 semitones)
+    # - **iv** (subdominant): Perfect fourth (5 semitones)
+    # - **blue** (blue note): Diminished fifth (6 semitones) ← CHARACTERISTIC
+    # - **v** (dominant): Perfect fifth (7 semitones)
+    # - **vii** (subtonic): Minor seventh (10 semitones)
+    #
+    # ## The Blue Note
+    #
+    # The b5 (diminished fifth) is the defining characteristic of the blues
+    # scale. It creates tension that resolves either up to the 5th or down
+    # to the 4th, giving the scale its distinctive "bluesy" sound.
+    #
+    # ## Musical Character
+    #
+    # The blues scale:
+    #
+    # - Foundation of blues improvisation
+    # - Works over minor, dominant 7th, and even major chords
+    # - The blue note adds expressive tension
+    # - Common in blues, rock, jazz, and funk
+    #
+    # ## Usage
+    #
+    #     a_blues = Scales[:et12][440.0][:blues][69]
+    #     a_blues.tonic  # A (69)
+    #     a_blues.blue   # Eb (75) - the blue note
+    #
+    # @see ScaleKind Abstract base class
+    # @see PentatonicMinorScaleKind Minor pentatonic (without blue note)
+    # @see BluesMajorScaleKind Major blues scale
+    class BluesScaleKind < ScaleKind
+      @base_metadata = {
+        family: :blues,
+        brightness: -1,
+        character: [:bluesy, :soulful, :minor],
+        parent: nil
+      }.freeze
+
+      class << self
+        @@pitches =
+            [{ functions: %i[i _1 tonic first],
+               pitch: 0 },
+             { functions: %i[iii _2 mediant second],
+               pitch: 3 },
+             { functions: %i[iv _3 subdominant third],
+               pitch: 5 },
+             { functions: %i[blue _4 fourth],
+               pitch: 6 },
+             { functions: %i[v _5 dominant fifth],
+               pitch: 7 },
+             { functions: %i[vii _6 subtonic sixth],
+               pitch: 10 },
+             { functions: %i[viii _7 seventh],
+               pitch: 12 },
+             { functions: %i[x _8 eighth],
+               pitch: 12 + 3 },
+             { functions: %i[xi _9 ninth],
+               pitch: 12 + 5 },
+             { functions: %i[blue2 _10 tenth],
+               pitch: 12 + 6 },
+             { functions: %i[xii _11 eleventh],
+               pitch: 12 + 7 },
+             { functions: %i[xiv _12 twelfth],
+               pitch: 12 + 10 }].freeze
+
+        def pitches
+          @@pitches
+        end
+
+        def grades
+          6
+        end
+
+        def id
+          :blues
+        end
+      end
+
+      EquallyTempered12ToneScaleSystem.register BluesScaleKind
+    end
+  end
+end

data/lib/musa-dsl/music/scale_kinds/chromatic_scale_kind.rb

@@ -0,0 +1,79 @@
+# frozen_string_literal: true
+
+module Musa
+  module Scales
+    # Chromatic scale kind (all 12 semitones).
+    #
+    # ChromaticScaleKind defines the chromatic scale containing all 12 semitones
+    # of the octave. It's used as a fallback for chromatic (non-diatonic) notes
+    # and for atonal or twelve-tone compositions.
+    #
+    # ## Pitch Structure
+    #
+    # Contains 12 pitch classes, one for each semitone:
+    #
+    # - Degrees: _1, _2, _3, _4, _5, _6, _7, _8, _9, _10, _11, _12
+    # - Pitches: 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 (semitones from root)
+    #
+    # ## Special Properties
+    #
+    # - **chromatic?**: Returns true (only scale kind with this property)
+    # - Used automatically when accessing non-diatonic notes in diatonic scales
+    #
+    # ## Usage
+    #
+    #     chromatic = Scales[:et12][440.0][:chromatic][60]
+    #     chromatic._1   # C
+    #     chromatic._2   # C#/Db
+    #     chromatic._3   # D
+    #     # ... all 12 semitones
+    #
+    # @see ScaleKind Abstract base class
+    # @see MajorScaleKind Major scale (7 notes)
+    # @see MinorNaturalScaleKind Minor scale (7 notes)
+    class ChromaticScaleKind < ScaleKind
+      @base_metadata = {
+        family: :chromatic,
+        brightness: nil,
+        character: [:atonal, :all_notes],
+        parent: nil
+      }.freeze
+
+      class << self
+        @@pitches =
+            [{ functions: [:_1], pitch: 0 },
+             { functions: [:_2], pitch: 1 },
+             { functions: [:_3], pitch: 2 },
+             { functions: [:_4], pitch: 3 },
+             { functions: [:_5], pitch: 4 },
+             { functions: [:_6], pitch: 5 },
+             { functions: [:_7], pitch: 6 },
+             { functions: [:_8], pitch: 7 },
+             { functions: [:_9], pitch: 8 },
+             { functions: [:_10], pitch: 9 },
+             { functions: [:_11], pitch: 10 },
+             { functions: [:_12], pitch: 11 }].freeze
+
+        # Pitch structure.
+        # @return [Array<Hash>] pitch definitions with functions and offsets
+        def pitches
+          @@pitches
+        end
+
+        # Scale kind identifier.
+        # @return [Symbol] :chromatic
+        def id
+          :chromatic
+        end
+
+        # Indicates if this is a chromatic scale.
+        # @return [Boolean] true
+        def chromatic?
+          true
+        end
+      end
+
+      EquallyTempered12ToneScaleSystem.register ChromaticScaleKind
+    end
+  end
+end

data/lib/musa-dsl/music/scale_kinds/ethnic/double_harmonic_scale_kind.rb

@@ -0,0 +1,102 @@
+# frozen_string_literal: true
+
+module Musa
+  module Scales
+    # Double harmonic scale kind (Byzantine scale).
+    #
+    # DoubleHarmonicScaleKind defines the double harmonic scale (also called
+    # Byzantine scale, Arabic scale, or Gypsy Major), characterized by two
+    # augmented seconds that create an exotic, Middle Eastern sound.
+    #
+    # ## Pitch Structure
+    #
+    # 7 diatonic degrees plus extended harmony:
+    #
+    # **Scale Degrees** (uppercase for major quality):
+    #
+    # - **I** (tonic): Root (0 semitones)
+    # - **II** (supertonic): Minor second (1 semitone) ← CHARACTERISTIC
+    # - **III** (mediant): Major third (4 semitones)
+    # - **IV** (subdominant): Perfect fourth (5 semitones)
+    # - **V** (dominant): Perfect fifth (7 semitones)
+    # - **VI** (submediant): Minor sixth (8 semitones) ← CHARACTERISTIC
+    # - **VII** (leading): Major seventh (11 semitones)
+    #
+    # ## Two Augmented Seconds
+    #
+    # - Between II and III (b2 to 3): 3 semitones
+    # - Between VI and VII (b6 to 7): 3 semitones
+    #
+    # ## Musical Character
+    #
+    # The double harmonic scale:
+    #
+    # - Strongly Middle Eastern/Byzantine sound
+    # - Two exotic augmented second intervals
+    # - Major quality with dramatic colorations
+    # - Used in Arabic, Turkish, Greek, and Indian music
+    #
+    # ## Usage
+    #
+    #     c_dbl_harm = Scales[:et12][440.0][:double_harmonic][60]
+    #     c_dbl_harm.tonic  # C (60)
+    #     c_dbl_harm.II     # Db (61) - minor second
+    #     c_dbl_harm.III    # E (64) - major third (augmented second above)
+    #
+    # @see ScaleKind Abstract base class
+    # @see PhrygianDominantScaleKind Spanish Phrygian (similar exotic quality)
+    # @see HungarianMinorScaleKind Hungarian minor
+    class DoubleHarmonicScaleKind < ScaleKind
+      @base_metadata = {
+        family: :ethnic,
+        brightness: -1,
+        character: [:byzantine, :arabic, :exotic],
+        parent: nil
+      }.freeze
+
+      class << self
+        @@pitches =
+            [{ functions: %i[I _1 tonic first],
+               pitch: 0 },
+             { functions: %i[II _2 supertonic second],
+               pitch: 1 },
+             { functions: %i[III _3 mediant third],
+               pitch: 4 },
+             { functions: %i[IV _4 subdominant fourth],
+               pitch: 5 },
+             { functions: %i[V _5 dominant fifth],
+               pitch: 7 },
+             { functions: %i[VI _6 submediant sixth],
+               pitch: 8 },
+             { functions: %i[VII _7 leading seventh],
+               pitch: 11 },
+             { functions: %i[VIII _8 eighth],
+               pitch: 12 },
+             { functions: %i[IX _9 ninth],
+               pitch: 12 + 1 },
+             { functions: %i[X _10 tenth],
+               pitch: 12 + 4 },
+             { functions: %i[XI _11 eleventh],
+               pitch: 12 + 5 },
+             { functions: %i[XII _12 twelfth],
+               pitch: 12 + 7 },
+             { functions: %i[XIII _13 thirteenth],
+               pitch: 12 + 8 }].freeze
+
+        def pitches
+          @@pitches
+        end
+
+        def grades
+          7
+        end
+
+        def id
+          :double_harmonic
+        end
+      end
+
+      EquallyTempered12ToneScaleSystem.register DoubleHarmonicScaleKind
+    end
+  end
+end

data/lib/musa-dsl/music/scale_kinds/ethnic/hungarian_minor_scale_kind.rb

@@ -0,0 +1,102 @@
+# frozen_string_literal: true
+
+module Musa
+  module Scales
+    # Hungarian minor scale kind.
+    #
+    # HungarianMinorScaleKind defines the Hungarian minor scale (also called
+    # Gypsy minor or Double Harmonic Minor), a minor scale with two
+    # augmented seconds creating an exotic, Eastern European sound.
+    #
+    # ## Pitch Structure
+    #
+    # 7 diatonic degrees plus extended harmony:
+    #
+    # **Scale Degrees** (lowercase for minor quality):
+    #
+    # - **i** (tonic): Root (0 semitones)
+    # - **ii** (supertonic): Major second (2 semitones)
+    # - **iii** (mediant): Minor third (3 semitones)
+    # - **iv** (subdominant): Augmented fourth (6 semitones) ← CHARACTERISTIC (#4)
+    # - **v** (dominant): Perfect fifth (7 semitones)
+    # - **vi** (submediant): Minor sixth (8 semitones)
+    # - **vii** (leading): Major seventh (11 semitones)
+    #
+    # ## Two Augmented Seconds
+    #
+    # - Between III and IV (b3 to #4): 3 semitones
+    # - Between VI and VII (b6 to 7): 3 semitones
+    #
+    # ## Musical Character
+    #
+    # The Hungarian minor scale:
+    #
+    # - Dramatic, passionate, exotic
+    # - Common in Hungarian and Romani music
+    # - Used by Liszt, Brahms, and other Romantic composers
+    # - Creates a distinctive "gypsy" sound
+    #
+    # ## Usage
+    #
+    #     a_hung_min = Scales[:et12][440.0][:hungarian_minor][69]
+    #     a_hung_min.tonic  # A (69)
+    #     a_hung_min.iv     # D# (75) - augmented fourth
+    #     a_hung_min.vii    # G# (80) - major seventh
+    #
+    # @see ScaleKind Abstract base class
+    # @see MinorHarmonicScaleKind Harmonic minor (one augmented second)
+    # @see DoubleHarmonicScaleKind Double harmonic (Byzantine)
+    class HungarianMinorScaleKind < ScaleKind
+      @base_metadata = {
+        family: :ethnic,
+        brightness: -2,
+        character: [:gypsy, :eastern_european, :dramatic],
+        parent: nil
+      }.freeze
+
+      class << self
+        @@pitches =
+            [{ functions: %i[i _1 tonic first],
+               pitch: 0 },
+             { functions: %i[ii _2 supertonic second],
+               pitch: 2 },
+             { functions: %i[iii _3 mediant third],
+               pitch: 3 },
+             { functions: %i[iv _4 subdominant fourth],
+               pitch: 6 },
+             { functions: %i[v _5 dominant fifth],
+               pitch: 7 },
+             { functions: %i[vi _6 submediant sixth],
+               pitch: 8 },
+             { functions: %i[vii _7 leading seventh],
+               pitch: 11 },
+             { functions: %i[viii _8 eighth],
+               pitch: 12 },
+             { functions: %i[ix _9 ninth],
+               pitch: 12 + 2 },
+             { functions: %i[x _10 tenth],
+               pitch: 12 + 3 },
+             { functions: %i[xi _11 eleventh],
+               pitch: 12 + 6 },
+             { functions: %i[xii _12 twelfth],
+               pitch: 12 + 7 },
+             { functions: %i[xiii _13 thirteenth],
+               pitch: 12 + 8 }].freeze
+
+        def pitches
+          @@pitches
+        end
+
+        def grades
+          7
+        end
+
+        def id
+          :hungarian_minor
+        end
+      end
+
+      EquallyTempered12ToneScaleSystem.register HungarianMinorScaleKind
+    end
+  end
+end

data/lib/musa-dsl/music/scale_kinds/ethnic/neapolitan_major_scale_kind.rb

@@ -0,0 +1,102 @@
+# frozen_string_literal: true
+
+module Musa
+  module Scales
+    # Neapolitan major scale kind.
+    #
+    # NeapolitanMajorScaleKind defines the Neapolitan major scale, a
+    # major scale with a lowered second degree, combining the Neapolitan
+    # coloring with a brighter major upper structure.
+    #
+    # ## Pitch Structure
+    #
+    # 7 diatonic degrees plus extended harmony:
+    #
+    # **Scale Degrees** (uppercase for major quality):
+    #
+    # - **I** (tonic): Root (0 semitones)
+    # - **II** (supertonic): Minor second (1 semitone) ← NEAPOLITAN (b2)
+    # - **III** (mediant): Minor third (3 semitones)
+    # - **IV** (subdominant): Perfect fourth (5 semitones)
+    # - **V** (dominant): Perfect fifth (7 semitones)
+    # - **VI** (submediant): Major sixth (9 semitones)
+    # - **VII** (leading): Major seventh (11 semitones)
+    #
+    # ## Relationship to Melodic Minor
+    #
+    # Neapolitan major = Melodic minor with lowered 2nd
+    #
+    # ## Musical Character
+    #
+    # The Neapolitan major scale:
+    #
+    # - Exotic but brighter than Neapolitan minor
+    # - Combines Phrygian darkness with major brightness
+    # - Used in classical and contemporary music
+    # - Unique harmonic possibilities
+    #
+    # ## Usage
+    #
+    #     c_neap_maj = Scales[:et12][440.0][:neapolitan_major][60]
+    #     c_neap_maj.tonic  # C (60)
+    #     c_neap_maj.II     # Db (61) - minor second (Neapolitan)
+    #     c_neap_maj.VI     # A (69) - major sixth
+    #     c_neap_maj.VII    # B (71) - leading tone
+    #
+    # @see ScaleKind Abstract base class
+    # @see MelodicMinorScaleKind Melodic minor (with major 2nd)
+    # @see NeapolitanMinorScaleKind Neapolitan minor
+    class NeapolitanMajorScaleKind < ScaleKind
+      @base_metadata = {
+        family: :ethnic,
+        brightness: -1,
+        character: [:neapolitan, :classical, :bright_dark],
+        parent: nil
+      }.freeze
+
+      class << self
+        @@pitches =
+            [{ functions: %i[I _1 tonic first],
+               pitch: 0 },
+             { functions: %i[II _2 supertonic second],
+               pitch: 1 },
+             { functions: %i[III _3 mediant third],
+               pitch: 3 },
+             { functions: %i[IV _4 subdominant fourth],
+               pitch: 5 },
+             { functions: %i[V _5 dominant fifth],
+               pitch: 7 },
+             { functions: %i[VI _6 submediant sixth],
+               pitch: 9 },
+             { functions: %i[VII _7 leading seventh],
+               pitch: 11 },
+             { functions: %i[VIII _8 eighth],
+               pitch: 12 },
+             { functions: %i[IX _9 ninth],
+               pitch: 12 + 1 },
+             { functions: %i[X _10 tenth],
+               pitch: 12 + 3 },
+             { functions: %i[XI _11 eleventh],
+               pitch: 12 + 5 },
+             { functions: %i[XII _12 twelfth],
+               pitch: 12 + 7 },
+             { functions: %i[XIII _13 thirteenth],
+               pitch: 12 + 9 }].freeze
+
+        def pitches
+          @@pitches
+        end
+
+        def grades
+          7
+        end
+
+        def id
+          :neapolitan_major
+        end
+      end
+
+      EquallyTempered12ToneScaleSystem.register NeapolitanMajorScaleKind
+    end
+  end
+end

data/lib/musa-dsl/music/scale_kinds/ethnic/neapolitan_minor_scale_kind.rb

@@ -0,0 +1,101 @@
+# frozen_string_literal: true
+
+module Musa
+  module Scales
+    # Neapolitan minor scale kind.
+    #
+    # NeapolitanMinorScaleKind defines the Neapolitan minor scale, a
+    # harmonic minor scale with a lowered second degree, named after
+    # the Neapolitan school of opera in the 18th century.
+    #
+    # ## Pitch Structure
+    #
+    # 7 diatonic degrees plus extended harmony:
+    #
+    # **Scale Degrees** (lowercase for minor quality):
+    #
+    # - **i** (tonic): Root (0 semitones)
+    # - **ii** (supertonic): Minor second (1 semitone) ← NEAPOLITAN (b2)
+    # - **iii** (mediant): Minor third (3 semitones)
+    # - **iv** (subdominant): Perfect fourth (5 semitones)
+    # - **v** (dominant): Perfect fifth (7 semitones)
+    # - **vi** (submediant): Minor sixth (8 semitones)
+    # - **vii** (leading): Major seventh (11 semitones)
+    #
+    # ## Relationship to Harmonic Minor
+    #
+    # Neapolitan minor = Harmonic minor with lowered 2nd
+    #
+    # ## Musical Character
+    #
+    # The Neapolitan minor scale:
+    #
+    # - Dark, dramatic, operatic
+    # - The Neapolitan sixth chord (bII) is characteristic
+    # - Used in classical and film music
+    # - Strong resolution tendency to tonic
+    #
+    # ## Usage
+    #
+    #     a_neap_min = Scales[:et12][440.0][:neapolitan_minor][69]
+    #     a_neap_min.tonic  # A (69)
+    #     a_neap_min.ii     # Bb (70) - minor second (Neapolitan)
+    #     a_neap_min.vii    # G# (80) - leading tone
+    #
+    # @see ScaleKind Abstract base class
+    # @see MinorHarmonicScaleKind Harmonic minor (with major 2nd)
+    # @see NeapolitanMajorScaleKind Neapolitan major
+    class NeapolitanMinorScaleKind < ScaleKind
+      @base_metadata = {
+        family: :ethnic,
+        brightness: -2,
+        character: [:neapolitan, :classical, :dark],
+        parent: nil
+      }.freeze
+
+      class << self
+        @@pitches =
+            [{ functions: %i[i _1 tonic first],
+               pitch: 0 },
+             { functions: %i[ii _2 supertonic second],
+               pitch: 1 },
+             { functions: %i[iii _3 mediant third],
+               pitch: 3 },
+             { functions: %i[iv _4 subdominant fourth],
+               pitch: 5 },
+             { functions: %i[v _5 dominant fifth],
+               pitch: 7 },
+             { functions: %i[vi _6 submediant sixth],
+               pitch: 8 },
+             { functions: %i[vii _7 leading seventh],
+               pitch: 11 },
+             { functions: %i[viii _8 eighth],
+               pitch: 12 },
+             { functions: %i[ix _9 ninth],
+               pitch: 12 + 1 },
+             { functions: %i[x _10 tenth],
+               pitch: 12 + 3 },
+             { functions: %i[xi _11 eleventh],
+               pitch: 12 + 5 },
+             { functions: %i[xii _12 twelfth],
+               pitch: 12 + 7 },
+             { functions: %i[xiii _13 thirteenth],
+               pitch: 12 + 8 }].freeze
+
+        def pitches
+          @@pitches
+        end
+
+        def grades
+          7
+        end
+
+        def id
+          :neapolitan_minor
+        end
+      end
+
+      EquallyTempered12ToneScaleSystem.register NeapolitanMinorScaleKind
+    end
+  end
+end

data/lib/musa-dsl/music/scale_kinds/ethnic/phrygian_dominant_scale_kind.rb

@@ -0,0 +1,103 @@
+# frozen_string_literal: true
+
+module Musa
+  module Scales
+    # Phrygian dominant scale kind (Spanish Phrygian).
+    #
+    # PhrygianDominantScaleKind defines the Phrygian dominant scale (also called
+    # Spanish Phrygian, Freygish, or Spanish Gypsy scale), the fifth mode of
+    # harmonic minor. It's the quintessential flamenco scale.
+    #
+    # ## Pitch Structure
+    #
+    # 7 diatonic degrees plus extended harmony:
+    #
+    # **Scale Degrees** (uppercase for major 3rd quality):
+    #
+    # - **I** (tonic): Root (0 semitones)
+    # - **II** (supertonic): Minor second (1 semitone) ← PHRYGIAN
+    # - **III** (mediant): Major third (4 semitones) ← DOMINANT
+    # - **IV** (subdominant): Perfect fourth (5 semitones)
+    # - **V** (dominant): Perfect fifth (7 semitones)
+    # - **VI** (submediant): Minor sixth (8 semitones)
+    # - **VII** (subtonic): Minor seventh (10 semitones)
+    #
+    # ## Key Features
+    #
+    # - Phrygian's minor second (exotic)
+    # - Dominant's major third (strong harmonic character)
+    # - Creates the characteristic flamenco sound
+    #
+    # ## Musical Character
+    #
+    # The Phrygian dominant scale:
+    #
+    # - The sound of flamenco and Spanish guitar
+    # - Works over dominant chords resolving to minor
+    # - Common in klezmer and Middle Eastern music too
+    # - Intensely expressive and dramatic
+    #
+    # ## Usage
+    #
+    #     e_phry_dom = Scales[:et12][440.0][:phrygian_dominant][64]
+    #     e_phry_dom.tonic  # E (64)
+    #     e_phry_dom.II     # F (65) - minor second (Phrygian)
+    #     e_phry_dom.III    # G# (68) - major third (Dominant)
+    #
+    # @see ScaleKind Abstract base class
+    # @see PhrygianScaleKind Phrygian mode (with minor 3rd)
+    # @see MinorHarmonicScaleKind Parent harmonic minor scale
+    class PhrygianDominantScaleKind < ScaleKind
+      @base_metadata = {
+        family: :ethnic,
+        brightness: -1,
+        character: [:spanish, :flamenco, :jewish],
+        parent: { scale: :minor_harmonic, degree: 5 }
+      }.freeze
+
+      class << self
+        @@pitches =
+            [{ functions: %i[I _1 tonic first],
+               pitch: 0 },
+             { functions: %i[II _2 supertonic second],
+               pitch: 1 },
+             { functions: %i[III _3 mediant third],
+               pitch: 4 },
+             { functions: %i[IV _4 subdominant fourth],
+               pitch: 5 },
+             { functions: %i[V _5 dominant fifth],
+               pitch: 7 },
+             { functions: %i[VI _6 submediant sixth],
+               pitch: 8 },
+             { functions: %i[VII _7 subtonic seventh],
+               pitch: 10 },
+             { functions: %i[VIII _8 eighth],
+               pitch: 12 },
+             { functions: %i[IX _9 ninth],
+               pitch: 12 + 1 },
+             { functions: %i[X _10 tenth],
+               pitch: 12 + 4 },
+             { functions: %i[XI _11 eleventh],
+               pitch: 12 + 5 },
+             { functions: %i[XII _12 twelfth],
+               pitch: 12 + 7 },
+             { functions: %i[XIII _13 thirteenth],
+               pitch: 12 + 8 }].freeze
+
+        def pitches
+          @@pitches
+        end
+
+        def grades
+          7
+        end
+
+        def id
+          :phrygian_dominant
+        end
+      end
+
+      EquallyTempered12ToneScaleSystem.register PhrygianDominantScaleKind
+    end
+  end
+end