morel-theme-pack 0.1.326 → 0.1.327

checksums.yaml

@@ -1,7 +1,7 @@
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data/_config.yml

@@ -1,5 +1,6 @@
 title: MOREL # Write here the name of your site
-description: Mobile Open Resilient Electronic Libraries # Write here the description of your site
+tagline: Mobile Open Resilient Electronic Libraries # Write here the description of your site
+description: is a resource for readers, writers, publishers, students and teachers interested in Afro-American and Latin American culture in general, and Afro-Latin American culture in particular. It gathers book covers, excerpts, bibliographic clues and digital downloads of works by black Latin American authors in original language and in translation.
 img: logo.png # Substitute the file with a copy of your site's logo on /assets/img/tema
 background: trama.png # Substitute the file with a copy of your site's pattern on /assets/img/tema
 image : avatar.png

data/_data/books.csv

@@ -11,7 +11,7 @@ Blank Column,Id,Item Type,Publication Year,Author,Title,Publication Title,ISBN,I
 ,IQG47SVA,book,2004,"Durán Ayanegui, Fernando",Cuentos y relatos escogidos,,978-9977-23-788-6,,,,,2004,2022-05-09 16:56:23,2022-05-20 19:50:36,,,,,,,,Cuentos y relatos escogidos de Fernando Durán Ayanegui,,,,,Editorial Costa Rica,"San José, Costa Rica",spa,,,,,https://www.worldcat.org/title/cuentos-y-relatos-escogidos-de-fernando-duran-ayanegui/oclc/470282274&referer=brief_results,,Costa Rica,"<div data-schema-version=""8""><p>Como casi todo en mi niñez, esto aconteció en Alajuela y no puedo adivinar qué alimento o qué dolencia provocó la diarrea de mi pariente. Pero lo cierto es que, por hallarse cerca de ahí &nbsp;en el momento del apuro, se vio obligado a pedir permiso para utilizar, aquella tarde de julio de 1950, el excusado de mi casa. Como era lo común entonces, esa íntima facilidad estaba situada en el fondo del patio, y la frugalidad de la época hacía del papel higiénico algo suntuoso, que los pobres sustituíamos con hojas de diarios atrasados, meticulosamente recortadas en cuatro de modo que en el ventilado cubículo siempre había un grueso gancho de alambre del que colgaba un rimero de trozos de papel periódico.</p> <p>(…)</p> <p>--Negra, yo creo que esto le puede servir al negrito.</p> <p>El “negrito” lo era yo por cuenta de mi tatarabuelo africano que fue esclavo cortador de caña en Jamaica, y no estando para mí claro en aquel momento de dónde había sacado Daniel lo que a su juicio me habría de ser útil, di rienda suelta a mi curiosidad y me desenjaboné tan rápidamente como pude. Cuando salí del baño ya Daniel había partido, pero ahí estaba mi madre leyendo con interés un pedazo de papel periódico que me tendió de inmediato:</p> </div>",/run/media/febres/TOSHIBA EXT/Data/Zotero/storage/BUICT9IR/cuentos-duran.jpg,,,,,,,,,,,,,,,,,,,,,,,2004,,,,,,,,,,,,,,,,,,,,,,,,,,
 ,E4DIZSEQ,book,1995,"Russell, Carlos E",An old woman remembers,,978-1-878433-20-6,,,,,1995,2022-04-28 19:25:33,2022-05-20 19:41:23,,,,,,,,"An old woman remembers--: the recollected history of West Indians in Panama, 1855-1955 : a prose-poetry monologue",,,,,Caribbean Diaspora Press,New York,eng,,,,,https://www.worldcat.org/title/old-woman-remembers-the-recollected-history-of-west-indians-in-panama-1855-1955-a-prose-poetry-monologue/oclc/37684774&referer=brief_results,,Panamá,"<div data-schema-version=""8""><p>Them had a system.</p> <p style=""padding-left: 40px"" data-indent=""1"">Them was on Gold Roll,</p> <p style=""padding-left: 40px"" data-indent=""1""> &nbsp;we was on Silver Roll.</p> <p>Gold was better than Silver.</p> <p>Everything was separated.</p> <p>Them had gold clubhouses.</p> <p style=""padding-left: 40px"" data-indent=""1"">We had silver clubhouses.</p> <p>And so on and on it went.</p> <p>The only time we had gold,</p> <p style=""padding-left: 40px"" data-indent=""1"">was when we put it in we mouth.</p> <p style=""padding-left: 80px"" data-indent=""2"">You know,</p> <p style=""padding-left: 120px"" data-indent=""3"">to have gold teeth…</p> <p>Strange… white people use silver, not gold…</p> <p style=""padding-left: 40px"" data-indent=""1"">I guess them was cheap.</p> <p>Black policeman couldn’t arrest white people.</p> <p>A Black man was a janitor,</p> <p style=""padding-left: 40px"" data-indent=""1"">a white man a maintenance engineer.</p> </div>",/run/media/febres/TOSHIBA EXT/Data/Zotero/storage/RAPH4RQ8/old-woman.jpg,,,,,,,,,,,,,,,,,,,,,,,1995,,,,,,,,,,,,,,,,,,,,,,,,,,
 ,52NJ4GHR,book,1923,"Hernández, Gaspar Octavio",La copa de amatista,,,,,https://catalog.hathitrust.org/Record/006504457,,1923,2022-04-28 18:45:18,2022-05-20 19:39:50,2022-04-28 18:45:18,,99,,,,,,,,,,Imprenta nacional de Panamá,Panamá,spa,,,HathiTrust,http://hathitrust.org,https://www.worldcat.org/title/copa-de-amatista/oclc/776469886&referer=brief_results,,Panamá,"<div data-schema-version=""8""><p></p> <p>Ni tez de nácar, ni cabellos de oro<br>veréis ornar de galas mi figura;<br>ni la luz del zafir , celeste y pura,<br>veréis que en mis pupilas atesoro.</p> <p><br>Con piel tostada de atezado moro ;<br>con ojos negros de fatal negrura,<br>del Ancón a la falda verde oscura<br>nací frente al Pacífico sonoro.</p> <p><br>Soy un hijo del Mar…. Porque en mi alma<br>hay,--como sobre el mar,-- noches de calma,<br>indefinibles cóleras sin nombre<br>y un afán de luchar conmigo mismo ,<br>cuando en penas recónditas me abismo<br>pienso que soy un mar trocado en hombre!</p> <p>1915.</p> </div>",/run/media/febres/TOSHIBA EXT/Data/Zotero/storage/MG6UXRAM/uc1._b253439-seq_9.jpg,,,,,,,,,,,,,,,,,,,,,,,1923,,,,,,,,,,,,,,,,,,,,,,,,,,
-,DXREIGPK,book,1916,"Hernández, Gaspar Octavio",Iconografía,,,,,https://catalog.hathitrust.org/Record/100794669,,1916,2022-04-28 18:33:45,2022-05-20 19:38:55,2022-04-28 18:33:44,,,,,,,,,,,,R.P. Imprenta  «Esto y aquello»,Panamá,spa,,,HathiTrust,http://hathitrust.org,https://www.worldcat.org/title/iconografia/oclc/923785729&referer=brief_results,,Panamá,"<div data-schema-version=""8""><p>Malas pinceladas, contornos mal diseñados, demasía de sombra o demasía de luz, veréis en los lienzos de esta paupérrima icnonografía; mas veréis también, que esos defectos de técnica, esas violentas incorrecciones pictóricas, hijos son de la vehemencia con que obró la mano, febril de loco entusiasmo o de intensa amargura.</p> <p>En medios como el nuestro --,donde los que --llevados de persistente necesidad interior-- se dedican a la cultura de la belleza, teniendo a la vez, que consumir grandes caudales de energía en labores de suyo antiliterarias; en medios como el nuestro --donde el público --sobre todo el público que a sí mismo se llama letrado-- deja morir de inanición diarios y revistas en el sórdido y frío muladar de la general indiferencia; en medios como este, digo, no se puede laborar con detenimiento, en el bosquejo de un cuadro; en la reproducción de un retrato; en el pulimiento de un mármol. </p> </div>",/run/media/febres/TOSHIBA EXT/Data/Zotero/storage/TQYEQPMV/iconografia.jpg,,,,,,,,,,,,,,,,,,,,,,,1916,,,,,,,,,,,,,,,,,,,,,,,,,,
+,DXREIGPK,book,1916,"Hernández, Gaspar Octavio",Iconografía,,,,,https://catalog.hathitrust.org/Record/100794669,,1916,2022-04-28 18:33:45,2022-05-20 19:38:55,2022-04-28 18:33:44,,,,,,,,,,,,R.P. Imprenta  «Esto y aquello»,Panamá,spa,,,HathiTrust,http://hathitrust.org,https://www.worldcat.org/title/iconografia/oclc/923785729&referer=brief_results,,Panamá,"<div data-schema-version=""8""><p>Malas pinceladas, contornos mal diseñados, demasía de sombra o demasía de luz, veréis en los lienzos de esta paupérrima icnonografía; mas veréis también, que esos defectos de técnica, esas violentas incorrecciones pictóricas, hijos son de la vehemencia con que obró la mano, febril de loco entusiasmo o de intensa amargura.</p> <p>En medios como el nuestro --,donde los que --llevados de persistente necesidad interior-- se dedican a la cultura de la belleza, teniendo a la vez, que consumir grandes caudales de energía en labores de suyo antiliterarias; en medios como el nuestro --donde el público --sobre todo el público que a sí mismo se llama letrado-- deja morir de inanición diarios y revistas en el sórdido y frío muladar de la general indiferencia; en medios como este, digo, no se puede laborar con detenimiento, en el bosquejo de un cuadro; en la reproducción de un retrato; en el pulimiento de un mármol. </p> </div>",/run/media/febres/TOSHIBA EXT/Data/Zotero/storage/TQYEQPMV/iconografia.jpg,,,,,,,,,,,,,,,,,,,,,,,1016,,,,,,,,,,,,,,,,,,,,,,,,,,
 ,V3AL6LXN,book,1971,"Duncan, Quince",Hombres curtidos,,,,,,,1971,2022-04-11 15:28:31,2022-05-20 19:38:10,,,,,,,,,,,,,Cuadernos de Arte Popular,"San Jose, Costa Rica",eng,,,,,https://www.worldcat.org/title/hombres-curtidos/oclc/894427244&referer=brief_results,,Costa Rica,"<div data-schema-version=""8""><p>Mi esposa contempla el caserío en silencio. Se le ve en los ojos que aún duda sobre la causa de mi retorno. Nadie lo sabe, tal vez ni yo mismo lo sé.</p> <p>Los amigos de la capital no me perdonarán nunca el haber dejado la gran ciudad, la vida rápida de la élite artística que nuestra generación trata de crear. Los discursos sobre el ultra-literatura, arte, el servicio del hombre, todo, todo eso y las otras cosas que la vida urbana involucra.</p> </div>",/run/media/febres/TOSHIBA EXT/Data/Zotero/storage/DRNXQTNQ/hombres-curtidos.jpg,,,,,,,,,,,,,,,,,,,,,,,1971,,,,,,,,,,,,,,,,,,,,,,,,,,
 ,CILADSAS,book,1996,"Chiriboga, Luz Argentina; Harris, Mary A.",Drums under my Skin,,978-0-939423-04-0,,,,,1996,2022-04-28 11:26:26,2022-05-20 19:37:43,,,,,,,,,tr,,,,Afro-Hispanic Institute,"Washington, D.C.",eng,,,,,https://www.worldcat.org/title/drums-under-my-skin/oclc/36720486&referer=brief_results,,Ecuador,"<div data-schema-version=""8""><p>My coastal accent caught the attention of women dozing int heir seats, who hid their curiosity by pretending they were arranging packages. At that hour, a general exhaustion induced &nbsp;sleep. I was alone, and imaginary fears crowded my mind. Why had God lost his power to create life and movement at that moment? I heard my mother’s voice again with her “Behave yourself,” which turned into doubts, suspicions, omens, and more precisely, into fears. At te door od the bus station, a man in blue jeans was awaiting the departure of the bus that would take us to Quito. His cap caught my eye, and I could tell from his boots that he had come a long way. I couldn’t see his face as he went up to an etching of an Andean landscape of the wall. It was cold, and so he sank his hands into the pockets of his jacket.</p> </div>",/run/media/febres/TOSHIBA EXT/Data/Zotero/storage/8YHLYRIT/drums.jpg,,,,,,,,,,,,,,,,,,,,,,,1996,,,,,,,,,,,,,,,,,,,,,,,,,,
 ,CVHTD2HG,book,1982,"Ortiz, Adalberto",Juyungo,,,,,,,1982,2022-04-28 11:23:03,2022-05-20 19:37:07,,,,,,,,,,,,,Salvat,"Navarra, España",spa,,,,,https://www.worldcat.org/search?q=juyungo&qt=owc_search,,Ecuador,"<div data-schema-version=""8""><p>Don Valerio Verduga Barberán pasóse los dedos a modo de peinilla por entre los desgreñados cabellos sin brillo, y se lo puso que era un mosquitero de fina gasa la llovizna que caía aquella mañana sobre la aldea de Santo Domingo de los Colorados. Dejó correr la vista por encima de los techos pajizos que, frente a su casa de cinc, chorreaban lacios cual pelambreras cholas, y recordó que los gallinazos graves, estaban como diciendo: “mañana hago mi casa, mañana hago mi casa”.</p> <p>Hasta los tímpanos llegaba el estero rumoroso de cristalino caudal, culebreante entre las malezas, de donde mujeres desaliñadas y agenciosasm acarreaban agua en sendos calabazos, mientras niños y adolescentes verdosos como la pulpa de las papayas tiernas, jugaban a los cocos y a las bolas de cristal, debajo de las casuchas que escasamente rodeaban la desmantelada plaza, alfombrada de montes y hierbajos; rasgada en su trémulo y húmedo verdor mojado, por las heridas diagonales de los senderitos familiares.</p> </div>",/run/media/febres/TOSHIBA EXT/Data/Zotero/storage/8LE4U9EP/juyungo.jpg,,,,,,,,,,,,,,,,,,,,,,,1943,,,,,,,,,,,,,,,,,,,,,,,,,,

data/_data/chriterias.csv

@@ -1,7 +1,7 @@
 title,img,layout,filename
-autor,tema/autora.jpg,page-chriteria,author
-ciudad,tema/lugar.jpg,page-chriteria,city
-año de edición,tema/edicion.jpg,busquedas,edition
-imprenta o editorial,tema/imprenta.jpg,page-chriteria,publisher
-repositorio,tema/repositorio.jpg,page-chriteria,repository
-nacionalidad,tema/pais.jpg,busquedas,nationality
+author,tema/autora.jpg,page-chriteria,author
+city,tema/lugar.jpg,page-chriteria,city
+edition year,tema/edicion.jpg,busquedas,edition
+imprint or publisher,tema/imprenta.jpg,page-chriteria,publisher
+repository,tema/repositorio.jpg,page-chriteria,repository
+nacionality,tema/pais.jpg,busquedas,nationality

data/_includes/site-description.html

@@ -3,7 +3,7 @@
 
 <p>The collection is organized by dynamic lists, which group the works according to common characteristics (<a href="/criteria/author">authors</a>, <a href="/criteria/city">city of publication</a>, <a href="/criteria/publisher">imprint or publisher</a>, <a href="/criteria/nationality">nationality of authors</a>, <a href="/criteria/edition">edition date</a> and <a href="/criteria/repository">digital repository</a>). But it also has a <a href="/search">search engine</a> that allows you to find works directly.</p>
 
-<p>Today there are approximately 90 books available on MOREL, organized by 134 authors, 87 presses and publishers, and 31 repositories. In addition, 31 more works are in progress.</p>
+<p>Today there are approximately 90 books available on MOREL, organized by 118 authors, 87 presses and publishers, and 31 repositories. In addition, 31 more works are in progress.</p>
 
 <p>MOREL is a scalable platform. And as the amount of metadata being stored grows, and new functionalities are developed, it will allow to know relevant data about this literary corpus.</p>
 

data/_layouts/agregar.html

@@ -20,7 +20,7 @@ layout: default
                     </p>
                 </div>
                 <div class="ficha-metadata">
-                   <a  href="https://form.jotform.com/211904785426056"><button type="">AGREGAR</button></a> 
+                   <a  href="https://form.jotform.com/211904785426056"><button type="">ADD</button></a> 
                 </div>
             </div>
             <div class="portada" style="">

data/_layouts/index.html

@@ -1,7 +1,7 @@
 ---
 layout: default
 ---
-        <h1 class="index">{{ site.description }}</h1>
+        <h1 class="index">{{ site.tagline }}</h1>
         
        
 

data/assets/data/books_zotero.csv

@@ -1,4 +1,4 @@
-"Key","Item Type","Publication Year","Author","Title","Publication Title","ISBN","ISSN","DOI","Download","Abstract Note","Date","Date Added","Date Modified","Access Date","Pages","Num Pages","Issue","Volume","Number Of Volumes","Journal Abbreviation","Short Title","Series","Series Number","Series Text","Series Title","Publisher","Place","Language","Rights","Type","Archive","Archive Location","Library","Call Number","Extra","Notes","Cover","Link Attachments","Manual Tags","Automatic Tags","Editor","Series Editor","Translator","Contributor","Attorney Agent","Book Author","Cast Member","Commenter","Composer","Cosponsor","Counsel","Interviewer","Producer","Recipient","Reviewed Author","Scriptwriter","Words By","Guest","Number","Edition","Running Time","Scale","Medium","Artwork Size","Filing Date","Application Number","Assignee","Issuing Authority","Country","Meeting Name","Conference Name","Court","References","Reporter","Legal Status","Priority Numbers","Programming Language","Version","System","Code","Code Number","Section","Session","Committee","History","Legislative Body"
+"Id","Item Type","Publication Year","Author","Title","Publication Title","ISBN","ISSN","DOI","Download","Abstract Note","Date","Date Added","Date Modified","Access Date","Pages","Num Pages","Issue","Volume","Number Of Volumes","Journal Abbreviation","Short Title","Series","Series Number","Series Text","Series Title","Publisher","Place","Language","Rights","Type","Archive","Archive Location","Library","Call Number","Extra","Notes","Cover","Link Attachments","Manual Tags","Automatic Tags","Editor","Series Editor","Translator","Contributor","Attorney Agent","Book Author","Cast Member","Commenter","Composer","Cosponsor","Counsel","Interviewer","Producer","Recipient","Reviewed Author","Scriptwriter","Words By","Guest","Number","Edition","Running Time","Scale","Medium","Artwork Size","Filing Date","Application Number","Assignee","Issuing Authority","Country","Meeting Name","Conference Name","Court","References","Reporter","Legal Status","Priority Numbers","Programming Language","Version","System","Code","Code Number","Section","Session","Committee","History","Legislative Body"
 "HWUHIB4L","book","1898","Sousa, Cruz e","Evocações","","","","","https://ia802607.us.archive.org/12/items/3345231/3345231.pdf","","1898","2022-05-11 15:54:04","2022-05-20 20:06:17","","","406","","","","","","","","","","Typ. Aldina","Rio de Janeiro","pt","","","University of Illinois Urbana-Champaign","https://archive.org/details/university_of_illinois_urbana-champaign","https://www.worldcat.org/title/evocaes/oclc/1194102158?referer=br&ht=edition","","Brasil","<div data-schema-version=""8""><p>N'aquella hora tremenda, grande hora solemne na qual se ia iniciar outra nova vida, foi para mim uma sensibilidade original, um soffrimento nunca sentido, que me desprendia da terra, que me exhilaba do mundo, tal era o choque violento dos meus nervos nesse momento, tal a delicada e curiosa impressão da minh'alma n'esse transe supremo.</p> <p>Ella, abalada por gemidos, na dôr que a dilacerava, quasi desfallecia, com a mais rara expressão raysteriosa nos grandes olhos, os lábios lividos, o semblante de uma contemplatividade de martyrio, transfigurada já pela angustia sagrada d'aquella hora, no instante augusto da Maternidade.</p> </div>","/run/media/febres/TOSHIBA EXT/Data/Zotero/storage/YBGYXZYL/evocacoes.jpg","","","","","","","","","","","","","","","","","","","","","","","1898","","","","","","","","","","","","","","","","","","","","","","","","","",""
 "WFXITK8T","book","1908","Assis, Machado de","Memorial de Ayres","","","","","https://www.gutenberg.org/ebooks/55797","","1908","2022-05-11 15:08:45","2022-05-20 20:05:26","","","273","","","","","","","","","","H. Garnier","Rio de Janeiro / Paris","pt","","","Project Gutenberg","","https://www.worldcat.org/title/memorial-de-ayres/oclc/1300944285&referer=brief_results","","Brasil","<div data-schema-version=""8""><p>Nesse momento, a viuva descruzava as mãos, e fazia gesto de ir embora. Primeiramente espraiou os olhos, como a ver se estava só. Talvez quizesse beijar a sepultura, o proprio nome do marido, mas havia gente perto, sem contar dous coveiros que levavam um regador e uma enxada, e iam falando de um enterro daquella manhã. Falavam alto, e um escarnecia do outro, em voz grossa: «Eras capaz de levar um daquelles ao morro? Só se fossem quatro como tu.» Tratavam de caixão pezado, naturalmente, mas eu voltei depressa a atenção para a viuva, que se afastava e caminhava lentamente, sem mais olhar para traz. Encoberto por um mausoleu, não a pude ver mais nem melhor que a principio. Ella foi descendo até o portão, onde passava um bonde em que entrou e partiu. Nós descemos depois e viemos no outro.</p> </div>","/run/media/febres/TOSHIBA EXT/Data/Zotero/storage/BNJZ25EK/memorial_ayres_machado.jpg","","","","","","","","","","","","","","","","","","","","","","","1908","","","","","","","","","","","","","","","","","","","","","","","","","",""
 "DJIXBXIE","book","1943","Sojo, Juan Pablo","Nochebuena negra","","978-980-01-2074-3","","","https://bibliotecadigital.bnv.gob.ve/wp-content/uploads/nochebuena_negra.pdf","","1943","2022-05-11 00:34:35","2022-05-20 20:01:54","","","","","","","","","","","","","General Rafael Urdaneta","Caracas","spa","","","Biblioteca Digital César Rengifo","https://bibliotecadigital.bnv.gob.ve","https://www.worldcat.org/title/nochebuena-negra-novela/oclc/16396635?referer=di&ht=edition","","Venezuela","<div data-schema-version=""8""><p>En la mañana siguiente, mientras las mujeres vaciaban cacao en baba en los alijos que lo bajarían hacia el paso, Crisanto contó a Lino, Emeterio y a cuantos pudieron escucharlo, la noble acción del doctor Goyo... Un indio retaco, fornido, que sacaba filo en el mollejón, escuchaba la historia y sonrió. Lino se fijó en su risa. El indio era algo capachero; tenía pocos días en Pozo Frío y era casi un extraño. Había sido caporal en una hacienda del médico, y él solo sabía de qué se estaba riendo. De la hacienda se vino huido, después de cruzar el Tuy a nado y aparecerse en el rancho de Lino. Se llamaba Guaraco y era hermano de Juana, la mujer de él. Por allí anduvo la “Comisión”, pero en cuatro días no lo hallaron.</p> </div>","/run/media/febres/TOSHIBA EXT/Data/Zotero/storage/86DTQ8GM/nochebuena_negra.jpg","","","","","","","","","","","","","","","","","","","","","","","1943","","","","","","","","","","","","","","","","","","","","","","","","","",""

data/assets/{data/books_zotero_.csv → source/assets/data/books_zotero.csv}

@@ -1,5 +1,5 @@
-"Key","Item Type","Publication Year","Author","Title","Publication Title","ISBN","ISSN","DOI","Download","Abstract Note","Date","Date Added","Date Modified","Access Date","Pages","Num Pages","Issue","Volume","Number Of Volumes","Journal Abbreviation","Short Title","Series","Series Number","Series Text","Series Title","Publisher","Place","Language","Rights","Type","Archive","Archive Location","Library","Call Number","Extra","Notes","Cover","Link Attachments","Manual Tags","Automatic Tags","Editor","Series Editor","Translator","Contributor","Attorney Agent","Book Author","Cast Member","Commenter","Composer","Cosponsor","Counsel","Interviewer","Producer","Recipient","Reviewed Author","Scriptwriter","Words By","Guest","Number","Edition","Running Time","Scale","Medium","Artwork Size","Filing Date","Application Number","Assignee","Issuing Authority","Country","Meeting Name","Conference Name","Court","References","Reporter","Legal Status","Priority Numbers","Programming Language","Version","System","Code","Code Number","Section","Session","Committee","History","Legislative Body"
-"HWUHIB4L","book","1898","Sousa, Cruz e","Evocações","","","","","https://ia802607.us.archive.org/12/items/3345231/3345231.pdf","","1898","2022-05-11 15:54:04","2022-05-20 20:06:17","","","406","","","","","","","","","","Typ. Aldina","Rio de Janeiro","pt","","","University of Illinois Urbana-Champaign","https://archive.org/details/university_of_illinois_urbana-champaign","https://www.worldcat.org/title/evocaes/oclc/1194102158?referer=br&ht=edition","","Brasil","","/run/media/febres/TOSHIBA EXT/Data/Zotero/storage/YBGYXZYL/evocacoes.jpg","","","","","","","","","","","","","","","","","","","","","","","1898","","","","","","","","","","","","","","","","","","","","","","","","","",""
+"Id","Item Type","Publication Year","Author","Title","Publication Title","ISBN","ISSN","DOI","Download","Abstract Note","Date","Date Added","Date Modified","Access Date","Pages","Num Pages","Issue","Volume","Number Of Volumes","Journal Abbreviation","Short Title","Series","Series Number","Series Text","Series Title","Publisher","Place","Language","Rights","Type","Archive","Archive Location","Library","Call Number","Extra","Notes","Cover","Link Attachments","Manual Tags","Automatic Tags","Editor","Series Editor","Translator","Contributor","Attorney Agent","Book Author","Cast Member","Commenter","Composer","Cosponsor","Counsel","Interviewer","Producer","Recipient","Reviewed Author","Scriptwriter","Words By","Guest","Number","Edition","Running Time","Scale","Medium","Artwork Size","Filing Date","Application Number","Assignee","Issuing Authority","Country","Meeting Name","Conference Name","Court","References","Reporter","Legal Status","Priority Numbers","Programming Language","Version","System","Code","Code Number","Section","Session","Committee","History","Legislative Body"
+"HWUHIB4L","book","1898","Sousa, Cruz e","Evocações","","","","","https://ia802607.us.archive.org/12/items/3345231/3345231.pdf","","1898","2022-05-11 15:54:04","2022-05-20 20:06:17","","","406","","","","","","","","","","Typ. Aldina","Rio de Janeiro","pt","","","University of Illinois Urbana-Champaign","https://archive.org/details/university_of_illinois_urbana-champaign","https://www.worldcat.org/title/evocaes/oclc/1194102158?referer=br&ht=edition","","Brasil","<div data-schema-version=""8""><p>N'aquella hora tremenda, grande hora solemne na qual se ia iniciar outra nova vida, foi para mim uma sensibilidade original, um soffrimento nunca sentido, que me desprendia da terra, que me exhilaba do mundo, tal era o choque violento dos meus nervos nesse momento, tal a delicada e curiosa impressão da minh'alma n'esse transe supremo.</p> <p>Ella, abalada por gemidos, na dôr que a dilacerava, quasi desfallecia, com a mais rara expressão raysteriosa nos grandes olhos, os lábios lividos, o semblante de uma contemplatividade de martyrio, transfigurada já pela angustia sagrada d'aquella hora, no instante augusto da Maternidade.</p> </div>","/run/media/febres/TOSHIBA EXT/Data/Zotero/storage/YBGYXZYL/evocacoes.jpg","","","","","","","","","","","","","","","","","","","","","","","1898","","","","","","","","","","","","","","","","","","","","","","","","","",""
 "WFXITK8T","book","1908","Assis, Machado de","Memorial de Ayres","","","","","https://www.gutenberg.org/ebooks/55797","","1908","2022-05-11 15:08:45","2022-05-20 20:05:26","","","273","","","","","","","","","","H. Garnier","Rio de Janeiro / Paris","pt","","","Project Gutenberg","","https://www.worldcat.org/title/memorial-de-ayres/oclc/1300944285&referer=brief_results","","Brasil","<div data-schema-version=""8""><p>Nesse momento, a viuva descruzava as mãos, e fazia gesto de ir embora. Primeiramente espraiou os olhos, como a ver se estava só. Talvez quizesse beijar a sepultura, o proprio nome do marido, mas havia gente perto, sem contar dous coveiros que levavam um regador e uma enxada, e iam falando de um enterro daquella manhã. Falavam alto, e um escarnecia do outro, em voz grossa: «Eras capaz de levar um daquelles ao morro? Só se fossem quatro como tu.» Tratavam de caixão pezado, naturalmente, mas eu voltei depressa a atenção para a viuva, que se afastava e caminhava lentamente, sem mais olhar para traz. Encoberto por um mausoleu, não a pude ver mais nem melhor que a principio. Ella foi descendo até o portão, onde passava um bonde em que entrou e partiu. Nós descemos depois e viemos no outro.</p> </div>","/run/media/febres/TOSHIBA EXT/Data/Zotero/storage/BNJZ25EK/memorial_ayres_machado.jpg","","","","","","","","","","","","","","","","","","","","","","","1908","","","","","","","","","","","","","","","","","","","","","","","","","",""
 "DJIXBXIE","book","1943","Sojo, Juan Pablo","Nochebuena negra","","978-980-01-2074-3","","","https://bibliotecadigital.bnv.gob.ve/wp-content/uploads/nochebuena_negra.pdf","","1943","2022-05-11 00:34:35","2022-05-20 20:01:54","","","","","","","","","","","","","General Rafael Urdaneta","Caracas","spa","","","Biblioteca Digital César Rengifo","https://bibliotecadigital.bnv.gob.ve","https://www.worldcat.org/title/nochebuena-negra-novela/oclc/16396635?referer=di&ht=edition","","Venezuela","<div data-schema-version=""8""><p>En la mañana siguiente, mientras las mujeres vaciaban cacao en baba en los alijos que lo bajarían hacia el paso, Crisanto contó a Lino, Emeterio y a cuantos pudieron escucharlo, la noble acción del doctor Goyo... Un indio retaco, fornido, que sacaba filo en el mollejón, escuchaba la historia y sonrió. Lino se fijó en su risa. El indio era algo capachero; tenía pocos días en Pozo Frío y era casi un extraño. Había sido caporal en una hacienda del médico, y él solo sabía de qué se estaba riendo. De la hacienda se vino huido, después de cruzar el Tuy a nado y aparecerse en el rancho de Lino. Se llamaba Guaraco y era hermano de Juana, la mujer de él. Por allí anduvo la “Comisión”, pero en cuatro días no lo hallaron.</p> </div>","/run/media/febres/TOSHIBA EXT/Data/Zotero/storage/86DTQ8GM/nochebuena_negra.jpg","","","","","","","","","","","","","","","","","","","","","","","1943","","","","","","","","","","","","","","","","","","","","","","","","","",""
 "5LYC395R","book","1954","Estupiñán Bass, Nelson","Cuando los guayacanes florecían","","","","","","","1954","2022-05-10 21:00:13","2022-05-20 19:56:59","","","","","","","","","","","","","Casa de la Cultura Ecuatoriana","Quito","spa","","","","","https://www.worldcat.org/title/cuando-los-guayacanes-florecian/oclc/253770281?referer=di&ht=edition","","Ecuador","<div data-schema-version=""8""><p>En una esquina del dormitorio, con la cabeza entre las manos, sentado al borde de su cama de madera, y retardado en el arreglo de su equipo, Gabriel Simbaña, indio metido a soldado de línea por el afán de salir de su aldea de la Sierra y no vivir la vida miserable de los otros, lloraba desconsoladamente. Recordaba que se había enrolado en el ejército, porque no quiso seguir la suerte de su padre, envejecido en la hacienda, casi desnudo y sin alcanzar a pagar jamás la cuenta al patrón. Recordaba el dolor que había sentido, --ah, cómo iba a poder olvidarlo!,-- cuando había visto que el látigo inclemente del patrón abría surcos de sangre en la espalda agobiada del viejo, aquel día que el mayordomo descubrió que su padre se había hurtado un saco de maíz. Fue en ese invierno duro y penoso, en que el hambre parecía haberse puesto de acuerdo con el patrón para hacer más amarga la vida de los indios. Recordaba ese loco anhelo de venir a la Costa, de vivir en una &nbsp;tierra distante, a donde no pudiera llegar el látigo ensangrentado del patrón.</p> </div>","/run/media/febres/TOSHIBA EXT/Data/Zotero/storage/I5TG9EA5/guacayanes.jpg","","","","","","","","","","","","","","","","","","","","","","","1954","","","","","","","","","","","","","","","","","","","","","","","","","",""

data/assets/source/downloads.md

@@ -0,0 +1,4 @@
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metadata

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@@ -690,8 +688,10 @@ files:
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