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+Informal standard                                             M. Nilsson
+Document: id3v2.3.0.txt                                3rd February 1999
+
+
+                           ID3 tag version 2.3.0
+
+Status of this document
+
+   This document is an informal standard and replaces the ID3v2.2.0
+   standard [ID3v2]. The informal standard is released so that
+   implementors could have a set standard before a formal standard is
+   set. The formal standard will use another version or revision number
+   if not identical to what is described in this document. The contents
+   in this document may change for clarifications but never for added or
+   altered functionallity.
+
+   Distribution of this document is unlimited.
+
+
+Abstract
+
+   This document describes the ID3v2.3.0, which is a more developed
+   version of the ID3v2 informal standard [ID3v2] (version 2.2.0),
+   evolved from the ID3 tagging system. The ID3v2 offers a flexible way
+   of storing information about an audio file within itself to determine
+   its origin and contents. The information may be technical
+   information, such as equalisation curves, as well as related meta
+   information, such as title, performer, copyright etc.
+
+
+1.   Table of contents
+
+   2.   Conventions in this document
+   3.   ID3v2 overview
+     3.1.   ID3v2 header
+     3.2.   ID3v2 extended header
+     3.3.   ID3v2 frames overview
+       3.3.1.   Frame header flags
+       3.3.2.   Default flags
+   4.   Declared ID3v2 frames
+     4.1.   Unique file identifier
+     4.2.   Text information frames
+       4.2.1.   Text information frames - details
+       4.2.2.   User defined text information frame
+     4.3.   URL link frames
+       4.3.1.   URL link frames - details
+       4.3.2.   User defined URL link frame
+     4.4.   Involved people list
+     4.5.   Music CD Identifier
+     4.6.   Event timing codes
+     4.7.   MPEG location lookup table
+     4.8.   Synced tempo codes
+     4.9.   Unsychronised lyrics/text transcription
+     4.10.  Synchronised lyrics/text
+     4.11.  Comments
+     4.12.  Relative volume adjustment
+     4.13.  Equalisation
+     4.14.  Reverb
+     4.15.  Attached picture
+     4.16.  General encapsulated object
+     4.17.  Play counter
+     4.18.  Popularimeter
+     4.19.  Recommended buffer size
+     4.20.  Audio encryption
+     4.21.  Linked information
+     4.22.  Position synchronisation frame
+     4.23.  Terms of use
+     4.24.  Ownership frame
+     4.25.  Commercial frame
+     4.26.  Encryption method registration
+     4.27.  Group identification registration
+	 4.28.  Private frame
+   5.   The 'unsynchronisation scheme'
+   6.   Copyright
+   7.   References
+   8.   Appendix
+     A.   Appendix A - Genre List from ID3v1
+   9.   Author's Address
+
+
+2.   Conventions in this document
+
+   In the examples, text within "" is a text string exactly as it
+   appears in a file. Numbers preceded with $ are hexadecimal and
+   numbers preceded with % are binary. $xx is used to indicate a byte
+   with unknown content. %x is used to indicate a bit with unknown
+   content. The most significant bit (MSB) of a byte is called 'bit 7'
+   and the least significant bit (LSB) is called 'bit 0'.
+
+   A tag is the whole tag described in this document. A frame is a block
+   of information in the tag. The tag consists of a header, frames and
+   optional padding. A field is a piece of information; one value, a
+   string etc. A numeric string is a string that consists of the
+   characters 0-9 only.
+
+
+3.   ID3v2 overview
+
+   The two biggest design goals were to be able to implement ID3v2
+   without disturbing old software too much and that ID3v2 should be
+   as flexible and expandable as possible.
+
+   The first criterion is met by the simple fact that the MPEG [MPEG]
+   decoding software uses a syncsignal, embedded in the audiostream, to
+   'lock on to' the audio. Since the ID3v2 tag doesn't contain a valid
+   syncsignal, no software will attempt to play the tag. If, for any
+   reason, coincidence make a syncsignal appear within the tag it will
+   be taken care of by the 'unsynchronisation scheme' described in
+   section 5.
+
+   The second criterion has made a more noticeable impact on the design
+   of the ID3v2 tag. It is constructed as a container for several
+   information blocks, called frames, whose format need not be known to
+   the software that encounters them. At the start of every frame there
+   is an identifier that explains the frames' format and content, and a
+   size descriptor that allows software to skip unknown frames.
+
+   If a total revision of the ID3v2 tag should be needed, there is a
+   version number and a size descriptor in the ID3v2 header.
+
+   The ID3 tag described in this document is mainly targeted at files
+   encoded with MPEG-1/2 layer I, MPEG-1/2 layer II, MPEG-1/2 layer III
+   and MPEG-2.5, but may work with other types of encoded audio.
+
+   The bitorder in ID3v2 is most significant bit first (MSB). The
+   byteorder in multibyte numbers is most significant byte first (e.g.
+   $12345678 would be encoded $12 34 56 78).
+
+   It is permitted to include padding after all the final frame (at the
+   end of the ID3 tag), making the size of all the frames together
+   smaller than the size given in the head of the tag. A possible
+   purpose of this padding is to allow for adding a few additional
+   frames or enlarge existing frames within the tag without having to
+   rewrite the entire file. The value of the padding bytes must be $00.
+
+
+3.1.   ID3v2 header
+
+   The ID3v2 tag header, which should be the first information in the
+   file, is 10 bytes as follows:
+
+     ID3v2/file identifier      "ID3"
+     ID3v2 version              $03 00
+     ID3v2 flags                %abc00000
+     ID3v2 size             4 * %0xxxxxxx
+
+   The first three bytes of the tag are always "ID3" to indicate that
+   this is an ID3v2 tag, directly followed by the two version bytes. The
+   first byte of ID3v2 version is it's major version, while the second
+   byte is its revision number. In this case this is ID3v2.3.0. All
+   revisions are backwards compatible while major versions are not. If
+   software with ID3v2.2.0 and below support should encounter version
+   three or higher it should simply ignore the whole tag. Version and
+   revision will never be $FF.
+
+   The version is followed by one the ID3v2 flags field, of which
+   currently only three flags are used.
+
+
+   a - Unsynchronisation
+
+     Bit 7 in the 'ID3v2 flags' indicates whether or not
+     unsynchronisation is used (see section 5 for details); a set bit
+     indicates usage.
+
+
+   b - Extended header
+
+     The second bit (bit 6) indicates whether or not the header is
+     followed by an extended header. The extended header is described in
+     section 3.2.
+
+
+   c - Experimental indicator
+
+     The third bit (bit 5) should be used as an 'experimental
+     indicator'. This flag should always be set when the tag is in an
+     experimental stage.
+
+   All the other flags should be cleared. If one of these undefined
+   flags are set that might mean that the tag is not readable for a
+   parser that does not know the flags function.
+
+   The ID3v2 tag size is encoded with four bytes where the most
+   significant bit (bit 7) is set to zero in every byte, making a total
+   of 28 bits. The zeroed bits are ignored, so a 257 bytes long tag is
+   represented as $00 00 02 01.
+
+   The ID3v2 tag size is the size of the complete tag after
+   unsychronisation, including padding, excluding the header but not
+   excluding the extended header (total tag size - 10). Only 28 bits
+   (representing up to 256MB) are used in the size description to avoid
+   the introducuction of 'false syncsignals'.
+
+   An ID3v2 tag can be detected with the following pattern:
+     $49 44 33 yy yy xx zz zz zz zz
+   Where yy is less than $FF, xx is the 'flags' byte and zz is less than
+   $80.
+
+
+3.2.   ID3v2 extended header
+
+   The extended header contains information that is not vital to the
+   correct parsing of the tag information, hence the extended header is
+   optional.
+
+     Extended header size   $xx xx xx xx
+     Extended Flags         $xx xx
+     Size of padding        $xx xx xx xx
+
+   Where the 'Extended header size', currently 6 or 10 bytes, excludes
+   itself. The 'Size of padding' is simply the total tag size excluding
+   the frames and the headers, in other words the padding. The extended
+   header is considered separate from the header proper, and as such is
+   subject to unsynchronisation.
+
+   The extended flags are a secondary flag set which describes further
+   attributes of the tag. These attributes are currently defined as
+   follows
+
+     %x0000000 00000000
+
+
+   x - CRC data present
+
+     If this flag is set four bytes of CRC-32 data is appended to the
+     extended header. The CRC should be calculated before
+     unsynchronisation on the data between the extended header and the
+     padding, i.e. the frames and only the frames.
+
+        Total frame CRC        $xx xx xx xx
+
+
+3.3.   ID3v2 frame overview
+
+   As the tag consists of a tag header and a tag body with one or more
+   frames, all the frames consists of a frame header followed by one or
+   more fields containing the actual information. The layout of the
+   frame header:
+
+     Frame ID   $xx xx xx xx  (four characters)
+     Size       $xx xx xx xx
+     Flags      $xx xx
+
+   The frame ID made out of the characters capital A-Z and 0-9.
+   Identifiers beginning with "X", "Y" and "Z" are for experimental use
+   and free for everyone to use, without the need to set the
+   experimental bit in the tag header. Have in mind that someone else
+   might have used the same identifier as you. All other identifiers are
+   either used or reserved for future use.
+
+   The frame ID is followed by a size descriptor, making a total header
+   size of ten bytes in every frame. The size is calculated as frame
+   size excluding frame header (frame size - 10).
+
+   In the frame header the size descriptor is followed by two flags
+   bytes. These flags are described in section 3.3.1.
+
+   There is no fixed order of the frames' appearance in the tag,
+   although it is desired that the frames are arranged in order of
+   significance concerning the recognition of the file. An example of
+   such order: UFID, TIT2, MCDI, TRCK ...
+
+   A tag must contain at least one frame. A frame must be at least 1
+   byte big, excluding the header.
+
+   If nothing else is said a string is represented as ISO-8859-1
+   [ISO-8859-1] characters in the range $20 - $FF. Such strings are
+   represented as <text string>, or <full text string> if newlines are
+   allowed, in the frame descriptions. All Unicode strings [UNICODE] use
+   16-bit unicode 2.0 (ISO/IEC 10646-1:1993, UCS-2). Unicode strings
+   must begin with the Unicode BOM ($FF FE or $FE FF) to identify the
+   byte order.
+
+   All numeric strings and URLs [URL] are always encoded as ISO-8859-1.
+   Terminated strings are terminated with $00 if encoded with ISO-8859-1
+   and $00 00 if encoded as unicode. If nothing else is said newline
+   character is forbidden. In ISO-8859-1 a new line is represented, when
+   allowed, with $0A only. Frames that allow different types of text
+   encoding have a text encoding description byte directly after the
+   frame size. If ISO-8859-1 is used this byte should be $00, if Unicode
+   is used it should be $01. Strings dependent on encoding is
+   represented as <text string according to encoding>, or <full text
+   string according to encoding> if newlines are allowed.  Any empty
+   Unicode strings which are NULL-terminated may have the Unicode BOM
+   followed by a Unicode NULL ($FF FE 00 00 or $FE FF 00 00).
+
+   The three byte language field is used to describe the language of the
+   frame's content, according to ISO-639-2 [ISO-639-2].
+
+   All URLs [URL] may be relative, e.g. "picture.png", "../doc.txt".
+
+   If a frame is longer than it should be, e.g. having more fields than
+   specified in this document, that indicates that additions to the
+   frame have been made in a later version of the ID3v2 standard. This
+   is reflected by the revision number in the header of the tag.
+
+
+3.3.1.   Frame header flags
+
+   In the frame header the size descriptor is followed by two flags
+   bytes. All unused flags must be cleared. The first byte is for
+   'status messages' and the second byte is for encoding purposes. If an
+   unknown flag is set in the first byte the frame may not be changed
+   without the bit cleared. If an unknown flag is set in the second byte
+   it is likely to not be readable. The flags field is defined as
+   follows.
+
+     %abc00000 %ijk00000
+
+
+   a - Tag alter preservation
+
+     This flag tells the software what to do with this frame if it is
+     unknown and the tag is altered in any way. This applies to all
+     kinds of alterations, including adding more padding and reordering
+     the frames.
+
+     0     Frame should be preserved.
+     1     Frame should be discarded.
+
+
+   b - File alter preservation
+
+     This flag tells the software what to do with this frame if it is
+     unknown and the file, excluding the tag, is altered. This does not
+     apply when the audio is completely replaced with other audio data.
+
+     0     Frame should be preserved.
+     1     Frame should be discarded.
+
+
+   c - Read only
+
+      This flag, if set, tells the software that the contents of this
+      frame is intended to be read only. Changing the contents might
+      break something, e.g. a signature. If the contents are changed,
+      without knowledge in why the frame was flagged read only and
+      without taking the proper means to compensate, e.g. recalculating
+      the signature, the bit should be cleared.
+
+
+   i - Compression
+
+      This flag indicates whether or not the frame is compressed.
+
+      0     Frame is not compressed.
+      1     Frame is compressed using zlib [zlib] with 4 bytes for
+            'decompressed size' appended to the frame header.
+
+
+   j - Encryption
+
+      This flag indicates wether or not the frame is enrypted. If set
+      one byte indicating with which method it was encrypted will be
+      appended to the frame header. See section 4.26. for more
+      information about encryption method registration.
+
+      0     Frame is not encrypted.
+      1     Frame is encrypted.
+
+
+   k - Grouping identity
+
+      This flag indicates whether or not this frame belongs in a group
+      with other frames. If set a group identifier byte is added to the
+      frame header. Every frame with the same group identifier belongs
+      to the same group.
+
+      0     Frame does not contain group information
+      1     Frame contains group information
+
+
+   Some flags indicates that the frame header is extended with
+   additional information. This information will be added to the frame
+   header in the same order as the flags indicating the additions. I.e.
+   the four bytes of decompressed size will preceed the encryption
+   method byte. These additions to the frame header, while not included
+   in the frame header size but are included in the 'frame size' field,
+   are not subject to encryption or compression.
+
+
+3.3.2.   Default flags
+
+   The default settings for the frames described in this document can be
+   divided into the following classes. The flags may be set differently
+   if found more suitable by the software.
+
+    1. Discarded if tag is altered, discarded if file is altered.
+
+       None.
+
+    2. Discarded if tag is altered, preserved if file is altered.
+
+       None.
+
+    3. Preserved if tag is altered, discarded if file is altered.
+
+       AENC, ETCO, EQUA, MLLT, POSS, SYLT, SYTC, RVAD, TENC, TLEN, TSIZ
+
+    4. Preserved if tag is altered, preserved if file is altered.
+
+       The rest of the frames.
+
+
+4.   Declared ID3v2 frames
+
+   The following frames are declared in this draft.
+
+  4.21  AENC Audio encryption
+  4.15  APIC Attached picture
+
+  4.11  COMM Comments
+  4.25  COMR Commercial frame
+
+  4.26  ENCR Encryption method registration
+  4.13  EQUA Equalization
+  4.6   ETCO Event timing codes
+
+  4.16  GEOB General encapsulated object
+  4.27  GRID Group identification registration
+
+  4.4   IPLS Involved people list
+
+  4.21  LINK Linked information
+
+  4.5   MCDI Music CD identifier
+  4.7   MLLT MPEG location lookup table
+
+  4.24  OWNE Ownership frame
+
+  4.28. PRIV Private frame
+  4.17  PCNT Play counter
+  4.18  POPM Popularimeter
+  4.22  POSS Position synchronisation frame
+
+  4.19  RBUF Recommended buffer size
+  4.12  RVAD Relative volume adjustment
+  4.14  RVRB Reverb
+
+  4.10  SYLT Synchronized lyric/text
+  4.8   SYTC Synchronized tempo codes
+
+  4.2.1 TALB Album/Movie/Show title
+  4.2.1 TBPM BPM (beats per minute)
+  4.2.1 TCOM Composer
+  4.2.1 TCON Content type
+  4.2.1 TCOP Copyright message
+  4.2.1 TDAT Date
+  4.2.1 TDLY Playlist delay
+  4.2.1 TENC Encoded by
+  4.2.1 TEXT Lyricist/Text writer
+  4.2.1 TFLT File type
+  4.2.1 TIME Time
+  4.2.1 TIT1 Content group description
+  4.2.1 TIT2 Title/songname/content description
+  4.2.1 TIT3 Subtitle/Description refinement
+  4.2.1 TKEY Initial key
+  4.2.1 TLAN Language(s)
+  4.2.1 TLEN Length
+  4.2.1 TMED Media type
+  4.2.1 TOAL Original album/movie/show title
+  4.2.1 TOFN Original filename
+  4.2.1 TOLY Original lyricist(s)/text writer(s)
+  4.2.1 TOPE Original artist(s)/performer(s)
+  4.2.1 TORY Original release year
+  4.2.1 TOWN File owner/licensee
+  4.2.1 TPE1 Lead performer(s)/Soloist(s)
+  4.2.1 TPE2 Band/orchestra/accompaniment
+  4.2.1 TPE3 Conductor/performer refinement
+  4.2.1 TPE4 Interpreted, remixed, or otherwise modified by
+  4.2.1 TPOS Part of a set
+  4.2.1 TPUB Publisher
+  4.2.1 TRCK Track number/Position in set
+  4.2.1 TRDA Recording dates
+  4.2.1 TRSN Internet radio station name
+  4.2.1 TRSO Internet radio station owner
+  4.2.1 TSIZ Size
+  4.2.1 TSRC ISRC (international standard recording code)
+  4.2.1 TSSE Software/Hardware and settings used for encoding
+  4.2.1 TYER Year
+  4.2.2 TXXX User defined text information frame
+
+  4.1   UFID Unique file identifier
+  4.23  USER Terms of use
+  4.9   USLT Unsychronized lyric/text transcription
+
+  4.3.1 WCOM Commercial information
+  4.3.1 WCOP Copyright/Legal information
+  4.3.1 WOAF Official audio file webpage
+  4.3.1 WOAR Official artist/performer webpage
+  4.3.1 WOAS Official audio source webpage
+  4.3.1 WORS Official internet radio station homepage
+  4.3.1 WPAY Payment
+  4.3.1 WPUB Publishers official webpage
+  4.3.2 WXXX User defined URL link frame
+
+
+4.1.   Unique file identifier
+
+   This frame's purpose is to be able to identify the audio file in a
+   database that may contain more information relevant to the content.
+   Since standardisation of such a database is beyond this document, all
+   frames begin with a null-terminated string with a URL [URL]
+   containing an email address, or a link to a location where an email
+   address can be found, that belongs to the organisation responsible
+   for this specific database implementation. Questions regarding the
+   database should be sent to the indicated email address. The URL
+   should not be used for the actual database queries. The string
+   "http://www.id3.org/dummy/ufid.html" should be used for tests.
+   Software that isn't told otherwise may safely remove such frames. The
+   'Owner identifier' must be non-empty (more than just a termination).
+   The 'Owner identifier' is then followed by the actual identifier,
+   which may be up to 64 bytes. There may be more than one "UFID" frame
+   in a tag, but only one with the same 'Owner identifier'.
+
+     <Header for 'Unique file identifier', ID: "UFID">
+     Owner identifier        <text string> $00
+     Identifier              <up to 64 bytes binary data>
+
+
+4.2.   Text information frames
+
+   The text information frames are the most important frames, containing
+   information like artist, album and more. There may only be one text
+   information frame of its kind in an tag. If the textstring is
+   followed by a termination ($00 (00)) all the following information
+   should be ignored and not be displayed. All text frame identifiers
+   begin with "T". Only text frame identifiers begin with "T", with the
+   exception of the "TXXX" frame. All the text information frames have
+   the following format:
+
+     <Header for 'Text information frame', ID: "T000" - "TZZZ",
+     excluding "TXXX" described in 4.2.2.>
+     Text encoding                $xx
+     Information                  <text string according to encoding>
+
+
+4.2.1.   Text information frames - details
+
+  TALB
+   The 'Album/Movie/Show title' frame is intended for the title of the
+   recording(/source of sound) which the audio in the file is taken
+   from.
+
+  TBPM
+   The 'BPM' frame contains the number of beats per minute in the
+   mainpart of the audio. The BPM is an integer and represented as a
+   numerical string.
+
+  TCOM
+   The 'Composer(s)' frame is intended for the name of the composer(s).
+   They are seperated with the "/" character.
+
+  TCON
+   The 'Content type', which previously was stored as a one byte numeric
+   value only, is now a numeric string. You may use one or several of
+   the types as ID3v1.1 did or, since the category list would be
+   impossible to maintain with accurate and up to date categories,
+   define your own.
+
+   References to the ID3v1 genres can be made by, as first byte, enter
+   "(" followed by a number from the genres list (appendix A.) and
+   ended with a ")" character. This is optionally followed by a
+   refinement, e.g. "(21)" or "(4)Eurodisco". Several references can be
+   made in the same frame, e.g. "(51)(39)". If the refinement should
+   begin with a "(" character it should be replaced with "((", e.g. "((I
+   can figure out any genre)" or "(55)((I think...)". The following new
+   content types is defined in ID3v2 and is implemented in the same way
+   as the numerig content types, e.g. "(RX)".
+
+     RX  Remix
+     CR  Cover
+
+  TCOP
+   The 'Copyright message' frame, which must begin with a year and a
+   space character (making five characters), is intended for the
+   copyright holder of the original sound, not the audio file itself.
+   The absence of this frame means only that the copyright information
+   is unavailable or has been removed, and must not be interpreted to
+   mean that the sound is public domain. Every time this field is
+   displayed the field must be preceded with "Copyright " (C) " ", where
+   (C) is one character showing a C in a circle.
+
+  TDAT
+   The 'Date' frame is a numeric string in the DDMM format containing
+   the date for the recording. This field is always four characters
+   long.
+
+  TDLY
+   The 'Playlist delay' defines the numbers of milliseconds of silence
+   between every song in a playlist. The player should use the "ETC"
+   frame, if present, to skip initial silence and silence at the end of
+   the audio to match the 'Playlist delay' time. The time is represented
+   as a numeric string.
+
+  TENC
+   The 'Encoded by' frame contains the name of the person or
+   organisation that encoded the audio file. This field may contain a
+   copyright message, if the audio file also is copyrighted by the
+   encoder.
+
+  TEXT
+   The 'Lyricist(s)/Text writer(s)' frame is intended for the writer(s)
+   of the text or lyrics in the recording. They are seperated with the
+   "/" character.
+
+  TFLT
+   The 'File type' frame indicates which type of audio this tag defines.
+   The following type and refinements are defined:
+
+     MPG    MPEG Audio
+       /1     MPEG 1/2 layer I
+       /2     MPEG 1/2 layer II
+       /3     MPEG 1/2 layer III
+       /2.5   MPEG 2.5
+       /AAC   Advanced audio compression
+     VQF    Transform-domain Weighted Interleave Vector Quantization
+     PCM    Pulse Code Modulated audio
+
+   but other types may be used, not for these types though. This is used
+   in a similar way to the predefined types in the "TMED" frame, but
+   without parentheses. If this frame is not present audio type is
+   assumed to be "MPG".
+
+  TIME
+   The 'Time' frame is a numeric string in the HHMM format containing
+   the time for the recording. This field is always four characters
+   long.
+
+  TIT1
+   The 'Content group description' frame is used if the sound belongs to
+   a larger category of sounds/music. For example, classical music is
+   often sorted in different musical sections (e.g. "Piano Concerto",
+   "Weather - Hurricane").
+
+  TIT2
+   The 'Title/Songname/Content description' frame is the actual name of
+   the piece (e.g. "Adagio", "Hurricane Donna").
+
+  TIT3
+   The 'Subtitle/Description refinement' frame is used for information
+   directly related to the contents title (e.g. "Op. 16" or "Performed
+   live at Wembley").
+
+  TKEY
+   The 'Initial key' frame contains the musical key in which the sound
+   starts. It is represented as a string with a maximum length of three
+   characters. The ground keys are represented with "A","B","C","D","E",
+   "F" and "G" and halfkeys represented with "b" and "#". Minor is
+   represented as "m". Example "Cbm". Off key is represented with an "o"
+   only.
+
+  TLAN
+   The 'Language(s)' frame should contain the languages of the text or
+   lyrics spoken or sung in the audio. The language is represented with
+   three characters according to ISO-639-2. If more than one language is
+   used in the text their language codes should follow according to
+   their usage.
+
+  TLEN
+
+   The 'Length' frame contains the length of the audiofile in
+   milliseconds, represented as a numeric string.
+
+  TMED
+   The 'Media type' frame describes from which media the sound
+   originated. This may be a text string or a reference to the
+   predefined media types found in the list below. References are made
+   within "(" and ")" and are optionally followed by a text refinement,
+   e.g. "(MC) with four channels". If a text refinement should begin
+   with a "(" character it should be replaced with "((" in the same way
+   as in the "TCO" frame. Predefined refinements is appended after the
+   media type, e.g. "(CD/A)" or "(VID/PAL/VHS)".
+
+    DIG    Other digital media
+      /A    Analog transfer from media
+
+    ANA    Other analog media
+      /WAC  Wax cylinder
+      /8CA  8-track tape cassette
+
+    CD     CD
+      /A    Analog transfer from media
+      /DD   DDD
+      /AD   ADD
+      /AA   AAD
+
+    LD     Laserdisc
+      /A     Analog transfer from media
+
+    TT     Turntable records
+      /33    33.33 rpm
+      /45    45 rpm
+      /71    71.29 rpm
+      /76    76.59 rpm
+      /78    78.26 rpm
+      /80    80 rpm
+
+    MD     MiniDisc
+      /A    Analog transfer from media
+
+    DAT    DAT
+      /A    Analog transfer from media
+      /1    standard, 48 kHz/16 bits, linear
+      /2    mode 2, 32 kHz/16 bits, linear
+      /3    mode 3, 32 kHz/12 bits, nonlinear, low speed
+      /4    mode 4, 32 kHz/12 bits, 4 channels
+      /5    mode 5, 44.1 kHz/16 bits, linear
+      /6    mode 6, 44.1 kHz/16 bits, 'wide track' play
+
+    DCC    DCC
+      /A    Analog transfer from media
+
+    DVD    DVD
+      /A    Analog transfer from media
+
+    TV     Television
+      /PAL    PAL
+      /NTSC   NTSC
+      /SECAM  SECAM
+
+    VID    Video
+      /PAL    PAL
+      /NTSC   NTSC
+      /SECAM  SECAM
+      /VHS    VHS
+      /SVHS   S-VHS
+      /BETA   BETAMAX
+
+    RAD    Radio
+      /FM   FM
+      /AM   AM
+      /LW   LW
+      /MW   MW
+
+    TEL    Telephone
+      /I    ISDN
+
+    MC     MC (normal cassette)
+      /4    4.75 cm/s (normal speed for a two sided cassette)
+      /9    9.5 cm/s
+      /I    Type I cassette (ferric/normal)
+      /II   Type II cassette (chrome)
+      /III  Type III cassette (ferric chrome)
+      /IV   Type IV cassette (metal)
+
+    REE    Reel
+      /9    9.5 cm/s
+      /19   19 cm/s
+      /38   38 cm/s
+      /76   76 cm/s
+      /I    Type I cassette (ferric/normal)
+      /II   Type II cassette (chrome)
+      /III  Type III cassette (ferric chrome)
+      /IV   Type IV cassette (metal)
+
+  TOAL
+   The 'Original album/movie/show title' frame is intended for the title
+   of the original recording (or source of sound), if for example the
+   music in the file should be a cover of a previously released song.
+
+  TOFN
+   The 'Original filename' frame contains the preferred filename for the
+   file, since some media doesn't allow the desired length of the
+   filename. The filename is case sensitive and includes its suffix.
+
+  TOLY
+   The 'Original lyricist(s)/text writer(s)' frame is intended for the
+   text writer(s) of the original recording, if for example the music in
+   the file should be a cover of a previously released song. The text
+   writers are seperated with the "/" character.
+
+  TOPE
+   The 'Original artist(s)/performer(s)' frame is intended for the
+   performer(s) of the original recording, if for example the music in
+   the file should be a cover of a previously released song. The
+   performers are seperated with the "/" character.
+
+  TORY
+   The 'Original release year' frame is intended for the year when the
+   original recording, if for example the music in the file should be a
+   cover of a previously released song, was released. The field is
+   formatted as in the "TYER" frame.
+
+  TOWN
+   The 'File owner/licensee' frame contains the name of the owner or
+   licensee of the file and it's contents.
+
+  TPE1
+   The 'Lead artist(s)/Lead performer(s)/Soloist(s)/Performing group' is
+   used for the main artist(s). They are seperated with the "/"
+   character.
+
+  TPE2
+   The 'Band/Orchestra/Accompaniment' frame is used for additional
+   information about the performers in the recording.
+
+  TPE3
+   The 'Conductor' frame is used for the name of the conductor.
+
+  TPE4
+   The 'Interpreted, remixed, or otherwise modified by' frame contains
+   more information about the people behind a remix and similar
+   interpretations of another existing piece.
+
+  TPOS
+   The 'Part of a set' frame is a numeric string that describes which
+   part of a set the audio came from. This frame is used if the source
+   described in the "TALB" frame is divided into several mediums, e.g. a
+   double CD. The value may be extended with a "/" character and a
+   numeric string containing the total number of parts in the set. E.g.
+   "1/2".
+
+  TPUB
+   The 'Publisher' frame simply contains the name of the label or
+   publisher.
+
+  TRCK
+   The 'Track number/Position in set' frame is a numeric string
+   containing the order number of the audio-file on its original
+   recording. This may be extended with a "/" character and a numeric
+   string containing the total numer of tracks/elements on the original
+   recording. E.g. "4/9".
+
+  TRDA
+   The 'Recording dates' frame is a intended to be used as complement to
+   the "TYER", "TDAT" and "TIME" frames. E.g. "4th-7th June, 12th June"
+   in combination with the "TYER" frame.
+
+  TRSN
+   The 'Internet radio station name' frame contains the name of the
+   internet radio station from which the audio is streamed.
+
+  TRSO
+   The 'Internet radio station owner' frame contains the name of the
+   owner of the internet radio station from which the audio is
+   streamed.
+
+  TSIZ
+   The 'Size' frame contains the size of the audiofile in bytes,
+   excluding the ID3v2 tag, represented as a numeric string.
+
+  TSRC
+   The 'ISRC' frame should contain the International Standard Recording
+   Code [ISRC] (12 characters).
+
+  TSSE
+   The 'Software/Hardware and settings used for encoding' frame
+   includes the used audio encoder and its settings when the file was
+   encoded. Hardware refers to hardware encoders, not the computer on
+   which a program was run.
+
+  TYER
+   The 'Year' frame is a numeric string with a year of the recording.
+   This frames is always four characters long (until the year 10000).
+
+
+4.2.2.   User defined text information frame
+
+   This frame is intended for one-string text information concerning the
+   audiofile in a similar way to the other "T"-frames. The frame body
+   consists of a description of the string, represented as a terminated
+   string, followed by the actual string. There may be more than one
+   "TXXX" frame in each tag, but only one with the same description.
+
+     <Header for 'User defined text information frame', ID: "TXXX">
+     Text encoding     $xx
+     Description       <text string according to encoding> $00 (00)
+     Value             <text string according to encoding>
+
+
+4.3.   URL link frames
+
+   With these frames dynamic data such as webpages with touring
+   information, price information or plain ordinary news can be added to
+   the tag. There may only be one URL [URL] link frame of its kind in an
+   tag, except when stated otherwise in the frame description. If the
+   textstring is followed by a termination ($00 (00)) all the following
+   information should be ignored and not be displayed. All URL link
+   frame identifiers begins with "W". Only URL link frame identifiers
+   begins with "W". All URL link frames have the following format:
+
+     <Header for 'URL link frame', ID: "W000" - "WZZZ", excluding "WXXX"
+     described in 4.3.2.>
+     URL              <text string>
+
+
+4.3.1.   URL link frames - details
+
+  WCOM
+   The 'Commercial information' frame is a URL pointing at a webpage
+   with information such as where the album can be bought. There may be
+   more than one "WCOM" frame in a tag, but not with the same content.
+
+  WCOP
+   The 'Copyright/Legal information' frame is a URL pointing at a
+   webpage where the terms of use and ownership of the file is
+   described.
+
+  WOAF
+   The 'Official audio file webpage' frame is a URL pointing at a file
+   specific webpage.
+
+  WOAR
+   The 'Official artist/performer webpage' frame is a URL pointing at
+   the artists official webpage. There may be more than one "WOAR" frame
+   in a tag if the audio contains more than one performer, but not with
+   the same content.
+
+  WOAS
+   The 'Official audio source webpage' frame is a URL pointing at the
+   official webpage for the source of the audio file, e.g. a movie.
+
+  WORS
+   The 'Official internet radio station homepage' contains a URL
+   pointing at the homepage of the internet radio station.
+
+  WPAY
+   The 'Payment' frame is a URL pointing at a webpage that will handle
+   the process of paying for this file.
+
+  WPUB
+   The 'Publishers official webpage' frame is a URL pointing at the
+   official wepage for the publisher.
+
+
+4.3.2.   User defined URL link frame
+
+   This frame is intended for URL [URL] links concerning the audiofile
+   in a similar way to the other "W"-frames. The frame body consists
+   of a description of the string, represented as a terminated string,
+   followed by the actual URL. The URL is always encoded with ISO-8859-1
+   [ISO-8859-1]. There may be more than one "WXXX" frame in each tag,
+   but only one with the same description.
+
+     <Header for 'User defined URL link frame', ID: "WXXX">
+     Text encoding     $xx
+     Description       <text string according to encoding> $00 (00)
+     URL               <text string>
+
+
+4.4.   Involved people list
+
+   Since there might be a lot of people contributing to an audio file in
+   various ways, such as musicians and technicians, the 'Text
+   information frames' are often insufficient to list everyone involved
+   in a project. The 'Involved people list' is a frame containing the
+   names of those involved, and how they were involved. The body simply
+   contains a terminated string with the involvement directly followed
+   by a terminated string with the involvee followed by a new
+   involvement and so on. There may only be one "IPLS" frame in each
+   tag.
+
+     <Header for 'Involved people list', ID: "IPLS">
+     Text encoding          $xx
+     People list strings    <text strings according to encoding>
+
+
+4.5.   Music CD identifier
+
+   This frame is intended for music that comes from a CD, so that the CD
+   can be identified in databases such as the CDDB [CDDB]. The frame
+   consists of a binary dump of the Table Of Contents, TOC, from the CD,
+   which is a header of 4 bytes and then 8 bytes/track on the CD plus 8
+   bytes for the 'lead out' making a maximum of 804 bytes. The offset to
+   the beginning of every track on the CD should be described with a
+   four bytes absolute CD-frame address per track, and not with absolute
+   time. This frame requires a present and valid "TRCK" frame, even if
+   the CD's only got one track. There may only be one "MCDI" frame in
+   each tag.
+
+     <Header for 'Music CD identifier', ID: "MCDI">
+     CD TOC                <binary data>
+
+
+4.6.   Event timing codes
+
+   This frame allows synchronisation with key events in a song or sound.
+   The header is:
+
+     <Header for 'Event timing codes', ID: "ETCO">
+     Time stamp format    $xx
+
+   Where time stamp format is:
+
+     $01  Absolute time, 32 bit sized, using MPEG [MPEG] frames as unit
+     $02  Absolute time, 32 bit sized, using milliseconds as unit
+
+   Abolute time means that every stamp contains the time from the
+   beginning of the file.
+
+   Followed by a list of key events in the following format:
+
+     Type of event   $xx
+     Time stamp      $xx (xx ...)
+
+   The 'Time stamp' is set to zero if directly at the beginning of the
+   sound or after the previous event. All events should be sorted in
+   chronological order. The type of event is as follows:
+
+     $00  padding (has no meaning)
+     $01  end of initial silence
+     $02  intro start
+     $03  mainpart start
+     $04  outro start
+     $05  outro end
+     $06  verse start
+     $07  refrain start
+     $08  interlude start
+     $09  theme start
+     $0A  variation start
+     $0B  key change
+     $0C  time change
+     $0D  momentary unwanted noise (Snap, Crackle & Pop)
+     $0E  sustained noise
+     $0F  sustained noise end
+     $10  intro end
+     $11  mainpart end
+     $12  verse end
+     $13  refrain end
+     $14  theme end
+
+     $15-$DF  reserved for future use
+
+     $E0-$EF  not predefined sync 0-F
+
+     $F0-$FC  reserved for future use
+
+     $FD  audio end (start of silence)
+     $FE  audio file ends
+     $FF  one more byte of events follows (all the following bytes with
+          the value $FF have the same function)
+
+   Terminating the start events such as "intro start" is not required.
+   The 'Not predefined sync's ($E0-EF) are for user events. You might
+   want to synchronise your music to something, like setting of an
+   explosion on-stage, turning on your screensaver etc.
+
+   There may only be one "ETCO" frame in each tag.
+
+
+4.7.   MPEG location lookup table
+
+   To increase performance and accuracy of jumps within a MPEG [MPEG]
+   audio file, frames with timecodes in different locations in the file
+   might be useful. The ID3v2 frame includes references that the
+   software can use to calculate positions in the file. After the frame
+   header is a descriptor of how much the 'frame counter' should
+   increase for every reference. If this value is two then the first
+   reference points out the second frame, the 2nd reference the 4th
+   frame, the 3rd reference the 6th frame etc. In a similar way the
+   'bytes between reference' and 'milliseconds between reference' points
+   out bytes and milliseconds respectively.
+
+   Each reference consists of two parts; a certain number of bits, as
+   defined in 'bits for bytes deviation', that describes the difference
+   between what is said in 'bytes between reference' and the reality and
+   a certain number of bits, as defined in 'bits for milliseconds
+   deviation', that describes the difference between what is said in
+   'milliseconds between reference' and the reality. The number of bits
+   in every reference, i.e. 'bits for bytes deviation'+'bits for
+
+   milliseconds deviation', must be a multiple of four. There may only
+   be one "MLLT" frame in each tag.
+
+     <Header for 'Location lookup table', ID: "MLLT">
+     MPEG frames between reference  $xx xx
+     Bytes between reference        $xx xx xx
+     Milliseconds between reference $xx xx xx
+     Bits for bytes deviation       $xx
+     Bits for milliseconds dev.     $xx
+
+   Then for every reference the following data is included;
+
+     Deviation in bytes         %xxx....
+     Deviation in milliseconds  %xxx....
+
+
+4.8.   Synchronised tempo codes
+
+   For a more accurate description of the tempo of a musical piece this
+   frame might be used. After the header follows one byte describing
+   which time stamp format should be used. Then follows one or more
+   tempo codes. Each tempo code consists of one tempo part and one time
+   part. The tempo is in BPM described with one or two bytes. If the
+   first byte has the value $FF, one more byte follows, which is added
+   to the first giving a range from 2 - 510 BPM, since $00 and $01 is
+   reserved. $00 is used to describe a beat-free time period, which is
+   not the same as a music-free time period. $01 is used to indicate one
+   single beat-stroke followed by a beat-free period.
+
+   The tempo descriptor is followed by a time stamp. Every time the
+   tempo in the music changes, a tempo descriptor may indicate this for
+   the player. All tempo descriptors should be sorted in chronological
+   order. The first beat-stroke in a time-period is at the same time as
+   the beat description occurs. There may only be one "SYTC" frame in
+   each tag.
+
+     <Header for 'Synchronised tempo codes', ID: "SYTC">
+     Time stamp format   $xx
+     Tempo data          <binary data>
+
+   Where time stamp format is:
+
+     $01  Absolute time, 32 bit sized, using MPEG [MPEG] frames as unit
+     $02  Absolute time, 32 bit sized, using milliseconds as unit
+
+   Abolute time means that every stamp contains the time from the
+   beginning of the file.
+
+
+4.9.   Unsychronised lyrics/text transcription
+
+   This frame contains the lyrics of the song or a text transcription of
+   other vocal activities. The head includes an encoding descriptor and
+   a content descriptor. The body consists of the actual text. The
+   'Content descriptor' is a terminated string. If no descriptor is
+   entered, 'Content descriptor' is $00 (00) only. Newline characters
+   are allowed in the text. There may be more than one 'Unsynchronised
+   lyrics/text transcription' frame in each tag, but only one with the
+   same language and content descriptor.
+
+     <Header for 'Unsynchronised lyrics/text transcription', ID: "USLT">
+     Text encoding        $xx
+     Language             $xx xx xx
+     Content descriptor   <text string according to encoding> $00 (00)
+     Lyrics/text          <full text string according to encoding>
+
+
+4.10.   Synchronised lyrics/text
+
+   This is another way of incorporating the words, said or sung lyrics,
+   in the audio file as text, this time, however, in sync with the
+   audio. It might also be used to describing events e.g. occurring on a
+   stage or on the screen in sync with the audio. The header includes a
+   content descriptor, represented with as terminated textstring. If no
+   descriptor is entered, 'Content descriptor' is $00 (00) only.
+
+     <Header for 'Synchronised lyrics/text', ID: "SYLT">
+     Text encoding        $xx
+     Language             $xx xx xx
+     Time stamp format    $xx
+     Content type         $xx
+     Content descriptor   <text string according to encoding> $00 (00)
+
+
+   Encoding:   $00  ISO-8859-1 [ISO-8859-1] character set is used => $00
+                    is sync identifier.
+               $01  Unicode [UNICODE] character set is used => $00 00 is
+                    sync identifier.
+
+   Content type:   $00 is other
+                   $01 is lyrics
+                   $02 is text transcription
+                   $03 is movement/part name (e.g. "Adagio")
+                   $04 is events (e.g. "Don Quijote enters the stage")
+                   $05 is chord (e.g. "Bb F Fsus")
+                   $06 is trivia/'pop up' information
+
+   Time stamp format is:
+
+     $01  Absolute time, 32 bit sized, using MPEG [MPEG] frames as unit
+     $02  Absolute time, 32 bit sized, using milliseconds as unit
+
+   Abolute time means that every stamp contains the time from the
+   beginning of the file.
+
+   The text that follows the frame header differs from that of the
+   unsynchronised lyrics/text transcription in one major way. Each
+   syllable (or whatever size of text is considered to be convenient by
+   the encoder) is a null terminated string followed by a time stamp
+   denoting where in the sound file it belongs. Each sync thus has the
+   following structure:
+
+     Terminated text to be synced (typically a syllable)
+     Sync identifier (terminator to above string)   $00 (00)
+     Time stamp                                     $xx (xx ...)
+
+   The 'time stamp' is set to zero or the whole sync is omitted if
+   located directly at the beginning of the sound. All time stamps
+   should be sorted in chronological order. The sync can be considered
+   as a validator of the subsequent string.
+
+   Newline ($0A) characters are allowed in all "SYLT" frames and should
+   be used after every entry (name, event etc.) in a frame with the
+   content type $03 - $04.
+
+   A few considerations regarding whitespace characters: Whitespace
+   separating words should mark the beginning of a new word, thus
+   occurring in front of the first syllable of a new word. This is also
+   valid for new line characters. A syllable followed by a comma should
+   not be broken apart with a sync (both the syllable and the comma
+   should be before the sync).
+
+   An example: The "USLT" passage
+
+     "Strangers in the night" $0A "Exchanging glances"
+
+   would be "SYLT" encoded as:
+
+     "Strang" $00 xx xx "ers" $00 xx xx " in" $00 xx xx " the" $00 xx xx
+     " night" $00 xx xx 0A "Ex" $00 xx xx "chang" $00 xx xx "ing" $00 xx
+     xx "glan" $00 xx xx "ces" $00 xx xx
+
+   There may be more than one "SYLT" frame in each tag, but only one
+   with the same language and content descriptor.
+
+
+4.11.   Comments
+
+   This frame is indended for any kind of full text information that
+   does not fit in any other frame. It consists of a frame header
+   followed by encoding, language and content descriptors and is ended
+   with the actual comment as a text string. Newline characters are
+   allowed in the comment text string. There may be more than one
+   comment frame in each tag, but only one with the same language and
+   content descriptor.
+
+     <Header for 'Comment', ID: "COMM">
+     Text encoding          $xx
+     Language               $xx xx xx
+     Short content descrip. <text string according to encoding> $00 (00)
+     The actual text        <full text string according to encoding>
+
+
+4.12.   Relative volume adjustment
+
+   This is a more subjective function than the previous ones. It allows
+   the user to say how much he wants to increase/decrease the volume on
+   each channel while the file is played. The purpose is to be able to
+   align all files to a reference volume, so that you don't have to
+   change the volume constantly. This frame may also be used to balance
+   adjust the audio. If the volume peak levels are known then this could
+   be described with the 'Peak volume right' and 'Peak volume left'
+   field. If Peakvolume is not known these fields could be left zeroed
+   or, if no other data follows, be completely omitted. There may only
+   be one "RVAD" frame in each tag.
+
+     <Header for 'Relative volume adjustment', ID: "RVAD">
+     Increment/decrement           %00xxxxxx
+     Bits used for volume descr.   $xx
+     Relative volume change, right $xx xx (xx ...)
+     Relative volume change, left  $xx xx (xx ...)
+     Peak volume right             $xx xx (xx ...)
+     Peak volume left              $xx xx (xx ...)
+
+   In the increment/decrement field bit 0 is used to indicate the right
+   channel and bit 1 is used to indicate the left channel. 1 is
+   increment and 0 is decrement.
+
+   The 'bits used for volume description' field is normally $10 (16
+   bits) for MPEG 2 layer I, II and III [MPEG] and MPEG 2.5. This value
+   may not be $00. The volume is always represented with whole bytes,
+   padded in the beginning (highest bits) when 'bits used for volume
+   description' is not a multiple of eight.
+
+   This datablock is then optionally followed by a volume definition for
+   the left and right back channels. If this information is appended to
+   the frame the first two channels will be treated as front channels.
+   In the increment/decrement field bit 2 is used to indicate the right
+   back channel and bit 3 for the left back channel.
+
+     Relative volume change, right back $xx xx (xx ...)
+     Relative volume change, left back  $xx xx (xx ...)
+     Peak volume right back             $xx xx (xx ...)
+     Peak volume left back              $xx xx (xx ...)
+
+   If the center channel adjustment is present the following is appended
+   to the existing frame, after the left and right back channels. The
+   center channel is represented by bit 4 in the increase/decrease
+   field.
+
+     Relative volume change, center  $xx xx (xx ...)
+     Peak volume center              $xx xx (xx ...)
+
+   If the bass channel adjustment is present the following is appended
+   to the existing frame, after the center channel. The bass channel is
+   represented by bit 5 in the increase/decrease field.
+
+     Relative volume change, bass  $xx xx (xx ...)
+     Peak volume bass              $xx xx (xx ...)
+
+
+4.13.   Equalisation
+
+   This is another subjective, alignment frame. It allows the user to
+   predefine an equalisation curve within the audio file. There may only
+   be one "EQUA" frame in each tag.
+
+     <Header of 'Equalisation', ID: "EQUA">
+     Adjustment bits    $xx
+
+   The 'adjustment bits' field defines the number of bits used for
+   representation of the adjustment. This is normally $10 (16 bits) for
+   MPEG 2 layer I, II and III [MPEG] and MPEG 2.5. This value may not be
+   $00.
+
+   This is followed by 2 bytes + ('adjustment bits' rounded up to the
+   nearest byte) for every equalisation band in the following format,
+   giving a frequency range of 0 - 32767Hz:
+
+     Increment/decrement   %x (MSB of the Frequency)
+     Frequency             (lower 15 bits)
+     Adjustment            $xx (xx ...)
+
+   The increment/decrement bit is 1 for increment and 0 for decrement.
+   The equalisation bands should be ordered increasingly with reference
+   to frequency. All frequencies don't have to be declared. The
+   equalisation curve in the reading software should be interpolated
+   between the values in this frame. Three equal adjustments for three
+   subsequent frequencies. A frequency should only be described once in
+   the frame.
+
+
+4.14.   Reverb
+
+   Yet another subjective one. You may here adjust echoes of different
+   kinds. Reverb left/right is the delay between every bounce in ms.
+   Reverb bounces left/right is the number of bounces that should be
+   made. $FF equals an infinite number of bounces. Feedback is the
+   amount of volume that should be returned to the next echo bounce. $00
+   is 0%, $FF is 100%. If this value were $7F, there would be 50% volume
+   reduction on the first bounce, 50% of that on the second and so on.
+   Left to left means the sound from the left bounce to be played in the
+   left speaker, while left to right means sound from the left bounce to
+   be played in the right speaker.
+
+   'Premix left to right' is the amount of left sound to be mixed in the
+   right before any reverb is applied, where $00 id 0% and $FF is 100%.
+   'Premix right to left' does the same thing, but right to left.
+   Setting both premix to $FF would result in a mono output (if the
+   reverb is applied symmetric). There may only be one "RVRB" frame in
+   each tag.
+
+     <Header for 'Reverb', ID: "RVRB">
+     Reverb left (ms)                 $xx xx
+     Reverb right (ms)                $xx xx
+     Reverb bounces, left             $xx
+     Reverb bounces, right            $xx
+     Reverb feedback, left to left    $xx
+     Reverb feedback, left to right   $xx
+     Reverb feedback, right to right  $xx
+     Reverb feedback, right to left   $xx
+     Premix left to right             $xx
+     Premix right to left             $xx
+
+
+4.15.   Attached picture
+
+   This frame contains a picture directly related to the audio file.
+   Image format is the MIME type and subtype [MIME] for the image. In
+   the event that the MIME media type name is omitted, "image/" will be
+   implied. The "image/png" [PNG] or "image/jpeg" [JFIF] picture format
+   should be used when interoperability is wanted. Description is a
+   short description of the picture, represented as a terminated
+   textstring. The description has a maximum length of 64 characters,
+   but may be empty. There may be several pictures attached to one file,
+   each in their individual "APIC" frame, but only one with the same
+   content descriptor. There may only be one picture with the picture
+   type declared as picture type $01 and $02 respectively. There is the
+   possibility to put only a link to the image file by using the 'MIME
+   type' "-->" and having a complete URL [URL] instead of picture data.
+   The use of linked files should however be used sparingly since there
+   is the risk of separation of files.
+
+     <Header for 'Attached picture', ID: "APIC">
+     Text encoding      $xx
+     MIME type          <text string> $00
+     Picture type       $xx
+     Description        <text string according to encoding> $00 (00)
+     Picture data       <binary data>
+
+
+   Picture type:  $00  Other
+                  $01  32x32 pixels 'file icon' (PNG only)
+                  $02  Other file icon
+                  $03  Cover (front)
+                  $04  Cover (back)
+                  $05  Leaflet page
+                  $06  Media (e.g. lable side of CD)
+                  $07  Lead artist/lead performer/soloist
+                  $08  Artist/performer
+                  $09  Conductor
+                  $0A  Band/Orchestra
+                  $0B  Composer
+                  $0C  Lyricist/text writer
+                  $0D  Recording Location
+                  $0E  During recording
+                  $0F  During performance
+                  $10  Movie/video screen capture
+                  $11  A bright coloured fish
+                  $12  Illustration
+                  $13  Band/artist logotype
+                  $14  Publisher/Studio logotype
+
+
+4.16.   General encapsulated object
+
+   In this frame any type of file can be encapsulated. After the header,
+   'Frame size' and 'Encoding' follows 'MIME type' [MIME] represented as
+   as a terminated string encoded with ISO 8859-1 [ISO-8859-1]. The
+   filename is case sensitive and is encoded as 'Encoding'. Then follows
+   a content description as terminated string, encoded as 'Encoding'.
+   The last thing in the frame is the actual object. The first two
+   strings may be omitted, leaving only their terminations. MIME type is
+   always an ISO-8859-1 text string. There may be more than one "GEOB"
+   frame in each tag, but only one with the same content descriptor.
+
+     <Header for 'General encapsulated object', ID: "GEOB">
+     Text encoding          $xx
+     MIME type              <text string> $00
+     Filename               <text string according to encoding> $00 (00)
+     Content description    <text string according to enc�ding> $00 (00)
+     Encapsulated object    <binary data>
+
+
+4.17.   Play counter
+
+   This is simply a counter of the number of times a file has been
+   played. The value is increased by one every time the file begins to
+   play. There may only be one "PCNT" frame in each tag. When the
+   counter reaches all one's, one byte is inserted in front of the
+   counter thus making the counter eight bits bigger.  The counter must
+   be at least 32-bits long to begin with.
+
+     <Header for 'Play counter', ID: "PCNT">
+     Counter        $xx xx xx xx (xx ...)
+
+
+4.18.   Popularimeter
+
+   The purpose of this frame is to specify how good an audio file is.
+   Many interesting applications could be found to this frame such as a
+   playlist that features better audiofiles more often than others or it
+   could be used to profile a person's taste and find other 'good' files
+   by comparing people's profiles. The frame is very simple. It contains
+   the email address to the user, one rating byte and a four byte play
+   counter, intended to be increased with one for every time the file is
+   played. The email is a terminated string. The rating is 1-255 where
+   1 is worst and 255 is best. 0 is unknown. If no personal counter is
+   wanted it may be omitted.  When the counter reaches all one's, one
+   byte is inserted in front of the counter thus making the counter
+   eight bits bigger in the same away as the play counter ("PCNT").
+   There may be more than one "POPM" frame in each tag, but only one
+   with the same email address.
+
+     <Header for 'Popularimeter', ID: "POPM">
+     Email to user   <text string> $00
+     Rating          $xx
+     Counter         $xx xx xx xx (xx ...)
+
+
+4.19.   Recommended buffer size
+
+   Sometimes the server from which a audio file is streamed is aware of
+   transmission or coding problems resulting in interruptions in the
+   audio stream. In these cases, the size of the buffer can be
+   recommended by the server using this frame. If the 'embedded info
+   flag' is true (1) then this indicates that an ID3 tag with the
+   maximum size described in 'Buffer size' may occur in the audiostream.
+   In such case the tag should reside between two MPEG [MPEG] frames, if
+   the audio is MPEG encoded. If the position of the next tag is known,
+   'offset to next tag' may be used. The offset is calculated from the
+   end of tag in which this frame resides to the first byte of the
+   header in the next. This field may be omitted. Embedded tags are
+   generally not recommended since this could render unpredictable
+   behaviour from present software/hardware.
+
+   For applications like streaming audio it might be an idea to embed
+   tags into the audio stream though. If the clients connects to
+   individual connections like HTTP and there is a possibility to begin
+   every transmission with a tag, then this tag should include a
+   'recommended buffer size' frame. If the client is connected to a
+   arbitrary point in the stream, such as radio or multicast, then the
+   'recommended buffer size' frame should be included in every tag.
+   Every tag that is picked up after the initial/first tag is to be
+   considered as an update of the previous one. E.g. if there is a
+   "TIT2" frame in the first received tag and one in the second tag,
+   then the first should be 'replaced' with the second.
+
+   The 'Buffer size' should be kept to a minimum. There may only be one
+   "RBUF" frame in each tag.
+
+     <Header for 'Recommended buffer size', ID: "RBUF">
+     Buffer size               $xx xx xx
+     Embedded info flag        %0000000x
+     Offset to next tag        $xx xx xx xx
+
+
+4.20.   Audio encryption
+
+   This frame indicates if the actual audio stream is encrypted, and by
+   whom. Since standardisation of such encrypion scheme is beyond this
+   document, all "AENC" frames begin with a terminated string with a
+   URL containing an email address, or a link to a location where an
+   email address can be found, that belongs to the organisation
+   responsible for this specific encrypted audio file. Questions
+   regarding the encrypted audio should be sent to the email address
+   specified. If a $00 is found directly after the 'Frame size' and the
+   audiofile indeed is encrypted, the whole file may be considered
+   useless.
+
+   After the 'Owner identifier', a pointer to an unencrypted part of the
+   audio can be specified. The 'Preview start' and 'Preview length' is
+   described in frames. If no part is unencrypted, these fields should
+   be left zeroed. After the 'preview length' field follows optionally a
+   datablock required for decryption of the audio. There may be more
+   than one "AENC" frames in a tag, but only one with the same 'Owner
+   identifier'.
+
+     <Header for 'Audio encryption', ID: "AENC">
+     Owner identifier   <text string> $00
+     Preview start      $xx xx
+     Preview length     $xx xx
+     Encryption info    <binary data>
+
+
+4.21.   Linked information
+
+   To keep space waste as low as possible this frame may be used to link
+   information from another ID3v2 tag that might reside in another audio
+   file or alone in a binary file. It is recommended that this method is
+   only used when the files are stored on a CD-ROM or other
+   circumstances when the risk of file seperation is low. The frame
+   contains a frame identifier, which is the frame that should be linked
+   into this tag, a URL [URL] field, where a reference to the file where
+   the frame is given, and additional ID data, if needed. Data should be
+   retrieved from the first tag found in the file to which this link
+   points. There may be more than one "LINK" frame in a tag, but only
+   one with the same contents. A linked frame is to be considered as
+   part of the tag and has the same restrictions as if it was a physical
+   part of the tag (i.e. only one "RVRB" frame allowed, whether it's
+   linked or not).
+
+     <Header for 'Linked information', ID: "LINK">
+     Frame identifier        $xx xx xx
+     URL                     <text string> $00
+     ID and additional data  <text string(s)>
+
+   Frames that may be linked and need no additional data are "IPLS",
+   "MCID", "ETCO", "MLLT", "SYTC", "RVAD", "EQUA", "RVRB", "RBUF", the
+   text information frames and the URL link frames.
+
+   The "TXXX", "APIC", "GEOB" and "AENC" frames may be linked with
+   the content descriptor as additional ID data.
+
+   The "COMM", "SYLT" and "USLT" frames may be linked with three bytes
+   of language descriptor directly followed by a content descriptor as
+   additional ID data.
+
+
+4.22.   Position synchronisation frame
+
+   This frame delivers information to the listener of how far into the
+   audio stream he picked up; in effect, it states the time offset of
+   the first frame in the stream. The frame layout is:
+
+     <Head for 'Position synchronisation', ID: "POSS">
+     Time stamp format         $xx
+     Position                  $xx (xx ...)
+
+   Where time stamp format is:
+
+     $01  Absolute time, 32 bit sized, using MPEG frames as unit
+     $02  Absolute time, 32 bit sized, using milliseconds as unit
+
+   and position is where in the audio the listener starts to receive,
+   i.e. the beginning of the next frame. If this frame is used in the
+   beginning of a file the value is always 0. There may only be one
+   "POSS" frame in each tag.
+
+
+4.23.   Terms of use frame
+
+   This frame contains a brief description of the terms of use and
+   ownership of the file. More detailed information concerning the legal
+   terms might be available through the "WCOP" frame. Newlines are
+   allowed in the text. There may only be one "USER" frame in a tag.
+
+     <Header for 'Terms of use frame', ID: "USER">
+     Text encoding        $xx
+     Language             $xx xx xx
+     The actual text      <text string according to encoding>
+
+
+4.24.   Ownership frame
+
+   The ownership frame might be used as a reminder of a made transaction
+   or, if signed, as proof. Note that the "USER" and "TOWN" frames are
+   good to use in conjunction with this one. The frame begins, after the
+   frame ID, size and encoding fields, with a 'price payed' field. The
+   first three characters of this field contains the currency used for
+   the transaction, encoded according to ISO 4217 [ISO-4217] alphabetic
+   currency code. Concatenated to this is the actual price payed, as a
+   numerical string using "." as the decimal separator. Next is an 8
+   character date string (YYYYMMDD) followed by a string with the name
+   of the seller as the last field in the frame. There may only be one
+   "OWNE" frame in a tag.
+
+     <Header for 'Ownership frame', ID: "OWNE">
+     Text encoding     $xx
+     Price payed       <text string> $00
+     Date of purch.    <text string>
+     Seller            <text string according to encoding>
+
+
+4.25.   Commercial frame
+
+   This frame enables several competing offers in the same tag by
+   bundling all needed information. That makes this frame rather complex
+   but it's an easier solution than if one tries to achieve the same
+   result with several frames. The frame begins, after the frame ID,
+   size and encoding fields, with a price string field. A price is
+   constructed by one three character currency code, encoded according
+   to ISO 4217 [ISO-4217] alphabetic currency code, followed by a
+   numerical value where "." is used as decimal seperator. In the price
+   string several prices may be concatenated, seperated by a "/"
+   character, but there may only be one currency of each type.
+
+   The price string is followed by an 8 character date string in the
+   format YYYYMMDD, describing for how long the price is valid. After
+   that is a contact URL, with which the user can contact the seller,
+   followed by a one byte 'received as' field. It describes how the
+   audio is delivered when bought according to the following list:
+
+        $00  Other
+        $01  Standard CD album with other songs
+        $02  Compressed audio on CD
+        $03  File over the Internet
+        $04  Stream over the Internet
+        $05  As note sheets
+        $06  As note sheets in a book with other sheets
+        $07  Music on other media
+        $08  Non-musical merchandise
+
+   Next follows a terminated string with the name of the seller followed
+   by a terminated string with a short description of the product. The
+   last thing is the ability to include a company logotype. The first of
+   them is the 'Picture MIME type' field containing information about
+   which picture format is used. In the event that the MIME media type
+   name is omitted, "image/" will be implied. Currently only "image/png"
+   and "image/jpeg" are allowed. This format string is followed by the
+   binary picture data. This two last fields may be omitted if no
+   picture is to attach.
+
+     <Header for 'Commercial frame', ID: "COMR">
+     Text encoding      $xx
+     Price string       <text string> $00
+     Valid until        <text string>
+     Contact URL        <text string> $00
+     Received as        $xx
+     Name of seller     <text string according to encoding> $00 (00)
+     Description        <text string according to encoding> $00 (00)
+     Picture MIME type  <string> $00
+     Seller logo        <binary data>
+
+
+4.26.   Encryption method registration
+
+   To identify with which method a frame has been encrypted the
+   encryption method must be registered in the tag with this frame. The
+   'Owner identifier' is a null-terminated string with a URL [URL]
+   containing an email address, or a link to a location where an email
+   address can be found, that belongs to the organisation responsible
+   for this specific encryption method. Questions regarding the
+   encryption method should be sent to the indicated email address. The
+   'Method symbol' contains a value that is associated with this method
+   throughout the whole tag. Values below $80 are reserved. The 'Method
+   symbol' may optionally be followed by encryption specific data. There
+   may be several "ENCR" frames in a tag but only one containing the
+   same symbol and only one containing the same owner identifier. The
+   method must be used somewhere in the tag. See section 3.3.1, flag j
+   for more information.
+
+     <Header for 'Encryption method registration', ID: "ENCR">
+     Owner identifier    <text string> $00
+     Method symbol       $xx
+     Encryption data     <binary data>
+
+
+4.27.   Group identification registration
+
+   This frame enables grouping of otherwise unrelated frames. This can
+   be used when some frames are to be signed. To identify which frames
+   belongs to a set of frames a group identifier must be registered in
+   the tag with this frame. The 'Owner identifier' is a null-terminated
+   string with a URL [URL] containing an email address, or a link to a
+   location where an email address can be found, that belongs to the
+   organisation responsible for this grouping. Questions regarding the
+   grouping should be sent to the indicated email address. The 'Group
+   symbol' contains a value that associates the frame with this group
+   throughout the whole tag. Values below $80 are reserved. The 'Group
+   symbol' may optionally be followed by some group specific data, e.g.
+   a digital signature. There may be several "GRID" frames in a tag but
+   only one containing the same symbol and only one containing the same
+   owner identifier. The group symbol must be used somewhere in the tag.
+   See section 3.3.1, flag j for more information.
+
+     <Header for 'Group ID registration', ID: "GRID">
+     Owner identifier      <text string> $00
+     Group symbol          $xx
+	 Group dependent data  <binary data>
+
+
+4.28.   Private frame
+
+   This frame is used to contain information from a software producer
+   that its program uses and does not fit into the other frames. The
+   frame consists of an 'Owner identifier' string and the binary data.
+   The 'Owner identifier' is a null-terminated string with a URL [URL]
+   containing an email address, or a link to a location where an email
+   address can be found, that belongs to the organisation responsible
+   for the frame. Questions regarding the frame should be sent to the
+   indicated email address. The tag may contain more than one "PRIV"
+   frame but only with different contents. It is recommended to keep the
+   number of "PRIV" frames as low as possible.
+
+     <Header for 'Private frame', ID: "PRIV">
+     Owner identifier      <text string> $00
+	 The private data      <binary data>
+
+
+5.   The 'unsynchronisation scheme'
+
+   The only purpose of the 'unsynchronisation scheme' is to make the
+   ID3v2 tag as compatible as possible with existing software. There is
+   no use in 'unsynchronising' tags if the file is only to be processed
+   by new software. Unsynchronisation may only be made with MPEG 2 layer
+   I, II and III and MPEG 2.5 files.
+
+   Whenever a false synchronisation is found within the tag, one zeroed
+   byte is inserted after the first false synchronisation byte. The
+   format of a correct sync that should be altered by ID3 encoders is as
+   follows:
+
+         %11111111 111xxxxx
+
+   And should be replaced with:
+
+         %11111111 00000000 111xxxxx
+
+   This has the side effect that all $FF 00 combinations have to be
+   altered, so they won't be affected by the decoding process. Therefore
+   all the $FF 00 combinations have to be replaced with the $FF 00 00
+   combination during the unsynchronisation.
+
+   To indicate usage of the unsynchronisation, the first bit in 'ID3
+   flags' should be set. This bit should only be set if the tag
+   contains a, now corrected, false synchronisation. The bit should
+   only be clear if the tag does not contain any false synchronisations.
+
+   Do bear in mind, that if a compression scheme is used by the encoder,
+   the unsynchronisation scheme should be applied *afterwards*. When
+   decoding a compressed, 'unsynchronised' file, the 'unsynchronisation
+   scheme' should be parsed first, decompression afterwards.
+
+   If the last byte in the tag is $FF, and there is a need to eliminate
+   false synchronisations in the tag, at least one byte of padding
+   should be added.
+
+
+6.   Copyright
+
+   Copyright (C) Martin Nilsson 1998. All Rights Reserved.
+
+   This document and translations of it may be copied and furnished to
+   others, and derivative works that comment on or otherwise explain it
+   or assist in its implementation may be prepared, copied, published
+   and distributed, in whole or in part, without restriction of any
+   kind, provided that a reference to this document is included on all
+   such copies and derivative works. However, this document itself may
+   not be modified in any way and reissued as the original document.
+
+   The limited permissions granted above are perpetual and will not be
+   revoked.
+
+   This document and the information contained herein is provided on an
+   "AS IS" basis and THE AUTHORS DISCLAIMS ALL WARRANTIES, EXPRESS OR
+   IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTY THAT THE USE OF
+   THE INFORMATION HEREIN WILL NOT INFRINGE ANY RIGHTS OR ANY IMPLIED
+   WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
+
+
+7.   References
+
+   [CDDB] Compact Disc Data Base
+
+      <url:http://www.cddb.com>
+
+   [ID3v2] Martin Nilsson, "ID3v2 informal standard".
+
+      <url:http://www.id3.org/id3v2-00.txt>
+
+   [ISO-639-2] ISO/FDIS 639-2.
+   Codes for the representation of names of languages, Part 2: Alpha-3
+   code. Technical committee / subcommittee: TC 37 / SC 2
+
+   [ISO-4217] ISO 4217:1995.
+   Codes for the representation of currencies and funds.
+   Technical committee / subcommittee: TC 68
+
+   [ISO-8859-1] ISO/IEC DIS 8859-1.
+   8-bit single-byte coded graphic character sets, Part 1: Latin
+   alphabet No. 1. Technical committee / subcommittee: JTC 1 / SC 2
+
+   [ISRC] ISO 3901:1986
+   International Standard Recording Code (ISRC).
+   Technical committee / subcommittee: TC 46 / SC 9
+
+   [JFIF] JPEG File Interchange Format, version 1.02
+
+      <url:http://www.w3.org/Graphics/JPEG/jfif.txt>
+
+   [MIME] Freed, N.  and N. Borenstein,  "Multipurpose Internet Mail
+   Extensions (MIME) Part One: Format of Internet Message Bodies",
+   RFC 2045, November 1996.
+
+      <url:ftp://ftp.isi.edu/in-notes/rfc2045.txt>
+
+   [MPEG] ISO/IEC 11172-3:1993.
+   Coding of moving pictures and associated audio for digital storage
+   media at up to about 1,5 Mbit/s, Part 3: Audio.
+   Technical committee / subcommittee: JTC 1 / SC 29
+    and
+   ISO/IEC 13818-3:1995
+   Generic coding of moving pictures and associated audio information,
+   Part 3: Audio.
+   Technical committee / subcommittee: JTC 1 / SC 29
+    and
+   ISO/IEC DIS 13818-3
+   Generic coding of moving pictures and associated audio information,
+   Part 3: Audio (Revision of ISO/IEC 13818-3:1995)
+
+
+   [PNG] Portable Network Graphics, version 1.0
+
+      <url:http://www.w3.org/TR/REC-png-multi.html>
+
+   [UNICODE] ISO/IEC 10646-1:1993.
+   Universal Multiple-Octet Coded Character Set (UCS), Part 1:
+   Architecture and Basic Multilingual Plane.
+   Technical committee / subcommittee: JTC 1 / SC 2
+
+      <url:http://www.unicode.org>
+
+   [URL] T. Berners-Lee, L. Masinter & M. McCahill, "Uniform Resource
+   Locators (URL).", RFC 1738, December 1994.
+
+      <url:ftp://ftp.isi.edu/in-notes/rfc1738.txt>
+
+   [ZLIB] P. Deutsch, Aladdin Enterprises & J-L. Gailly, "ZLIB
+   Compressed
+   Data Format Specification version 3.3", RFC 1950, May 1996.
+
+      <url:ftp://ftp.isi.edu/in-notes/rfc1950.txt>
+
+
+8.   Appendix
+
+
+A.   Appendix A - Genre List from ID3v1
+
+   The following genres is defined in ID3v1
+
+      0.Blues
+      1.Classic Rock
+      2.Country
+      3.Dance
+      4.Disco
+      5.Funk
+      6.Grunge
+      7.Hip-Hop
+      8.Jazz
+      9.Metal
+     10.New Age
+     11.Oldies
+     12.Other
+     13.Pop
+     14.R&B
+     15.Rap
+     16.Reggae
+     17.Rock
+     18.Techno
+     19.Industrial
+     20.Alternative
+     21.Ska
+     22.Death Metal
+     23.Pranks
+     24.Soundtrack
+     25.Euro-Techno
+     26.Ambient
+     27.Trip-Hop
+     28.Vocal
+     29.Jazz+Funk
+     30.Fusion
+     31.Trance
+     32.Classical
+     33.Instrumental
+     34.Acid
+     35.House
+     36.Game
+     37.Sound Clip
+     38.Gospel
+     39.Noise
+     40.AlternRock
+     41.Bass
+     42.Soul
+     43.Punk
+     44.Space
+     45.Meditative
+     46.Instrumental Pop
+     47.Instrumental Rock
+     48.Ethnic
+     49.Gothic
+     50.Darkwave
+     51.Techno-Industrial
+     52.Electronic
+     53.Pop-Folk
+     54.Eurodance
+     55.Dream
+     56.Southern Rock
+     57.Comedy
+     58.Cult
+     59.Gangsta
+     60.Top 40
+     61.Christian Rap
+     62.Pop/Funk
+     63.Jungle
+     64.Native American
+     65.Cabaret
+     66.New Wave
+     67.Psychadelic
+     68.Rave
+     69.Showtunes
+     70.Trailer
+     71.Lo-Fi
+     72.Tribal
+     73.Acid Punk
+     74.Acid Jazz
+     75.Polka
+     76.Retro
+     77.Musical
+     78.Rock & Roll
+     79.Hard Rock
+
+   The following genres are Winamp extensions
+
+     80.Folk
+     81.Folk-Rock
+     82.National Folk
+     83.Swing
+     84.Fast Fusion
+     85.Bebob
+     86.Latin
+     87.Revival
+     88.Celtic
+     89.Bluegrass
+     90.Avantgarde
+     91.Gothic Rock
+     92.Progressive Rock
+     93.Psychedelic Rock
+     94.Symphonic Rock
+     95.Slow Rock
+     96.Big Band
+     97.Chorus
+     98.Easy Listening
+     99.Acoustic
+    100.Humour
+    101.Speech
+    102.Chanson
+    103.Opera
+    104.Chamber Music
+    105.Sonata
+    106.Symphony
+    107.Booty Bass
+    108.Primus
+    109.Porn Groove
+    110.Satire
+    111.Slow Jam
+    112.Club
+    113.Tango
+    114.Samba
+    115.Folklore
+    116.Ballad
+    117.Power Ballad
+    118.Rhythmic Soul
+    119.Freestyle
+    120.Duet
+    121.Punk Rock
+    122.Drum Solo
+    123.Acapella
+    124.Euro-House
+    125.Dance Hall
+
+
+9.   Author's Address
+
+   Written by
+
+     Martin Nilsson
+     Rydsv�gen 246 C. 30
+     S-584 34 Link�ping
+     Sweden
+
+     Email: nilsson at id3.org
+
+
+   Edited by
+
+     Dirk Mahoney
+     57 Pechey Street
+     Chermside Q
+     Australia 4032
+
+     Email: dirk at id3.org
+
+
+     Johan Sundstr�m
+     Als�ttersgatan 5 A. 34
+     S-584 35 Link�ping
+     Sweden
+
+     Email: johan at id3.org