hpricot 0.8.3-i386-mswin32
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- data/CHANGELOG +104 -0
- data/COPYING +18 -0
- data/README.md +276 -0
- data/Rakefile +234 -0
- data/ext/fast_xs/FastXsService.java +1123 -0
- data/ext/fast_xs/extconf.rb +4 -0
- data/ext/fast_xs/fast_xs.c +210 -0
- data/ext/hpricot_scan/HpricotCss.java +850 -0
- data/ext/hpricot_scan/HpricotScanService.java +2099 -0
- data/ext/hpricot_scan/extconf.rb +9 -0
- data/ext/hpricot_scan/hpricot_common.rl +76 -0
- data/ext/hpricot_scan/hpricot_css.c +3511 -0
- data/ext/hpricot_scan/hpricot_css.java.rl +155 -0
- data/ext/hpricot_scan/hpricot_css.rl +120 -0
- data/ext/hpricot_scan/hpricot_scan.c +7039 -0
- data/ext/hpricot_scan/hpricot_scan.h +79 -0
- data/ext/hpricot_scan/hpricot_scan.java.rl +1161 -0
- data/ext/hpricot_scan/hpricot_scan.rl +896 -0
- data/extras/hpricot.png +0 -0
- data/lib/fast_xs.rb +1 -0
- data/lib/fast_xs/1.8/fast_xs.so +0 -0
- data/lib/fast_xs/1.9/fast_xs.so +0 -0
- data/lib/hpricot.rb +26 -0
- data/lib/hpricot/blankslate.rb +63 -0
- data/lib/hpricot/builder.rb +216 -0
- data/lib/hpricot/elements.rb +514 -0
- data/lib/hpricot/htmlinfo.rb +691 -0
- data/lib/hpricot/inspect.rb +103 -0
- data/lib/hpricot/modules.rb +40 -0
- data/lib/hpricot/parse.rb +38 -0
- data/lib/hpricot/tag.rb +219 -0
- data/lib/hpricot/tags.rb +164 -0
- data/lib/hpricot/traverse.rb +839 -0
- data/lib/hpricot/xchar.rb +94 -0
- data/lib/hpricot_scan.rb +1 -0
- data/lib/hpricot_scan/1.8/hpricot_scan.so +0 -0
- data/lib/hpricot_scan/1.9/hpricot_scan.so +0 -0
- data/test/files/basic.xhtml +17 -0
- data/test/files/boingboing.html +2266 -0
- data/test/files/cy0.html +3653 -0
- data/test/files/immob.html +400 -0
- data/test/files/pace_application.html +1320 -0
- data/test/files/tenderlove.html +16 -0
- data/test/files/uswebgen.html +220 -0
- data/test/files/utf8.html +1054 -0
- data/test/files/week9.html +1723 -0
- data/test/files/why.xml +19 -0
- data/test/load_files.rb +7 -0
- data/test/nokogiri-bench.rb +64 -0
- data/test/test_alter.rb +96 -0
- data/test/test_builder.rb +37 -0
- data/test/test_parser.rb +457 -0
- data/test/test_paths.rb +25 -0
- data/test/test_preserved.rb +88 -0
- data/test/test_xml.rb +28 -0
- metadata +128 -0
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#!/usr/bin/env ruby
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# The XChar library is provided courtesy of Sam Ruby (See
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# http://intertwingly.net/stories/2005/09/28/xchar.rb)
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# --------------------------------------------------------------------
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######################################################################
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module Hpricot
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####################################################################
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# XML Character converter, from Sam Ruby:
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# (see http://intertwingly.net/stories/2005/09/28/xchar.rb).
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#
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module XChar # :nodoc:
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# See
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# http://intertwingly.net/stories/2004/04/14/i18n.html#CleaningWindows
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# for details.
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CP1252 = { # :nodoc:
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128 => 8364, # euro sign
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130 => 8218, # single low-9 quotation mark
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131 => 402, # latin small letter f with hook
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132 => 8222, # double low-9 quotation mark
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133 => 8230, # horizontal ellipsis
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134 => 8224, # dagger
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135 => 8225, # double dagger
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136 => 710, # modifier letter circumflex accent
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137 => 8240, # per mille sign
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138 => 352, # latin capital letter s with caron
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139 => 8249, # single left-pointing angle quotation mark
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140 => 338, # latin capital ligature oe
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142 => 381, # latin capital letter z with caron
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145 => 8216, # left single quotation mark
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146 => 8217, # right single quotation mark
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147 => 8220, # left double quotation mark
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148 => 8221, # right double quotation mark
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149 => 8226, # bullet
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150 => 8211, # en dash
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151 => 8212, # em dash
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152 => 732, # small tilde
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153 => 8482, # trade mark sign
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154 => 353, # latin small letter s with caron
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155 => 8250, # single right-pointing angle quotation mark
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156 => 339, # latin small ligature oe
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158 => 382, # latin small letter z with caron
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159 => 376, # latin capital letter y with diaeresis
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}
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# See http://www.w3.org/TR/REC-xml/#dt-chardata for details.
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PREDEFINED = {
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34 => '"', # quotation mark
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38 => '&', # ampersand
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60 => '<', # left angle bracket
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62 => '>' # right angle bracket
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}
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PREDEFINED_U = PREDEFINED.inject({}) { |hsh, (k, v)| hsh[v] = k; hsh }
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# See http://www.w3.org/TR/REC-xml/#charsets for details.
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VALID = [
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0x9, 0xA, 0xD,
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(0x20..0xD7FF),
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(0xE000..0xFFFD),
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(0x10000..0x10FFFF)
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]
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end
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class << self
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# XML escaped version of chr
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def xchr(str)
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n = XChar::CP1252[str] || str
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case n when *XChar::VALID
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XChar::PREDEFINED[n] or (n<128 ? n.chr : "&##{n};")
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else
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'*'
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end
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end
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# XML escaped version of to_s
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def xs(str)
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str.to_s.unpack('U*').map {|n| xchr(n)}.join # ASCII, UTF-8
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rescue
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str.to_s.unpack('C*').map {|n| xchr(n)}.join # ISO-8859-1, WIN-1252
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end
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# XML unescape
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def uxs(str)
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str.to_s.
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gsub(/\&\w+;/) { |x| (XChar::PREDEFINED_U[x] || 63).chr }. # 63 = ?? (query char)
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gsub(/\&\#(\d+);/) { [$1.to_i].pack("U*") }
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end
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end
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end
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data/lib/hpricot_scan.rb
ADDED
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require "hpricot_scan/#{RUBY_VERSION.sub(/\.\d+$/, '')}/hpricot_scan"
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Binary file
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Binary file
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<?xml version="1.0" encoding="UTF-8"?>
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<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "DTD/xhtml1-strict.dtd">
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<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
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<head>
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<title>Sample XHTML</title>
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<link rel='stylesheet' href='test1.css' />
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<link rel='stylesheet' href='test2.css' />
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<link rel='stylesheet' href='test3.css' />
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</head>
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<body id='body1'>
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<p>Sample XHTML for <a id="link1" href="http://code.whytheluckystiff.net/mouseHole/">MouseHole 2</a>.</p>
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<p class='ohmy'>Please filter <span></span><a id="link2" href="http://hobix.com/">me</a>!</p>
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<p>The third paragraph</p>
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<p class="last final"><b>THE FINAL PARAGRAPH</b></p>
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</body>
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</html>
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
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<meta http-equiv="Content-Type" content="text/html;charset=utf-8">
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<html>
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<head>
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<script>
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/*
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Random-Order content script
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By JavaScript Kit (http://www.javascriptkit.com)
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This notice must stay intact for use
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*/
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//1) Specify content(s) to display and rotate
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// You can specify multiple "sets", each displayed in diff. areas of your page
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var content=new Array() //sample set 1
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//content[0]='<a href="http://boingboing.net/cgi-bin/clicker.cgi?http://www.bustedtees.com/in/boingboing/125x"><img src="http://boingboing.net/busted_tees/rotate.php" width="125" height="125" border="1"></a>'
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content[0]='<a href="http://boingboing.net/cgi-bin/clicker.cgi?http://makezine.com/offer/"><img src="http://boingboing.net/images/125x125_MAKE-ColdFusion-DIY.gif" width="125" height="125" border=1></a>'
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function randomorder(targetarray, spacing){
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var randomorder=new Array()
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var the_one
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var z=0
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for (i=0;i<targetarray.length;i++)
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randomorder[i]=i
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while (z<targetarray.length){
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the_one=Math.floor(Math.random()*targetarray.length)
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if (targetarray[the_one]!="_selected!"){
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document.write(targetarray[the_one]+spacing)
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targetarray[the_one]="_selected!"
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z++
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}
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}
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}
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</script>
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<title>Boing Boing: A Directory of Wonderful Things</title>
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<meta http-equiv="content-type" content="text/html; charset=utf-8">
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<link rel="alternate" type="application/atom+xml" title="Atom" href="http://www.boingboing.net/atom.xml">
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<link rel="alternate" type="application/rss+xml" title="RSS" href="http://www.boingboing.net/index.rdf">
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<link rel="EditURI" type="application/rsd+xml" title="RSD" href="http://www.boingboing.net/rsd.xml">
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<meta name="Description" content="A weblog about pop culture">
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<meta name="Keywords" content="blog, weblog, search, directory, community, web directory, web search, search engine, boing boing, mark frauenfelder, cory doctorow, david pescovitz, xeni jardin, john battelle, pop culture">
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<style type="text/css" media="all">
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@import url(http://www.boingboing.net/table.css);
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</style>
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</head>
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<body bgcolor="#ffffff">
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<div align="center">
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<table width="800" border="0" cellspacing="0" cellpadding="4" bgcolor="white">
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<tr>
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<td colspan="3" align="center" width="800" height="90">
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<table width="811" border="0" cellspacing="0" cellpadding="0">
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<tr>
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<td width="4" height="90" rowspan="4"></td>
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<td width="338" height="4"></td>
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<td width="468" height="10" rowspan="2"></td>
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<td width="1" height="4"><spacer type="block" width="1" height="4"></td>
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</tr>
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<tr>
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<td width="338" height="74" rowspan="2" valign="top" align="left"><a href="http://boingboing.net/"><img src="http://boingboing.net/images/bbhead10xb.gif" alt="Boing Boing" width="330" height="72" border="0"></a></td>
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<td width="1" height="6"><spacer type="block" width="1" height="6"></td>
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</tr>
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<tr>
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<td width="468" height="68" valign="top" align="left">
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<script language='JavaScript' type='text/javascript' src='http://static.fmpub.net/js/1/adx.js'></script>
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<script language='JavaScript' type='text/javascript'>
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<!--
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if (!document.phpAds_used) document.phpAds_used = ',';
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phpAds_random = new String (Math.random()); phpAds_random = phpAds_random.substring(2,11);
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document.write ("<" + "script language='JavaScript' type='text/javascript' src='");
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document.write ("http://dynamic.fmpub.net/adserver/adjs.php?n=" + phpAds_random);
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document.write ("&what=zone:26&block=1&blockcampaign=1");
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document.write ("&exclude=" + document.phpAds_used);
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if (document.referrer)
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document.write ("&referer=" + escape(document.referrer));
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document.write ("'><" + "/script>");
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//-->
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</script><noscript><a href='http://dynamic.fmpub.net/adserver/adclick.php?n=a3449322' target='_blank'><img src='http://dynamic.fmpub.net/adserver/adview.php?what=zone:26&n=a3449322' border='0' alt=''></a></noscript>
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</td>
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<td width="1" height="68"><spacer type="block" width="1" height="68"></td>
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</tr>
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<tr>
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<td width="806" height="18" colspan="3" valign="top"><div id="sidebar-a">
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<!-- SiteSearch Google -->
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<FORM method=GET action="http://www.google.com/search">
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<a href="http://boingboing.net/suggest.html">suggest a link</a> | <a
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href="http://www.boingboing.net/censorroute.html">defeat censorware</a> | <a href="http://feeds.feedburner.com/boingboing/iBag">rss</a> | <a href="http://boingboing.net/archive.html">archives</a> | <a href="http://www.spreadshirt.com/shop.php?sid=3533">store</a> | <a href="http://boingboing.net/markf.html">mark</a> | <a href="http://www.craphound.com/">cory</a> | <a href="http://pesco.net/">david</a> | <a href="http://xeni.net/">xeni</a> | <a href="http://battellemedia.com/">john</a></font> <br>
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<input type=hidden name=ie value=UTF-8>
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<input type=hidden name=oe value=UTF-8><br>
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<INPUT TYPE=text name=q size=31 maxlength=255 value="">
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<INPUT type=submit name=btnG VALUE="Search Boing Boing">
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<font size=-1>
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<input type=hidden name=domains value="boingboing.net">
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<br> <input type=hidden name=sitesearch value="boingboing.net" checked>
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</FORM>
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<!-- SiteSearch Google -->
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119
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+
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</td>
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<td width="1" height="18"><spacer type="block" width="1" height="18"></td>
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127
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</tr>
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128
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<tr>
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129
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<td width="4" height="1"><spacer type="block" width="4" height="1"></td>
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130
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<td width="338" height="1"><spacer type="block" width="338" height="1"></td>
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<p>Copyright 2006 Happy Mutants LLC. Some rights reserved. Boing Boing is a trademark of Happy Mutants LLC in the United States [and other countries]. <!-- End Trademark and Copyright --></p>
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Wednesday, June 14, 2006
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Slipstream Science Fiction anthology defies genre conventions
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James Patrick Kelly and John Kessel gave a great interview to Sci Fi Weekly about their new anthology, <a href="http://www.amazon.com/exec/obidos/ASIN/189239135X/downandoutint-20">Feeling Very Strange: The Slipstream Anthology</a>. The book has a top-notch table-of-contents, stories that defy genre conventions and make your head spin in a good way.
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We make the point in our introduction that slipstream isn't really a genre at the moment and may never be one. What it is, in our opinion, is a literary effect--in the same way that horror or comedy are literary effects achieved by many different kinds of dissimilar stories. What is that effect? We borrowed the term cognitive dissonance from the psychologists. When we are presented with two contradictory cognitions--impressions, feelings, beliefs--we experience cognitive dissonance, a kind of psychic discomfort that we normally try to ease by discounting one of the cognitions as false or illusory and promoting the other to reality. But in some cases we aren't well served by this convenient sorting out.
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We think that what slipstream stories do is to embrace cognitive dissonance. F. Scott Fitzgerald once said that "The test of a first-rate intelligence is the ability to hold two opposing ideas in mind at the same time and still retain the ability to function." We believe that such an ability is necessary to cope with life in the 21st century and that stories that ask us to exercise that ability are an expression of the zeitgeist. Do you really need a definitive answer as to whether an electron is a wave or a particle? Why? Maybe it's time to make room for uncertainty in contemporary fiction, even if the stories do make you feel very strange. Slipstream may use metafictional techniques to estrange us from consensus reality, they may rewrite history, they may mash up different styles or genres. But that's the point, as we see it. Slipstream has no rules, it has only results.
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(<i>via <a href="http://blog.wired.com/sterling/">Beyond the Beyond</a></i>)
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<p class="posted">posted by
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Cory Doctorow at
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03:43:28 AM
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<a href="http://www.boingboing.net/2006/06/14/slipstream_science_f.html">permalink
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/14/slipstream_science_f.html">blogs' comments</a>
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College kids reportedly taking more smart drugs
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High-achieving college kids are reportedly dipping into "brain-steroids" -- drugs like Ritalin and Provigil, which focus attention. No one really knows how widespread this practice is, since it's uncommon for anyone to get busted for peddling smart drugs, and the side-effects of "abuse" are minimal.
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This strikes me as the canonical <a href="http://www.boingboing.net/2006/04/28/human_enhancement_te.html">cognitive liberty</a> fight: why shouldn't you be allowed to make an informed decision about what state of mind you'd like to be in? Why will the law allow people to kill brain and liver cells with stupefying booze, but not smart drugs?
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"What was a surprise, though, was the alarming rate of senior business majors who have used" the drugs, he writes. Almost 90 percent reported at least occasional use of "smart pills" at crunch times such as final exams, including Adderall, Ritalin, Strattera and others. Of those, three-quarters did not have a legitimate prescription, obtaining the pills from friends. "We were shocked," Salantrie writes. He says that in his report, he was "attempting to bring to light the secondary market for Adderall" specifically because "most of the university is not aware" of its extent, he says.
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(<i>via <a href="http://futurismic.com">Futurismic</a></i>)
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<p class="posted">posted by
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Cory Doctorow at
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03:33:51 AM
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/14/college_kids_reporte.html">blogs' comments</a>
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<a name="027904">
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UFO sighting picture photoshopping contest
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</h3>
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<img src="http://craphound.com/images/londonbridgeufo.jpg" width="344" height="259" align="left">
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The next Worth1000 photoshopping contest challenges artists to fake UFO-sightings photos. The quality of entries here is a little uneven, but the best of the lot are real gems.
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<a href="http://www.worth1000.com/cache/contest/contestcache.asp?contest_id=10724&display=photoshop#entries">Link</a>
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<p class="posted">posted by
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Cory Doctorow at
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03:26:59 AM
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<a href="http://www.boingboing.net/2006/06/14/ufo_sighting_picture.html">permalink
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/14/ufo_sighting_picture.html">blogs' comments</a>
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<a name="027903">
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</a>
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<h3>
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Rube Goldberg machine built out of sticks and stones
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</h3>
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<img src="http://craphound.com/images/sticksstonesrubegoldberg.jpg" width="294" height="228" align="left">
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There's a feature on today's Make video podcast about a giant, elaborate Rube Goldberg machine assembled out of sticks and stones in a forest. The video features some jaw-dropping, Mousetrap-style action, and the use of found forest-floor materials makes it all the more Wile E Coyote. The video features tips on setting up your own woodsy contraption.
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+
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429
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<a href="http://www.makezine.com/blog/archive/2006/06/make_podcast_rube_goldberg_con_2.html?CMP=OTC-0D6B48984890">Link</a>
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<p class="posted">posted by
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Cory Doctorow at
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02:59:42 AM
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<a href="http://www.boingboing.net/2006/06/14/rube_goldberg_machin.html">permalink
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/14/rube_goldberg_machin.html">blogs' comments</a>
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<a name="027902">
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</a>
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<h3>
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Lampooning the American dismissal of Gitmo suicides
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</h3>
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Fafblog today features a scathing, brilliant satirical look at the US characterization of the Guantanamo Bay suicides as an attack on America. Fafblog is consistently the best political satire/commentary on the net, the Web equivalent of Jon Stewart and Stephen Colbert, and they're finally back after a too-long hiatus. The characterization of the Gitmo suicides as an act of terrorism is so ugly and disingenuous that it begged to be punctured. I'm thankful that Fafblog is back to perform that service.
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<blockquote>
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Run for your lives - America is under attack! Just days ago three prisoners at Guantanamo Bay committed suicide in a savage assault on America's freedom to not care about prisoner suicides! Oh sure, the "Blame Atrocities First" crowd will tell you these prisoners were "driven to despair," that they "had no rights," that they were "held and tortured without due process or judicial oversight in a nightmarish mockery of justice." But what they won't tell you is that they only committed suicide as part of a diabolical ruse to trick the world into thinking our secret torture camp is the kind of secret torture camp that drives its prisoners to commit suicide! This fiendish attempt to slander the great American institution of the gulag is nothing less than an act of asymmetrical warfare against the United States - a noose is just a suicide bomb with a very small blast radius, people! - and when faced with a terrorist attack, America must respond. Giblets demands immediate retaliatory airstrikes on depressed Muslim torture victims throughout the mideast!
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<p>
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458
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+
"Oh but Giblets there are dozens of innocent prisoners in Guantanamo" you say because you are a namby-pamby appeasenik who suckles at the teat of terror. Well if these Guantanamo prisoners are so innocent then what are they doing in Guantanamo? Sneaking into our secret military prisons as part of an elaborate plot to make it look like we're holding them in our secret military prisons, that's what! And once they get there they can chain themselves to the floor, break their bones on helpless guards' fists, and waterboard themselves to their heart's content to further their sinister Salafi scheme to sully the reputation of secret American torture facilities everywhere!
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459
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+
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+
</blockquote>
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461
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+
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462
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+
<a href="http://fafblog.blogspot.com/2006/06/610-changed-everything-run-for-your.html">Link</a>
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<br clear="all">
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<p class="posted">posted by
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+
Cory Doctorow at
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467
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02:55:02 AM
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468
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+
<a href="http://www.boingboing.net/2006/06/14/lampooning_the_ameri.html">permalink
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469
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/14/lampooning_the_ameri.html">blogs' comments</a>
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+
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</p>
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<p></p>
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<a name="027901">
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</a>
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<h3>
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480
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+
Neil Gaiman tribute CD sneak-peek
|
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481
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+
</h3>
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+
A new Neil Gaiman tribute CD is <a href="http://www.amazon.com/exec/obidos/ASIN/B000FP2IXM/downandoutint-20">coming out in July</a>. One of the tracks is already available -- "Mr Punch" by Future Bible Heroes, and it's a delight. Apparently, Stephin Merritt (from Future Bible Heroes) is also doing a Lemony Snickett-inspired CD in October.
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+
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<blockquote>
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485
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+
<img src="http://craphound.com/images/gaimaintributedisc.jpg" width="196" height="194" align="left">
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486
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+
Track Listing:<br>
|
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487
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+
1 Rasputina - Coraline<br>
|
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488
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+
2 ThouShaltNot - When Everyone Forgets<br>
|
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489
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+
3 Tapping The Vein - Trader Boy<br>
|
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490
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+
4 Lunascape - Raven Star<br>
|
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491
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+
5 Deine Lakaien - A Fish Called Prince<br>
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492
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+
6 Thea Gilmore - Even Gods Do<br>
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493
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+
7 Rose Berlin (feat. Curve) - Coraline<br>
|
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494
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+
8 Schandmaul - Magda Treadgolds Märchen<br>
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495
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+
9 Hungry Lucy - We Won't Go<br>
|
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496
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+
10 Voltaire w/The Oddz - Come Sweet Death<br>
|
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497
|
+
11 Future Bible Heroes - Mr. Punch<br>
|
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498
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+
12 Razed in Black - The Endless<br>
|
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499
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+
13 The Cruxshadows - Wake the White Queen<br>
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+
14 Ego Likeness - You Better Leave the Stars Alone<br>
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501
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+
15 Azam Ali - The Cold Black Key<br>
|
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502
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+
16 Joachim Witt - Vandemar<br>
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+
17 Tori Amos - Sister Named Desire (New Master)
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+
<br clear="all">
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+
</blockquote>
|
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506
|
+
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+
<a href="http://www.fabulist.org/archives/2006/06/future_bible_he.html">Link</a>
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508
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+
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509
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+
(<i>Thanks, Gary!</i>)
|
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510
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<br clear="all">
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<p class="posted">posted by
|
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513
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+
Cory Doctorow at
|
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514
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+
02:50:59 AM
|
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515
|
+
<a href="http://www.boingboing.net/2006/06/14/neil_gaiman_tribute_.html">permalink
|
|
516
|
+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/14/neil_gaiman_tribute_.html">blogs' comments</a>
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517
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<br clear="all">
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</p>
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<p></p>
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<a name="027900">
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</a>
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+
<h3>
|
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527
|
+
Block DRM license plate
|
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|
+
</h3>
|
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529
|
+
<img src="http://craphound.com/images/blockdrmplate.jpg" width="157" height="93" align="left">
|
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530
|
+
|
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531
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+
Tom spotted this DC license plate, reading BLK DRM. He thinks it's an anti-DRM lobbyist's plate, which is plausible, though with the acronym soup in Washington, it could stand for just about anything.
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532
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+
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<a href="http://dc.metblogs.com/archives/2006/06/blk_drm.phtml">Link</a>
|
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534
|
+
|
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535
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+
(<i>Thanks, <a href="http://www.tombridge.com">Tom</a></i>)
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536
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<br clear="all">
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<br clear="all">
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<p class="posted">posted by
|
|
541
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+
Cory Doctorow at
|
|
542
|
+
02:43:40 AM
|
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|
+
<a href="http://www.boingboing.net/2006/06/14/block_drm_license_pl.html">permalink
|
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|
+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/14/block_drm_license_pl.html">blogs' comments</a>
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545
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+
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<br clear="all">
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</p>
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<p></p>
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+
|
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550
|
+
|
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|
+
<h2>
|
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552
|
+
Tuesday, June 13, 2006
|
|
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|
+
</h2>
|
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|
+
|
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+
<a name="027899">
|
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556
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+
</a>
|
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|
+
<h3>
|
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558
|
+
Chairs upholstered with lush photos
|
|
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+
</h3>
|
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|
+
<img src="http://craphound.com/images/clothukchair.jpg" width="216" height="331" align="left">
|
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561
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+
|
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ClothUK makes easy chairs and other soft furnishings upholstered with fabric that's printed with the lush, oversized photo of your choice. Not cheap, tho!
|
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563
|
+
|
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+
<a href="http://www.clothuk.com/">Link</a>
|
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565
|
+
|
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+
(<i>via <a href="http://wonderlandblog.com/">Wonderland</a></i>)
|
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+
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<br clear="all">
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<br clear="all">
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+
<p class="posted">posted by
|
|
572
|
+
Cory Doctorow at
|
|
573
|
+
06:21:37 PM
|
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|
+
<a href="http://www.boingboing.net/2006/06/13/chairs_upholstered_w.html">permalink
|
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/13/chairs_upholstered_w.html">blogs' comments</a>
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576
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+
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<br clear="all">
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</p>
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579
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+
<p></p>
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580
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+
|
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581
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+
|
|
582
|
+
|
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583
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+
<a name="027898">
|
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584
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+
</a>
|
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585
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+
<h3>
|
|
586
|
+
Corruptibles: Copyright's tech-fighting supervillains
|
|
587
|
+
</h3>
|
|
588
|
+
<img src="http://craphound.com/images/corruptibles.jpg" width="252" height="190" align="left">
|
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589
|
+
|
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590
|
+
EFF has just launched a new video: The Corruptibles -- the story of Copyright Supervillains who patrol the Broadcast Flag future, blowing up our free and open devices. It's a great, funny viral short, and well worth a watch.
|
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591
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+
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592
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+
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593
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+
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<a href="http://www.eff.org/corrupt/">Link</a>
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+
<br clear="all">
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<br clear="all">
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+
<p class="posted">posted by
|
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600
|
+
Cory Doctorow at
|
|
601
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+
06:14:53 PM
|
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602
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+
<a href="http://www.boingboing.net/2006/06/13/corruptibles_copyrig.html">permalink
|
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603
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+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/13/corruptibles_copyrig.html">blogs' comments</a>
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604
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+
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<br clear="all">
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</p>
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<p></p>
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608
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+
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609
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+
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610
|
+
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611
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+
<a name="027897">
|
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612
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+
</a>
|
|
613
|
+
<h3>
|
|
614
|
+
WIPO meets to screw up podcasting, Barcelona, June 21
|
|
615
|
+
</h3>
|
|
616
|
+
The United Nations' World Intellectual Property Organization has called a last-minute meeting on June 21 in Barcelona, out of the normal diplomatic venues to try to ram through the Broadcasting Treaty. This treaty gives broadcasters (not creators or copyright holders) the right to tie up the use of audiovisual material for 50 years after broadcasting it, even if the programs are in the public domain, Creative Commons licensed, or not copyrightable.
|
|
617
|
+
<p>
|
|
618
|
+
The Barcelona meeting brings together lots of latinamerican broadcasters -- who no doubt <em>love</em> the idea of a new monopoly right that they get for free merely for broadcasting a work. Bringing these casters in is a way of undermining the effective opposition to the treaty that's come from countries like Brazil and Chile.
|
|
619
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+
<p>
|
|
620
|
+
No public interest groups are on the bill to give a counterpoint (of course not -- WIPO is the kind of place where public interest groups' handouts are <a href="http://www.eff.org/deeplinks/archives/002117.php">thrown in the toilets' trashcans</a>).
|
|
621
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+
<p>
|
|
622
|
+
This meeting is especially deadly, because it looks like they're trying to sneak podcasting back into the treaty, after agreeing to take it out at the last big meeting in Geneva.
|
|
623
|
+
<p>
|
|
624
|
+
The good news is, it's open to the public. If you're a digital rights activist in Barcelona -- or just someone who cares about how big corporations are taking away your rights to use works freely -- then you need to be at this meeting.
|
|
625
|
+
|
|
626
|
+
<blockquote>
|
|
627
|
+
Webcasting will clearly be part of next week's discussions. That much is clear from the title of next week's event: "From the Rome Convention to Podcasting". One of the invited speakers is from Yahoo! Europe, one of the proponents of new rights for webcasters. This, despite the fact that webcasting and simulcasting were taken out of the "traditional" Broadcasting Treaty and put on the slow track last month in response to concerns expressed by the majority of WIPO member states.
|
|
628
|
+
<p>
|
|
629
|
+
The good news: unlike earlier meetings, this one is open to the public, with prior registration requested. So if you care about the proposed treaties and can get to the Barcelona meeting, this is your opportunity to stand up and be counted for the public interest.
|
|
630
|
+
<p>
|
|
631
|
+
If you’re in the U.S., please tell your Congressional representatives to hold hearings on the proposed treaties before it’s too late. And if you need a reminder about the harm that these treaties could wreak on access to knowledge and technological innovation, read Jamie Boyle’s piece in today’s Financial Times.
|
|
632
|
+
|
|
633
|
+
</blockquote>
|
|
634
|
+
|
|
635
|
+
<a href="http://www.eff.org/deeplinks/archives/004739.php">Link</a>
|
|
636
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+
<p>
|
|
637
|
+
<font color="red">Update:</font> Jamie Boyle has an excellent <a href="http://news.ft.com/cms/s/fa07af4a-fadc-11da-b4d0-0000779e2340.html">column</a> that explains how this treaty (which the US is fighting for) would be unconstitutional in the USA.
|
|
638
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+
|
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639
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+
<br clear="all">
|
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640
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+
<p class="posted">posted by
|
|
641
|
+
Cory Doctorow at
|
|
642
|
+
06:09:34 PM
|
|
643
|
+
<a href="http://www.boingboing.net/2006/06/13/wipo_meets_to_screw_.html">permalink
|
|
644
|
+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/13/wipo_meets_to_screw_.html">blogs' comments</a>
|
|
645
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+
|
|
646
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+
<br clear="all">
|
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647
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+
</p>
|
|
648
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+
<p></p>
|
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649
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650
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+
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651
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652
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<a name="027896">
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653
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</a>
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654
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+
<h3>
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655
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+
From the Boing Boing archives, circa 1999
|
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656
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+
</h3>
|
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657
|
+
I came across this funny list of "Things to Do," written by "fifth Boing Boinger" Stefan Jones, which was published on the pre-blog version of boingboing.net.
|
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658
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+
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659
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+
<blockquote>1. Get $25 worth of paper currency from one of those countries where $25 worth of currency fills up two wheel barrows. Divide it into five lots and send them, along with an incomprehensible letter, to the addresses listed in an email chain letter.
|
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660
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+
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661
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+
<P>2. Build some gigantic rat traps, with wooden bases at least 2' x 3' and baited with an entire blocks of government cheese. Plant the traps, in sprung state, near a local chemical company. Wear giant rat foot shoes while doing this.
|
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662
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+
|
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663
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+
<P>3. Get a supply of those little plastic ties used to seal hotel minibars after they are loaded with a full complement of overpriced goodies. Bring them and a supply of useful things (socks, condoms, aspirin) and strange things (McGruff the Crime Dog coloring books, bottles of Moxie, a can of Hormel Calf Brains in Milk Gravy) while travelling. Put the things in the minibar before sealing it up. <br clear="all"></blockquote>
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664
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+
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665
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+
<a href="http://www.boingboing.net/todo.html">Link</a>
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666
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+
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667
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<br clear="all">
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668
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<p class="posted">posted by
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669
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Mark Frauenfelder at
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670
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+
04:57:07 PM
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671
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+
<a href="http://www.boingboing.net/2006/06/13/from_the_boing_boing.html">permalink
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672
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+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/13/from_the_boing_boing.html">blogs' comments</a>
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673
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+
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674
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<br clear="all">
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675
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+
</p>
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676
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<p></p>
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677
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+
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678
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+
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679
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+
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680
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<a name="027895">
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681
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+
</a>
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682
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+
<h3>
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683
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+
Surreal English lessons video from Japan
|
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684
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+
</h3>
|
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685
|
+
|
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686
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+
<img src="http://www.boingboing.net/Picture%203-10.jpg" height="169" width="228" border="0" align="left" hspace="4" vspace="4" alt="Picture 3-10" />
|
|
687
|
+
Very odd video of Japanese dancing girls and salarymen uttering defensive rebuttals in English. <a href="http://www.youtube.com/watch?v=J5qoMfBJUeI">Link</a> <em>(via <a href="http://www.sharpeworld.com/">Sharpeworld</a>)</em>
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688
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+
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689
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+
<br clear="all">
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690
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+
<p class="posted">posted by
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691
|
+
Mark Frauenfelder at
|
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692
|
+
01:44:02 PM
|
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693
|
+
<a href="http://www.boingboing.net/2006/06/13/surreal_english_less.html">permalink
|
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694
|
+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/13/surreal_english_less.html">blogs' comments</a>
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695
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+
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696
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+
<br clear="all">
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697
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+
</p>
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698
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+
<p></p>
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699
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+
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700
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+
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701
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+
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702
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+
<a name="027894">
|
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703
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+
</a>
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704
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+
<h3>
|
|
705
|
+
Sexed robots video
|
|
706
|
+
</h3>
|
|
707
|
+
|
|
708
|
+
Here's a video of two adorable, autonomous "sexed robots."
|
|
709
|
+
|
|
710
|
+
<blockquote><img src="http://www.boingboing.net/_zLab_zLabPics_sexedMaleAndFemale.jpg" height="169" width="244" border="0" align="left" hspace="4" vspace="4" alt=" Zlab Zlabpics Sexedmaleandfemale" />
|
|
711
|
+
The sexed robots are autonomous wheeled platforms fitted with nylon genital organs, respectively male and female. They are programmed to explore their environment, occasionally entering a "in heat" mode, where they will try and locate a partner in the same state. If a partner is located, the robots will attempt to mate.<br clear="all"></blockquote>
|
|
712
|
+
|
|
713
|
+
<a href="http://www.zprod.org/zLab/sexedRobots.html">Link</a> NSFW? <em>(via <a href="http://www.sharpeworld.com/">Sharpeworld</a>)</em>
|
|
714
|
+
|
|
715
|
+
<br clear="all">
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716
|
+
<p class="posted">posted by
|
|
717
|
+
Mark Frauenfelder at
|
|
718
|
+
01:38:27 PM
|
|
719
|
+
<a href="http://www.boingboing.net/2006/06/13/sexed_robots_video.html">permalink
|
|
720
|
+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/13/sexed_robots_video.html">blogs' comments</a>
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721
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+
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722
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+
<br clear="all">
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723
|
+
</p>
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724
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+
<p></p>
|
|
725
|
+
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726
|
+
|
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727
|
+
|
|
728
|
+
<a name="027893">
|
|
729
|
+
</a>
|
|
730
|
+
<h3>
|
|
731
|
+
Burroughs' Encyclopaedia of Astounding Facts and Useful Information, 1889
|
|
732
|
+
</h3>
|
|
733
|
+
Manybooks.net, which converts Project Gutenberg titles into useful formats for reading on Palm devics, iPods, and ebook readers, recently made available a fantastic compendium called <em>Burroughs' Encyclopaedia of Astounding Facts and Useful Information, 1889: Universal Assistant and Treasure-House of Information to be Consulted on Every Question That Arises in Everyday Life by Young and Old Alike!</em>.
|
|
734
|
+
|
|
735
|
+
<p>It's an amazing combination of a proto-Ripley's, a cookbook, etiquette guide, and almanac.
|
|
736
|
+
|
|
737
|
+
<blockquote><img src="http://www.boingboing.net/200606131251.jpg" height="169" width="127" border="0" align="left" hspace="4" vspace="4" alt="200606131251" />
|
|
738
|
+
|
|
739
|
+
|
|
740
|
+
WONDERS OF MINUTE WORKMANSHIP.
|
|
741
|
+
|
|
742
|
+
<P>In the twentieth year of Queen Elizabeth, a blacksmith named Mark Scaliot, made a lock consisting of eleven pieces of iron, steel and brass, all which, together with a key to it, weighed but one grain of gold. He also made a chain of gold, consisting of forty-three links, and, having fastened this to the before-mentioned lock and key, he put the chain about the neck of a flea, which drew them all with ease. All these together, lock and key, chain and flea, weighed only one grain and a half.
|
|
743
|
+
|
|
744
|
+
<P>Oswaldus Norhingerus, who was more famous even than Scaliot for his minute contrivances, is said to have made 1,600 dishes of turned ivory, all perfect and complete in every part, yet so small, thin and slender, that all of them were included at once in a cup turned out of a pepper-corn of the common size. Johannes Shad, of Mitelbrach, carried this wonderful work with him to Rome, and showed it to Pope Paul V., who saw and counted them all by the help of a pair of spectacles. They were so little as to be almost invisible to the eye.
|
|
745
|
+
|
|
746
|
+
<P>Johannes Ferrarius, a Jesuit, had in his posession cannons of wood, with their carriages, wheels, and all other military furniture, all of which were also contained in a pepper-corn of the ordinary size.<br clear="all"></blockquote>
|
|
747
|
+
|
|
748
|
+
<a href="http://manybooks.net/titles/burroughsb1409114091-8.html">Link</a>
|
|
749
|
+
|
|
750
|
+
<br clear="all">
|
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751
|
+
<p class="posted">posted by
|
|
752
|
+
Mark Frauenfelder at
|
|
753
|
+
12:57:03 PM
|
|
754
|
+
<a href="http://www.boingboing.net/2006/06/13/burroughs_encyclopae.html">permalink
|
|
755
|
+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/13/burroughs_encyclopae.html">blogs' comments</a>
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|
756
|
+
|
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757
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+
<br clear="all">
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758
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+
</p>
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759
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+
<p></p>
|
|
760
|
+
|
|
761
|
+
|
|
762
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+
|
|
763
|
+
<a name="027892">
|
|
764
|
+
</a>
|
|
765
|
+
<h3>
|
|
766
|
+
Door looks like you walk through it
|
|
767
|
+
</h3>
|
|
768
|
+
|
|
769
|
+
<img src="http://www.boingboing.net/200606131240.jpg" height="169" width="94" border="0" align="left" hspace="4" vspace="4" alt="200606131240" />
|
|
770
|
+
|
|
771
|
+
|
|
772
|
+
Fukuda’s Automatic Door opens around your body as you pass through it. The idea is to save energy and keep the room clean. <a href="http://www.popgadget.net/2006/06/automatic_door_1.php">Link</a>
|
|
773
|
+
|
|
774
|
+
<br clear="all">
|
|
775
|
+
<p class="posted">posted by
|
|
776
|
+
Mark Frauenfelder at
|
|
777
|
+
12:39:56 PM
|
|
778
|
+
<a href="http://www.boingboing.net/2006/06/13/door_looks_like_you_.html">permalink
|
|
779
|
+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/13/door_looks_like_you_.html">blogs' comments</a>
|
|
780
|
+
|
|
781
|
+
<br clear="all">
|
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782
|
+
</p>
|
|
783
|
+
<p></p>
|
|
784
|
+
|
|
785
|
+
|
|
786
|
+
|
|
787
|
+
<a name="027891">
|
|
788
|
+
</a>
|
|
789
|
+
<h3>
|
|
790
|
+
AOL's efforts to keep you from quitting your account
|
|
791
|
+
</h3>
|
|
792
|
+
Listen to this recording of a guy who called AOL to try to cancel his account and the AOL jerk who tries to keep him from canceling. Just disgusting. <a href="http://www.duggmirror.com/technology/MP3_Recording:_Trying_to_cancel_AOL/">Link</a> <em>(via <a href="http://digg.com/technology/MP3_Recording%3A_Trying_to_cancel_AOL">Digg</a>)</em>
|
|
793
|
+
|
|
794
|
+
<br clear="all">
|
|
795
|
+
<p class="posted">posted by
|
|
796
|
+
Mark Frauenfelder at
|
|
797
|
+
12:27:01 PM
|
|
798
|
+
<a href="http://www.boingboing.net/2006/06/13/aols_efforts_to_keep.html">permalink
|
|
799
|
+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/13/aols_efforts_to_keep.html">blogs' comments</a>
|
|
800
|
+
|
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801
|
+
<br clear="all">
|
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802
|
+
</p>
|
|
803
|
+
<p></p>
|
|
804
|
+
|
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805
|
+
|
|
806
|
+
|
|
807
|
+
<a name="027889">
|
|
808
|
+
</a>
|
|
809
|
+
<h3>
|
|
810
|
+
LA's South Central Farm under police siege right now
|
|
811
|
+
</h3>
|
|
812
|
+
The police have closed on South Central Farm, the largest community garden in the USA. The farms were planted after the Rodney King uprising, when the land was given to the neighborhood, and it has been reclaimed and cultivated by 350 families. The city reneged on its promise and sold the land to a developer, who has now moved on it with bulldozers and a riot squad.
|
|
813
|
+
|
|
814
|
+
<blockquote>
|
|
815
|
+
The South Central Farm is currently under attack. An early morning raid began this 5-hour long eviction that is still in process. Trees are being cut down, bulldozers are leveling the families’ food, hundreds of protesters are on site rallying with tears in their eyes as the nation’s largest urban farm is destroyed before them. The L.A.P.D. is on tactical alert as fire ladders and cherry pickers are being brought in to remove the tree-sitters. The 350 families created this oasis 14 years ago in the wake of the 1992 uprising when this land was offered to the community by the then Mayor as a form of mitigation.
|
|
816
|
+
</blockquote>
|
|
817
|
+
|
|
818
|
+
<a href="http://www.boingboing.net/2006/05/19/last_chance_to_save_.html">
|
|
819
|
+
|
|
820
|
+
<a href="http://www.southcentralfarmers.com/index.php?option=com_content&task=view&id=160&Itemid=2">Link</a>, <a href="http://flickr.com/photos/tags/southcentralfarm">Flickr's southcentralfarm tag</a>
|
|
821
|
+
|
|
822
|
+
(<i>Thanks to everyone who wrote in with this link</i>)
|
|
823
|
+
<p>
|
|
824
|
+
<font color="red">Update:</font> Elan sez, "the land for the farm was originally taken from Ralph Horowitz through eminent domain with the intension of using it for a trash incinerator. When the incinerator fell through, the city was required to sell it back to the Horowitz (after a ten year period of first refusal)."
|
|
825
|
+
|
|
826
|
+
<br clear="all">
|
|
827
|
+
<p class="posted">posted by
|
|
828
|
+
Cory Doctorow at
|
|
829
|
+
11:48:42 AM
|
|
830
|
+
<a href="http://www.boingboing.net/2006/06/13/las_south_central_fa.html">permalink
|
|
831
|
+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/13/las_south_central_fa.html">blogs' comments</a>
|
|
832
|
+
|
|
833
|
+
<br clear="all">
|
|
834
|
+
</p>
|
|
835
|
+
<p></p>
|
|
836
|
+
|
|
837
|
+
|
|
838
|
+
|
|
839
|
+
<a name="027888">
|
|
840
|
+
</a>
|
|
841
|
+
<h3>
|
|
842
|
+
Stephen Hawking writing a kids' book
|
|
843
|
+
</h3>
|
|
844
|
+
Stephen Hawking and his daughter are collaborating on a kids' novel that is "a bit like Harry Potter, but without the magic."
|
|
845
|
+
|
|
846
|
+
<blockquote>
|
|
847
|
+
His daughter Lucy said their forthcoming project would be aimed at people like her own eight-year-old son.
|
|
848
|
+
<p>
|
|
849
|
+
"It is a story for children, which explains the wonders of the universe," she said.
|
|
850
|
+
|
|
851
|
+
|
|
852
|
+
</blockquote>
|
|
853
|
+
|
|
854
|
+
<a href="http://news.bbc.co.uk/1/hi/entertainment/5075516.stm">Link</a>
|
|
855
|
+
|
|
856
|
+
(<i>via <a href="http://fark.com">Fark</a></i>)
|
|
857
|
+
|
|
858
|
+
<br clear="all">
|
|
859
|
+
<p class="posted">posted by
|
|
860
|
+
Cory Doctorow at
|
|
861
|
+
11:42:15 AM
|
|
862
|
+
<a href="http://www.boingboing.net/2006/06/13/stephen_hawking_writ.html">permalink
|
|
863
|
+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/13/stephen_hawking_writ.html">blogs' comments</a>
|
|
864
|
+
|
|
865
|
+
<br clear="all">
|
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866
|
+
</p>
|
|
867
|
+
<p></p>
|
|
868
|
+
|
|
869
|
+
|
|
870
|
+
|
|
871
|
+
<a name="027887">
|
|
872
|
+
</a>
|
|
873
|
+
<h3>
|
|
874
|
+
ScienceMatters@Berkeley, June issue
|
|
875
|
+
</h3>
|
|
876
|
+
|
|
877
|
+
My new issue of ScienceMatters@Berkeley is online. In this issue:
|
|
878
|
+
<blockquote><img src="http://www.boingboing.net/images/_archives_volume3_issue21_images_oster3.jpg" height="148" width="136" border="1" align="left" hspace="4" vspace="4" alt=" Archives Volume3 Issue21 Images Oster3" /><br>
|
|
879
|
+
* Start Your Protein Engines<br><br>
|
|
880
|
+
* The New New Math of String Theory<br><br>
|
|
881
|
+
* Molecular Rules of Engagement<br clear="all"></blockquote>
|
|
882
|
+
<a href="http://sciencematters.berkeley.edu/archives/volume3/issue21/index.php">Link</a>
|
|
883
|
+
|
|
884
|
+
<br clear="all">
|
|
885
|
+
<p class="posted">posted by
|
|
886
|
+
David Pescovitz at
|
|
887
|
+
11:42:06 AM
|
|
888
|
+
<a href="http://www.boingboing.net/2006/06/13/sciencemattersberkel.html">permalink
|
|
889
|
+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/13/sciencemattersberkel.html">blogs' comments</a>
|
|
890
|
+
|
|
891
|
+
<br clear="all">
|
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892
|
+
</p>
|
|
893
|
+
<p></p>
|
|
894
|
+
|
|
895
|
+
|
|
896
|
+
|
|
897
|
+
<a name="027886">
|
|
898
|
+
</a>
|
|
899
|
+
<h3>
|
|
900
|
+
iPod dock/speakers built into bumwad dispenser
|
|
901
|
+
</h3>
|
|
902
|
+
<img src="http://craphound.com/images/bumwadipoddock.jpg" width="262" height="272" align="left">
|
|
903
|
+
|
|
904
|
+
This iPod dock and speakers built into a bumwad dispenser isn't as weird as it seems at first blush -- lots of us have a radio in the bathroom; this is a way of listening to your iPod without sacrificing your limited counterspace to an electronics footprint.
|
|
905
|
+
|
|
906
|
+
<a href="http://www.atechflash.com/products-icarta.html">Link</a>
|
|
907
|
+
|
|
908
|
+
(<i>via <a href="http://popgadget.net/">Popgadget</a></i>)
|
|
909
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<p class="posted">posted by
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914
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Cory Doctorow at
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915
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11:38:34 AM
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916
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<a href="http://www.boingboing.net/2006/06/13/ipod_dockspeakers_bu.html">permalink
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917
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+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/13/ipod_dockspeakers_bu.html">blogs' comments</a>
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918
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<p></p>
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924
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<a name="027885">
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</a>
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927
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<h3>
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928
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Cory's Someone to Town shortlisted for Canada's sf book award
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929
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+
</h3>
|
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930
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+
<img src="http://craphound.com/images/someonecovermainsite.jpg" width="127" height="192" align="left">
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931
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+
I'm pleased as punch to say that my novel, <a href="http://craphound.com/someone/">Someone Comes to Town, Someone Leave Town</a> has been shortlisted for the Sunburst, Canada's national science fiction award. The Sunburst jury honored me with the award in 2004 for my short story collection <a href="http://craphound.com/place">A Place So Foreign and Eight More</a> and this is a double-helping of delight.
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+
<p>
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933
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+
Someone Comes to Town... comes out in a <a href="http://www.amazon.com/exec/obidos/ASIN/0765312808/downandoutint-20">new trade paperback edition</a> this week, too!
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934
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<a href="http://www.sunburstaward.org/2006_shortlist.html">Link</a>
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<p class="posted">posted by
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Cory Doctorow at
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10:59:36 AM
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<a href="http://www.boingboing.net/2006/06/13/corys_someone_to_tow.html">permalink
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/13/corys_someone_to_tow.html">blogs' comments</a>
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946
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<a name="027884">
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954
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</a>
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955
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<h3>
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956
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+
People are happier when they're older?
|
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957
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+
</h3>
|
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958
|
+
A new study suggests that people may think that the happiest days of their lives are when they're young, but that belief doesn't jibe with reality. University of Michigan and VA Ann Arbor healthcare Systems researchers polled 540 adults in the 21-40 age group and 60+ age group. They rated their own happiness right now, predicted how happy they'd be in the future, and also how happy they think others are in those age groups. The results were published in the Journal of Happiness Studies, which is a delightful name for a scientific publication. From the University of Michigan Health System:
|
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959
|
+
<blockquote>"Overall, people got it wrong, believing that most people become less happy as they age, when in fact this study and others have shown that people tend to become happier over time," says lead author Heather Lacey, Ph.D., a VA postdoctoral fellow and member of the U-M Medical School's Center for Behavioral and Decision Sciences in Medicine. "Not only do younger people believe that older people are less happy, but older people believe they and others must have been happier 'back then'. Neither belief is accurate..."<br><br>
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960
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+
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961
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+
"People often believe that happiness is a matter of circumstance, that if something good happens, they will experience long-lasting happiness, or if something bad happens, they will experience long-term misery," (says co-author Peter Ubel). "But instead, people's happiness results more from their underlying emotional resources -- resources that appear to grow with age. People get better at managing life's ups and downs, and the result is that as they age, they become happier -- even though their objective circumstances, such as their health, decline."</blockquote>
|
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962
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+
<a href="http://www.med.umich.edu/opm/newspage/2006/happiness.htm">Link</a>
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963
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+
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964
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<br clear="all">
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<p class="posted">posted by
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966
|
+
David Pescovitz at
|
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967
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+
10:58:28 AM
|
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968
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+
<a href="http://www.boingboing.net/2006/06/13/people_are_happier_w.html">permalink
|
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969
|
+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/13/people_are_happier_w.html">blogs' comments</a>
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970
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<br clear="all">
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</p>
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<p></p>
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974
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975
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976
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977
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<a name="027883">
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978
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+
</a>
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979
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+
<h3>
|
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980
|
+
The incredible sound-mimicking lyrebird
|
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981
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+
</h3>
|
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982
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+
|
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983
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+
<img src="http://www.boingboing.net/lyrebirdclmgh.jpg" height="154" width="213" border="0" align="left" hspace="4" vspace="4" alt="Lyrebird" title="Lyrebird" />
|
|
984
|
+
Here's a video clip of a male Australian lyrebird, which sings complex songs to attract mates. Lyrebirds' songs are composed of sounds they hear, including sounds from machines, such as a camera's shutter mechanism and film drive, a car alarm, and logging equipment. This bird is like a tape recorder. <a href="http://www.devilducky.com/media/46386/">Link</a> <em>(thanks, <a href="http://positiveapeindex.blogspot.com/">Coop</a>!)</em>
|
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985
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+
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986
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+
<br clear="all">
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987
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+
<p class="posted">posted by
|
|
988
|
+
Mark Frauenfelder at
|
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989
|
+
10:53:26 AM
|
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990
|
+
<a href="http://www.boingboing.net/2006/06/13/the_incredible_sound.html">permalink
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991
|
+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/13/the_incredible_sound.html">blogs' comments</a>
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992
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+
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</p>
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<p></p>
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996
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+
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997
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+
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998
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+
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999
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<a name="027882">
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1000
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+
</a>
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1001
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+
<h3>
|
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1002
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+
Aymara people's "reversed" concept of time
|
|
1003
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+
</h3>
|
|
1004
|
+
The Aymara, an indigenous group in the Andes highlands, have a concept of time that's opposite our own spatial metaphor. A new study by cognitive scientists explains how the Aymara consider the past to be ahead and the future behind them. According to the study, this is the first documented culture that seems not to have mapped time with the properties of space "as if (the future) were in front of ego and the past in back." From UCSD:
|
|
1005
|
+
<blockquote>The linguistic evidence seems, on the surface, clear: The Aymara language recruits “nayra,” the basic word for “eye,” “front” or “sight,” to mean “past” and recruits “qhipa,” the basic word for “back” or “behind,” to mean “future.” So, for example, the expression “nayra mara” – which translates in meaning to “last year” – can be literally glossed as “front year..."<br><br>The Aymara, especially the elderly who didn’t command a grammatically correct Spanish, indicated space behind themselves when speaking of the future – by thumbing or waving over their shoulders – and indicated space in front of themselves when speaking of the past – by sweeping forward with their hands and arms, close to their bodies for now or the near past and farther out, to the full extent of the arm, for ancient times. In other words, they used gestures identical to the familiar ones – only exactly in reverse.
|
|
1006
|
+
<br><br>
|
|
1007
|
+
“These findings suggest that cognition of such everyday abstractions as time is at least partly a cultural phenomenon,” (University of California, San Diego professor Rafael) Nunez said. “That we construe time on a front-back axis, treating future and past as though they were locations ahead and behind, is strongly influenced by the way we move, by our dorsoventral morphology, by our frontal binocular vision, etc. Ultimately, had we been blob-ish amoeba-like creatures, we wouldn’t have had the means to create and bring forth these concepts.
|
|
1008
|
+
<br><br>
|
|
1009
|
+
“But the Aymara counter-example makes plain that there is room for cultural variation. With the same bodies – the same neuroanatomy, neurotransmitters and all – here we have a basic concept that is utterly different,” he said.
|
|
1010
|
+
</blockquote><a href="http://ucsdnews.ucsd.edu/newsrel/soc/backsfuture06.asp">Link</a>
|
|
1011
|
+
|
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1012
|
+
<br clear="all">
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1013
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+
<p class="posted">posted by
|
|
1014
|
+
David Pescovitz at
|
|
1015
|
+
10:05:40 AM
|
|
1016
|
+
<a href="http://www.boingboing.net/2006/06/13/aymara_peoples_rever.html">permalink
|
|
1017
|
+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/13/aymara_peoples_rever.html">blogs' comments</a>
|
|
1018
|
+
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1019
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+
<br clear="all">
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1020
|
+
</p>
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1021
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+
<p></p>
|
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1022
|
+
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1023
|
+
|
|
1024
|
+
|
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1025
|
+
<a name="027881">
|
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1026
|
+
</a>
|
|
1027
|
+
<h3>
|
|
1028
|
+
Webby Awards last night, with Prince
|
|
1029
|
+
</h3>
|
|
1030
|
+
<blockquote>
|
|
1031
|
+
<img src="http://www.boingboing.net/images/prince.jpg" height="200" width="296" border="1" align="left" hspace="4" vspace="4" alt="Prince" /><br clear="all">
|
|
1032
|
+
</blockquote>Prince performed an acoustic number at last night's Webby Awards in NYC. Prince won a Lifetime Achievement Award. His five word acceptance speech: "Everything you think is true." Also in attendance were Robert Kahn, Gorillaz, Arianna Huffington, and dozens of other interesting folks. Rob Corddry hosted. Congrats to all the <a href="http://www.webbyawards.com/webbys/current.php?season=10">winners</a> and our friends at the Webby Awards for what sounds like an amazing ceremony! Check Rocketboom for the edit of the evening.<br clear="all"> <a href="http://www.rocketboom.com/vlog/archives/2006/06/rb_06_jun_13.html">Link </a>
|
|
1033
|
+
|
|
1034
|
+
<br clear="all">
|
|
1035
|
+
<p class="posted">posted by
|
|
1036
|
+
David Pescovitz at
|
|
1037
|
+
09:19:33 AM
|
|
1038
|
+
<a href="http://www.boingboing.net/2006/06/13/webby_awards_last_ni.html">permalink
|
|
1039
|
+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/13/webby_awards_last_ni.html">blogs' comments</a>
|
|
1040
|
+
|
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+
<br clear="all">
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+
</p>
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1043
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+
<p></p>
|
|
1044
|
+
|
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1045
|
+
|
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1046
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+
|
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1047
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+
<a name="027880">
|
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1048
|
+
</a>
|
|
1049
|
+
<h3>
|
|
1050
|
+
Electrical substations disguised as houses
|
|
1051
|
+
</h3>
|
|
1052
|
+
Toronto Hydro, the electrical authority in Toronto, has spent decades building electrical substations that are disguised as typical family houses:
|
|
1053
|
+
|
|
1054
|
+
<blockquote>
|
|
1055
|
+
<img src="http://craphound.com/images/fakehydrohouse.jpg" width="268" height="208" align="left">
|
|
1056
|
+
In 1987, Canadian photographer Robin Collyer began documenting houses that aren't houses at all – they're architecturally-disguised electrical substations, complete with windows, blinds, and bourgeois landscaping.
|
|
1057
|
+
<p>
|
|
1058
|
+
"During the 1950s and 1960s," Collyer explains in a recent issue of Cabinet Magazine, "the Hydro-Electric public utilities in the metropolitan region of Toronto built structures known as 'Bungalow-Style Substations.' These stations, which have transforming and switching functions, were constructed in a manner that mimics the style and character of the different neighborhoods."
|
|
1059
|
+
<br clear="all">
|
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1060
|
+
</blockquote>
|
|
1061
|
+
|
|
1062
|
+
<a href="http://bldgblog.blogspot.com/2006/06/transformer-houses.html">Link</a>
|
|
1063
|
+
|
|
1064
|
+
<br clear="all">
|
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1065
|
+
<p class="posted">posted by
|
|
1066
|
+
Cory Doctorow at
|
|
1067
|
+
04:53:31 AM
|
|
1068
|
+
<a href="http://www.boingboing.net/2006/06/13/electrical_substatio.html">permalink
|
|
1069
|
+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/13/electrical_substatio.html">blogs' comments</a>
|
|
1070
|
+
|
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1071
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+
<br clear="all">
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+
</p>
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1073
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+
<p></p>
|
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1074
|
+
|
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1075
|
+
|
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1076
|
+
|
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1077
|
+
<a name="027879">
|
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1078
|
+
</a>
|
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1079
|
+
<h3>
|
|
1080
|
+
Candyland board made from 100k beads
|
|
1081
|
+
</h3>
|
|
1082
|
+
<img src="http://craphound.com/images/candyalndbeads.jpg" width="332" height="331" align="left">
|
|
1083
|
+
|
|
1084
|
+
Peggy Dembicer cloned a 1978 Candyland game-board using over 100,000 novelty beads. She's documented the finished project on Flickr, with details of some of the finer work.
|
|
1085
|
+
|
|
1086
|
+
<a href="http://www.flickr.com/photos/dembicer/tags/candyland/">Link</a>
|
|
1087
|
+
|
|
1088
|
+
(<i>via <a href="http:/makezine.com/blog/">Make Blog</a></i>)
|
|
1089
|
+
|
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1090
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+
<br clear="all">
|
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1091
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+
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1092
|
+
<br clear="all">
|
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1093
|
+
<p class="posted">posted by
|
|
1094
|
+
Cory Doctorow at
|
|
1095
|
+
12:10:49 AM
|
|
1096
|
+
<a href="http://www.boingboing.net/2006/06/13/candyland_board_made.html">permalink
|
|
1097
|
+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/13/candyland_board_made.html">blogs' comments</a>
|
|
1098
|
+
|
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1099
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+
<br clear="all">
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1100
|
+
</p>
|
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1101
|
+
<p></p>
|
|
1102
|
+
|
|
1103
|
+
|
|
1104
|
+
<h2>
|
|
1105
|
+
Monday, June 12, 2006
|
|
1106
|
+
</h2>
|
|
1107
|
+
|
|
1108
|
+
<a name="027878">
|
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1109
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+
</a>
|
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1110
|
+
<h3>
|
|
1111
|
+
Stanford prof sues James Joyce estate for right to study Joyce
|
|
1112
|
+
</h3>
|
|
1113
|
+
A prof at Stanford University is suing the estate of James Joyce over the estate's long practice of destroying documents vital to Joyce scholarship, and of intimidating academics and creators who want to study and extend the works of Joyce. Carol Shloss, a Joyce scholar, has worked for 15 years on a book about the ways in which the book Finnegans Wake was inspired by Joyce's mentally ill daughter. Joyce's grandson, Stephen Joyce, have allegedly destroyed documents relating to this to undermine her book.
|
|
1114
|
+
<p>
|
|
1115
|
+
This isn't the first time that Stephen Joyce has hurt the cause of scholarship about his grandfather. He threatened to sue the Irish Museum over its exhibition of Joyce's papers. He threatened to sue pubs in Ireland for allowing people to read aloud from Joyce's novels on Bloomsday, the celebration of Ulysses. He told symphonic composers that they couldn't put Joyce quotations in their symphonies.
|
|
1116
|
+
<p>
|
|
1117
|
+
Most tragically, there was a brief moment when Stephen Joyce was irrelevant. The works of James Joyce were in the public domain until the EU copyright directive extended copyright by 20 years, putting Joyce's books back into the care of his capricious grandson for decades.
|
|
1118
|
+
<p>
|
|
1119
|
+
There's a whole body of scholarship devoted to tracking the ways in which Stephen Joyce has made himself the enemy of academics and Joyce lovers. The best work to start with is Matthew Rimmer's <a href="http://papers.ssrn.com/sol3/papers.cfm?abstract_id=759244">Bloomsday: Copyright Estates and Cultural Festivals</a>.
|
|
1120
|
+
|
|
1121
|
+
<blockquote>
|
|
1122
|
+
Before the book was published, publisher Farrar, Straus and Giroux removed several supporting citations from Shloss' tome to avoid a lawsuit, according to Olson. Shloss wants to post that information as an electronic appendix to answer several critics who charged that "To Dance in the Wake" was interesting, but thin on documentary evidence, Olson said.
|
|
1123
|
+
<p>
|
|
1124
|
+
"It's painful once you've written something ... that you think is complete and good, to have it hacked up," Olson said. "There is a desire to bring it forth in the way she originally intended."
|
|
1125
|
+
<p>
|
|
1126
|
+
Shloss prepared the Web site last year but never made it public because she worried about being sued, Olson said. Among the items excised from the book are quotations from "Finnegans Wake" she thinks support her thesis, as well as letters between James Joyce and his daughter, according to Olson.
|
|
1127
|
+
<p>
|
|
1128
|
+
Shloss wants the court to declare she's entitled to use information the estate controls under laws that allow authors to quote copyrighted works if they do it in "a scholarly transformative manner."
|
|
1129
|
+
</blockquote>
|
|
1130
|
+
|
|
1131
|
+
<a href="http://news.yahoo.com/s/ap/20060613/ap_on_en_ot/james_joyce_lawsuit">Link</a>
|
|
1132
|
+
|
|
1133
|
+
(<i>Thanks, <a href="http://vidiot.typepad.com">Vidiot</a>!</i>)<p>
|
|
1134
|
+
<font color="red">Update:</font> <a href="http://www.newyorker.com/fact/content/articles/060619fa_fact">This New Yorker article</a> on the case is full of great color and background, and includes the fact that Larry Lessig, founder of the Creative Commons project, is arguing the case.
|
|
1135
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+
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1136
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+
<br clear="all">
|
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+
<p class="posted">posted by
|
|
1138
|
+
Cory Doctorow at
|
|
1139
|
+
10:52:01 PM
|
|
1140
|
+
<a href="http://www.boingboing.net/2006/06/12/stanford_prof_sues_j.html">permalink
|
|
1141
|
+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/12/stanford_prof_sues_j.html">blogs' comments</a>
|
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1142
|
+
|
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<a name="027877">
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</a>
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<h3>
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HOWTO turn a NES controller into a cell-phone
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</h3>
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<img src="http://craphound.com/images/nesphone2.jpg" width="388" height="162"><br>
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Diyhappy took apart a Nokia 3200 -- which had interchangeable faceplates and was thus readily uncased -- and rebuilt it inside an old Nintendo Entertainment System controller. He dremelled out holes for the buttons and the screen and voila, the NES mobile phone.
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<a href="http://www.diyhappy.com/nes-controller-cellphone-mod/">Link</a>
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(<i>Thanks, <a href="http://gthing.net">Sam</a>!</i>)
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<p class="posted">posted by
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Cory Doctorow at
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10:39:04 PM
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<a href="http://www.boingboing.net/2006/06/12/howto_turn_a_nes_con.html">permalink
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/12/howto_turn_a_nes_con.html">blogs' comments</a>
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<a name="027876">
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</a>
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<h3>
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HOWTO make cufflinks out of Ethernet connectors
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</h3>
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<img src="http://craphound.com/images/rj45cufflink.jpg" width="246" height="229" align="left">
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Mark got invited to a fancy party and couldn't find his cufflinks, so he hacked a pair out of some Ethernet connectors and bits of wire; and thus the crimp-your-own cufflink was born. He's written up his mod in detail for others who want to follow suit.
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1184
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<a href="http://geektechnique.org/projectlab/651/geek-chique-how-to-make-cuff-links">Link</a>
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1186
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(<i>Thanks, <a href="http://geektechnique.org">Mark</a>!</i>)
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<p class="posted">posted by
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Cory Doctorow at
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10:32:58 PM
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<a href="http://www.boingboing.net/2006/06/12/howto_make_cufflinks.html">permalink
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/12/howto_make_cufflinks.html">blogs' comments</a>
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</p>
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<p></p>
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<a name="027875">
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</a>
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<h3>
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Inside China's iPod sweat-shops
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1208
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+
</h3>
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1209
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A British paper sent a reporter to "iPod City," the plant in Longhua, China, where iPods are assembled by women who earn $50/month for working 15 hour days.
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1210
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+
<p>
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1211
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+
My guess is that this is no worse than the conditions in which Powerbooks, Thinkpads, Zens, Linksys routers, etc are manufactured, but Christ, this is depressing.
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1212
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+
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1213
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<blockquote>
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+
The Mail visited some of these factories and spoke with staff there. It reports that Foxconn's Longhua plant houses 200,000 workers, remarking: "This iPod City has a population bigger than Newcastle's."
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<p>
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+
The report claims Longhua's workers live in dormitories that house 100 people, and that visitors from the outside world are not permitted. Workers toil for 15-hours a day to make the iconic music player, the report claims. They earn £27 per month. The report reveals that the iPod nano is made in a five-storey factory (E3) that is secured by police officers.
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<p>
|
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+
Another factory in Suzhou, Shanghai, makes iPod shuffles. The workers are housed outside the plant, and earn £54 per month - but they must pay for their accommodation and food, "which takes up half their salaries", the report observes.
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</blockquote>
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<a href="http://www.macworld.co.uk/news/index.cfm?RSS&NewsID=14915">Link</a>
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1224
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+
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1225
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+
(<i>Thanks, <a href="http://home.blarg.net/~ars/raysho.html">Tony</a>!</i>)
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1226
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+
<p>
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1227
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+
<font color="red">Update:</font> A former Nokia employee adds, "Add Nokia phones to your list. The type label may say 'Made in Finland' (top-notch models) or 'Made in Hungary' (mid-range ones), but Nokia cellphone engines (ie. the actual hardware) are manufactured by Foxconn in Longhua, China... unless they've found a cheaper supplier. Yes, I actually worked at the plant for a few months between real jobs."
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<p>
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<font color="red">Update 2:</font> Apple has <a href="http://www.macworld.co.uk/news/index.cfm?RSS&NewsID=14935">promised to investigate the labor conditions</a> in its iPod factories.
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<br clear="all">
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<p class="posted">posted by
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1234
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Cory Doctorow at
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10:29:26 PM
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1236
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<a href="http://www.boingboing.net/2006/06/12/inside_chinas_ipod_s.html">permalink
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1237
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/12/inside_chinas_ipod_s.html">blogs' comments</a>
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<br clear="all">
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</p>
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<p></p>
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<a name="027874">
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</a>
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<h3>
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1248
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+
Dave Alvin profile
|
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1249
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+
</h3>
|
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1250
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+
|
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1251
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+
<a href="http://www.amazon.com/exec/obidos/ASIN/B000F7CL1Y/boingboing/"><img src="http://www.boingboing.net/200606122126.jpg" height="169" width="168" border="0" align="left" hspace="4" vspace="4" alt="200606122126" /></a>
|
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1252
|
+
<a href="http://www.colinberry.com">Colin Berry</a>'s Dave Alvin piece, which ran on KQED's "California Report" a couple weeks ago, is now available online.
|
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1253
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+
|
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1254
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+
<P>Colin says: "Dave's new album [<a href="http://www.amazon.com/exec/obidos/ASIN/B000F7CL1Y/boingboing/">West of the West</a>] is a tribute to California songwriters, including Tom Waits, Kate Wolf, Merle Haggard, Los Lobos, and others. I hung with him in the studio and talked to him (and some of the original songwriters) during the making of it."
|
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1255
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+
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+
<a href="http://www.kqed.org/epArchive/R606021630/e">Link</a>
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<br clear="all">
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<p class="posted">posted by
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1260
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+
Mark Frauenfelder at
|
|
1261
|
+
09:26:09 PM
|
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1262
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<a href="http://www.boingboing.net/2006/06/12/dave_alvin_profile.html">permalink
|
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/12/dave_alvin_profile.html">blogs' comments</a>
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<br clear="all">
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</p>
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<p></p>
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<a name="027873">
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</a>
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1273
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<h3>
|
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1274
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Tim Biskup's tiny sculpture
|
|
1275
|
+
</h3>
|
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1276
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+
|
|
1277
|
+
<img src="http://www.boingboing.net/IKI-Happy_o.jpg" height="169" width="225" border="0" align="left" hspace="4" vspace="4" alt="Iki-Happy O" />
|
|
1278
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+
<img src="http://www.boingboing.net/IKI-Sad_o.jpg" height="169" width="225" border="0" align="left" hspace="4" vspace="4" alt="Iki-Sad O" />
|
|
1279
|
+
<br clear="all">Tim Biskup has created a tiny bronze sculpture to sell at his Laguna Art Museum retrospective (along with Gary Baseman).
|
|
1280
|
+
|
|
1281
|
+
<blockquote>Iki stands 2.25" tall, has dual faces, is limited to 44 signed and numbered pieces,  and comes in a letterpressed packaging. Iki will be available at the Saturday opening (6.17.06, 8 - 10 PM)  of Tim's joint retrospective Pervasion show with Gary Baseman at the Laguna Art Museum. <br clear="all"></blockquote><a href="http://www.vinylpulse.com/">Link</a> <em>(Thanks, Scott!)
|
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|
+
</em>
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<br clear="all">
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<p class="posted">posted by
|
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1286
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Mark Frauenfelder at
|
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|
+
09:21:26 PM
|
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+
<a href="http://www.boingboing.net/2006/06/12/tim_biskups_tiny_scu.html">permalink
|
|
1289
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/12/tim_biskups_tiny_scu.html">blogs' comments</a>
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</p>
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<p></p>
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<a name="027872">
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</a>
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<h3>
|
|
1300
|
+
Covers from '60s French satirical magazine: Hara Kiri
|
|
1301
|
+
</h3>
|
|
1302
|
+
|
|
1303
|
+
<img src="http://www.boingboing.net/harakiriefas.jpg" height="169" width="179" border="0" align="left" hspace="4" vspace="4" alt="Hara Kiri" title="Hara Kiri" />
|
|
1304
|
+
Here are a bunch of cover scans of a magazine I didn't know about until today. According to Wikipedia, <em>Hara Kiri</em> was created in 1960 and "in 1961 and 1966 they were temporarily banned by the French Government." <a href="http://easydreamer.blogspot.com/2006/06/hara-kiri-covers.html">Link</a>
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<br clear="all">
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<p class="posted">posted by
|
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1310
|
+
Mark Frauenfelder at
|
|
1311
|
+
06:57:48 PM
|
|
1312
|
+
<a href="http://www.boingboing.net/2006/06/12/covers_from_60s_fren.html">permalink
|
|
1313
|
+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/12/covers_from_60s_fren.html">blogs' comments</a>
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1314
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<br clear="all">
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</p>
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<p></p>
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<a name="027871">
|
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1322
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+
</a>
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1323
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+
<h3>
|
|
1324
|
+
Negativland performing in LA tonight
|
|
1325
|
+
</h3>
|
|
1326
|
+
Mark from <a href="http://negativland.com/">Negativland</a> says:
|
|
1327
|
+
|
|
1328
|
+
<blockquote>This is very late notice, but we (Negativland) want to let you and all
|
|
1329
|
+
Boingboingers know that we are playing live in LA. this Monday night,
|
|
1330
|
+
June 12th, at the Silent Movie Theater! Yes. We are. It's at 611
|
|
1331
|
+
North Fairfax Ave. Hollywood Box office- 323-655-2520. Tickets are
|
|
1332
|
+
$22. The doors are at 9pm and the show starts at 10pm sharp!
|
|
1333
|
+
|
|
1334
|
+
<P>This is a very rare appearance for us in L.A, and at a really cool and
|
|
1335
|
+
intimate venue. The show is we are performing is called "It's All In
|
|
1336
|
+
Your Head FM", and we hope you can attend! It's about monotheism, but
|
|
1337
|
+
in stereo. With blindfolds handed out at the door. Really.<br clear="all"></blockquote>
|
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1338
|
+
<a href="http://www.calendarlive.com/music/367181,0,6883663.event">Link</a>
|
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<br clear="all">
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<p class="posted">posted by
|
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1342
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+
Mark Frauenfelder at
|
|
1343
|
+
06:24:05 PM
|
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1344
|
+
<a href="http://www.boingboing.net/2006/06/12/negativland_performi.html">permalink
|
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|
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/12/negativland_performi.html">blogs' comments</a>
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1346
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<br clear="all">
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</p>
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<p></p>
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<a name="027870">
|
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1354
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+
</a>
|
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1355
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+
<h3>
|
|
1356
|
+
Meme Therapy interviews Rudy Rucker
|
|
1357
|
+
</h3>
|
|
1358
|
+
Meme Therapy has a long and interesting review with one of my very favorite authors, Rudy Rucker.
|
|
1359
|
+
|
|
1360
|
+
<blockquote>MT: What aspects of writing do you enjoy the most?
|
|
1361
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+
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1362
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+
<P>
|
|
1363
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<img src="http://www.boingboing.net/200606121734.jpg" height="169" width="220" border="0" align="left" hspace="4" vspace="4" alt="200606121734" />
|
|
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RR: I like leaving the daily world and going to another world, a world that I had a hand in designing. You’ll notice that in most of my novels, the main character in fact leaves the world where I start him out and goes to another world. Another planet, another dimension, another sheet of reality. It’s an objective correlative for what I’m doing when I leave this mundane world and go into the world of my novel.
|
|
1365
|
+
|
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+
<P>Writing is so much work. Every part of writing a novel is hard. The planning, the sitting down and creating, the revising. I guess the most fun part is when it seems to pour out and I’m having a good day. When I’m doing that, I stop worrying for a while, I forget myself and I’m happy and proud and even exalted and amazed to see what’s coming down or going up.
|
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1367
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+
|
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<P>More precisely, that fun part is “the narcotic moment of creative bliss.” I just heard John Malkovich deliver that phrase, playing the role of an artist/art prof in Art School Confidential. That’s very right on; the operative word is “narcotic,” it’s definitely something you get addicted to over the years. Really I go to all this trouble writing a novel day after day month after month because, in a way, I’m trying to get high. Or see God. Or make love to the Muse. Waiting for the narcotic moment of creative bliss.<br clear="all"></blockquote>
|
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1369
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+
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<a href="http://memetherapy.blogspot.com/2006/06/rudy-rucker.html">Link</a>
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<br clear="all">
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<p class="posted">posted by
|
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1374
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+
Mark Frauenfelder at
|
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1375
|
+
05:35:13 PM
|
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+
<a href="http://www.boingboing.net/2006/06/12/meme_therapy_intervi.html">permalink
|
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/12/meme_therapy_intervi.html">blogs' comments</a>
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<br clear="all">
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</p>
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<p></p>
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<a name="027869">
|
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+
</a>
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1387
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+
<h3>
|
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1388
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+
Transparent street signs
|
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1389
|
+
</h3>
|
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1390
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+
|
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+
<img src="http://www.boingboing.net/images/_city_of_chicago_images_images_image04.jpg" height="200" width="266" border="1" align="left" hspace="4" vspace="4" alt=" City Of Chicago Images Images Image04" />
|
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1392
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+
Two years ago, artist Cayetano Ferrer took photos of the scene behind several Chicago street signs and then pasted the prints on top of the signs to achieve an amazing transparency effect. (As the Wooster Collective blog <a href="http://www.woostercollective.com/2006/06/amnesty_internationals_see_through_signs.html">points out</a>, Amnesty International's recent ad campaign employs a similar technique. And it's also the idea behind the "<a href="http://www.boingboing.net/2005/03/23/transparent_screen_i.html">Transparent Screen</a>" trick for your computer display.)<br clear="all">
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1393
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+
<a href="http://www.cayetanoferrer.com/city_of_chicago/images/index.htm">Link</a> to Ferrer's "City of Chicago" image gallery, <a href="http://amnesty.ch/f/eminf/2006/celaexiste/01.html">Link</a> to Amnesty International campaign <em>(via <a href="http://www.neatorama.com/2006/06/10/transparent-street-signs-by-cayetano-ferrer/">Neatorama</a>)</em>
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<p class="posted">posted by
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David Pescovitz at
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<h3>
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Illustrations from Rabelais's Gargantua and Pantagruel
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</h3>
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Bibliodyssey has posted two mind-blowing selections of surrealist characters from a 1565 publication called "<em>Les Songes Drolatiques de Pantagruel, ou sont contenues plusieurs figures de l’invention de maistre François Rabelais : & derniere oeuvre d’iceluy, pour la recreation des bons esprits</em>." While Rabelais is often credited with drawing the characters to accompany his text, they were apparently most likely drawn by François Desprez. The absurd monsters remind me of the wonderful phantasmagoric work of <a href="http://www.jimwoodring.com/">Jim Woodring</a>. <blockquote><img src="http://www.boingboing.net/images/_blogger_1717_1584_1600_Rabelais-Pantegruel-by-Francois-Desprez-11-1.jpg" height="255" width="300" border="1" align="left" hspace="4" vspace="4" alt=" Blogger 1717 1584 1600 Rabelais-Pantegruel-By-Francois-Desprez-11-1" />
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<br clear="all"></blockquote>
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From Bibliodyssey:
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<blockquote>Franciscan friar, doctor, traveller, model for the Thelemic magickal writings of Aleister Crowley, humanist, Benedictine monk, alchemist, teacher, leader of the French renaissance, heretic, greek scholar and groundbreaking satirical writer, François Rabelais (?1483/1493-1553) issued his magnum opus 'The life of Gargantua and Pantagruel' as a five book series over 20 years up to 1564.
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<br><br>
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The books chart the humorous adventures of giants Gargantua and his son, Pantagruel in a scatalogical and often bawdy manner. Rabelais wrote in the epic tradition of Homer, and beyond the burlesque, there is an underlying serious examination of society, politics, education and philosophy whilst introducing 500 new words to the french lanugage.</blockquote> <a href="http://bibliodyssey.blogspot.com/2006/06/pantagruel-i.html">Link</a> and
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<a href="http://bibliodyssey.blogspot.com/2006/06/pantagruel-ii.html">Link</a>
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<p class="posted">posted by
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David Pescovitz at
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02:52:18 PM
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<a href="http://www.boingboing.net/2006/06/12/illustrations_from_r.html">permalink
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/12/illustrations_from_r.html">blogs' comments</a>
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<p></p>
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<a name="027867">
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</a>
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<h3>
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Cartoonist Chris Ware on the piano
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</h3>
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<img src="http://www.boingboing.net/warepianogdshk.jpg" height="94" width="150" border="0" align="left" hspace="4" vspace="4" alt="Chris Ware on piano" title="Chris Ware on piano" />
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This isn't fair. Not only is Chris Ware a supremely gifted cartoonist, he can also play ragtime piano like nobody's business. <a href="http://www.youtube.com/watch?v=TvSNXyNw26g&search=chris%20ware">Link</a> <em>(via <a href="http://www.fantagraphics.com/blog/">Flog!</a>)</em>
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<P><font color="red">Reader comment:</font>
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Rob DeRose says:
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<blockquote>Chris Ware shares his love of ragtime with MacArthur Genius Grant winner Reginald Robinson. In fact Chris heard Reginald playing in the winter garden of the Chicago Central Library one day and became fast friends. <a href="http://www.npr.org/templates/story/story.php?storyId=4051423">Here's a story from NPR</a> on how the two of them found an entirely new song of Scott Joplin's. (its the fourth of four mini-segments.)
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<P>I've been a fan of Reginald ever since I saw him accompany the Squirrel Nut Zippers (in-between their first & second album) here in Chicago. If you get a chance to see him, by all means go. A nice Trib <a href="http://www.chicagotribune.com/news/specials/chi-050430ragtime,1,4472596.story">article</a> about him. His <a href="http://www.amazon.com/exec/obidos/ASIN/b000006ah7/boingboing/">CD on Amazon</a>.
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<P>The Chicago Library's <a href="http://www.flickr.com/photos/superhappyindustries/85532969/">winter garden</a>, where he used to practice, and where he & Chris Ware met (it's the nicest part of the building.)<br clear="all"></blockquote>
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<p class="posted">posted by
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Mark Frauenfelder at
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1460
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02:22:04 PM
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<a href="http://www.boingboing.net/2006/06/12/cartoonist_chris_war.html">permalink
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/12/cartoonist_chris_war.html">blogs' comments</a>
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<p></p>
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<a name="027866">
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<h3>
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Walt Disney's 1956 time-capsule letter to the future
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</h3>
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The Disney company has unearthed a 1956 time-capsule containing a letter from Walt Disney to the future, on stationary bearing the legend "NO AGREEMENT WILL BE BINDING ON THIS CORPORATION UNLESS IN WRITING AND SIGNED BY AN OFFICER." Walt's letter to the future speculates about the future of entertainment and is at once profoundly wrong and profoundly right.
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<p>
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Walt predicts that the world will be overturned by technology, all the old order remade. At the same time, he assumes that what will come in on the tails of 1956's mass media will be...more mass media! Even though Walt himself predated truly national media, he can't conceive of the age of mass media waning and being replaced by a mass medium -- a channel like the net -- crowded with a never-ending confusion of micro-media. Walt, in other words, didn't predict the long tail.
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1478
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<blockquote>
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[...O]f one thing I'm sure. People will need and demand amusement, refreshment and pleasant relaxation from daily tasks as much in your day as they have in ours and in all the generations of mankind into the remote past. What the exact nature and implementation of these mass entertainments may be, doesn't make much difference, it seems to me.
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<p>
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1482
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Humanity, as history informs us, changes very slowly in character and basic interests. People need to play as much as they need toll. They never cease to be fascinated by they own powers and passions, their base or noble emotions, their faiths and struggles and triumphs against handicap -- all things that make them laugh and weep and comfort one another in love and sacrifice out of the depths of their being...
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1483
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<p>
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Mindful of the phenomenal discoveries and applications of science to all our activities and institutions, it seems no mere guess that public entertainment will have become machined and powered by atomic and solar energies long before you read this capsule.
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1485
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+
<p>
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1486
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+
The extension of radar and other as yet untapped sources of cosmic force may well have changed the entire technique of communication, in the theatre and television fields as well as in other areas of informational broadcast.
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1487
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+
<p>
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1488
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+
Millions of people in massive assemblies around the world may now be viewing the same staged or natural event, scanned by some incredibly potent scope, in the same amount of time. They may even be viewing presently obscured vistas on neighboring planets as one might look at neighbors across our Los Angeles Streets.
|
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1489
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+
<p>
|
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1490
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Omniscience will have drawn closer to finite senses and perceptions, for our entertainment as for our livelihood -- yours, I should say, who will read this in your 21st Century.
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+
</blockquote>
|
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1492
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1493
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+
<a href="http://craphound.com.nyud.net:8080/walts1956letter.pdf">200K PDF Link</a>
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1494
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+
|
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(<i>Thanks, Anonymous Source!</i>)
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<p class="posted">posted by
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1499
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Cory Doctorow at
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1500
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02:01:45 PM
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<a href="http://www.boingboing.net/2006/06/12/walt_disneys_1956_ti.html">permalink
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/12/walt_disneys_1956_ti.html">blogs' comments</a>
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</p>
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<p></p>
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<a name="027865">
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</a>
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<h3>
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1513
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Plans for Barney Fife statue toppled by Knotts' estate
|
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</h3>
|
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A couple of Barney Fife fans who put down $8,000 to erect a statue of Barney Fife (played by Mick Jagger lookalike Don Knotts) in downtown Mount Airy, NC (the model for Mayberry) received a letter from CBS attorneys telling them to halt the project.
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<blockquote>
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<a href="http://www.thewvsr.com/knottsstatue.htm"><img src="http://www.boingboing.net/images/_knottsstatue.jpg" height="200" width="144" border="0" align="left" hspace="4" vspace="4" alt=" Knottsstatue" /></a>
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[CBS attorney] Mallory Levitt explained to [would-be statue erector Tom] Hellebrand and the <em>Mount Airy News</em> that although Paramount/CBS owned the rights to the character of Barney Fife, the group didn't have the authority to give permission for a likeness of Don Knotts.
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<P>"That right belongs to the Knotts estate," she said.
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<P>Levitt told Hellebrand she contacted the actor's estate and business associates of Andy Griffith, and none wanted to go through with the project.</blockquote>
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+
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The project website, <a href="http://donknottsstatue.com">donknottsstatue.com</a>, has a note about the cancellation of the project: "The tears on our pillows bespeak the pain that is in our hearts." The project leaders will be selling a full-size replica of a Mayberry Squad car and a golf cart made to look like a squad car on eBay to recoup their expenses.
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1526
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+
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<a href="http://www.latimes.com/entertainment/la-et-knotts12jun12,1,5882347.story">Link</a> <em>(Thanks for the correct, url, <a href="http://www.newhousenews.com/sefton.html">Dru</a>!)</em>
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<p class="posted">posted by
|
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1531
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+
Mark Frauenfelder at
|
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1532
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01:20:09 PM
|
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<a href="http://www.boingboing.net/2006/06/12/plans_for_barney_fif.html">permalink
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/12/plans_for_barney_fif.html">blogs' comments</a>
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<p></p>
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<a name="027864">
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</a>
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<h3>
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Ol' Glory energy drink
|
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</h3>
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1547
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<img src="http://www.boingboing.net/images/_72_165796068_94c49e9c84.jpg" height="200" width="150" border="1" align="left" hspace="4" vspace="4" alt=" 72 165796068 94C49E9C84" />
|
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1549
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+
At the <a href="http://www.iftf.org/">Institute for the Future</a> this morning, my colleague Mike Love is chugging this delicious and patriotic energy drink. Their tag line: "Makes you feel better all over than anywhere else." Ummm.... <br clear="all"><a href="http://www.olglory.com/">Link</a> to Ol' Glory site, <a href="http://www.flickr.com/photos/mikelove/165796068/in/photostream/">Link</a> to Mike's photo on Flickr
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<p class="posted">posted by
|
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David Pescovitz at
|
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11:41:56 AM
|
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<a href="http://www.boingboing.net/2006/06/12/ol_glory_energy_drin.html">permalink
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/12/ol_glory_energy_drin.html">blogs' comments</a>
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</p>
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<p></p>
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<a name="027863">
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</a>
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<h3>
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theFLOWmarket sells consumer awareness
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</h3>
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<img src="http://www.boingboing.net/images/flowmarket.jpg" height="182" width="192" border="1" align="left" hspace="4" vspace="4" alt="Flowmarket" />
|
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<img src="http://www.boingboing.net/images/gmo.jpg" height="182" width="197" border="1" align="left" hspace="4" vspace="4" alt="Gmo" />
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theFLOWmarket is a supermarket-as-artwork that sells consumer awareness in the form of imaginary products like "commercial free-space," "exploitation free produce," "symptom removers," "factory farming antibiotics," "renewable energy," and "a feeling of safety." The nicely-packaged products are available for sale at prices from $5 to $20. theFLOWmarket is open for business at the <a href="http://www.ddc.dk/">Danish Design Centre</a> in Copenhagen.
|
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<a href="http://www.theflowmarket.com">Link</a> to Flash site <em>(Thanks, Lindsay Tiemeyer!)</em>
|
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<p class="posted">posted by
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David Pescovitz at
|
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|
+
11:34:06 AM
|
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|
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<a href="http://www.boingboing.net/2006/06/12/theflowmarket_sells_.html">permalink
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/12/theflowmarket_sells_.html">blogs' comments</a>
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</p>
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<p></p>
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<a name="027862">
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</a>
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<h3>
|
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+
Pea-head smashes art gallery window, gets busted
|
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+
</h3>
|
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1594
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+
Roq La Rue gallery Kirsten Anderson has a funny story about an idiot that smashed a window at her new gallery in Seattle, called BLVD. He might just be the stupidest brick-wielder on in the known universe. Read on...
|
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+
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<blockquote>
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<img src="http://www.boingboing.net/blvddshf.jpg" height="169" width="159" border="0" align="left" hspace="4" vspace="4" alt="BLVD broken window" title="BLVD broken window" />
|
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1598
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+
[A]fter I left and Damion was closing up, some drunk mouth-breathing knuckle-dragger starts banging on the door demanding to be let in. After Damion tells him that the gallery was closed, the Moron says "I'm going to smash your door in with a brick!" Damion at the time was talking to a couple of bad asses who offered to kick the guy's ass for us and looks like we should have taken them up on it, as an hour later, the guy pulls up to the gallery in his car, double parks, pulls a brick out of his car, and smashes BLVD's door a couple times. Cool huh? No one was in the gallery -- but the guy who lives upstairs heard it and called Damion. Also -- there is a bar a few storefronts away from us and I guess the folks on the patio saw it all. But it gets better. Moron turns to go back to his car and finds he's locked himself out. Har har! So he tries to smash his own car window in with the brick, which doesn't work... so he goes into the Rendevous to use the payphone to call a locksmith which is where he got nabbed by the cops. What a maroon. So anyway. Today is happy fun door repair day.</blockquote>
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1599
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+
|
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1600
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+
<a href="http://www.drmenlo.com/roqlarue/2006_06_04_roqlarue_archive.html#114996664525479859">Link</a>
|
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1601
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+
<br clear="all">
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<p class="posted">posted by
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1604
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+
Mark Frauenfelder at
|
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1605
|
+
11:04:18 AM
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+
<a href="http://www.boingboing.net/2006/06/12/peahead_smashes_art_.html">permalink
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1607
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/12/peahead_smashes_art_.html">blogs' comments</a>
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Prescription stimulants on campus
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</h3>
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In yesterday's Washington Post, Joel Garreau, author of <a href="http://www.garreau.com/main.cfm?action=book&id=2">Radical Evolution</a>, writes about the popularity of drugs like Adderall and Provigil to increase focus and wakefulness during academically stressful times. From the article:
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+
<blockquote>"I'm a varsity athlete in crew," says Katharine Malone, a George Washington University junior. "So we're pretty careful about what we put in our bodies. So among my personal friends, I'd say the use is only like 50 or 60 percent..."<br><br>
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+
For a senior project this semester, Christopher Salantrie conducted a random survey of 150 University of Delaware students at the university's Morris Library and Trabant Student Center.
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<br><br>
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"With rising competition for admissions and classes becoming harder and harder by the day, a hypothesis was made that at least half of students at the university have at one point used/experienced such 'smart drugs,' " Salantrie writes in his report. He found his hunch easy to confirm.
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<br><br>
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"What was a surprise, though, was the alarming rate of senior business majors who have used" the drugs, he writes. Almost 90 percent reported at least occasional use of "smart pills" at crunch times such as final exams, including Adderall, Ritalin, Strattera and others. Of those, three-quarters did not have a legitimate prescription, obtaining the pills from friends."</blockquote>
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1627
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+
<a href="http://www.washingtonpost.com/wp-dyn/content/article/2006/06/10/AR2006061001181_pf.html">Link</a> <em>(Thanks, <a href="http://www.iftf.org/people/jtester.html">Jason Tester</a>!)</em>
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<p class="posted">posted by
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David Pescovitz at
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09:51:50 AM
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<a href="http://www.boingboing.net/2006/06/12/prescription_stimula.html">permalink
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/12/prescription_stimula.html">blogs' comments</a>
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<p></p>
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<a name="027860">
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</a>
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<h3>
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Vintage pulp covers for classic novels
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1646
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+
</h3>
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1647
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<img src="http://craphound.com/images/aliceinwonderlandpulpcover.jpg" width="234" height="332" align="left">
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Slate <a href="http://www.slate.com/id/2142392/">commissioned designers</a> to produce six vintage pulp-fiction covers for classic novels like Moby Dick ("Primitive Pirate Passions Were a Prelude to Death!"), The Iliad ("Gore! Greeks! Glory!") and Alice in Wonderland ("One girl's drug-induced descent into dreamland debauchery"). The results are lovely.
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<a href="http://www.slate.com/id/2142392/slideshow/2142443/fs/0//entry/2142437/">Link</a>
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(<i>Thanks, Fipi Lele!</i>)
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<br clear="all">
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<p class="posted">posted by
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Cory Doctorow at
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08:33:24 AM
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<a href="http://www.boingboing.net/2006/06/12/vintage_pulp_covers_.html">permalink
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/12/vintage_pulp_covers_.html">blogs' comments</a>
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<a name="027859">
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</a>
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1672
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<h3>
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1673
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LotR video clip with voices replaced by foolish groans
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1674
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</h3>
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1675
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<img src="http://craphound.com/images/groaninglotrvo.jpg" width="247" height="197" align="left">
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1676
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+
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In this youtube, "CJ" has taken a clip from the Lord of the Rings trilogy in which Frodo awakens in the Elf stronghold and greets his comrades and replaced all the voices with idiotic groaning and moaning and squealing, apparently voiced by someone named Olaf. The net effect is surprisingly funny!
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1678
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1679
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<a href="http://www.youtube.com/watch?v=4QAlt4Sfl7Q">Link</a>
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1680
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1681
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+
(<i>Thanks, <a href="http://wonderlandblog.com/">Alice</a>!</i>)
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<p class="posted">posted by
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Cory Doctorow at
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04:36:17 AM
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<a href="http://www.boingboing.net/2006/06/12/lotr_video_clip_with.html">permalink
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/12/lotr_video_clip_with.html">blogs' comments</a>
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<p></p>
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<a name="027858">
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</a>
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1700
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<h3>
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1701
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William Gibson blogging fiction excerpts
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1702
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+
</h3>
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1703
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+
Since June 1, William GIbson has been posting irregular chunks of prose to his blog, stuff that appears to be excerpts from a novel-in-progress. It's fascinating stuff, little vignettes that hint at a really exciting bigger picture.
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1704
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+
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1705
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<blockquote>
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1706
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+
Vianca sat cross-legged on Tito’s floor, wearing a disposable hairnet and white knit cotton gloves, with his Sony plasma screen across her knees, going over it with an Armor All wipe. When she’d wiped it completely down, it would go back into its factory packaging, which in turn would be wiped down. Tito, in his own hairnet and gloves, sat opposite her, wiping the keys of his Casio. A carton of cleaning supplies had been waiting for them in the hall, beside a new and expensive-looking vacuum-cleaner Vianca said was German. Nothing came out of this vacuum but air, she said, so there would no stray hairs or other traces left behind. Tito had helped his cousin Eusebio with exactly this procedure, though Eusebio had mainly had books, each of which had needed, according to protocol, to be flipped through for forgotten insertions and then wiped. The reasons for Eusebio’s departure had never been made clear to him. That too was protocol.
|
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1707
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+
</blockquote>
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1708
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+
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+
<a href="http://www.williamgibsonbooks.com/blog/2006_06_01_archive.asp#115009429631653094">Link 1</a>,
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+
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<a href="http://www.williamgibsonbooks.com/blog/2006_06_01_archive.asp#115001070629765696">Link 2</a>,
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+
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<a href="http://www.williamgibsonbooks.com/blog/2006_06_01_archive.asp#114922706834176317">Link 3</a>
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<br clear="all">
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<p class="posted">posted by
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Cory Doctorow at
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12:29:17 AM
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<a href="http://www.boingboing.net/2006/06/12/william_gibson_blogg.html">permalink
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/12/william_gibson_blogg.html">blogs' comments</a>
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</p>
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<p></p>
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<h2>
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Sunday, June 11, 2006
|
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+
</h2>
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<a name="027857">
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</a>
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<h3>
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1734
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+
Japanese anti-foreigner comic warns against human rights act
|
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1735
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+
</h3>
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1736
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+
<img src="http://craphound.com/images/japanhumanrightsmanga.jpg" width="396" height="284"><br>
|
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1737
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+
|
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Coal sez, "I've just translated and posted a rather well rendered manga from an 'emergency publication' in Japan about the dangers of protecting human rights. Japan is a little behind in legal recognition of basic human rights (including but not limited to racial discrimination etc.), and it seems the emergence of a bill to make protection of rights enforceable has a few people worried. The level of alarmism I think is particularly amusing, if that's the right word. What's also noteworthy is the constant demonising of trouble-making foreigners, and the pity the writer tries to inspire for the poor landlord who can no longer refuse to rent his house to Chinese etc. You can't make this stuff up!"
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<a href="http://libationkowloon.blogspot.com/2006/06/protecting-human-rights-is-dangerous.html">Link</a>
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+
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(<i>Thanks, <a href="http://www.blogger.com/profile/18842296">Coal</a>!</i>)
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<p class="posted">posted by
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Cory Doctorow at
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10:54:13 PM
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<a href="http://www.boingboing.net/2006/06/11/japanese_antiforeign.html">permalink
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/11/japanese_antiforeign.html">blogs' comments</a>
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<a name="027856">
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<h3>
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iPod Nano boombox built into flashlight casing
|
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</h3>
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<img src="http://craphound.com/images/flashlightipodboombox.jpg" width="203" height="194" align="left">
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Here's a monaural boombox built into the housing for a big Eveready flashlight. The speaker fits over the mouth, and it sits over a miniature amp scavegened from a set of desktop speakers and an iPod Nano with a wireless remote.
|
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+
|
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<a href="http://www.flickr.com/photos/37156089@N00/164912076/">Link to parts-list</a>, <a href="http://www.flickr.com/photos/37156089@N00/164912074">Link to finished item</a>
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<p class="posted">posted by
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Cory Doctorow at
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10:12:36 PM
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<a href="http://www.boingboing.net/2006/06/11/ipod_nano_boombox_bu.html">permalink
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/11/ipod_nano_boombox_bu.html">blogs' comments</a>
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<p></p>
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<h3>
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New Barenaked Ladies single as free, remixable multitracks
|
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</h3>
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<img src="http://craphound.com/images/bnleasy.jpg" width="261" height="182" align="left">
|
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+
The Canadian band Barenaked Ladies have pre-released a track from their upcoming album Barenaked Ladies Are Me, in a four-track mix that's ready for remixing, and free. They're planning to do more of the same with their future releases.
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<p>
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+
I used to see BNL play at my local shopping mall, the Scarborough Town Centre, when all they'd released was an indie cassette tape with an amazing cover of Public Enemy's "Fight the Power" on it, and I'm so amazingly glad to see them still making great music. What's more, the band's frontman, Steve Page, is also <a href="http://www.boingboing.net/2006/05/01/barenaked_ladies_fro.html">fronting a group of Canadian musicians</a> who've spoken out against DRM and suing fans and other music label shenanigans.
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<p>
|
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Best of all -- they're releasing the next album as a 15-song digital version as well as a 13-song CD, so I can get their music without having to take another piece of slow-decaying, space-hogging media into my already overcrowded home.
|
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<a href="http://www.bnlblog.com/entry.asp?dDate=6/6/2006">Link</a>
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(<i>Thanks, <a href="http://www.boosman.com/blog">Frank</a>!</i>)
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<p class="posted">posted by
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Cory Doctorow at
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11:27:33 AM
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<a href="http://www.boingboing.net/2006/06/11/new_barenaked_ladies.html">permalink
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/11/new_barenaked_ladies.html">blogs' comments</a>
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</p>
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<p></p>
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<a name="027854">
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</a>
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<h3>
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Images from anti-DRM protest at the San Fran Apple Store
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</h3>
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<img src="http://craphound.com/images/applestoredemosanfranquinn.jpg" width="323" height="242" align="left">
|
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Here are some photos and a video from yesterday's <a href="http://www.boingboing.net/2006/06/09/antiitunes_drm_demon.html">anti-DRM protest</a> at the Apple Store in San Francisco.
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<a href="http://video.google.com/videoplay?docid=-2392063294481206153">Video Link</a>, <a href="http://www.flickr.com/photos/quinn/tags/drmprotest/">Photos Link</a>
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<p class="posted">posted by
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Cory Doctorow at
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11:19:28 AM
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<a href="http://www.boingboing.net/2006/06/11/images_from_antidrm_.html">permalink
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</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/11/images_from_antidrm_.html">blogs' comments</a>
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</p>
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<p></p>
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<h2>
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Saturday, June 10, 2006
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</h2>
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<a name="027853">
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</a>
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<h3>
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+
Responses to Jaron Lanier's crit of online collectivism
|
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+
</h3>
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+
Two weeks ago, Edge.org published Jaron Lanier's essay "<a href="http://edge.org/3rd_culture/lanier06/lanier06_index.html">Digital Maoism: The Hazards of the New Online Collectivism</a>," critiquing the importance people are now placing on Wikipedia and other examples of the "hive mind," as people called it in the cyberdelic early 1990s. It's an engaging essay to be sure, but much more thought-provoking to me are the responses from the likes of Clay Shirky, Dan Gillmor, Howard Rheingold, our own Cory Doctorow, Douglas Rushkoff, and, of course, Jimmy Wales.<br><br> From <a href="http://www.rushkoff.com/">Douglas Rushkoff</a>:
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+
<blockquote>I have a hard time fearing that the participants of Wikipedia or even the call-in voters of American Idol will be in a position to remake the social order anytime, soon. And I'm concerned that any argument against collaborative activity look fairly at the real reasons why some efforts turn out the way they do. Our fledgling collective intelligences are not emerging in a vacuum, but on media platforms with very specific biases.
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<br><br>
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+
First off, we can't go on pretending that even our favorite disintermediation efforts are revolutions in any real sense of the word. Projects like Wikipedia do not overthrow any elite at all, but merely replace one elite — in this case an academic one — with another: the interactive media elite...<br><br>
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1854
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+
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1855
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+
While it may be true that a large number of current websites and group projects contain more content aggregation (links) than original works (stuff), that may as well be a critique of the entirety of Western culture since post-modernism. I'm as tired as anyone of art and thought that exists entirely in the realm of context and reference — but you can't blame Wikipedia for architecture based on winks to earlier eras or a music culture obsessed with sampling old recordings instead of playing new compositions.
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1856
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+
<br><br>
|
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1857
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+
Honestly, the loudest outcry over our Internet culture's inclination towards re-framing and the "meta" tend to come from those with the most to lose in a society where "credit" is no longer a paramount concern. Most of us who work in or around science and technology understand that our greatest achievements are not personal accomplishments but lucky articulations of collective realizations. Something in the air... Claiming authorship is really just a matter of ego and royalties.
|
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1858
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+
</blockquote>
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1859
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+
From <a href="http://www.craphound.com/">Cory Doctorow</a>:
|
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1860
|
+
<blockquote>Wikipedia isn't great because it's like the Britannica. The Britannica is great at being authoritative, edited, expensive, and monolithic. Wikipedia is great at being free, brawling, universal, and instantaneous.</blockquote>
|
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1861
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+
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1862
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+
From <a href="http://en.wikipedia.org/wiki/Jimmy_Wales">Jimmy Wales</a> (italics indicate quotes from Jaron's original essay):
|
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1863
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+
|
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1864
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+
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1865
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+
<blockquote><em> "A core belief of the wiki world is that whatever problems exist in the wiki will be incrementally corrected as the process unfolds."
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1866
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+
</em><br><br>
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1867
|
+
My response is quite simple: this alleged "core belief" is not one which is held by me, nor as far as I know, by any important or prominent Wikipedians. Nor do we have any particular faith in collectives or collectivism as a mode of writing. Authoring at Wikipedia, as everywhere, is done by individuals exercising the judgment of their own minds.
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1868
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+
<br><br>
|
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1869
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+
<em> "The best guiding principle is to always cherish individuals first."
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1870
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+
</em><br><br>
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1871
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+
Indeed.</blockquote>
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1872
|
+
<a href="http://edge.org/discourse/digital_maoism.html">Link</a><br><br>
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1873
|
+
<font color="red">UPDATE:</font> Jaron Lanier writes us that he's received a lot of negative feedback from people who he thinks may not have actually read his original essay:
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1874
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+
<blockquote>
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1875
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+
In the essay i criticized the desire (that has only recently become influential) to create an "oracle effect" out of anonymity on the internet - that's the thing i identified as being a new type of collectivism, but i did not make that accusation against the wikipedia - or against social cooperation on the net, which is something i was an early true believer in- if i remember those weird days well, i think i even made up some of the rhetoric and terminology that is still associated with net advocacy today- anyway, i specifically exempted many internet gatherings from my criticism, including the wikipedia, boingboing, google, cool tools... and also the substance of the essay was not accusatory but constructive- the three rules i proposed for creating effective feedback links to the "hive mind" being one example.</blockquote>
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1876
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+
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1877
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+
<br clear="all">
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1878
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+
<p class="posted">posted by
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1879
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+
David Pescovitz at
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1880
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+
10:07:03 PM
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1881
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+
<a href="http://www.boingboing.net/2006/06/10/responses_to_jaron_l.html">permalink
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1882
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+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/10/responses_to_jaron_l.html">blogs' comments</a>
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1883
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+
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1884
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+
<br clear="all">
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1885
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+
</p>
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1886
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+
<p></p>
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1887
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+
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1888
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+
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1889
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+
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1890
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<a name="027852">
|
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1891
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+
</a>
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1892
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+
<h3>
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1893
|
+
Spanish castle optical effect
|
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1894
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+
</h3>
|
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1895
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+
This has been going around for a couple of days, but I just found out about it. It's a neat optical effect -- you stare at a color negative of a photo for 30 seconds (or even just 15), then move the mouse over the photo, keeping your eyes on the black dot. The photo appears in color, until you move your eyes. <a href="http://www.johnsadowski.com/big_spanish_castle.html#">Link</a>
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1896
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+
|
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1897
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+
<br clear="all">
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1898
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+
<p class="posted">posted by
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1899
|
+
Mark Frauenfelder at
|
|
1900
|
+
08:38:10 AM
|
|
1901
|
+
<a href="http://www.boingboing.net/2006/06/10/spanish_castle_optic.html">permalink
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1902
|
+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/10/spanish_castle_optic.html">blogs' comments</a>
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1903
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+
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1904
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+
<br clear="all">
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1905
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+
</p>
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1906
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+
<p></p>
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1907
|
+
|
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1908
|
+
|
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1909
|
+
<h2>
|
|
1910
|
+
Friday, June 9, 2006
|
|
1911
|
+
</h2>
|
|
1912
|
+
|
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1913
|
+
<a name="027851">
|
|
1914
|
+
</a>
|
|
1915
|
+
<h3>
|
|
1916
|
+
EFF podcast: How we kept caching legal
|
|
1917
|
+
</h3>
|
|
1918
|
+
Danny sez, "Line Noise is the new EFF podcast (<a href="http://www.eff.org/rss/linenoisemp3.xml">RSS</a> or <a href="http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=157893980">iTunes</a>); this week's episode is a chat with EFF's IP attorney Fred von Lohmann on the background to the Section 115 Reform Act (<a href="http://www.boingboing.net/2006/06/05/24h_to_stop_new_copy.html">previously on Boing Boing</a>. He explains how a good bill was used to sneak in bad precedents - including the insane idea that all temporarily cached copies on the Net and in RAM should be copyrightable and subject to licensing.
|
|
1919
|
+
<p>
|
|
1920
|
+
"Good news on that, by the way -- thanks to your calls and comments, the committee have slowed the pace of this fast-track bill, and are <a href="http://www.eff.org/deeplinks/archives/004732.php"> now working to fix the bill's language</a>. Everyone from the Copyright Office to <a href="http://www.publicknowledge.org/articles/52">Radio Shack and BellSouth</a> have now commented on the problems, so there's an excellent chance of a clear resolution."
|
|
1921
|
+
|
|
1922
|
+
<a href="http://www.eff.org/deeplinks/archives/004733.php">Link</a>
|
|
1923
|
+
|
|
1924
|
+
<br clear="all">
|
|
1925
|
+
<p class="posted">posted by
|
|
1926
|
+
Cory Doctorow at
|
|
1927
|
+
11:55:41 PM
|
|
1928
|
+
<a href="http://www.boingboing.net/2006/06/09/eff_podcast_how_we_k.html">permalink
|
|
1929
|
+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/09/eff_podcast_how_we_k.html">blogs' comments</a>
|
|
1930
|
+
|
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1931
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+
<br clear="all">
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1932
|
+
</p>
|
|
1933
|
+
<p></p>
|
|
1934
|
+
|
|
1935
|
+
|
|
1936
|
+
|
|
1937
|
+
<a name="027849">
|
|
1938
|
+
</a>
|
|
1939
|
+
<h3>
|
|
1940
|
+
Why do these people have characters on their foreheads?
|
|
1941
|
+
</h3>
|
|
1942
|
+
Nick of <a href="http://www.squareamerica.com/">Square America</a> invites you to solve a mystery.
|
|
1943
|
+
|
|
1944
|
+
<blockquote><img src="http://www.boingboing.net/_blogger_5842_2554_1600_f2.jpg" height="169" width="169" border="0" align="left" hspace="4" vspace="4" alt=" Blogger 5842 2554 1600 F2" /> I got this lot of slides about three years ago and I've never been able to figure out just what is going on. There are about 50 slides in all- all dating from between 1959 and 1969 and all of young women. Some, like the ones here have letters written on their foreheads, others have press type with their names on it affixed to either their temples or foreheads. Were the slides taken by a dermatologist or plastic surgeon or were these young women part of some now forgotten experiment.<br clear="all"></blockquote> <a href="http://swapatorium.blogspot.com/2006/06/faces.html">Link</a>
|
|
1945
|
+
|
|
1946
|
+
|
|
1947
|
+
<br clear="all">
|
|
1948
|
+
<p class="posted">posted by
|
|
1949
|
+
Mark Frauenfelder at
|
|
1950
|
+
03:28:19 PM
|
|
1951
|
+
<a href="http://www.boingboing.net/2006/06/09/why_do_these_people_.html">permalink
|
|
1952
|
+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/09/why_do_these_people_.html">blogs' comments</a>
|
|
1953
|
+
|
|
1954
|
+
<br clear="all">
|
|
1955
|
+
</p>
|
|
1956
|
+
<p></p>
|
|
1957
|
+
|
|
1958
|
+
|
|
1959
|
+
|
|
1960
|
+
<a name="027848">
|
|
1961
|
+
</a>
|
|
1962
|
+
<h3>
|
|
1963
|
+
Trailer for 2007 Disney Pixar movie: Ratatouille
|
|
1964
|
+
</h3>
|
|
1965
|
+
|
|
1966
|
+
<img src="http://www.boingboing.net/Picture%202-9.jpg" height="169" width="241" border="0" align="left" hspace="4" vspace="4" alt="Picture 2-9" />
|
|
1967
|
+
Apple has the trailer for the next Disney Pixar movie coming out in 2007. It's called Ratatouille and it appears to be about a Parisian rat (without a phony French accent) who, unlike other rats in his family, insists on eating only the finest food served in Paris' best restaurants.
|
|
1968
|
+
|
|
1969
|
+
<P>The quality of the video is really nice. Don't you wish YouTube looked half as nice as this? <a href="http://www.apple.com/trailers/disney/ratatouille/">Link</a>
|
|
1970
|
+
|
|
1971
|
+
<br clear="all">
|
|
1972
|
+
<p class="posted">posted by
|
|
1973
|
+
Mark Frauenfelder at
|
|
1974
|
+
02:48:18 PM
|
|
1975
|
+
<a href="http://www.boingboing.net/2006/06/09/trailer_for_2007_dis.html">permalink
|
|
1976
|
+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/09/trailer_for_2007_dis.html">blogs' comments</a>
|
|
1977
|
+
|
|
1978
|
+
<br clear="all">
|
|
1979
|
+
</p>
|
|
1980
|
+
<p></p>
|
|
1981
|
+
|
|
1982
|
+
|
|
1983
|
+
|
|
1984
|
+
<a name="027847">
|
|
1985
|
+
</a>
|
|
1986
|
+
<h3>
|
|
1987
|
+
More great old illustrations from BilbiOdyssey
|
|
1988
|
+
</h3>
|
|
1989
|
+
|
|
1990
|
+
<img src="http://www.boingboing.net/_blogger_1717_1584_1600_Begnino-Bossi-1771-petitot.jpg" height="169" width="125" border="0" align="left" hspace="4" vspace="4" alt=" Blogger 1717 1584 1600 Begnino-Bossi-1771-Petitot" />
|
|
1991
|
+
<img src="http://www.boingboing.net/_blogger_1717_1584_1600_Heemskerck-.-Lyons.jpg" height="169" width="222" border="0" align="left" hspace="4" vspace="4" alt=" Blogger 1717 1584 1600 Heemskerck-.-Lyons" /><br clear="all">
|
|
1992
|
+
|
|
1993
|
+
Why are so many drawings from earlier centuries so deliciously weird? Here are a couple I came across on one of my favorite blogs, BibliOdyssey. <a href="http://bibliodyssey.blogspot.com/2006/06/in-clearing.html">Link</a>
|
|
1994
|
+
|
|
1995
|
+
<br clear="all">
|
|
1996
|
+
<p class="posted">posted by
|
|
1997
|
+
Mark Frauenfelder at
|
|
1998
|
+
02:28:39 PM
|
|
1999
|
+
<a href="http://www.boingboing.net/2006/06/09/more_great_old_illus.html">permalink
|
|
2000
|
+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/09/more_great_old_illus.html">blogs' comments</a>
|
|
2001
|
+
|
|
2002
|
+
<br clear="all">
|
|
2003
|
+
</p>
|
|
2004
|
+
<p></p>
|
|
2005
|
+
|
|
2006
|
+
|
|
2007
|
+
|
|
2008
|
+
<a name="027846">
|
|
2009
|
+
</a>
|
|
2010
|
+
<h3>
|
|
2011
|
+
Play the World Cup with a stream of urine
|
|
2012
|
+
</h3>
|
|
2013
|
+
|
|
2014
|
+
<img src="http://www.boingboing.net/200606091411.jpg" height="169" width="157" border="0" align="left" hspace="4" vspace="4" alt="200606091411" />Funny photo of a urinal with a small ball and goal in it. <a href="http://blog.wfmu.org/freeform/2006/06/worlde_cup_the_.html">Link</a>
|
|
2015
|
+
|
|
2016
|
+
<br clear="all">
|
|
2017
|
+
<p class="posted">posted by
|
|
2018
|
+
Mark Frauenfelder at
|
|
2019
|
+
02:12:35 PM
|
|
2020
|
+
<a href="http://www.boingboing.net/2006/06/09/play_the_world_cup_w.html">permalink
|
|
2021
|
+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/09/play_the_world_cup_w.html">blogs' comments</a>
|
|
2022
|
+
|
|
2023
|
+
<br clear="all">
|
|
2024
|
+
</p>
|
|
2025
|
+
<p></p>
|
|
2026
|
+
|
|
2027
|
+
|
|
2028
|
+
|
|
2029
|
+
<a name="027845">
|
|
2030
|
+
</a>
|
|
2031
|
+
<h3>
|
|
2032
|
+
Wired News tells how to watch FIFA World Cup for free online
|
|
2033
|
+
</h3>
|
|
2034
|
+
<img src="http://www.boingboing.net/WORLDCUP-1.jpg" alt="Worldcup-1" align="left" border="0" height="169" hspace="4" vspace="4" width="137"> A while back, law firm <a href="http://www.boingboing.net/2005/06/17/executive_vs_secreta.html">Baker & McKenzie</a> sent Boing Boing a snippy <a href="http://www.google.com/url?sa=t&ct=res&cd=1&url=http%3A%2F%2Fwww.boingboing.net%2F2006%2F06%2F03%2Fhideous_company_send.html&ei=Zd6JRKz0HrTOYc_7nbUI&sig2=SsNxlSSgw1s3SiERH3bbkg">letter</a> warning us not to do something we wouldn't do even if they begged us -- broadcast live streams of the FIFA World Cup.
|
|
2035
|
+
|
|
2036
|
+
<P>I wonder if <a href="http://www.gtla.org/public/cases/baker.html">Baker & McKenzie</a> will send Wired News a letter complaining that Wired News is facilitating piracy for explaining a variety of ways in which FIFA World Cup fans can enjoy live video streams of the tournament on their computers without paying the rightsholder, <a href="http://www.boingboing.net/2006/06/07/world_cup_rightshold.html">Infront Sports & Media</a>?
|
|
2037
|
+
|
|
2038
|
+
<a href="http://www.wired.com/news/technology/internet/0,71112-0.html?tw=wn_index_4">Link</a> <p><em>(Image courtesy groovehouse of <a href="http://www.groovehouse.org/wordpress/">The Grooveblog</a>.)</em>
|
|
2039
|
+
|
|
2040
|
+
<br clear="all">
|
|
2041
|
+
<p class="posted">posted by
|
|
2042
|
+
Mark Frauenfelder at
|
|
2043
|
+
02:01:40 PM
|
|
2044
|
+
<a href="http://www.boingboing.net/2006/06/09/wired_news_tells_how.html">permalink
|
|
2045
|
+
</a> | <a href="http://www.technorati.com/cosmos/search.html?rank=&sub=mtcosmos&url=http://www.boingboing.net/2006/06/09/wired_news_tells_how.html">blogs' comments</a>
|
|
2046
|
+
|
|
2047
|
+
<br clear="all">
|
|
2048
|
+
</p>
|
|
2049
|
+
<p></p>
|
|
2050
|
+
|
|
2051
|
+
|
|
2052
|
+
|
|
2053
|
+
<a href="http://boingboing.net/archive.html">Archives</a>
|
|
2054
|
+
</div>
|
|
2055
|
+
|
|
2056
|
+
</td>
|
|
2057
|
+
<td width="125" valign="top">
|
|
2058
|
+
<div id="sidebar-b">
|
|
2059
|
+
|
|
2060
|
+
Sponsored by:
|
|
2061
|
+
|
|
2062
|
+
|
|
2063
|
+
|
|
2064
|
+
<p>
|
|
2065
|
+
<script language='JavaScript' type='text/javascript'>
|
|
2066
|
+
<!--
|
|
2067
|
+
if (!document.phpAds_used) document.phpAds_used = ',';
|
|
2068
|
+
phpAds_random = new String (Math.random()); phpAds_random = phpAds_random.substring(2,11);
|
|
2069
|
+
|
|
2070
|
+
document.write ("<" + "script language='JavaScript' type='text/javascript' src='");
|
|
2071
|
+
document.write ("http://dynamic.fmpub.net/adserver/adjs.php?n=" + phpAds_random);
|
|
2072
|
+
document.write ("&what=zone:27&block=1&blockcampaign=1");
|
|
2073
|
+
document.write ("&exclude=" + document.phpAds_used);
|
|
2074
|
+
if (document.referrer)
|
|
2075
|
+
document.write ("&referer=" + escape(document.referrer));
|
|
2076
|
+
document.write ("'><" + "/script>");
|
|
2077
|
+
//-->
|
|
2078
|
+
</script><noscript><a href='http://dynamic.fmpub.net/adserver/adclick.php?n=aa20ac48' target='_blank'><img src='http://dynamic.fmpub.net/adserver/adview.php?what=zone:27&n=aa20ac48' border='0' alt=''></a></noscript>
|
|
2079
|
+
|
|
2080
|
+
</p>
|
|
2081
|
+
<p>
|
|
2082
|
+
<script language='JavaScript' type='text/javascript'>
|
|
2083
|
+
<!--
|
|
2084
|
+
if (!document.phpAds_used) document.phpAds_used = ',';
|
|
2085
|
+
phpAds_random = new String (Math.random()); phpAds_random = phpAds_random.substring(2,11);
|
|
2086
|
+
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document.write ("<" + "script language='JavaScript' type='text/javascript' src='");
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2088
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+
document.write ("http://dynamic.fmpub.net/adserver/adjs.php?n=" + phpAds_random);
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2089
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document.write ("&what=zone:27&block=1&blockcampaign=1");
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2090
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document.write ("&exclude=" + document.phpAds_used);
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if (document.referrer)
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document.write ("&referer=" + escape(document.referrer));
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2093
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document.write ("'><" + "/script>");
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2094
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//-->
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2095
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+
</script><noscript><a href='http://dynamic.fmpub.net/adserver/adclick.php?n=af1a8b85' target='_blank'><img src='http://dynamic.fmpub.net/adserver/adview.php?what=zone:27&n=af1a8b85' border='0' alt=''></a></noscript>
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2096
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<p>
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<script language='JavaScript' type='text/javascript'>
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2099
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<!--
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2100
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+
if (!document.phpAds_used) document.phpAds_used = ',';
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2101
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phpAds_random = new String (Math.random()); phpAds_random = phpAds_random.substring(2,11);
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2102
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2103
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document.write ("<" + "script language='JavaScript' type='text/javascript' src='");
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2104
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document.write ("http://dynamic.fmpub.net/adserver/adjs.php?n=" + phpAds_random);
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2105
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document.write ("&what=zone:27&block=1&blockcampaign=1");
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2106
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document.write ("&exclude=" + document.phpAds_used);
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if (document.referrer)
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document.write ("&referer=" + escape(document.referrer));
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2109
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+
document.write ("'><" + "/script>");
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2110
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+
//-->
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2111
|
+
</script><noscript><a href='http://dynamic.fmpub.net/adserver/adclick.php?n=a8dff043' target='_blank'><img src='http://dynamic.fmpub.net/adserver/adview.php?what=zone:27&n=a8dff043' border='0' alt=''></a></noscript>
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2112
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</p>
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2114
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<p>
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<script language='JavaScript' type='text/javascript'>
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<!--
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if (!document.phpAds_used) document.phpAds_used = ',';
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2119
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phpAds_random = new String (Math.random()); phpAds_random = phpAds_random.substring(2,11);
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2120
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+
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2121
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+
document.write ("<" + "script language='JavaScript' type='text/javascript' src='");
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2122
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+
document.write ("http://dynamic.fmpub.net/adserver/adjs.php?n=" + phpAds_random);
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2123
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document.write ("&what=zone:27&block=1&blockcampaign=1");
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2124
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+
document.write ("&exclude=" + document.phpAds_used);
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if (document.referrer)
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+
document.write ("&referer=" + escape(document.referrer));
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2127
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+
document.write ("'><" + "/script>");
|
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2128
|
+
//-->
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2129
|
+
</script><noscript><a href='http://dynamic.fmpub.net/adserver/adclick.php?n=a27568c5' target='_blank'><img src='http://dynamic.fmpub.net/adserver/adview.php?what=zone:27&n=a27568c5' border='0' alt=''></a></noscript>
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2130
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2131
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+
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2132
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+
</p>
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2133
|
+
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2134
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+
<p><script type="text/javascript">
|
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2135
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+
//1) Call function randomorder(arrayname, space_between_content)
|
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2136
|
+
//randomorder(content, '<br><br>')
|
|
2137
|
+
</script>
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2138
|
+
</p>
|
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2139
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+
|
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|
+
<script language='JavaScript' type='text/javascript'>
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+
<!--
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2142
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+
if (!document.phpAds_used) document.phpAds_used = ',';
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2143
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+
phpAds_random = new String (Math.random()); phpAds_random = phpAds_random.substring(2,11);
|
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2144
|
+
|
|
2145
|
+
document.write ("<" + "script language='JavaScript' type='text/javascript' src='");
|
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2146
|
+
document.write ("http://dynamic.fmpub.net/adserver/adjs.php?n=" + phpAds_random);
|
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2147
|
+
document.write ("&what=zone:107&block=1&blockcampaign=1");
|
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2148
|
+
document.write ("&exclude=" + document.phpAds_used);
|
|
2149
|
+
if (document.referrer)
|
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2150
|
+
document.write ("&referer=" + escape(document.referrer));
|
|
2151
|
+
document.write ("'><" + "/script>");
|
|
2152
|
+
//-->
|
|
2153
|
+
</script><noscript><a href='http://dynamic.fmpub.net/adserver/adclick.php?n=af2529c2' target='_blank'><img src='http://dynamic.fmpub.net/adserver/adview.php?what=zone:107&n=af2529c2' border='0' alt=''></a></noscript>
|
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2154
|
+
|
|
2155
|
+
<P>
|
|
2156
|
+
|
|
2157
|
+
|
|
2158
|
+
|
|
2159
|
+
<a href="http://advertisers.federatedmedia.net/plan.php?site=boingboing" title="FM"><img src="http://boingboing.net/images/fm_badge.jpg" width="125" height="95" alt="Advertise here with FM" style="border:0"/></a>
|
|
2160
|
+
|
|
2161
|
+
<P>
|
|
2162
|
+
|
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2163
|
+
|
|
2164
|
+
<!-- Begin: AdBrite -->
|
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2165
|
+
<style type="text/css">
|
|
2166
|
+
.adHeadline {font: bold 8pt Verdana; text-decoration: underline; color: blue;}
|
|
2167
|
+
.adText {font: normal 8pt Verdana; text-decoration: none; color: black;}
|
|
2168
|
+
</style>
|
|
2169
|
+
<script type="text/javascript" src="http://3.adbrite.com/mb/text_group.php?sid=20153&br=1"></script>
|
|
2170
|
+
<p />
|
|
2171
|
+
<div><a class="adHeadline" target="_top" href="http://www.adbrite.com/mb/commerce/purchase_form.php?opid=20153&afsid=1">Your Text Ad Here</a></div>
|
|
2172
|
+
<!-- End: AdBrite -->
|
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|
+
|
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|
+
|
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|
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|
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2176
|
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|
|
2177
|
+
|
|
2178
|
+
|
|
2179
|
+
|
|
2180
|
+
<p><a href="http://add.my.yahoo.com/rss?url=http://feeds.feedburner.com/boingboing/iBag" title="Boing Boing"><img src="http://us.i1.yimg.com/us.yimg.com/i/us/my/addtomyyahoo4.gif" alt="" style="border:0"/></a>
|
|
2181
|
+
|
|
2182
|
+
<p>
|
|
2183
|
+
|
|
2184
|
+
<a href="http://www.newsgator.com/ngs/subscriber/subext.aspx?url=http://feeds.feedburner.com/boingboing/iBag" title="Boing Boing"><img src="http://www.newsgator.com/images/ngsub1.gif" alt="Subscribe in NewsGator Online" style="border:0"/></a>
|
|
2185
|
+
|
|
2186
|
+
<p>
|
|
2187
|
+
|
|
2188
|
+
<a href="http://www.rojo.com/add-subscription?resource=http://feeds.feedburner.com/boingboing/iBag" title="Boing Boing"><img src="http://www.rojo.com/skins/static/images/add-to-rojo.gif" alt="Subscribe in Rojo" style="border:0"/></a>
|
|
2189
|
+
|
|
2190
|
+
<p>
|
|
2191
|
+
|
|
2192
|
+
<a href="http://www.newsburst.com/Source/?add=http://feeds.feedburner.com/boingboing/iBag"><img src="http://i.i.com.com/cnwk.1d/i/newsbursts/btn/newsburst3.gif" width="96" height="20" align="middle" style="border:0" alt="Add Boing Boing to Newsburst from CNET News.com" /></a>
|
|
2193
|
+
|
|
2194
|
+
<p>
|
|
2195
|
+
|
|
2196
|
+
<a href="http://fusion.google.com/add?feedurl=http://feeds.feedburner.com/boingboing/iBag"><img src="http://buttons.googlesyndication.com/fusion/add.gif" width="104" height="17" style="border:0" alt="Add to Google"/></a>
|
|
2197
|
+
|
|
2198
|
+
<p>
|
|
2199
|
+
|
|
2200
|
+
<a href="http://client.pluck.com/pluckit/prompt.aspx?GCID=C12286x053&a=http://feeds.feedburner.com/boingboing/iBag&t=Boing%20Boing"><img src="http://www.pluck.com/images/pluck/pluspluck.png" alt="Add to Pluck" style="border:0"/></a>
|
|
2201
|
+
|
|
2202
|
+
<p>
|
|
2203
|
+
|
|
2204
|
+
<a href="http://feeds.my.aol.com/add.jsp?url=http://feeds.feedburner.com/boingboing/iBag"><img src="http://myfeeds.aolcdn.com/vis/myaol_cta1.gif" alt="Add to My AOL" style="border:0"/></a>
|
|
2205
|
+
|
|
2206
|
+
<p>
|
|
2207
|
+
|
|
2208
|
+
<a href="http://my.feedlounge.com/external/subscribe?url=http://feeds.feedburner.com/boingboing/iBag"><img src="http://static.feedlounge.com/buttons/subscribe_0.gif" alt="Subscribe in FeedLounge" title="Subscribe in FeedLounge" border="0" /></a>
|
|
2209
|
+
|
|
2210
|
+
<p>
|
|
2211
|
+
|
|
2212
|
+
<a href="http://www.bloglines.com/sub/http://feeds.feedburner.com/boingboing/iBag" title="Boing Boing" type="application/rss+xml"><img src="http://www.bloglines.com/images/sub_modern1.gif" alt="Subscribe in Bloglines" style="border:0"/></a>
|
|
2213
|
+
|
|
2214
|
+
<p>
|
|
2215
|
+
|
|
2216
|
+
<a href="http://www.pageflakes.com/subscribe.aspx?url=http://feeds.feedburner.com/boingboing/iBag" title="Boing Boing" type="application/rss+xml"><img src="http://www.boingboing.net/images/pageflakes.gif" alt="Subscribe in Pageflakes" height="17" width="81" style="border:0"/></a>
|
|
2217
|
+
|
|
2218
|
+
<P>
|
|
2219
|
+
|
|
2220
|
+
<a href="http://www.bitty.com/manual/?contenttype=rssfeed&contentvalue=http://feeds.feedburner.com/boingboing/iBag"><img src="http://www.boingboing.net/images/bittychicklet_91x17.gif" alt="Bitty Browser" height="17" width="91" style="border:0"/></a>
|
|
2221
|
+
|
|
2222
|
+
|
|
2223
|
+
|
|
2224
|
+
|
|
2225
|
+
|
|
2226
|
+
<form style="border:1px solid #ccc;padding:3px;text-align:center;" action="http://www.feedburner.com/fb/a/emailverify" method="post" target="popupwindow" onsubmit="window.open('http://www.feedburner.com', 'popupwindow', 'scrollbars=yes,width=550,height=520');return true"><p>Get BB by email:</p><p><input type="text" style="width:125px" name="email"/></p><input type="hidden" value="http://feeds.feedburner.com/~e?ffid=18399" name="url"/><input type="hidden" value="Boing Boing" name="title"/><input type="submit" value="Subscribe" /></form>
|
|
2227
|
+
|
|
2228
|
+
|
|
2229
|
+
|
|
2230
|
+
|
|
2231
|
+
</div>
|
|
2232
|
+
</td>
|
|
2233
|
+
</tr>
|
|
2234
|
+
</table><!--
|
|
2235
|
+
<rdf:RDF xmlns="http://web.resource.org/cc/"
|
|
2236
|
+
xmlns:dc="http://purl.org/dc/elements/1.1/"
|
|
2237
|
+
xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#">
|
|
2238
|
+
<Work rdf:about="http://boingboing.net">
|
|
2239
|
+
<dc:title>Boing Boing: A Directory of Wonderful Things</dc:title>
|
|
2240
|
+
<dc:date>2000-12-1</dc:date>
|
|
2241
|
+
<dc:description>A blog maintained by Mark Frauenfelder, Cory Doctorow, David Pescovitz and Xeni Jardin</dc:description>
|
|
2242
|
+
<dc:creator><Agent>
|
|
2243
|
+
<dc:title>Mark Frauenfelder, Cory Doctorow, David Pescovitz and Xeni Jardin</dc:title>
|
|
2244
|
+
</Agent></dc:creator>
|
|
2245
|
+
<dc:rights><Agent>
|
|
2246
|
+
<dc:title>Mark Frauenfelder, Cory Doctorow, David Pescovitz and Xeni Jardin</dc:title>
|
|
2247
|
+
</Agent></dc:rights>
|
|
2248
|
+
<dc:type rdf:resource="http://purl.org/dc/dcmitype/Text" />
|
|
2249
|
+
<license rdf:resource="http://creativecommons.org/licenses/by-nc/1.0" />
|
|
2250
|
+
</Work>
|
|
2251
|
+
|
|
2252
|
+
<License rdf:about="http://creativecommons.org/licenses/by-nc/1.0">
|
|
2253
|
+
<requires rdf:resource="http://web.resource.org/cc/Attribution" />
|
|
2254
|
+
<permits rdf:resource="http://web.resource.org/cc/DerivativeWorks" />
|
|
2255
|
+
<permits rdf:resource="http://web.resource.org/cc/Reproduction" />
|
|
2256
|
+
<permits rdf:resource="http://web.resource.org/cc/Distribution" />
|
|
2257
|
+
<prohibits rdf:resource="http://web.resource.org/cc/CommercialUse" />
|
|
2258
|
+
<requires rdf:resource="http://web.resource.org/cc/Notice" />
|
|
2259
|
+
</License>
|
|
2260
|
+
|
|
2261
|
+
</rdf:RDF>
|
|
2262
|
+
|
|
2263
|
+
-->
|
|
2264
|
+
</div>
|
|
2265
|
+
</body>
|
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2266
|
+
</html>
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