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"license": {"type": "unknown", "attribution": "trouserpress", "attribution-url": "http://trouserpress.com/entry.php?a=radiohead", "url": "n/a", "version": "n/a"}, "truncated": true}, {"text": "Radiohead was one of the few alternative bands of the ...", "site": "mtvmusic", "url": "http://www.mtvmusic.com/radiohead", "license": {"type": "unknown", "attribution": "n/a", "attribution-url": "http://www.mtvmusic.com/radiohead", "url": "n/a", "version": "n/a"}, "truncated": true}, {"text": "Radiohead were one of the few alternative bands of the ...", "site": "aol", "url": "http://music.aol.com/artist/radiohead/biography", "license": {"type": "unknown", "attribution": "aol", "attribution-url": "http://music.aol.com/artist/radiohead/biography", "url": "n/a", "version": "n/a"}, "truncated": true}, {"text": "Radiohead are an English alternative rock band from Abingdon, Oxfordshire. The band is composed of Thom Yorke (lead vocals, rhythm guitar, piano, beats), Jonny Greenwood (lead guitar, keyboard, other instruments), Ed O'Brien (guitar, backing vocals), Colin Greenwood (bass guitar) and Phil Selway (drums, percussion).  Radiohead released their first single, \"Creep,\" in 1992. The song was initially unsuccessful, but it became a worldwide hit several months after the release of their debut album, Pablo Honey (1993). Radiohead's popularity rose in the United Kingdom with the release of their second album, The Bends (1995). The band's textured guitar parts and Yorke's falsetto singing were warmly received by critics and fans. Radiohead's third album, OK Computer (1997), propelled them to greater international fame. Featuring an expansive sound and themes of modern alienation, OK Computer has often been acclaimed as a landmark record of the 1990s.  Kid A (2000) and Amnesiac (2001) marked a change in the band's musical style. Radiohead incorporated experimental electronic music, Krautrock, post-punk and jazz influences into their songs, dividing fans and critics, but they remained popular. Hail to the Thief (2003), a mix of guitar-driven rock, electronics and lyrics inspired by headlines, was the band's final album for their major record label, EMI. Radiohead independently released their seventh album, In Rainbows (2007), originally as a digital download for which each customer could set their own price, later in stores, to critical and chart success. Radiohead have sold approximately 30 million albums as of 2008.[1][2]", "site": "last.fm", "url": "http://www.last.fm/music/Radiohead/+wiki", "license": {"type": "cc-by-sa", "attribution": "Last.fm", "attribution-url": "http://www.last.fm/music/Radiohead/+wiki", "url": "http://creativecommons.org/licenses/by-sa/3.0/", "version": "3.0"}}, {"text": "Radiohead were one of the few alternative bands of the ...", "site": "mog", "url": "http://mog.com/artists/bio/mn27304/radiohead", "license": {"type": "all-rights-reserved", "attribution": "mog", "attribution-url": "http://mog.com/artists/bio/mn27304/radiohead", "url": "n/a", "version": "n/a"}, "truncated": true}, {"text": "Radiohead's recordings have included 1993's Pablo Honey, 1995's The Bends, ...", "site": "myspace", "url": "http://www.myspace.com/radiohead", "license": {"type": "unknown", "attribution": "myspace", "attribution-url": "http://www.myspace.com/radiohead", "url": "n/a", "version": "n/a"}, "truncated": true}, {"text": "Radiohead are an English rock band from Abingdon, Oxfordshire, formed in 1985. The band consists of Thom Yorke (lead vocals, guitar, piano), Jonny Greenwood (lead guitar, keyboards, other instruments), Colin Greenwood (bass), Phil Selway (drums, percussion) and Ed O'Brien (guitar, backing vocals). \nRadiohead released their debut single \"Creep\" in 1992. The song was initially unsuccessful, but it became a worldwide hit several months after the release of their debut album, Pablo Honey (1993). Radiohead's popularity rose in the United Kingdom with the release of their second album, The Bends (1995). Radiohead's third album, OK Computer (1997), propelled them to greater international fame. Featuring an expansive sound and themes of modern alienation, OK Computer is often acclaimed as one of the landmark records of the 1990s. \nKid A (2000) and Amnesiac (2001) marked an evolution in Radiohead's musical style, as the group incorporated experimental electronic music, krautrock and jazz influences. Kid A, though somewhat polarising at the time of its release, is now frequently recognised as one of the best albums of the decade.Hail to the Thief (2003), a mix of piano and guitar driven rock, electronics and lyrics inspired by war, was the band's final album for their major record label, EMI. Radiohead self-released their seventh album, In Rainbows (2007), as a digital download for which customers could set their own price, and later in physical form to critical and chart success. Radiohead's eighth album, The King of Limbs (2011), was an exploration of rhythm and quieter textures, which the band released independently. \nRadiohead have sold more than 30 million albums worldwide, with the band's work being placed highly in both listener polls and critics' lists, they have the distinction of doing so in both the 1990s and 2000s. In 2005, Radiohead were ranked number 73 in Rolling Stone's list of \"The Greatest Artists of All Time\", while Jonny Greenwood and Ed O'Brien were both included in Rolling Stone's list of greatest guitarists, and Thom Yorke in their list of greatest singers. In 2009, Rolling Stone readers voted the group the second best artist of the 2000s. \n\nHistory edit:\n\nFormation and first years (1985-91) edit:\n\nThe musicians who formed Radiohead met while attending Abingdon School, an independent school for boys in Abingdon, Oxfordshire. Thom Yorke and Colin Greenwood were in the same year, Ed O'Brien and Phil Selway were one year older and Jonny Greenwood two years younger than his brother. In 1985 they formed the band \"On a Friday\", the name referring to the band's usual rehearsal day in the school's music room. The group played their first gig in late 1986 at Oxford's Jericho Tavern; Jonny Greenwood originally joined as a harmonica and then keyboard player, but he soon became the lead guitarist. \nAlthough Yorke, O'Brien, Selway, and Colin Greenwood had left Abingdon by 1987 to attend university, the band continued to rehearse often on weekends and holidays. In 1991, when all the members except Jonny had completed their university degrees, On a Friday regrouped, began to record demos such as Manic Hedgehog, and performed live gigs around Oxford at venues such as The Jericho Tavern. Oxfordshire and the Thames Valley had an active independent music scene in the late 1980s, but it centred around shoegazing bands such as Ride and Slowdive; On a Friday were never seen as fitting this trend, commenting that they had missed it by the time they returned from university. \nNevertheless, as On a Friday's number of live performances increased, record labels and producers became interested. Chris Hufford, Slowdive's producer and the co-owner of Oxford's Courtyard Studios, attended an early On a Friday concert at the Jericho Tavern. Impressed by the band, he and his partner Bryce Edge produced a demo tape and became On a Friday's managers; they remain the band's managers to this day. Following a chance meeting between Colin Greenwood and EMI A&R representative Keith Wozencroft at the record shop where Greenwood worked, the band signed a six-album recording contract with the label in late 1991. At the request of EMI, the band changed their name; \"Radiohead\" was taken from title of a song on Talking Heads' True Stories album. \n\nPablo Honey, The Bends and early success (1992-95) edit:\n\nRadiohead recorded their debut release, the Drill EP, with Chris Hufford and Bryce Edge at Courtyard Studios. Released in May 1992, its chart performance was very poor. Subsequently, the band enlisted Paul Kolderie and Sean Slade--who had worked with US indie bands Pixies and Dinosaur Jr.--to produce their debut album, recorded quickly in an Oxford studio in 1992. With the release of the \"Creep\" single later that year, Radiohead began to receive attention in the British music press, not all of it favourable. NME described them as \"a lily-livered excuse for a rock band\", and \"Creep\" was blacklisted by BBC Radio 1 because it was deemed \"too depressing\". \nThe band released their debut album, Pablo Honey, in February 1993. It stalled at number 22 in the UK charts, as \"Creep\" and its anthemic follow-up singles \"Anyone Can Play Guitar\" and \"Stop Whispering\" failed to become major hits. \"Pop Is Dead\", a non-album single later disavowed by the band, sold equally poorly. Some critics compared the band's early style to the wave of grunge music popular in the early 1990s--to the extent of Radiohead being dubbed \"Nirvana-lite\"--yet Pablo Honey failed to make either a critical or a commercial splash upon its initial release. Despite shared influences with popular guitar-heavy acts, and some notice for Yorke's falsetto voice, the band toured only British universities and clubs. \nIn the first few months of 1993, Radiohead began to attract listeners elsewhere. \"Creep\" had been played very frequently on Israeli radio by influential DJ Yoav Kutner, and in March, after the song became a hit in that country's charts, Radiohead were invited to Tel Aviv for their first live gig overseas. Around the same time, the San Francisco alternative radio station KITS added the song to its playlist. Soon other radio stations along the west coast of the United States followed suit. By the time Radiohead began their first North American tour in June 1993, the music video for \"Creep\" was in heavy rotation on MTV. The song rose to number two on the US modern rock chart, entered the lower reaches of the top 40 pop chart, and finally hit number seven in the UK Singles Chart when EMI re-released it in the UK in September. \nUnexpected attention to the single in America caused the label to improvise new promotional plans, and the band shuttled back and forth between continents, playing over 150 concerts in 1993. Radiohead nearly broke up due to the pressure of sudden success as the Pablo Honey supporting tour extended into its second year. Band members described the tour as difficult to adjust to, saying that towards its end they were \"still playing the same songs that they had recorded two years previously... like being held in a time warp\", when they were eager to work on new songs. \nThe band began work on their second album in 1994, hiring veteran Abbey Road Studios producer John Leckie. Tensions were high, with mounting expectations on the band to deliver a superior follow-up to match or exceed the success of \"Creep\". Recording felt unnatural in the studio, band members having over-rehearsed their material. They sought a change of scenery, touring the Far East, Australasia and Mexico in an attempt to reduce the pressure. The band found greater confidence performing their new music live. However, confronted again by the fame he had achieved, Yorke became disillusioned at being \"right at the sharp end of the sexy, sassy, MTV eye-candy lifestyle\" he felt he was helping to sell to the world. \nMy Iron Lung, an EP and single released late in 1994, was Radiohead's reaction, marking a transition towards the greater depth they aimed for on their second album. Promoted through alternative radio stations, the hard-edged single's sales were better than expected, and suggested for the first time that the band had found a loyal fan base beyond one hit. Having introduced more new songs on tour, Radiohead finished recording their second album by year's end, and they released The Bends in March 1995. The album was driven by dense riffs and ethereal atmospheres from the band's three guitarists, with greater use of keyboards than their debut. It also received stronger reviews for both songwriting and performances. \nWhile Radiohead were seen as outsiders to the Britpop scene that dominated the media's attention at the time, they were finally successful in their home country with The Bends, as singles \"Fake Plastic Trees\", \"High and Dry\", \"Just\", and \"Street Spirit (Fade Out)\" made their way to UK chart success; the latter song placed Radiohead in the top five for the first time. In 1995, Radiohead again toured North America and Europe, this time in support of R.E.M., one of their formative influences and at the time one of the biggest rock bands in the world. The buzz generated by such famous fans as Michael Stipe, along with distinctive music videos for \"Just\" and \"Street Spirit\", helped to sustain Radiohead's popularity outside the UK. \nHowever, Radiohead's growing fan base was insufficient for them to repeat the commercial popularity of \"Creep\" worldwide. \"High and Dry\" became a modest hit, but The Bends peaked at 88 on the US album charts, which remains Radiohead's lowest showing there. Radiohead were satisfied with the album's reception. Jonny Greenwood said, \"I think the turning point for us came about nine or twelve months after The Bends was released and it started appearing in people's best of polls for the end of the year. That's when it started to feel like we made the right choice about being a band\". \n\nOK Computer, fame and critical acclaim (1996-98) edit:\n\nIn late 1995, Radiohead had already recorded one song that would make their next record. \"Lucky\", released as a single to promote the War Child charity's The Help Album, had come out of a brief session with Nigel Godrich, a young audio engineer who had assisted on The Bends and also produced a 1996 B-side, \"Talk Show Host\". The band decided to produce their next album with Godrich's assistance, and they began work in early 1996. By July they had recorded four songs at their rehearsal studio, Canned Applause, a converted apple shed in the countryside near Didcot, Oxfordshire. \nIn August 1996, Radiohead toured as the opening act for Alanis Morissette, seeking to perfect their new songs live before completing the record. They then resumed recording, again outside a traditional music studio, settling instead at a 15th-century mansion, St. Catherine's Court, near Bath. The recording sessions were relaxed, with the band playing at all hours of the day, recording songs in different rooms, and listening to The Beatles, DJ Shadow, Ennio Morricone and Miles Davis for inspiration. Radiohead contributed \"Talk Show Host\", as well as a newly recorded song called \"Exit Music (For a Film)\", to Baz Luhrmann's adaptation of Romeo + Juliet late in the year. Most of the rest of the album was complete by the end of 1996, and by March 1997, the record was mixed and mastered. \nRadiohead released their third album, OK Computer, in June 1997. Largely composed of melodic rock songs, the new record also found the band experimenting with song structures and incorporating some ambient, avant garde and electronic influences, prompting Rolling Stone to call the album a 'stunning art-rock tour de force.' Radiohead denied being part of the progressive rock genre, but critics in the mid-'90s began to compare their work to Pink Floyd, a band whose early 1970s work influenced Greenwood's guitar parts at the time. Some compared OK Computer thematically to Floyd's best-seller The Dark Side of the Moon (1973), although Thom Yorke said the album's lyrics had been inspired by observing the \"speed\" of the world in the 1990s. Yorke's lyrics, embodying different characters, had expressed what one magazine called \"end-of-the-millennium blues\" in contrast to the more personal songs of The Bends. OK Computer met with great critical acclaim, and Yorke admitted that he was \"amazed it got the reaction it did. None of us fucking knew any more whether it was good or bad. What really blew my head off was the fact that people got all the things, all the textures and the sounds and the atmospheres we were trying to create.\" \nOK Computer was the band's first number one UK chart debut, propelling Radiohead to commercial success around the world. Despite peaking at number 21 in the US charts, the album eventually met with mainstream recognition there, receiving the first Grammy Awards recognition of the band's career, a win for Best Alternative Album and a nomination for Album of the Year. \"Paranoid Android\", \"Karma Police\" and \"No Surprises\" were released as singles from the album, of which \"Karma Police\" was most successful internationally. \nThe release of OK Computer was followed by the \"Against Demons\" world tour. Grant Gee, the director of the \"No Surprises\" video, accompanied and filmed the band, releasing the footage in the 1999 documentary Meeting People Is Easy. The film portrays the band's disaffection with the music industry and press, showing their burnout as they progressed from their first tour dates in mid-1997 to mid-1998, nearly a year later. The film is also notable for documenting earlier versions of songs that were never released or were not released until years later, such as \"How to Disappear Completely\", \"Life in a Glasshouse\", \"I Will\" and \"Nude\". During this time the band also released a music video compilation, 7 Television Commercials, as well as two EPs, Airbag/How Am I Driving? and No Surprises/Running from Demons, that compiled their B-sides from OK Computer singles. \n\nKid A, Amnesiac and a change in sound (1999-2001) edit:\n\nRadiohead were largely inactive following their 1997-1998 tour; after its end, their only public performance in 1998 was at an Amnesty International concert in Paris. Yorke later admitted that during that period the band came close to splitting up, and that he had developed severe depression. In early 1999, Radiohead began work on a follow-up to OK Computer. Although there was no longer any pressure or even a deadline from their record label, tension during this period was high. Band members all had different visions for Radiohead's future, and Yorke was experiencing writer's block, influencing him toward a more abstract, fragmented form of songwriting. Radiohead secluded themselves with producer Nigel Godrich in studios in Paris, Copenhagen, and Gloucester, and in their newly completed studio in Oxford. Eventually, all the members agreed on a new musical direction, redefining their instrumental roles in the band. After nearly 18 months, Radiohead's recording sessions were completed in April 2000. \nIn October 2000 Radiohead released their fourth album, Kid A, the first of two albums from these recording sessions. Rather than being a stylistic sequel to OK Computer, Kid A featured a minimalist and textured style with more diverse instrumentation including the ondes Martenot, programmed electronic beats, strings, and jazz horns. It debuted at number one in many countries, including the US, where its debut atop the Billboard chart marked a first for the band, and the first US number one album by any UK musician since the Spice Girls in 1996. This success was attributed variously to marketing, to the album's leak on the file-sharing network Napster a few months before its release, and to advance anticipation based, in part, on the success of OK Computer. Although Radiohead did not release any singles from Kid A, promos of \"Optimistic\" and \"Idioteque\" received radio play, and a series of \"blips\", or short videos set to portions of tracks, were played on music channels and released freely on the Internet. The band had read Naomi Klein's anti-globalisation book No Logo during the recording, and they decided to continue a summer 2000 tour of Europe later in the year in a custom-built tent free of advertising; they also promoted Kid A with three sold-out North American theatre concerts. \nKid A received a Grammy Award for Best Alternative Album and a nomination for Album of the Year in early 2001. It won both praise and criticism in independent music circles for appropriating underground styles of music; some mainstream British critics saw Kid A as a \"commercial suicide note\", labelling it \"intentionally difficult\" and longing for a return to the band's earlier style. Radiohead's fans were similarly divided; along with those who were appalled or mystified, there were many who saw the album as the band's best work. Yorke, however, denied that Radiohead had set out to eschew commercial expectations, saying, \"I was really, really amazed at how badly Kid A was being viewed ... because the music's not that hard to grasp. We're not trying to be difficult ... We're actually trying to communicate but somewhere along the line, we just seemed to piss off a lot of people ... What we're doing isn't that radical.\" \nAmnesiac, released in June 2001, comprised additional tracks from the Kid A recording sessions. Radiohead's musical style on these songs was similar to that of Kid A in their fusion of electronic music and jazz influences, though more reliant on the use of guitars. The record was a critical and commercial success worldwide, it topped the UK Albums Chart and reached number two in the US, being nominated for a Grammy Award and the Mercury Music Prize. After Amnesiac's release, the band embarked on a world tour, visiting North America, Europe and Japan. Meanwhile, \"Pyramid Song\" and \"Knives Out\", Radiohead's first issued singles since 1998, were modestly successful, and \"I Might Be Wrong\", initially planned as a third single, expanded into Radiohead's thus far only live record. I Might Be Wrong: Live Recordings, released in November 2001, featured performances of seven songs from Kid A and Amnesiac along with the acoustic, previously unreleased \"True Love Waits\". \n\nHail to the Thief and departure from EMI (2002-04) edit:\n\nDuring July and August 2002, Radiohead toured Portugal and Spain, playing a number of newly written songs. They then recorded the new material in two weeks in a Los Angeles studio with Nigel Godrich, adding several tracks later in Oxford, where the band continued their work into the next year. Radiohead members described the recording process as relaxed, in contrast to the tense sessions for Kid A and Amnesiac. The band's sixth album, Hail to the Thief, was released in June 2003. Mixing sounds from throughout their career, the album combined guitar-based rock with electronic influences and topical lyrics by Yorke.Hail to the Thief enjoyed commercial success, debuting at number one in the UK and number three on the Billboard chart and eventually being certified platinum in the UK and gold in the US. The album's singles, \"There There\", \"Go to Sleep\" and \"2 + 2 = 5\", achieved a level of play on modern rock radio. At the 2003 Grammy Awards, Radiohead were again nominated for Best Alternative Album, while producer Godrich and engineer Darrell Thorp received the Grammy Award for Best Engineered Album. \nYorke denied that Hail to the Thief's title was a comment on the controversial 2000 US presidential election, explaining that he first heard the words in a BBC Radio 4 discussion of 19th century American politics. Yorke said his lyrics had been affected by news reports of war in 2001 to 2002 and \"the feeling that we are entering an age of intolerance and fear where the power to express ourselves in a democracy and have our voices heard is being denied us\" but said, \"Radiohead didn't write a protest record, we didn't write a political record.\" After the release of Hail to the Thief, Radiohead embarked in May 2003 on a world tour, including a headlining performance at the Glastonbury Festival. The tour finished in May 2004 with a performance at the Coachella Festival. During their tour, the band released COM LAG, an EP compiling most of their B-sides from the time. Following their tour, the band began writing and rehearsing in their Oxford studio but soon went on hiatus. Free of their label contract, Radiohead spent the remainder of 2004 resting with their families and working on solo projects. \n\nIn Rainbows, independent work and \"pay what you want\" (2005-08) edit:\n\nRadiohead began work on their seventh album in February 2005. In September 2005, the band recorded a piano-based song, \"I Want None of This\", for the War Child charity album Help: A Day in the Life. The album was sold online, with \"I Want None of This\" being the most downloaded track, although it was not released as a single. Radiohead had already begun recording their next album on their own and then with producer Mark Stent. However, in late 2006, after touring Europe and North America and debuting 13 new songs there, the band resumed work with Nigel Godrich in London, Oxford and several rural locations in Somerset, England. Work was finished in June 2007 and the recordings were mastered the following month. \nRadiohead's seventh album, In Rainbows, was released through the band's own website in October 2007 as a digital download for which customers could make whatever payment that they deemed appropriate (pay what you want), including paying nothing at all; the site only advised, \"it's up to you\". Following the band's sudden announcement 10 days beforehand, Radiohead's unusual strategy received much notice within the music industry and beyond. 1.2 million downloads were reportedly sold by the day of release, but the band's management did not release official sales figures, claiming that the Internet-only distribution was intended to boost later retail sales. In a 2011 appearance on The Colbert Report, Ed O'Brien said of the self-release strategy: \"We sell less records, but we make more money.\" Colin Greenwood explained the Internet release as a way of avoiding the \"regulated playlists\" and \"straitened formats\" of radio and TV, ensuring fans around the world could all experience the music at the same time, and preventing leaks in advance of a physical release. A \"discbox\", including a second disc from the recording sessions, vinyl and CD editions of the album, and a hardcover book of artwork, was also sold and shipped in late 2007. \nIn Rainbows was physically released in the UK in late December 2007 on XL Recordings and in North America in January 2008 on TBD Records, charting at number one both in the UK and in the US. The record's retail success in the US-after having been legally available for months as a free download-marked Radiohead's highest chart success in that country since Kid A, while it was their fifth UK number one album. In Rainbows sold more than three million copies within one year of release.In Rainbows also received extremely positive reviews, among the best of Radiohead's career; critics praised the album for having a more accessible sound and personal style of lyrics than their past work. The album was nominated for the short list of the Mercury Music Prize, and went on to win the 2009 Grammy Award for Best Alternative Music Album. Their production team won the Grammy for Best Boxed or Special Limited Edition Package, while Radiohead received their third nomination for Album of the Year. Along with three other nominations for the band, Godrich's production work and the \"House of Cards\" music video also received nominations. \nRadiohead released a number of singles from In Rainbows in support of the album; \"Jigsaw Falling into Place\", the first, was released in the UK in January 2008. The second single, \"Nude\", debuted at number 37 in the Billboard Hot 100, Radiohead's first song to make that chart since 1995's \"High and Dry\" and their first top 40 hit in the US since \"Creep\". Radiohead continued to put out tracks from In Rainbows as singles and videos; in July a digitally shot video for \"House of Cards\" was made available. \"House of Cards\", along with \"Bodysnatchers\", also received a single release on radio. In September the band announced a fourth single, \"Reckoner\", and a remix competition similar to one organised for \"Nude\". A greatest hits album, titled Radiohead: The Best Of, was released by EMI in June 2008. The compilation was made without the input of the band and also did not contain any songs from In Rainbows, as the band had already left their label. Yorke expressed his disapproval on behalf of Radiohead: \"We haven't really had any hits so what exactly is the purpose? ... It's a wasted opportunity in that if we'd been behind it, and we wanted to do it, then it might have been good.\" From mid-2008 to early 2009, Radiohead toured North America, Europe, Japan, Mexico and South America to promote In Rainbows. The band headlined the Reading and Leeds Festivals in August 2009. \n\nThe King of Limbs and \"physical movements\" (2009-2012) edit:\n\nIn May 2009, the band began new recording sessions with producer Nigel Godrich. In August, Radiohead released two singles from these sessions on their website: \"These Are My Twisted Words\", and \"Harry Patch (In Memory Of)\", a tribute to Harry Patch, the last surviving British soldier to have fought in the First World War, with proceeds donated to the British Legion. Yorke had suggested Radiohead might move away from the traditional album format, instead releasing singles or EPs, but as work continued into 2010, an eighth long-play record became the focus. \nIn January, the band played their only concert of 2010 in Los Angeles's Henry Fonda Theater as a benefit for Oxfam. Tickets were auctioned, raising over half a million US dollars for the NGO's 2010 Haiti earthquake relief. In December, a fan-made video of the performance was released via YouTube and torrent with the band's support and a \"pay-what-you-want\" link to donate to Oxfam. In September 2010, Radiohead released the soundboard recording of their 2009 Prague performance for use in another fan-made concert video. The Radiohead for Haiti and Live in Praha videos were reviewed by mainstream media and described as examples of the band's openness to fans and their positivity toward non-commercial internet distribution. \nRadiohead finished recording their eighth album in January 2011.The King of Limbs was announced on Valentine's Day and self-released on 18 February 2011 through the band's website. It was followed by a physical retail release on CD and vinyl formats in March, and a special \"newspaper album\" edition in May. The album sold an estimated 300,000 to 400,000 copies through Radiohead's website; the retail edition debuted at number six on the Billboard 200 in the United States, with first-week sales of 69,000 copies. In the United Kingdom, it debuted at number seven on the UK Albums Chart, selling 33,469 copies in its first week. \nFollowing the painstaking recording and relatively conventional rock instrumentation of In Rainbows (2007), Radiohead employed a more \"spontaneous\" process to develop The King of Limbs, sampling their own recordings with turntables.The King of Limbs received positive reviews from most music critics, achieving Metacritic score of 80, indicating \"generally favorable reviews\". It was nominated for five categories in the 54th Grammy Awards: Best Alternative Music Album, Best Boxed or Special Limited Edition Package, Best Short Form Music Video (for \"Lotus Flower\"), Best Rock Performance (\"Lotus Flower\") and Best Rock Song (\"Lotus Flower\"). Two tracks not included on The King of Limbs but worked on during the same sessions, \"Supercollider\" and \"The Butcher\", were released as a single for Record Store Day on 16 April 2011. In June, Radiohead announced a series of remixes of King of Limbs tracks. These remixes and others were compiled on the remix album TKOL RMX 1234567, released in September 2011. \nTo play the rhythmically complex King of Limbs material live, Radiohead enlisted Portishead touring drummer Clive Deamer and recorded a second From the Basement session, released as The King of Limbs: Live from the Basement in December 2011. On 24 June 2011 Radiohead played as a \"secret\" act at the Glastonbury Festival, performing songs from The King of Limbs for the first time. The band then continued playing in support of The King of Limbs in September 2011, when they played two dates at New York City's Roseland Ballroom. They also made TV appearances, including a one-hour special episode of The Colbert Report. In February 2012, Radiohead began their first extended North American tour in four years, including dates in the United States, Canada and Mexico. This was followed by dates in Europe and Japan, as well as the band's first concerts ever in Taiwan and South Korea, their first concert in New Zealand in 14 years and their first tour of Australia in eight years. \nOn 16 June 2012, an hour before gates were due to open at Toronto's Downsview Park for the final concert of Radiohead's North American tour, the roof of the venue's temporary stage collapsed, killing drum technician Scott Johnson and injuring three other members of Radiohead's touring technical crew. The collapse also destroyed the band's light show and much of their musical equipment. The concert was cancelled and Radiohead's tour dates in Europe were postponed. An investigation by the provincial government of Ontario into the cause of the accident is under way. After rescheduling the tour, Radiohead paid tribute to Scott Johnson and their stage crew at their next concert, in Nîmes, France in July. \n\nNinth studio album (2013-present) edit:\n\nIn February 2013, Colin Greenwood said the band will be starting work on their ninth studio album at the end of summer. However, in April 2013, Thom Yorke stated, \"I'm sure it'll probably be slightly longer than that, 'cause I am actually going to have to have a break. ... I really haven't got a clue, which I quite like. We didn't, like, say, \"Fuck you, I'll see you whenever.\" But it was quite exciting to actually finally decide to take a proper, proper break. We'd never really done that, not by choice.\" \n\nStyle and songwriting edit:\n\nAmong Radiohead members' earliest influences were Queen and Elvis Costello; post-punk acts such as Joy Division and Magazine; and significantly 1980s alternative rock bands such as R.E.M., Pixies, The Smiths and Sonic Youth. By the mid-1990s, Radiohead began to adopt some recording methods from hip hop, inspired by the sampling work of DJ Shadow. They also became interested in using computers to generate sounds. Other influences on the group were Miles Davis and Ennio Morricone, along with 1960s rock groups, such as The Beatles and The Beach Boys, and Phil Spector's \"wall of sound\" productions for girl groups. Jonny Greenwood also cited composer Krzysztof Penderecki as an inspiration on the sound of OK Computer. The electronic music of Kid A and Amnesiac was inspired by Thom Yorke's admiration for glitch, ambient techno and IDM as exemplified by Warp Records artists such as Autechre and Aphex Twin, and the album also sampled from early computer music. The jazz of Charles Mingus, Alice Coltrane, and Miles Davis, and 1970s krautrock bands such as Can and Neu!, were other major influences during this period. Jonny Greenwood's interest in 20th century classical music also had a role, as the influence of both Penderecki and composer Olivier Messiaen was apparent; for several songs on Kid A and later albums, Greenwood has played the ondes Martenot, an early electronic instrument popularised by Messiaen. While working on Hail to the Thief, Radiohead put renewed emphasis on guitar rock. Since beginning to record In Rainbows, Radiohead members have mentioned a variety of rock, electronic, hip hop and experimental musicians as influences, including Björk, M.I.A, Liars, Modeselektor and Spank Rock. Since leaving their major label, the band members have been interviewed less frequently, more often posting \"office charts\" of their favourite songs of the moment on their blog Dead Air Space. In 2011, Thom Yorke denied Radiohead had ever set out deliberately to change musical styles or to make \"experimental music\", saying band members are \"constantly absorbing music\" and a variety of musicians are always influencing their work. \nSince their formation, Radiohead have been lyrically and musically spearheaded by Thom Yorke. Although Yorke is responsible for writing nearly all the lyrics, songwriting is a collaborative effort, and it has been noted in interviews that all the band members have roles in the process. As a result, all the band's songs are officially credited to \"Radiohead\". The Kid A/Amnesiac sessions brought about a change in Radiohead's musical style, and an even more radical change in the band's working method. Since the band's shift from standard rock music instrumentation toward an emphasis on electronic sound, band members have had greater flexibility and now regularly switch instruments depending on the particular song requirements. On Kid A and Amnesiac, Yorke played keyboard and bass, while Jonny Greenwood often played ondes Martenot rather than guitar, bassist Colin Greenwood worked on sampling, and O'Brien and Selway branched out to drum machines and digital manipulations, also finding ways to incorporate their primary instruments, guitar and percussion, respectively, into the new sound. The relaxed 2003 recording sessions for Hail to the Thief led to a different dynamic in Radiohead, with Yorke admitting in interviews that \"his power within the band was absolutely unbalanced and he would subvert everybody else's power at all costs. But ... it's actually a lot more healthy now, democracy wise, than it used to be.\" \n\nCollaborators edit:\n\nRadiohead have maintained a close relationship with a number of frequent collaborators since early in their career. Record producer Nigel Godrich made his name with Radiohead, working with the band as an audio engineer since The Bends, and as their producer on all six studio albums since OK Computer. He has, at times, been dubbed the \"sixth member\" of the band in an allusion to George Martin being called the \"Fifth Beatle\".Graphic artist Stanley Donwood, another longtime associate of the band, met Thom Yorke when both were art students, and together with Yorke, has produced all of Radiohead's album covers and visual artwork since 1994. Donwood and Yorke won a Grammy in 2002 for a special edition of Amnesiac packaged as a library book. Dilly Gent has been responsible for commissioning all Radiohead music videos since OK Computer, working with the band to find a director suitable for each project. Since the band's inception, Andi Watson has been their lighting and stage director, designing the visuals of Radiohead's live concerts, such as the carbon-neutral \"LED forest\" of the In Rainbows tour. The band's chief live technician, Peter Clements, or \"Plank\", has worked with the band since before The Bends, overseeing the setup of their instruments for both studio recordings and live performances. \n\nBand members edit:\n\nColin Greenwood - bass guitar, keyboards, \nJonny Greenwood - guitar, keyboards, ondes Martenot, analogue synthesisers, other instruments, \nEd O'Brien - guitar, percussion, backing vocals, \nPhilip Selway - drums, percussion, backing vocals, \nThom Yorke - lead vocals, guitar, keyboards, piano, \nAdditional live members \nClive Deamer - drums, percussion, backing vocals (2011-present)", "site": "wikipedia", "url": "http://en.wikipedia.org/wiki/Radiohead", "license": {"type": "cc-by-sa", "attribution": "wikipedia", "attribution-url": "http://en.wikipedia.org/wiki/Radiohead", "url": "http://creativecommons.org/licenses/by-sa/3.0/", "version": "3.0"}}, {"text": "Radiohead is Colin Greenwood, Jonny Greenwood, Ed O'Brien, Philip Selway ...", "site": "amazon", "url": "http://www.amazon.com/Radiohead/e/B000AP9MOK/", "license": {"type": "unknown", "attribution": "amazon", "attribution-url": "http://www.amazon.com/Radiohead/e/B000AP9MOK/", "url": "n/a", "version": "n/a"}, "truncated": true}, {"text": "Radiohead, one of the few alternative bands of the early ...", "site": "rdio", "url": "http://www.rdio.com/artist/Radiohead/", "license": {"type": "all-rights-reserved", "attribution": "", "attribution-url": "", "url": "n/a", "version": "n/a"}, "truncated": true}, {"text": "Radiohead were one of the few alternative bands of the ...", "site": "itunes", "url": "https://itunes.apple.com/us/artist/radiohead/id657515", "license": {"type": "unknown", "attribution": "", "attribution-url": "", "url": "n/a", "version": "n/a"}, "truncated": true}], "blogs": [{"name": "Concert Tip: Amanda Palmer in Tivoli Oudegracht", "url": "http://www.utrecht-roxx.nl/?p=2309", "date_posted": "2013-05-12T20:37:26", "date_found": "2013-05-13T00:00:00", "summary": "http://www.youtube.com/watch?v=7sW4dwXXX7Q Hele bijzondere vrouw die Amanda Palmer en dat zeggen we niet omdat ze ook wel Amanda Fucking Palmer wordt genoemd, de meest absurde en blote clips maakt of omdat ze haar eerste solo-album Who Killed Amanda Palmer doopte en een EP maakte met de titel Amanda Palmer Performs the Popular Hits of <span>Radiohead</span> on [...] Concert Tip: Amanda Palmer in Tivoli Oudegracht", "id": "24bfd596c968ccee4069f2b21817d692"}, {"name": "Transitions Transitions 454 &#9679; John Digweed with a guest mix by Phonogenic", "url": "http://www.mercuryserver.com/forums/showthread.php?133077-Transitions-454-●-John-Digweed-with-a-guest-mix-by-Phonogenic&goto=newpost", "date_posted": "2013-05-12T19:42:51", "date_found": "2013-05-13T00:00:00", "summary": "piece of music with a lot to say - we think the listener will love. Connecticut born Drew Lustman aka FaltyDL started off playing in jazz and rock bands at the tender age of 16 before going alone and re-branding as FaltyDL at the ripe of age of 19. Head Honcho at Blueberry Records and recent support to <span>Radiohead</span>, his offering is just the right amount of glitch and groovy; Born Electric is tres excited to have a remix from him on this package! Hailed as the most emotive and soulful duo of Drum & Bass SpectraSoul offer a unique and imitable take on 'Hoyle Road'; living up to their name they have provided a truly", "id": "192460ed1964305b925df2c53622f2c6"}, {"name": "Bristol Gig Guide – 13th to 19th May", "url": "http://www.musicbrokemybones.co.uk/?p=9292", "date_posted": "2013-05-12T18:00:41", "date_found": "2013-05-12T00:00:00", "summary": "with elements of math-rock and are fast gaining a reputation for their explosive live shows. Doors @ 7:30PM £7 Saturday 18th - Suuns @ The Exchange The dark indie-electronica of Suuns soundtracks your Saturday night. Formally known as Zeroes, the sparse minimalism of latest album Images du futur recalls Kid A/Amnesiac era <span>Radiohead</span>. Music for the paranoid. Doors @ 7PM £9 Sunday 19th - How To Dress Well @ Thekla We end the week with a very special gig from the guys over at Crack Magazine. How To Dress Well (A.K.A Tom Krell) writes haunting R&B for the technological age, his ghostly vocals evoking the", "id": "8f3da89059d6073b61927f83e30c7767"}, {"name": "Canzoni che fanno piangere: le scelte della redazione di Soundsblog", "url": "http://Blogo.feedsportal.com/c/34080/f/618129/s/2bcf2009/l/0L0Ssoundsblog0Bit0Cpost0C1385610Ccanzoni0Eche0Efanno0Epiangere0Ele0Escelte0Edella0Eredazione0Edi0Esoundsblog/story01.htm", "date_posted": "2013-05-12T14:31:05", "date_found": "2013-05-13T00:00:00", "summary": "More than words IVANO FOSSATI - Carte da decifrare ASTOR PIAZZOLLA - Oblivion Le 5 canzoni di Grazia Sambruna CESARE CREMONINI - Una come te (\"e non solo per la bruttezza del video\") STEREOPHONICS - Dakota JEFF BUCKLEY - Last Goodbye NOTWIST - Consequence BAUSTELLE - Alfredo Le 5 canzoni di Arianna Galati <span>RADIOHEAD</span> - Lucky BEATLES - Golden slumbers PEARL JAM - Black (unplugged) PINK FLOYD - Comfortably numb JOHN LENNON - Working class hero Le 5 canzoni di Massimo Galanto VASCO ROSSI - Anima fragile BETH NIELSEN CHAPMAN - Say goodnight not goodbye ADELE - Someone like you JAMES BLUNT - Goodbye my lover TIZIANO", "id": "0b4fb9a9dffd538dda79b4e62c9c3687"}, {"name": "Listen To Radiohead’s Idioteque On A Laser-Printed Wooden Record", "url": "http://www.gizmodo.com.au/2013/05/listen-to-radioheads-idioteque-on-a-laser-printed-wooden-record/", "date_posted": "2013-05-12T08:00:00", "date_found": "2013-05-12T00:00:00", "summary": "We've seen 3D-printed records before, and while they don't sound great, they're still pretty neat. Now the same mine behind those, Instructables' Amanda Ghassaei, has got another weird record variation to try out: laser-printed wooden records. It's only a slight step up in sound quality, but still totally cool. More » Listen To <span>Radiohead</span>’s Idioteque On A Laser-Printed Wooden Record", "id": "677c2b3be730a2eb2818275f03d32e91"}, {"name": "Listen to Radiohead's Idioteque On a Laser-Etched Wooden Record", "url": "http://gizmodo.com/listen-to-radioheads-idioteque-on-a-laser-etched-woode-502388360", "date_posted": "2013-05-12T00:00:00", "date_found": "2013-05-12T00:00:00", "summary": "We've seen 3D-printed records before, and while they don't sound great, they're still pretty neat. Now the same mine behind those, Instructables' Amanda Ghassaei, has got another weird record variation to try out: laser-etched wooden records. It's only a slight step up in sound quality, but still totally cool. Read more... Listen to <span>Radiohead</span>'s Idioteque On a Laser-Etched Wooden Record", "id": "d20fc36454630a4310d2c4b7def0d5ca"}, {"name": "Radiohout en The Velvet Underwood op... hout", "url": "http://kickingthehabit.nl/2013-05-11/radiohead-en-velvet-underground-op-houten-vinyl", "date_posted": "2013-05-11T10:40:00", "date_found": "2013-05-11T00:00:00", "summary": "Het is vast slecht voor de naald van je platenspeler, maar na 'vinyl'-singles gemaakt van klei uit Friesland, hebben ze in Engeland nu ook platen van hout. De plakken 'houtvinyl' zijn gemaakt met behulp van onder meer een 3D-printer en een lasersnijder, om diepere groeven te kunnen maken. De eerste experimenten: onder meer Idioteque van <span>Radiohead</span> en Femme Fatale van The Velvet Underground & Nico. Dat klinkt niet zo fantastisch als op vinyl zelf, maar ach: het experiment is leuk. Meer weten, luisteren en kijken op The 405. Radiohout en The Velvet Underwood op... hout", "id": "f0c0a4e681e6200a1cf8eb644c367115"}, {"name": "Radio 3 Listings for 11/05/2013 - 17/05/2013", "url": "http://radiolists.blogspot.com/2013/05/radio-3-listings-for-11052013-17052013.html", "date_posted": "2013-05-10T20:29:30", "date_found": "2013-05-11T00:00:00", "summary": "feels that Schumann is often misunderstood, a one-off TUE eccentric: his aim this season is to allow his audiences to TUE sense Schumann's place in music history. The concert TUE includes the UK premiere of a work by young American TUE composer Timothy Andres, who acknowledges Brahms, Brian Eno TUE and <span>Radiohead</span> as among his influences: his Piano Quintet is TUE a five-movement piece that takes a Schumann motif as its TUE starting point. TUE TUE 22:00 Night Waves b01scz0l (Listen) TUE Samira Ahmed with a review of the Australian film director TUE Baz Luhrmann's 3-D version of 'The Great Gatsby' with TUE", "id": "f4673796acf36969f7d689554512a27b"}, {"name": "Your Required Listening This Week Courtesy Of 3LAU", "url": "http://www.mtvu.com/music/your-required-listening-this-week-courtesy-of-3lau/", "date_posted": "2013-05-10T20:19:40", "date_found": "2013-05-11T00:00:00", "summary": "Frou Frou 'Let Go' This song is certainly familiar to many who know Imogen or have seen the movie Garden State. I love the motion and emotion that the song captures through a combination of Imogen's layered pure breathy vocals and the soft layers of strings and synths that smoothen the beat / tempo. <span>Radiohead</span> 'All I Need' The last minute of this song, when Thom begins to sing \"It's all wrong, It's all right\" is my favorite minute in music, ever. Cacophonous chaotic noises compliment a droning piano and horns, all of it blends together to the point where it's hard to determine exactly what's going on, but", "id": "7145036cdbebf689cb92ba06a9791eef"}, {"name": "Listen to Radiohead, Velvet Underground as played on wooden “vinyl” records", "url": "http://consequenceofsound.net/2013/05/listen-to-radiohead-velvet-underground-as-played-on-wooden-vinyl-records/", "date_posted": "2013-05-10T19:07:43", "date_found": "2013-05-10T00:00:00", "summary": "44.1kHz).\" Okay, so the sound quality isn't anything great, but when you consider she's playing The Velvet Underground and Nico's \"Femme Fatale\" on a slab of maple, I think you can forgive a little audio loss. Below, you can listen to \"Femme Fatale\" along with \"Sunday Morning\", <span>Radiohead</span>'s \"Idioteque\", Joy Division's \"Love Will Tear Us Apart\", and David Bowie's \"Rebel Rebel\" on various materials. For more detail and information that I'm way too dumb to understand fully, including step-by-step instructions on how to turn any MP3 into a playable wooden record, head to Instructables. <span>Radiohead</span> - \"Idioteque\" (laser cut wood version) The Velvet Underground and Nico - \"Femme Fatale\" (laser cut maple wood version) The Velvet Underground - \"Sunday Morning\" (laser cut maple wood version) David Bowie - \"Rebel Rebel\" (laser cut on paper version) Joy Division - \"Love Will Tear Us Apart\" (laser cut clear acrylic version) Now check out how the Great Ghassaei makes these crazy things. Listen to <span>Radiohead</span>, Velvet Underground as played on wooden “vinyl” records", "id": "2548b39f5fd90a0c7e50bc0de4288a89"}, {"name": "Escucha a Radiohead y The Velvet Underground en un vinilo de madera", "url": "http://radioalterno.com/2013/05/escucha-a-radiohead-y-the-velvet-underground-en-un-vinilo-de-madera/?utm_source=rss&utm_medium=rss&utm_campaign=escucha-a-radiohead-y-the-velvet-underground-en-un-vinilo-de-madera", "date_posted": "2013-05-10T17:50:58", "date_found": "2013-05-10T00:00:00", "summary": "Escucha a <span>Radiohead</span> y The Velvet Underground en un vinilo de madera Amanda Ghassaei es una joven audiófila/inventora que creó hace algunos meses un manual para hacer tus propios vinilos impresos en 3D. Desde entonces, la gran Ghassaei se ha expandido más allá de los meros límites para crear vinilos, y ahora está utilizando el láser para plasmar la música en madera de arce, papel, y acrílico. Evidentemente la calidad de audio no es la mejor, \"pero si tomamos en cuenta que estás tocando \"Femme Fatale\" de The Velvet Underground and Nico en una losa de arce, creo que se puede perdonar un poco la pérdida de audio\" explica Ghassaei. A continuación puedes escuchar \"Femme Fatale\" junto con \"Sunday Morning\"; \"Idioteque\" de <span>Radiohead</span>, \"Love Will Tears Us Apart\" de Joy Division, y \"Rebel Rebel\" de David Bowie en diversos materiales. Para obtener más detalles e información para comprender completamente el proceso de convertir un MP3 en un pedazo de madera audible, dirígete a Instructables. Aquí puedes ver paso a poso cómo crear estas obras. <span>Radiohead</span> - \"Idioteque\" (impresión láser en madera) The Velvet Underground and Nico - \"Femme Fatale\" (impresión láser en madera de arce) The Velvet Underground - \"Sunday Morning\" (impresión láser en madera de arce) David Bowie - \"Rebel Rebel\" (impresión láser en papel) Joy Division - \"Love Will Tear Us Apart\" (impresión láser en acrílico) Este es el sorprendente invento de Ghassaei: Radioalterno.Com \"Radio Independiente de Rock & Roll\" Escucha a <span>Radiohead</span> y The Velvet Underground en un vinilo de madera", "id": "7ecef3a244b481d34aa8a3d094d1672f"}, {"name": "A Track-by-Track Guide to Vampire Weekend’s ‘Modern Vampires of the City’", "url": "http://flavorwire.com/390498/a-track-by-track-guide-to-vampire-weekends-modern-vampires-of-the-city", "date_posted": "2013-05-10T17:15:04", "date_found": "2013-05-10T00:00:00", "summary": "On one of the album's standout tracks, the piano chords that follow the synthesized string opening are pretty similar to those of \"Obvious Bicycle,\" but they're slowed down, and with Koenig's breathy vocals harmonized just audibly underneath, the song has a burgeoning beauty in a way that recalls early <span>Radiohead</span>. (I'm reminded a little of \"Fake Plastic Trees\" in places; it packs the same balance of minimalism and momentum.) After the second chorus, when the song really picks up, Koenig's voice rises into a kind of beautiful howl, and the music crumbles elegantly underneath it, falling into a delicate", "id": "b68213a27eb59d05e3270c7308ae9384"}, {"name": "Radiohead to be pressed on wooden vinyl", "url": "http://www.itsallindie.com/2013/05/radiohead-to-be-pressed-on-wooden-vinyl.html", "date_posted": "2013-05-10T13:15:38", "date_found": "2013-05-10T00:00:00", "summary": "The Line of Best Fit has written about that <span>Radiohead</span> may have some vinyls pressed on wood, now to me that seems a bit too niche, however. These records were cut on an Epilog 120 Watt Legend EXT to a theoretical precision of 1200dpi (thekerf of the cut and some tricks I used to avoid crashing the laser cutter dropped the actual precision down by ~1/6). The audio on the records has a bit depth between 4-5 (typical mp3 audio is 16 bit) and a sampling rate up to about 4.5kHz (mp3 is 44.1kHz). You can hear a snippet of \"Idioteque\" as heard via wooden vinyl just below. Follow / [FACEBOOK] Other / [OFFICIAL SITE] <span>Radiohead</span> to be pressed on wooden vinyl", "id": "17cea1818efe9c493710d4ee48bae430"}, {"name": "Features:  Thirty Seconds To Mars: &#8216;There&#8217;s Something More Than Music&#8217;", "url": "http://www.thisisfakediy.co.uk/articles/features/thirty-seconds-to-mars-theres-something-more-than-music", "date_posted": "2013-05-10T08:59:37", "date_found": "2013-05-10T00:00:00", "summary": "react to the group treading new ground. \"I think that people who think they have an idea of who we are are gonna be surprised,\" Jared muses, \"and then the people who know who we are, and have been with us for the journey, are also gonna be surprised at the direction. \"I like that in a band. I liked when <span>Radiohead</span> made 'The Bends' and then went to 'OK Computer' and then from there, went to 'Kid A'. Everybody was like, 'What the f**k?!' but then the more you listen to 'Kid A', you're like, 'Oh holy shit, that's where it's at!' I think 'Up In The Air' will be like that; I've already seen it online. If you're not pissing some", "id": "2242535d95ffa691fa3e1309b1f1bd2e"}, {"name": "Jonny Greenwood Added to Open'er Line Up", "url": "http://www.xfm.co.uk/news/jonny-greenwood-added-to-opener-line-up", "date_posted": "2013-05-10T05:56:12", "date_found": "2013-05-11T00:00:00", "summary": "The <span>Radiohead</span> guitarist, rapper Nas and José González' new band Junip have also been confirmed for the Polish festival... Jonny Greenwood Added to Open'er Line Up", "id": "349a2f7c0157a86cd81ab9034f0dee14"}], "doc_counts": {"reviews": 294, "biographies": 10, "video": 1174, "images": 196, "news": 3961, "blogs": 20863, "audio": 459, "songs": 333}, "familiarity": 0.89774500000000002, "hotttnesss": 0.64754, "reviews": [{"name": "RADIOHEAD > Kid A, Amnesiac, Hail To The Thief | American Songwriter", "url": "http://www.americansongwriter.com/2009/12/radiohead-kid-a-amnesiac-hail-to-the-thief-2/", "summary": "Radiohead's OK Computer tour nearly killed them. After much soul-searching, they had created one of the most beloved albums of the 20th century. However, like all good '90s alternative rock bands, they were mortified by success, and the conveyor belt of endless self-promotion was nearly too much for them to bear. While no one wanted Radiohead to do anything differently, for the restlessly inventive British gloom rockers, the path was clear--change or die...", "date_found": "2013-04-25T00:00:00", "image_url": "http://cdn.americansongwriter.com/wp-content/uploads/2009/11/rs_radiohead.jpg", "release": "Kid A, Amnesiac, Hail To The Thief", "id": "3f9fca724678df56f34845365110c511"}, {"name": "RADIOHEAD > In Rainbows | American Songwriter", "url": "http://www.americansongwriter.com/2008/01/radiohead-in-rainbows/", "summary": "The band that composed everything from OK Computer to In Rainbows realizes, arguably more than any other rock act out there, that music is a limitless art form: that it should stretch the imagination, far beyond the boundaries of chords, lyrics and beats. (Pink Floyd did just that on Dark Side of the Moon; OK Computer is its 20th century counterpart.) None of these albums is perfect, of course. (Is there ever such a thing in music...", "date_found": "2013-04-25T00:00:00", "release": "In Rainbows", "id": "3559aa71b18c826f43ec629728c7eee2"}, {"name": "Radiohead: The King of Limbs | American Songwriter", "url": "http://www.americansongwriter.com/2011/02/radiohead-the-king-of-limbs/", "summary": "Last Monday, Radiohead unexpectedly revealed that they would be releasing their eight studio album The King of Limbs, arguably giving fans of the band the best Valentine's Day present ever. After usurping our attention away from what would have been a weeklong, watered-down Grammy dissection, Radiohead demonstrated once again why they stand a full two (or 15) steps ahead of everyone else in the music business...", "date_found": "2013-04-25T00:00:00", "image_url": "http://cdn.americansongwriter.com/wp-content/uploads/2011/02/The-King-Of-Limbs-1.jpg", "release": "The King of Limbs", "id": "566b2505f775a20a2754fb92cfe33b07"}, {"name": "Album review: Radiohead &#8211; The King Of Limbs (XL Recordings) | CMU: Complete Music Update", "url": "http://www.thecmuwebsite.com/article/album-review-radiohead-the-king-of-limbs-xl-recordings/", "summary": "'The King Of Limbs' is a difficult record to review. Like a cockroach, it skitters away into the shadows when you shine a light on it. It's probably the band's least accessible record to date - the beats are never firm enough to dance to, the lyrics are cloaked in reverb, and there's barely a guitar to be heard. It's a deep, layered, album that crams a lot into just eight tracks and 37 minutes, but with a nonchalance that belies what's hidden below...", "date_found": "2013-04-01T00:00:00", "image_url": "http://www.thecmuwebsite.com/wp-content/uploads/2011/02/radiohead21.jpg", "release": "The King Of Limbs", "id": "1cd0b11f8ae1597adfd3a2441efb56a8"}, {"name": "Radiohead: Hail To The Thief - review of Radiohead's new album featuring There there", "url": "http://www.plume-noire.com/music/releases/radiohead.html", "summary": "Genre: Rock Year: 2003 Country: USA Official Site: Radiohead Details: Tracks & Audio Label: Capitol Records The arriving of a new Radiohead album is always an event, as the uncompromising and artistic approach of the Oxford band is singular in a musical world where \"appearance\" is much more praised than talent...", "date_found": "2013-04-01T00:00:00", "release": "Hail To The Thief", "id": "f5a39f7a592a516715933f7102cae718"}, {"name": "Radiohead In Rainbows - review of Radiohead's new album featuring Bodysnatchers", "url": "http://www.plume-noire.com/music/releases/radiohead-in-rainbows-review.html", "summary": "\"No surprises\" a Radiohead buff might claim after listening to the band's exclusively downloadable opus: In Rainbows. Thom Yorke and Co.'s latest offering is an exquisite collection of melancholic songs, which waver on the boundary between the euphoric and the heart-wrenchingly painful. Radiohead have made this their signature over the years, but with In Rainbows they manage to push the bracket further with fresh instrumental orchestration and vocal harmonies...", "date_found": "2013-04-01T00:00:00", "release": "In Rainbows review", "id": "b354350368c2947c05f7437b6bb5568f"}, {"name": "radiohead - The Bends (from ultimate-guitar)", "url": "http://www.ultimate-guitar.com/reviews/compact_discs/radiohead/the_bends/index.html", "summary": "Sound: \"Creep\" was a great hit back in it's heyday. A psycho love-lorn ode rarely seen, you either loved it for one of two reasons: You dug the stylistic change it had on a nation's music, which opened the realm of possibilities to explore and to go beyond Grunge. Or, you just dug the \"skra-kunk, skra-kunk\" distorted guitar in between each Chorus. The song dismissed Radiohead as a one-hit wonder. That would prove false with the making of there incredible sophomore album, The Bends...", "date_found": "2012-04-12T00:00:00", "image_url": "http://ultimate-guitar.com/reviews/images/10_276_1915.jpg", "release": "The Bends", "id": "d92faaf77b1c9a841addace32897c546"}, {"name": "radiohead - I Might Be Wrong: Live Recordings (from ultimate-guitar)", "url": "http://www.ultimate-guitar.com/reviews/compact_discs/radiohead/i_might_be_wrong_live_recordings/index.html", "summary": "Sound: The I Might Be Wrong: Live Recordings disc was released mostly as a way to let fans who may not be able to see Radiohead perform live hear some variations of songs found on the Kid A and Amnesiac albums. Since many of the songs from these albums were electronic in creation, live versions had to be radically altered in order to make them at all possible to play (aside from just playing back samples from the album)...", "date_found": "2012-04-12T00:00:00", "image_url": "http://ultimate-guitar.com/reviews/images/10_276_16422.jpg", "release": "I Might Be Wrong: Live Recordings", "id": "4eb40bfdf330475d158ae4a87d960252"}, {"name": "radiohead - Amnesiac (from ultimate-guitar)", "url": "http://www.ultimate-guitar.com/reviews/compact_discs/radiohead/amnesiac/index.html", "summary": "Sound: If you thought Radiohead were crazy on Kid A then this can declare them as complete psycho's (in a good way mind you). Amnesiac is definitely not easy listening but it's like \"art-rock for the people\" (Blender Magazine). It experimental all the way, even the most \"commecial songs\" like Knives Out or Pyramid Song (\"This song has no time signature!\" -Phillip Selway-\") are like they were recorded in an asylum...", "date_found": "2012-04-12T00:00:00", "image_url": "http://ultimate-guitar.com/reviews/images/10_276_2285.jpg", "release": "Amnesiac", "id": "af3e4dc7aed0bafa319abcf6b774aaae"}, {"name": "radiohead - Kid A (from ultimate-guitar)", "url": "http://www.ultimate-guitar.com/reviews/compact_discs/radiohead/kid_a/index.html", "summary": "Sound: Where do I start? If you listened to any other '90s Radiohead you will see a huge difference. Instead of the usual guitar fueled rock of the 3 albums before, they have now opted for a more electronic and keyboard fueled aproach. Kid A is not a bad album! Just missunderstood. Radiohead were tired of making the same music, so they changed and adapted. \"Idioteque\" and \"Everything In Its Right Place\" are the stand out tracks, listen to these and you will get the overall \"Feel\" of the album...", "date_found": "2012-04-12T00:00:00", "image_url": "http://ultimate-guitar.com/reviews/images/10_276_2001.jpg", "release": "Kid A", "id": "381c1a48320e3ef444d88a978bec6ccc"}, {"name": "radiohead - In Rainbows (from ultimate-guitar)", "url": "http://www.ultimate-guitar.com/reviews/compact_discs/radiohead/in_rainbows/index.html", "summary": "Sound: This is it. The album that has caused so much controversy, with it's \"Pay What You Want\" premise. Thanks to the time difference I got my copy at around 4pm after paying the low low price of 0 pounds for it (I'm broke and I'm getting the discbox for X-mas, so don't hassle me about it)...", "date_found": "2012-04-12T00:00:00", "image_url": "http://ultimate-guitar.com/reviews/images/10_276_18572.jpg", "release": "In Rainbows", "id": "3bae963af45b421f20994f4b324fbac5"}, {"name": "radiohead - My Iron Lung [EP] (from ultimate-guitar)", "url": "http://www.ultimate-guitar.com/reviews/compact_discs/radiohead/my_iron_lung_ep/index.html", "summary": "Sound: This EP is indicative of the massive change in Radiohead's sound between the debut Pablo Honey and the follow up LP The Bends. On this EP, acoustics are utilized in the flighty Lozenge Of Love, the epically emotional and stunning You Never Wash Up After Yourself, as well as an acoustic version of Creep...", "date_found": "2012-04-12T00:00:00", "image_url": "http://ultimate-guitar.com/reviews/images/10_276_7115.jpg", "release": "My Iron Lung [EP]", "id": "7e6950447b48699e00d92097c9d2b633"}, {"name": "radiohead - The King Of Limbs (from ultimate-guitar)", "url": "http://www.ultimate-guitar.com/reviews/compact_discs/radiohead/the_king_of_limbs/index.html", "summary": "Sound: This latest Radiohead release, The King of Limbs, hasn't even technically been released in stores yet, but thanks to the internet, it is available to buy on Radiohead's official website, and even to be illegally downloaded.  This album takes a step away from the band's more traditional sound, walking the thin line between their classic albums and Thom Yorke's The Eraser, thus achieving a new sound, though still bearing a slight resemblance to Hail to the Thief throughout...", "date_found": "2012-04-12T00:00:00", "image_url": "http://ultimate-guitar.com/reviews/images/10_276_34981.jpg", "release": "The King Of Limbs", "id": "6b1357cdac61d95413687b098d025285"}, {"name": "radiohead - Pablo Honey (from ultimate-guitar)", "url": "http://www.ultimate-guitar.com/reviews/compact_discs/radiohead/pablo_honey/index.html", "summary": "Sound: I am doing a review of this album purely because there's only one review done so far! This album deserves some credit for being the album that jumpstarted Radiohead's career. In totally unexpected ways however. Creep was not the way the band wanted to get started. Because of the overwhelming success of the single, they later wrote My Iron Lung (one of their best songs) as a response to the hype. The band now resents this album and it's very easy to see why...", "date_found": "2012-04-12T00:00:00", "image_url": "http://ultimate-guitar.com/reviews/images/10_276_8197.jpg", "release": "Pablo Honey", "id": "bd8bfeca8389ebfc752b8f5128a9cb79"}, {"name": "radiohead - Hail To The Thief (from ultimate-guitar)", "url": "http://www.ultimate-guitar.com/reviews/compact_discs/radiohead/hail_to_the_thief/index.html", "summary": "Sound: Radiohead's sound changes on every album. The band is constantly changing. If you listened to the band's debut, Pablo Honey, and then Hail To The Thief, you would know what I mean. Thom Yorke's voice has changed dramatically, from decipherable to his new mumbling singing-style (listen to Myxomatosis). In this album, Radiohead combine their original \"rock\" style with their later electronica to make a masterpiece of an album...", "date_found": "2012-04-12T00:00:00", "image_url": "http://ultimate-guitar.com/reviews/images/10_276_1817.jpg", "release": "Hail To The Thief", "id": "cacf3d7f43cd98dec3d6cc1f2d31407b"}], "foreign_ids": [{"catalog": "musicbrainz", "foreign_id": "musicbrainz:artist:a74b1b7f-71a5-4011-9441-d0b5e4122711"}], "years_active": [{"start": 1985}], "video": [{"title": "Radiohead - Inside My Head (with lyrics)", "url": "http://www.youtube.com/watch?v=JIMmWQzfji0&feature=youtube_gdata_player", "site": "youtube.com", "date_found": "2013-05-10T00:00:00", "image_url": "http://i.ytimg.com/vi/JIMmWQzfji0/default.jpg", "id": "36f2c2daf09feb738980d4783dc0a3b1"}, {"title": "Radiohead - Bodysnatchers (Lyrics On Screen)", "url": "http://www.youtube.com/watch?v=_vfhxmYbT8Q&feature=youtube_gdata_player", "site": "youtube.com", "date_found": "2013-05-10T00:00:00", "image_url": "http://i.ytimg.com/vi/_vfhxmYbT8Q/default.jpg", "id": "1de1b25d8d5949549dc3c4e2c8d0d480"}, {"title": "Black Star - Radiohead", "url": "http://www.youtube.com/watch?v=jCFrdLrfd1k&feature=youtube_gdata_player", "site": "youtube.com", "date_found": "2013-05-10T00:00:00", "image_url": "http://i.ytimg.com/vi/jCFrdLrfd1k/default.jpg", "id": "9997a5efb93bfab7f4ed00544563647f"}, {"title": "6 - Knives Out - Radiohead", "url": "http://www.youtube.com/watch?v=IEafDECg3SQ&feature=youtube_gdata_player", "site": "youtube.com", "date_found": "2013-05-10T00:00:00", "image_url": "http://i.ytimg.com/vi/IEafDECg3SQ/default.jpg", "id": "d4cfa89d344d3c0ed8d716c138f69766"}, {"title": "Polyethylene - Radiohead (Part 2)", "url": "http://www.youtube.com/watch?v=AF4fEE9dyUE&feature=youtube_gdata_player", "site": "youtube.com", "date_found": "2013-05-10T00:00:00", "image_url": "http://i.ytimg.com/vi/AF4fEE9dyUE/default.jpg", "id": "7795abe59a214149355f4de9375127f0"}, {"title": "Radiohead - Push Pulk / Spinning Plates", "url": "http://www.dailymotion.com/video/xcu4d1_radiohead-push-pulk-spinning-plates_music", "site": "dailymotion.com", "date_found": "2013-05-10T00:00:00", "image_url": "http://s2.dmcdn.net/ACKEH.jpg", "id": "441d62da2122561f97c6df8733c35895"}, {"title": "Radiohead - Karma Police (Album Version)", "url": "http://www.youtube.com/watch?v=_Gf8MCmj2Mc&feature=youtube_gdata_player", "site": "youtube.com", "date_found": "2013-05-10T00:00:00", "image_url": "http://i.ytimg.com/vi/_Gf8MCmj2Mc/default.jpg", "id": "bdcfff0263dd253f40ac52de0805bdcf"}, {"title": "Go Slowly- Radiohead", "url": "http://www.youtube.com/watch?v=LU7nE1e8WbE&feature=youtube_gdata_player", "site": "youtube.com", "date_found": "2013-05-10T00:00:00", "image_url": "http://i.ytimg.com/vi/LU7nE1e8WbE/default.jpg", "id": "334985dbbfe7b193dd22a9d22f50769e"}, {"title": "Morning Bell/Amnesiac - Radiohead", "url": "http://www.youtube.com/watch?v=dHlw7K7MvR4&feature=youtube_gdata_player", "site": "youtube.com", "date_found": "2013-05-10T00:00:00", "image_url": "http://i.ytimg.com/vi/dHlw7K7MvR4/default.jpg", "id": "06ed5e6b3be551c77409ea7bd875d408"}, {"title": "The Bends-Radiohead", "url": "http://www.dailymotion.com/video/xzowyj_the-bends-radiohead_music", "site": "dailymotion.com", "date_found": "2013-05-10T00:00:00", "image_url": "http://s2.dmcdn.net/Bchus.jpg", "id": "af88bc7aee7b2dadbbf7c1ca81282a73"}, {"title": "Radiohead - Thinking About You with Lyrics", "url": "http://www.youtube.com/watch?v=_sWxrBt_Yeg&feature=youtube_gdata_player", "site": "youtube.com", "date_found": "2013-05-10T00:00:00", "image_url": "http://i.ytimg.com/vi/_sWxrBt_Yeg/default.jpg", "id": "6d93cce2827b4424e17e568d70f43a72"}, {"title": "Radiohead - Faust Arp (Lyrics On Screen)", "url": "http://www.youtube.com/watch?v=AHGB7YtOZoA&feature=youtube_gdata_player", "site": "youtube.com", "date_found": "2013-05-10T00:00:00", "image_url": "http://i.ytimg.com/vi/AHGB7YtOZoA/default.jpg", "id": "338d86bac80a4b78ee67e1fac6ba355f"}, {"title": "Radiohead - Life in a Glasshouse", "url": "http://www.youtube.com/watch?v=vMxukY1MMy4&feature=youtube_gdata_player", "site": "youtube.com", "date_found": "2013-05-10T00:00:00", "image_url": "http://i.ytimg.com/vi/vMxukY1MMy4/default.jpg", "id": "e25424c4000291a72819b929c7369c29"}, {"title": "Radiohead - Let Down (Lyrics On Screen)", "url": "http://www.youtube.com/watch?v=BqlIA2jULkM&feature=youtube_gdata_player", "site": "youtube.com", "date_found": "2013-05-10T00:00:00", "image_url": "http://i.ytimg.com/vi/BqlIA2jULkM/default.jpg", "id": "601e1a2de74901394c7015d552a9e363"}, {"title": "Zak Ward  - Radiohead -  Bullet Proof... I wish I was acoustic", "url": "http://www.youtube.com/watch?v=CHFdtGwB0yI&feature=youtube_gdata_player", "site": "youtube.com", "date_found": "2013-05-10T00:00:00", "image_url": "http://i.ytimg.com/vi/CHFdtGwB0yI/default.jpg", "id": "cddeef1bca11503ea68ccae239df5891"}], "urls": {"official_url": "http://radiohead.com", "lastfm_url": "http://www.last.fm/music/Radiohead", "mb_url": "http://musicbrainz.org/artist/a74b1b7f-71a5-4011-9441-d0b5e4122711.html", "amazon_url": "http://www.amazon.com/gp/search?ie=UTF8&keywords=Radiohead&tag=httpechonecom-20&index=music", "wikipedia_url": "http://en.wikipedia.org/wiki/Radiohead", "itunes_url": "http://itunes.com/Radiohead", "myspace_url": "http://www.myspace.com/radiohead"}, "images": [{"url": "http://userserve-ak.last.fm/serve/_/102639.jpg", "license": {"type": "unknown", "attribution": "last.fm", "url": "http://userserve-ak.last.fm/serve/_/102639.jpg"}}, {"url": "http://userserve-ak.last.fm/serve/_/174456.jpg", "license": {"type": "unknown", "attribution": "last.fm", "url": "http://userserve-ak.last.fm/serve/_/174456.jpg"}}, {"url": "http://userserve-ak.last.fm/serve/_/2153194.jpg", "license": {"type": "unknown", "attribution": "last.fm", "url": "http://userserve-ak.last.fm/serve/_/2153194.jpg"}}, {"url": "http://userserve-ak.last.fm/serve/_/317976.jpg", "license": {"type": "unknown", "attribution": "last.fm", "url": "http://userserve-ak.last.fm/serve/_/317976.jpg"}}, {"url": "http://userserve-ak.last.fm/serve/_/2239993.jpg", "license": {"type": "unknown", "attribution": "last.fm", "url": "http://userserve-ak.last.fm/serve/_/2239993.jpg"}}, {"url": "http://userserve-ak.last.fm/serve/_/3419546.jpg", "license": {"type": "unknown", "attribution": "last.fm", "url": "http://userserve-ak.last.fm/serve/_/3419546.jpg"}}, {"url": "http://userserve-ak.last.fm/serve/_/368167.jpg", "license": {"type": "unknown", "attribution": "last.fm", "url": "http://userserve-ak.last.fm/serve/_/368167.jpg"}}, {"url": "http://userserve-ak.last.fm/serve/_/2588952.jpg", "license": {"type": "unknown", "attribution": "last.fm", "url": "http://userserve-ak.last.fm/serve/_/2588952.jpg"}}, {"url": "http://userserve-ak.last.fm/serve/_/366632.jpg", "license": {"type": "unknown", "attribution": "last.fm", "url": "http://userserve-ak.last.fm/serve/_/366632.jpg"}}, {"url": "http://userserve-ak.last.fm/serve/_/2587046.jpg", "license": {"type": "unknown", "attribution": "last.fm", "url": "http://userserve-ak.last.fm/serve/_/2587046.jpg"}}, {"url": "http://userserve-ak.last.fm/serve/_/3427838.jpg", "license": {"type": "unknown", "attribution": "last.fm", "url": "http://userserve-ak.last.fm/serve/_/3427838.jpg"}}, {"url": "http://userserve-ak.last.fm/serve/_/401913.jpg", "license": {"type": "unknown", "attribution": "last.fm", "url": "http://userserve-ak.last.fm/serve/_/401913.jpg"}}, {"url": "http://userserve-ak.last.fm/serve/_/169665.jpg", "license": {"type": "unknown", "attribution": "last.fm", "url": "http://userserve-ak.last.fm/serve/_/169665.jpg"}}, {"url": "http://userserve-ak.last.fm/serve/_/170870.jpg", "license": {"type": "unknown", "attribution": "last.fm", "url": "http://userserve-ak.last.fm/serve/_/170870.jpg"}}, {"url": "http://userserve-ak.last.fm/serve/_/5329.jpg", "license": {"type": "unknown", "attribution": "last.fm", "url": "http://userserve-ak.last.fm/serve/_/5329.jpg"}}], "news": [{"url": "http://www.deathandtaxesmag.com/198437/review-daft-punk-random-access-memories/", "id": "c72241d996fa856b38d88acd4cedec18", "date_found": "2013-05-10T00:00:00", "name": "Review: Daft Punk 'Random Access Memories'", "summary": "\"Random Access Memories\" is a landmark album that will change the face of dance music in a similar way that <span>Radiohead</span>'s \"Kid A\" changed indie music. Make no mistake - this is, without a doubt, the most important album of 2013. To give you some context, Daft Punk have a lot to prove here. After the relative misstep of \"Human After All\" in 2005 they returned with a live album / greatest hits mixtape of sorts with \"Alive 2007,\" which in following years seemed to spread like a dirty secret across America. Previously, Daft Punk had been pushed to the side as a 'techno' act by the more, shall we say, steaknecked"}, {"url": "http://www.antimusic.com/news/13/May/10Avril_Lavigne_Goes_To_Prom_In_New_Video.shtml", "id": "30f669c5a38469bbd24c31d379307316", "date_found": "2013-05-10T00:00:00", "name": "Avril Lavigne Goes To Prom In New Video", "summary": "visuals to the raucous anthem. While the clip hammers home the point, she recently explained how the rebellious song became the first single from her forthcoming album. The video, which finds Lavigne reliving her youth, opens with Lavigne sitting by high school lockers belting out the chorus. \"Singing <span>Radiohead</span> at the top of our lungs/With the boom box blaring as we're falling in love/Got a bottle of whatever but it's getting us drunk/Singing here's to never growing up.\" In an interview with Radio.com, Lavigne opened up about the track, which she co-wrote with fiancé Chad Kroeger of Nickelback."}, {"url": "http://www.mtv.com/news/articles/1707138/mariah-carey-miguel-beautiful-music-video.jhtml", "id": "89c4966810fedbd47e82d9a5ceaf320d", "date_found": "2013-05-10T00:00:00", "name": "Mariah Carey, Miguel Go For Joy Ride In '#Beautiful' Video", "summary": "she said, before adding that she wanted the track to have \"a texture that feels fresh.\"Carey is making a lot of fresh decisions about her career these days. She recently parted ways with manager and fellow \"American idol\" judge Randy Jackson and joined Red Light Management, which represents such acts as <span>Radiohead</span>, Tim McGraw, Faith Hill, Alicia Keys and more, citing \"hectic schedules\" for the split. Jackson also announced his departure from \"Idol\" Thursday. No word on Carey's status with the show as it heads into the finale next week. Mariah Carey, Miguel Go For Joy Ride In '#Beautiful' Video"}, {"url": "http://music-news.com/shownews.asp?H=Queen-top-Absolute-Radio-Icons-poll&nItemID=65810", "id": "8119537905dba0ff390025eff98b3944", "date_found": "2013-05-10T00:00:00", "name": "Queen top Absolute Radio Icons poll", "summary": "Johnny Cash 38. Red Hot Chili Peppers 39. Rod Stewart 40. Dire Straits 41. Kinks 42. T Rex 43. Doors 44. Pearl Jam 45. Neil Young 46. Thin Lizzy 47. Alice Cooper 48. Eagles 49. Genesis 50. Elton John 51. Aerosmith 52. Green Day 53. Paul McCartney 54. Amy Winehouse 55. Manic Street Preachers 56. <span>Radiohead</span> 57. Stranglers 58. Bryan Adams 59. Sex Pistols 60. Simon and Garfunkel 61. Peter Gabriel 62. Pet Shop Boys 63. Roxy Music 64. Arctic Monkeys 65. Black Sabbath 66. Police 67. Linkin Park 68. Paul Simon 69. Joy Division 70. Stevie Wonder 71. Kasabian 72. Def Leppard 73. Prodigy 74. Van Morrison 75. Pixies 76."}, {"url": "http://www.spin.com/articles/radiohead-idioteque-wood-record-lp-laser-cut-instructables/", "id": "3ac034dca2b21011978bcbf4eea1b0b6", "date_found": "2013-05-09T00:00:00", "name": "Have You Ever Heard Radiohead&#039;s &#039;Idioteque&#039; ... on Wood?", "summary": "Software engineer laser-etches music onto maple Above you will find what is likely the world's first wooden record -- <span>Radiohead</span>'s \"Idioteque\" etched into plywood by San Francisco's Amanda Ghassaei, who earned some attention last year for pioneering 3-D printing of vinyl-style LPs. For this project, the coding genius used a 120-watt Epilog Legend EXT laser cutter to burn audio into acrylic, paper, and wood -- wait till you hear the Velvet Underground on maple. Okay, so it's not a great listen, but neither is Jay-Z's soundtrack for The Great Gatsby (for different reasons) and that's not going ... five-bit range, so pop and hiss is plenty prevalent. There's room for improvement, but according to the product's creator, that's exactly the point. \"For me, the most interesting part of publishing these projects is to see where other people take them, and the 3-D printed records were just a little too difficult for an average person to experiment with,\" Ghassaei told Wired. \"I'm hoping that people will download my code and make their own records, or make something I haven't even thought of yet.\" Your move, Third Man Records. Have You Ever Heard <span>Radiohead</span>&#039;s &#039;Idioteque&#039; ... on Wood?"}, {"url": "http://www.mtv.com/news/articles/1707053/mariah-carey-randy-jackson-split.jhtml", "id": "7563c9f7131cb2376e94d6ccff3c4cde", "date_found": "2013-05-09T00:00:00", "name": "Mariah Carey Drops Fellow 'Idol' Judge Randy Jackson As Manager", "summary": "marred by disagreements, feuds and rumors, he may be saying goodbye to his fellow judge as well as his former client, Showbiz411 reported Wednesday (May 8).Carey released new single \"#Beautiful\" earlier this week and signed a contract with Red Light Management, which represents such acts as <span>Radiohead</span>, Tim McGraw, Faith Hill, Alicia Keys and more. Showbiz411 reported that \"hectic\" schedules were the cause of her departure from Jackson, who has managed her since 2011.On air, Jackson and Carey haven't appeared to have friction. Rather, Carey has endured a fractious relationship with fellow"}, {"url": "http://www.spin.com/articles/telekinesis-empathetic-people-dormarion-tour-dates-video/", "id": "961282f40ff68a1eb712505b30fc9e4f", "date_found": "2013-05-09T00:00:00", "name": "Watch Telekinesis Revive a Record-Pressing Plant in &#039;Empathetic People&#039; Video", "summary": "while banging out their song. Director Patrick Stanton, who has also helmed videos for Gossip and Modest Mouse, told NPR the song \"has such a great driving rhythm and a mysteriously dark feel that I knew it would be perfect for this visual concept.\" In an era when you can make a <span>Radiohead</span> record out of wood, or design a screws-free cassette for prisoners so they aren't stuck listening only to old Jagged Edge tapes, there's still no substitute for a proper vinyl pressing. Telekinesis play New York City's Bowery Ballroom tonight; we presume there will be records available. Telekinesis tour dates: May 9 -"}, {"url": "http://www.avclub.com/articles/listen-to-radiohead-and-the-velvet-underground-pla,97564/", "id": "3253ed611ca90ec4134d32b32d09f338", "date_found": "2013-05-09T00:00:00", "name": "Listen to Radiohead and The Velvet Underground played on the world's first laser-cut wood LPs", "summary": "Third Man Records might be making LP covers out of laser-cut wood, but software designer Amanda Ghassael has made an actual LP out of the same material. Ghassael used a 3D printer to cut three songs into wood discs--<span>Radiohead</span>'s \"Idioteque\" into plywood and The Velvet Underground's \"Femme Fatale\" and \"Sunday Morning\" into a maple. There are limitations to the process--the grooves have to be about 10 times wider than they are on normal vinyl, for instance--but soon, everyone with a 3D printer or laser etching capabilities should be able to ruin their turntable needles with ease. Ghassael detailed her whole process for Instructables, and it's pretty nerdy. She found that the tracks that work best (and work is a relative term here, because the songs just sort of sound okay on wood) are \"very full in the lower to mid range, but also very sparse overall.\" More Great Job, Internet! Watch Donald Glover, Tim Heidecker, Eric Wareheim, and The Wire's Andre Royo buy records Listen to <span>Radiohead</span> and The Velvet Underground played on the world's first laser-cut wood LPs"}, {"url": "http://www.factmag.com/2013/05/09/hear-radioheads-idioteque-as-played-on-the-worlds-first-laser-cut-wooden-vinyl/", "id": "fd4ec3a027a47c9da4a19614b0ff9bce", "date_found": "2013-05-09T00:00:00", "name": "Hear Radiohead's 'Idioteque', as played on the world's first laser-cut wooden vinyl", "summary": "Ghassael has produced the world's first laser-cut vinyl disc made of wood, made using a 3D printer and cut with grooves up to ten times the width of standard vinyl. Ghassaei's first output includes The Velvet Underground's 'Femme Fatale' and 'Sunday Morning' etched on maple, and a copy of <span>Radiohead</span>'s 'Idioteque' printed on ply (they should have gone with 'Treefingers' - Missed Opportunity Ed). The fuzzy, granular results are available below. Over at Instructables, Ghassael goes into detail about the process behind the vinyl: These records were cut on an Epilog 120 Watt Legend EXT to a theoretical ... of the cut and some tricks I used to avoid crashing the laser cutter dropped the actual precision down by ~1/6). The audio on the records has a bit depth between 4-5 (typical mp3 audio is 16 bit) and a sampling rate up to about 4.5kHz (mp3 is 44.1kHz). Ghassaei has also made the vector files available to download, allowing 3D printer owners to produce their own bespoke pine-yl. The optimum tracks to use? \"Songs that are very full in the lower to mid range, but also very sparse overall are best\". [via The Vinyl Factory] Hear <span>Radiohead</span>'s 'Idioteque', as played on the world's first laser-cut wooden vinyl"}, {"url": "http://www.spin.com/articles/four-tet-rounds-reissue-kieran-hebden-interview/", "id": "ac2aa0b845f0f6387ddf219003565b1c", "date_found": "2013-05-07T00:00:00", "name": "Making the &#039;Rounds&#039;: Four Tet Looks Back at His Masterpiece", "summary": "I was meeting loads of new people and starting to travel all over the place. I just remember the time -- living in a little apartment and the people that I was hanging out with -- really vividly. A couple of relationships started and ended during that record. In the middle of making it I toured opening for <span>Radiohead</span> in Spain and Portugal and it made me re-think live electronic music when I hadn't thought about it much. So when I hear Rounds, it's like looking at an old diary. What was the recording process like for you back then? It was all done in the front room of that little apartment. I had my computer set-up"}, {"url": "http://www.antimusic.com/news/13/May/07Depeche_Mode,_Muse,_Kings_of_Leon_Lead_Austin_City_Limits_Lineup.shtml", "id": "259f9f22db2f282a7c4fcec4d61dffae", "date_found": "2013-05-07T00:00:00", "name": "Depeche Mode, Muse, Kings of Leon Lead Austin City Limits Lineup", "summary": "this fall; October 4-6 and October 11-13. The lineup this year is lead by Depeche Mode, The Cure, Muse, Kings of Leon, Arctic Monkeys, Queens Of The Stone Age, fun., Lionel Richie, Phoenix, and Eric Church. The festival will also include supergroup Atoms For Peace (comprised of members of <span>Radiohead</span>, Red Hot Chili Peppers, and R.E.M), Wilco, Vampire Weekend, The National, Passion Pit, Kendrick Lamar, Franz Ferdinand, D'Angelo, Kaskade, Tame Impala, Local Natives, and The Shouting Matches, the side-project from Justin Vernon of Bon Iver, as well as Toro Y Moi, Grimes, Portugal. The Man, and The Joy"}, {"url": "http://www.spin.com/articles/thundercat-oh-sheit-its-x-apocalypse/", "id": "5c9d6327e8c3607c1066fd08143f9a54", "date_found": "2013-05-07T00:00:00", "name": "Hear Thundercat&#039;s Euphoric &#039;Oh Sheit It&#039;s X&#039;", "summary": "Flying Lotus-helmed 'Apocalypse' is out digitally June 4 Thundercat rose out of a scene known for being forward-thinking and cerebral, but that doesn't stop him from using his powers for simpler pleasures, too. In a recent Rolling Stone interview, <span>Radiohead</span> and Atoms for Peace men Thom Yorke and Nigel Godrich compared the music around Flying Lotus and Los Angeles venue Low End Theory to cutting-edge designer clothes, while those unwashed masses who listen to Rihanna's \"We Found Love\" or the Black Eyed Peas' \"I Gotta Feeling\" might as well be, gasp, buying trendy on-sale items off the rack. It"}, {"url": "http://www.mxdwn.com/2013/05/07/news/westboro-parish-church-planning-protest-at-slayer-guitarist-jeff-hannemans-funeral/", "id": "4883a2215dc47d13eb2c980749d85933", "date_found": "2013-05-07T00:00:00", "name": "Westboro Parish Church Planning Protest at Slayer Guitarist Jeff Hanneman's Funeral", "summary": "member of the band. In their usual showcase of disrespect the Westboro Parish Church is organizing a protest of Hanneman's funeral. The Westboro chuch has made a name for themselves protesting at the funerals of dead U.S. soldiers and outside of rock concerts for bands like <span>Radiohead</span> and the Foo Fighters. The Westboro group is planning on singing their own version of Ozzy Osbourne's \"Crazy Train\" at the funeral. They made their annoucement via Twitter which read: WBC to #picket funeral of Jeff Hanneman, singing our #CrazyTrain parody at full voice: http://mp3twit.com/dHM #PartyForSlayer cc:"}, {"url": "http://www.spin.com/articles/thom-yorke-karma-police-jonathan-ross-video/", "id": "0a7187f0d6b2bca2fe91c8f8b0a701c8", "date_found": "2013-05-06T00:00:00", "name": "Thom Yorke&#039;s Piano-Led &#039;Karma Police&#039; Still Arresting, 16 Years After &#039;OK Computer&#039;", "summary": "Peace singer gives a quirky interview on 'Jonathan Ross,' the performs 'Amok' single \"Ingenue\" Thom Yorke's new band Atoms for Peace doesn't hit the road until July (those DJ gigs Yorke hosted with Nigel Godrich earlier this year didn't feature the five-man crew's other three members), but the <span>Radiohead</span> frontman dropped by Britain's The Jonathan Ross Show on Saturday (May 4) to promote those shows. After a quick piano-side chat with the late-night show's host, Yorke moved into a solo, abridged version of OK Computer classic \"Karma Police,\" ending the 90-second rendition by cheekily asking, \"That's"}, {"url": "http://www.spin.com/articles/kate-boy-the-way-we-are-stream-tour-dates/", "id": "769b5cd0ffdfb69200a53b18521401ba", "date_found": "2013-05-06T00:00:00", "name": "Kate Boy Tease U.S. Tour With Head-Clearing &#039;The Way We Are&#039;", "summary": "from a breathy purr to a full-throated howl. \"Just gotta get this outta my head,\" Akhurst sings, her initial murmur here also recalling Swedish singer and songwriter Lykke Li. As the Knife move away from traditional pop structures, groups like Kate Boy and CHVRCHES are filling the void; we've seen this before, as <span>Radiohead</span>'s millennial turn toward electronics left the world with legions of bands that still sounded like The Bends, but the indications this time around are more hopeful so far. Listen to \"The Way We Are\" over at Stereogum. Kate Boy tour dates: June 6 - New York, NY @ Santos Party House June"}], "id": "ARH6W4X1187B99274F", "artist_location": {"city": "Abingdon", "region": "England", "location": "Abingdon, England, GB", "country": "United Kingdom"}, "songs": [{"id": "SOAROML1316771494B", "title": "Creep"}, {"id": "SOJODIS13E904A20E4", "title": "Creep"}, {"id": "SOHJOLH12A6310DFE5", "title": "Karma Police"}, {"id": "SOGTHXM1376F7F9767", "title": "Paranoid Android"}, {"id": "SOPSFBY13E904A3163", "title": "Paranoid Android"}, {"id": "SOWMJEL1376D4983C5", "title": "High And Dry"}, {"id": "SOIYMUN135C402A914", "title": "Fake Plastic Trees"}, {"id": "SOVRMZV13167715633", "title": "No Surprises"}, {"id": "SOCJXVH137781D65E8", "title": "Everything in Its Right Place"}, {"id": "SOQUSJB1311AFDC009", "title": "Everything In Its Right Place"}, {"id": "SOMMDKV1307A43581F", "title": "Lotus Flower"}, {"id": "SOSAECI1367115A32A", "title": "Lotus Flower"}, {"id": "SOOZFPC13134397AD0", "title": "15 Step"}, {"id": "SOFKTOS12A8C133717", "title": "All I Need"}, {"id": "SORTCYG1372BFFFA0C", "title": "RECKONER"}]}}}

data/spec/fixtures/artist/reviews.json

@@ -0,0 +1 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "Success"}, "start": 0, "total": 294, "reviews": [{"name": "RADIOHEAD > Kid A, Amnesiac, Hail To The Thief | American Songwriter", "url": "http://www.americansongwriter.com/2009/12/radiohead-kid-a-amnesiac-hail-to-the-thief-2/", "summary": "Radiohead's OK Computer tour nearly killed them. After much soul-searching, they had created one of the most beloved albums of the 20th century. However, like all good '90s alternative rock bands, they were mortified by success, and the conveyor belt of endless self-promotion was nearly too much for them to bear. While no one wanted Radiohead to do anything differently, for the restlessly inventive British gloom rockers, the path was clear--change or die...", "date_found": "2013-04-25T00:00:00", "image_url": "http://cdn.americansongwriter.com/wp-content/uploads/2009/11/rs_radiohead.jpg", "release": "Kid A, Amnesiac, Hail To The Thief", "id": "3f9fca724678df56f34845365110c511"}]}}

data/spec/fixtures/artist/search.json

@@ -0,0 +1 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "Success"}, "artists": [{"name": "Radiohead", "id": "ARH6W4X1187B99274F"}]}}

data/spec/fixtures/artist/similar.json

@@ -0,0 +1 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "Success"}, "artists": [{"name": "Thom Yorke", "id": "ARH1N081187B9AC562"}]}}

data/spec/fixtures/artist/songs.json

@@ -0,0 +1 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "Success"}, "start": 0, "total": 321, "songs": [{"id": "SOSAXOP1338A5D7080", "title": "Give Up The Ghost (Brokenchord RMX)"}, {"id": "SOYCKKY1338A5D7083", "title": "Bloom (Jamie XX Rework)"}]}}

data/spec/fixtures/artist/suggest.json

@@ -0,0 +1 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "Success"}, "artists": [{"name": "Radiohead", "id": "ARH6W4X1187B99274F"}, {"name": "Radical Face", "id": "ARYCW5M1187B98DB6A"}, {"name": "RADWIMPS", "id": "ARNLIWI1187FB507F1"}, {"name": "Joshua Radin", "id": "ARPCRYQ1187FB4ECB8"}, {"name": "TV on the Radio", "id": "AR0PK561187B9B9EF9"}]}}

data/spec/fixtures/artist/terms.json

@@ -0,0 +1 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "Success"}, "start": 0, "terms": [{"frequency": 1.0, "name": "rock", "weight": 1.0}, {"frequency": 0.32362762914965709, "name": "alternative rock", "weight": 0.69780927835051543}, {"frequency": 0.44937160189619696, "name": "electronic", "weight": 0.68547496318114876}, {"frequency": 0.30395783840385909, "name": "alternative", "weight": 0.51113770250368185}, {"frequency": 0.3330351216068515, "name": "pop", "weight": 0.41310751104565535}, {"frequency": 0.12701643032455379, "name": "art rock", "weight": 0.37453976435935199}, {"frequency": 0.18900195035169701, "name": "90s", "weight": 0.32041605301914583}, {"frequency": 0.15086233578978614, "name": "electronica", "weight": 0.30660898379970547}, {"frequency": 0.15515439522510874, "name": "experimental", "weight": 0.28194035346097202}, {"frequency": 0.11026300031196913, "name": "modern rock", "weight": 0.27899484536082475}, {"frequency": 0.11311005144022887, "name": "post-punk", "weight": 0.2766936671575847}, {"frequency": 0.1958486968107972, "name": "jazz", "weight": 0.25717967599410896}, {"frequency": 0.076972709443209955, "name": "british pop", "weight": 0.23205081001472755}, {"frequency": 0.07795958505745175, "name": "experimental rock", "weight": 0.22984167893961707}, {"frequency": 0.11062690830619014, "name": "ambient", "weight": 0.22505522827687777}, {"frequency": 0.060773261607601083, "name": "british rock", "weight": 0.17396907216494845}, {"frequency": 0.043226336802103069, "name": "alternative pop rock", "weight": 0.17286450662739322}, {"frequency": 0.043338377308222591, "name": "indietronica", "weight": 0.17249631811487481}, {"frequency": 0.067005410887189226, "name": "grunge", "weight": 0.1639359351988218}, {"frequency": 0.069209522653945518, "name": "progressive rock", "weight": 0.16053019145802652}, {"frequency": 0.082315134619655381, "name": "80s", "weight": 0.14202871870397643}, {"frequency": 0.085107639075017574, "name": "indie", "weight": 0.13871502209131076}, {"frequency": 0.070086224148814005, "name": "soundtrack", "weight": 0.12039764359351988}]}}

data/spec/fixtures/artist/top_hottt.json

@@ -0,0 +1 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "Success"}, "artists": [{"name": "Justin Timberlake", "hotttnesss": 0.74219900000000005, "id": "ARWK5QH1187B9A9B7F"}]}}

data/spec/fixtures/artist/top_terms.json

@@ -0,0 +1 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "Success"}, "terms": [{"frequency": 1.0, "name": "rock"}, {"frequency": 0.98852005434818191, "name": "electronic"}, {"frequency": 0.95965593890611067, "name": "hip hop"}, {"frequency": 0.95371798491124848, "name": "pop rock"}, {"frequency": 0.94297507899133148, "name": "indie rock"}, {"frequency": 0.94137626407707908, "name": "jazz"}, {"frequency": 0.93949270431803245, "name": "techno"}, {"frequency": 0.93356412548211831, "name": "hard rock"}, {"frequency": 0.93246558526916912, "name": "electro"}, {"frequency": 0.93157751095327612, "name": "disco"}, {"frequency": 0.93073650368647742, "name": "heavy metal"}, {"frequency": 0.92727464065199638, "name": "trance"}, {"frequency": 0.92633928143179756, "name": "alternative rock"}, {"frequency": 0.92591476321092403, "name": "pop"}, {"frequency": 0.92554473637132817, "name": "downtempo"}]}}

data/spec/fixtures/artist/twitter.json

@@ -0,0 +1 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "Success"}, "artist": {"twitter": "radiohead", "id": "ARH6W4X1187B99274F", "name": "Radiohead"}}}

data/spec/fixtures/artist/urls.json

@@ -0,0 +1 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "Success"}, "urls": {"official_url": "http://radiohead.com", "lastfm_url": "http://www.last.fm/music/Radiohead", "mb_url": "http://musicbrainz.org/artist/a74b1b7f-71a5-4011-9441-d0b5e4122711.html", "amazon_url": "http://www.amazon.com/gp/search?ie=UTF8&keywords=Radiohead&tag=httpechonecom-20&index=music", "wikipedia_url": "http://en.wikipedia.org/wiki/Radiohead", "itunes_url": "http://itunes.com/Radiohead", "myspace_url": "http://www.myspace.com/radiohead"}}}

data/spec/fixtures/artist/video.json

@@ -0,0 +1 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "Success"}, "start": 0, "total": 1174, "video": [{"title": "Radiohead - Inside My Head (with lyrics)", "url": "http://www.youtube.com/watch?v=JIMmWQzfji0&feature=youtube_gdata_player", "site": "youtube.com", "date_found": "2013-05-10T00:00:00", "image_url": "http://i.ytimg.com/vi/JIMmWQzfji0/default.jpg", "id": "36f2c2daf09feb738980d4783dc0a3b1"}]}}

data/spec/fixtures/billie_jean_fingerprint.txt

@@ -0,0 +1 @@
+eJxVlIuNwzAMQ1fxCDL133-xo1rnGqNAEcWy_ERa2aKeZmW9ustWVYrXrl5bthn_laFkzguNWpklEmoTB74JKYZSPlbJ0sy9fQrsrbEaO9W3bsbaWOoK7IhkHFaf_ag2d75oOQSZczbz5CKA7XgTIBIXASvFi0A3W8pMUZ7FZTWTVbujCcADlQ_f_WbdRNJ2vDUwSF0EZmFvAku_CVy440fgiIvArWZZWoJ7GWd-CVTYC5FCFI8GQdECdROE20UQfLoIUmhLC7IiByF1gzbAs3tsSKctyC76MPJlHRsZ5qhSQhu_CJFcKtW4EMrHSIrpTGLFqsdItj1H9JYHQYN7W2nkC6GDPjZTAzL9dx0fS4M1FoROHh9YhLHWdRchQSd_CLTpOHkQQP3xQsA2-sLOUD7CzxU0GmHVdIxh46Oide0NrNEmjghG44Ax_k2AoDHsiV6WsiD6OFm8y-0Lyt8haDBBzeMlAnTuuGYIB4WA2lEPAWbdeOabgFN6TQMs6ctLA5fHyKMBB0veGrjPfP00IAlWNm9n7hEh5PiYYBGKQDP-x4F0CL8HkhoQnRWN997JyEpnHFR7EhLPQMZmgXS68hsHktEVErranvSSR2VwfJhQCnkuwhBUcINNY-xu1pmw3PmBqU9-8xu0kiF1ngOa8vwBSSzzNw==

data/spec/fixtures/billie_jean_query.json

@@ -0,0 +1,16 @@
+{
+  "metadata": {
+    "artist": "Michael jackson",
+    "release": "800 chansons des annes 80",
+    "title": "Billie jean",
+    "genre": "",
+    "bitrate": 192,
+    "sample_rate": 44100,
+    "duration": 294,
+    "filename": "../billie_jean.mp3",
+    "samples_decoded": 220598,
+    "given_duration": 20,
+    "version": 3.13
+  },
+  "code": "eJxVlIuNwzAMQ1fxCDL133-xo1rnGqNAEcWy_ERa2aKeZmW9ustWVYrXrl5bthn_laFkzguNWpklEmoTB74JKYZSPlbJ0sy9fQrsrbEaO9W3bsbaWOoK7IhkHFaf_ag2d75oOQSZczbz5CKA7XgTIBIXASvFi0A3W8pMUZ7FZTWTVbujCcADlQ_f_WbdRNJ2vDUwSF0EZmFvAku_CVy440fgiIvArWZZWoJ7GWd-CVTYC5FCFI8GQdECdROE20UQfLoIUmhLC7IiByF1gzbAs3tsSKctyC76MPJlHRsZ5qhSQhu_CJFcKtW4EMrHSIrpTGLFqsdItj1H9JYHQYN7W2nkC6GDPjZTAzL9dx0fS4M1FoROHh9YhLHWdRchQSd_CLTpOHkQQP3xQsA2-sLOUD7CzxU0GmHVdIxh46Oide0NrNEmjghG44Ax_k2AoDHsiV6WsiD6OFm8y-0Lyt8haDBBzeMlAnTuuGYIB4WA2lEPAWbdeOabgFN6TQMs6ctLA5fHyKMBB0veGrjPfP00IAlWNm9n7hEh5PiYYBGKQDP-x4F0CL8HkhoQnRWN997JyEpnHFR7EhLPQMZmgXS68hsHktEVErranvSSR2VwfJhQCnkuwhBUcINNY-xu1pmw3PmBqU9-8xu0kiF1ngOa8vwBSSzzNw=="
+}

data/spec/fixtures/oauth/timestamp.json

@@ -0,0 +1 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "success"}, "current_time": 1369548063}}

data/spec/fixtures/playlist/basic.json

@@ -0,0 +1 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "Success"}, "songs": [{"tracks": [{"release_image": "http://cdn.7static.com/static/img/sleeveart/00/019/216/0001921675_200.jpg", "foreign_release_id": "7digital-US:release:1921675", "preview_url": "http://previews.7digital.com/clips/34/20645722.clip.mp3", "catalog": "7digital-US", "foreign_id": "7digital-US:track:20645722", "id": "TRWKBOB13A79B0C90E"}, {"release_image": "http://cdn.7static.com/static/img/sleeveart/00/019/374/0001937458_200.jpg", "foreign_release_id": "7digital-US:release:1937458", "preview_url": "http://previews.7digital.com/clips/34/20835810.clip.mp3", "catalog": "7digital-US", "foreign_id": "7digital-US:track:20835810", "id": "TRQVKGZ13A79B26E80"}, {"release_image": "http://cdn.7static.com/static/img/sleeveart/00/019/374/0001937458_200.jpg", "foreign_release_id": "7digital-US:release:1937458", "preview_url": "http://previews.7digital.com/clips/34/20835821.clip.mp3", "catalog": "7digital-US", "foreign_id": "7digital-US:track:20835821", "id": "TRATIXI13A79B27054"}], "artist_id": "AR633SY1187B9AC3B9", "id": "SOXOAAD1315CD45AC8", "artist_name": "Weezer", "title": "Only In Dreams"}, {"tracks": [{"release_image": "http://cdn.7static.com/static/img/sleeveart/00/019/159/0001915981_200.jpg", "foreign_release_id": "7digital-US:release:1915981", "preview_url": "http://previews.7digital.com/clips/34/20719667.clip.mp3", "catalog": "7digital-US", "foreign_id": "7digital-US:track:20719667", "id": "TRRTZWT13A79B16A07"}], "artist_id": "AR6OJYP1187B9AE997", "id": "SOINKEZ12A6310E1FC", "artist_name": "Jimmy Eat World", "title": "Work"}]}}

data/spec/fixtures/playlist/dynamic/create.json

@@ -0,0 +1 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "Success"}, "session_id": "7c88f9c365294bab8534943d735f587c"}}

data/spec/fixtures/playlist/dynamic/delete.json

@@ -0,0 +1 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "Success"}}}

data/spec/fixtures/playlist/dynamic/feedback.json

@@ -0,0 +1 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "Success"}}}

data/spec/fixtures/playlist/dynamic/info.json

@@ -0,0 +1 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "Success"}, "category_map": {"live": "any", "studio": "any", "childrens": "any", "christmas": "false"}, "skipped_songs": [], "invalid_songs": [], "rules_run": 0, "banned_song_ids": [], "id": "2a921bac640b4f2b879b6beb7e26d7ce", "constraints": {}, "banned_artist_ids": [], "actual_history_length": 0, "seeds": {"artist_ids": ["ARF8HTQ1187B9AE693"], "genres": [], "station_catalogs": [], "track_ids": [], "song_ids": [], "descriptions": [], "session_catalogs": [], "seed_catalogs": []}, "rules_runtime": 0, "api_key": "FIM8YZ2YSRNEFFP00", "rules": [{"rule": "Don't put two copies of the same song in a playlist."}, {"rule": "Prefer songs similar to: "}], "favorited_artist_ids": [], "restart_request_ids": [], "call_list": [{"action": "create", "time": 1368918532}], "favorites_map": {}, "song_scores": {}, "favorited_song_ids": [], "ratings_map": {}, "options": {"rank_type": "relevance", "sort": null, "append_scores": false, "artist_pick": "song_hotttnesss-desc", "dmca": false, "variety": 0.5, "buckets": [], "song_types": [], "adventurousness": 0.20000000000000001, "limit": "false", "playlist_type": "artist", "distribution": "focused"}, "rules_retries": 0, "playlist_score": 0, "invalid_artist_ids": [], "history": []}}

data/spec/fixtures/playlist/dynamic/next.json

@@ -0,0 +1 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "Success"}, "lookahead": [{"artist_id": "ARQ4HPJ1187B9AEB79", "id": "SOOVSGI12AB017E8ED", "artist_name": "Saves the Day", "title": "At Your Funeral"}, {"artist_id": "AR7WYBF1187FB534CD", "id": "SOSNUPP137777E9E9B", "artist_name": "Piebald", "title": "The King"}], "songs": [{"artist_id": "AR633SY1187B9AC3B9", "id": "SOXIAKX12AF72AC774", "artist_name": "Weezer", "title": "In The Garage"}, {"artist_id": "ARRQNFJ1187B9A45FE", "id": "SOCBMJO1313439E3A6", "artist_name": "The Special Goodness", "title": "Day In The Autumn"}]}}

data/spec/fixtures/playlist/dynamic/restart.json

@@ -0,0 +1 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "Success"}, "session_id": "a8cddde7afdf4ac09b510aa1c1c50bf9"}}

data/spec/fixtures/playlist/dynamic/steer.json

@@ -0,0 +1 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "Success"}}}

data/spec/fixtures/playlist/static.json

@@ -0,0 +1 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "Success"}, "songs": [{"title": "Knockdown Dragout", "artist_hotttnesss": 0.54366099999999995, "artist_name": "Weezer", "song_type": ["studio"], "tracks": [{"release_image": "http://cdn.7static.com/static/img/sleeveart/00/019/143/0001914387_200.jpg", "foreign_release_id": "7digital-US:release:1914387", "preview_url": "http://previews.7digital.com/clips/34/20637992.clip.mp3", "catalog": "7digital-US", "foreign_id": "7digital-US:track:20637992", "id": "TRDXNUI13A79B0B146"}], "artist_location": {"latitude": 34.0535, "location": "Los Angeles, CA, US", "longitude": -118.245}, "song_hotttnesss": 0.44011600000000001, "artist_familiarity": 0.81360200000000005, "artist_id": "AR633SY1187B9AC3B9", "id": "SOJZKCZ12B0B8086AD", "audio_summary": {"analysis_url": "http://echonest-analysis.s3.amazonaws.com/TR/3Zge0AICdn4J6unHZhf8hmba6q3YqyVk5v4j1K/3/full.json?AWSAccessKeyId=AKIAJRDFEY23UEVW42BQ&Expires=1368906235&Signature=hXpgIDEAhPsqXItCJqyYQgrrk%2BM%3D", "energy": 0.95735056115075623, "tempo": 138.559, "speechiness": 0.047879764125782487, "key": 0, "duration": 128.51048, "audio_md5": "deb310f845089e21f2597684fcc828ae", "liveness": 0.35546672547943764, "acousticness": 0.01003538456604774, "mode": 1, "time_signature": 4, "loudness": -4.8399999999999999, "valence": 0.41454024935274431, "danceability": 0.38731167294901375}}, {"title": "Hold Me", "artist_hotttnesss": 0.54366099999999995, "artist_name": "Weezer", "song_type": ["studio"], "tracks": [{"release_image": "http://cdn.7static.com/static/img/sleeveart/00/004/123/0000412329_200.jpg", "foreign_release_id": "7digital-US:release:412329", "preview_url": "http://previews.7digital.com/clips/34/4585713.clip.mp3", "catalog": "7digital-US", "foreign_id": "7digital-US:track:4585713", "id": "TREGKPT12E5AC92D98"}], "artist_location": {"latitude": 34.0535, "location": "Los Angeles, CA, US", "longitude": -118.245}, "song_hotttnesss": 0.418543, "artist_familiarity": 0.81360200000000005, "artist_id": "AR633SY1187B9AC3B9", "id": "SOJDJXV12A6701FB78", "audio_summary": {"analysis_url": "http://echonest-analysis.s3.amazonaws.com/TR/no5QPAkTEIDZhh8hvRENV7iUIDoN7t585JGy_-/3/full.json?AWSAccessKeyId=AKIAJRDFEY23UEVW42BQ&Expires=1368906235&Signature=e/lQN7J2L7fJ8Ft0LPfMrdJH1rk%3D", "energy": 0.45394605722298886, "tempo": 85.363, "speechiness": 0.03003991020061425, "key": 8, "duration": 262.54476, "audio_md5": "b7842e3d46a9308e684600ba5c8aa61f", "liveness": 0.10947066071681584, "acousticness": 0.0095403076035174127, "mode": 1, "time_signature": 4, "loudness": -5.835, "valence": 0.047377423716692221, "danceability": 0.38277867223206663}}]}}

data/spec/fixtures/sandbox/access.json

@@ -0,0 +1,19 @@
+{
+    "response": {
+        "status": {
+            "version": "4.2",
+            "code": 0,
+            "message": "Success"
+        },
+            "assets": [
+                {
+                  "url": "http://assets-cdn.echonest.com/emi_evanescence/TRVXTFV123E858A357.mp3?Expires=1319130782&Signature=Py4Eul8uB2-eEjphGLjEAKIN-Ecpu-OWrox7I4jnvvjFJH6AX0Yz80QUUvhCQxZr-gDns5LZqiIyk5YQMGvhJIMAIQFnVToDEcUVoiS6z3RTr9~vbOYscxw2b2~niS7ELxHBlHUXrc5GVzoWujb1sQBp0B0TxVl4Y-Fo4swf8-M_&Key-Pair-Id=APKAI7GSQ2RBQERQWBOA",
+                  "id": "c1b89c9b9e0ee9e53650f1d4e393d716"
+                },
+                {
+                  "url": "http://assets-cdn.echonest.com/emi_evanescence/TRRSUVX123E858D3A6.mp3?Expires=1319130782&Signature=I4VvE3D4XTD6UpZPZJCHTXoFtj2-mn5Nvn~OseucT01iv3vhAsqtOca1NsYU6cJH9sRTJElGF0W3tX3PuAeP0hyY-6B~d8g0l~Jp4~pMhyZebAJYX3mPL0hhRY9OziFQNYlLc0-991T0sM9uLFsBZl3Mdbtqfpfh6QaWuQjN-GU_&Key-Pair-Id=APKAI7GSQ2RBQERQWBOA",
+                  "id": "67d0bf343b70b19e7a6de496dc2ab126"
+                }
+              ]
+    }
+}

data/spec/fixtures/sandbox/list.json

@@ -0,0 +1 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "Success"}, "start": 0, "total": 455, "assets": [{"title": "Going Under (Video)", "explicit": false, "filename": "emi_evanescence/EMIDV1141615-videopreview.mpg", "year": "2010", "type": "preview_video", "id": "2d2b8d352d6f2bc8297266117116421d"}, {"echonest_ids": [{"foreign_id": "emi_artists:track:EMIDD1342735", "id": "TRFQBKY133B7EA9267"}], "title": "Erase This", "filename": "emi_evanescence/EMIDD1342735.mp3", "release": "Evanescence (Deluxe Edition)", "type": "audio", "id": "5553fc4381551053345a8311878b8d94"}]}}

data/spec/fixtures/song/identify.json

@@ -0,0 +1,19 @@
+{
+  "response": {
+    "status": {
+      "code": 0,
+      "message": "Success",
+      "version": "4.2"
+    },
+    "songs": [
+      {
+        "title": "Billie Jean",
+        "artist_name": "Michael Jackson",
+        "artist_id": "ARXPPEY1187FB51DF4",
+        "score": 49,
+        "message": "OK (match type 5)",
+        "id": "SOKHYNL12A8C142FC7"
+      }
+    ]
+  }
+}

data/spec/fixtures/song/profile.json

@@ -0,0 +1 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "Success"}, "songs": [{"song_discovery": 0.00081343587114196189, "song_currency": 0.062214422885901594, "title": "Billie Jean (Single Version)", "tracks": [{"release_image": "http://cdn.7static.com/static/img/sleeveart/00/005/183/0000518377_200.jpg", "foreign_release_id": "7digital-US:release:518377", "preview_url": "http://previews.7digital.com/clips/34/5738777.clip.mp3", "catalog": "7digital-US", "foreign_id": "7digital-US:track:5738777", "id": "TRDZFYM137EBC77532"}, {"release_image": "http://cdn.7static.com/static/img/sleeveart/00/006/242/0000624250_200.jpg", "foreign_release_id": "7digital-US:release:624250", "preview_url": "http://previews.7digital.com/clips/34/6930069.clip.mp3", "catalog": "7digital-US", "foreign_id": "7digital-US:track:6930069", "id": "TRRAHUT12E4E58E4D4"}, {"release_image": "http://cdn.7static.com/static/img/sleeveart/00/005/269/0000526978_200.jpg", "foreign_release_id": "7digital-US:release:526978", "preview_url": "http://previews.7digital.com/clips/34/5824034.clip.mp3", "catalog": "7digital-US", "foreign_id": "7digital-US:track:5824034", "id": "TRDHGCH12E5AD6220A"}, {"release_image": "http://cdn.7static.com/static/img/sleeveart/00/005/701/0000570181_200.jpg", "foreign_release_id": "7digital-US:release:570181", "preview_url": "http://previews.7digital.com/clips/34/6318882.clip.mp3", "catalog": "7digital-US", "foreign_id": "7digital-US:track:6318882", "id": "TRRHHKK12E5AB7243F"}, {"release_image": "http://cdn.7static.com/static/img/sleeveart/00/005/223/0000522315_200.jpg", "foreign_release_id": "7digital-US:release:522315", "preview_url": "http://previews.7digital.com/clips/34/5777269.clip.mp3", "catalog": "7digital-US", "foreign_id": "7digital-US:track:5777269", "id": "TRJEGKI12E5AB723CB"}, {"release_image": "http://cdn.7static.com/static/img/sleeveart/00/010/568/0001056894_200.jpg", "foreign_release_id": "7digital-US:release:1056894", "preview_url": "http://previews.7digital.com/clips/34/11614299.clip.mp3", "catalog": "7digital-US", "foreign_id": "7digital-US:track:11614299", "id": "TRVKXQV12E4E58E501"}, {"release_image": "http://cdn.7static.com/static/img/sleeveart/00/002/805/0000280538_200.jpg", "foreign_release_id": "7digital-US:release:280538", "preview_url": "http://previews.7digital.com/clips/34/3129752.clip.mp3", "catalog": "7digital-US", "foreign_id": "7digital-US:track:3129752", "id": "TRHRSDB12E4E58E1D4"}, {"release_image": "http://cdn.7static.com/static/img/sleeveart/00/002/824/0000282494_200.jpg", "foreign_release_id": "7digital-US:release:282494", "preview_url": "http://previews.7digital.com/clips/34/3160256.clip.mp3", "catalog": "7digital-US", "foreign_id": "7digital-US:track:3160256", "id": "TRBFGIC12E4E58E235"}, {"release_image": "http://cdn.7static.com/static/img/sleeveart/00/002/805/0000280539_200.jpg", "foreign_release_id": "7digital-US:release:280539", "preview_url": "http://previews.7digital.com/clips/34/3129833.clip.mp3", "catalog": "7digital-US", "foreign_id": "7digital-US:track:3129833", "id": "TRNYGWN12E4E58E1E4"}], "artist_name": "Michael Jackson", "song_type": ["studio"], "artist_hotttnesss": 0.62576200000000004, "artist_location": {"latitude": 41.603000000000002, "location": "Gary, IN, US", "longitude": -87.337199999999996}, "song_hotttnesss": 0.74441299999999999, "artist_familiarity": 0.89281900000000003, "artist_id": "ARXPPEY1187FB51DF4", "id": "SODJXOA1313438FB61", "audio_summary": {"analysis_url": "http://echonest-analysis.s3.amazonaws.com/TR/t6IL4Ax_YSJBJjwZiSs5XMF7qKuNSTobgiJvbL/3/full.json?AWSAccessKeyId=AKIAJRDFEY23UEVW42BQ&Expires=1368424172&Signature=E25WfcfnmLkJvtr3rKeQIUcndJM%3D", "energy": 0.60775782897094766, "tempo": 117.02500000000001, "speechiness": 0.041513189629755753, "key": 2, "duration": 295.56353999999999, "audio_md5": "77688ec91b91e8cf5e105049a4227be9", "liveness": 0.049683367848905806, "acousticness": 0.044165719922418821, "mode": 1, "time_signature": 4, "loudness": -5.0800000000000001, "valence": 0.82771561628714485, "danceability": 0.91724518390361753}}]}}

data/spec/fixtures/song/search.json

@@ -0,0 +1 @@
+{"response":{"status":{"code":0,"message":"Success","version":"4.2"},"songs":[{"artist_id":"ARH6W4X1187B99274F","id":"SOCZZBT12A6310F251","artist_name":"Radiohead","title": "Karma Police"}]}}

data/spec/fixtures/taste_profile/ban.json

@@ -0,0 +1,9 @@
+{
+  "response": {
+    "status": {
+      "code": 0,
+      "message": "Success",
+      "version": 4
+    }
+  }
+}

data/spec/fixtures/taste_profile/create.json

@@ -0,0 +1 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "Success"}, "type": "artist", "name": "test_artist_catalog", "id": "CAUWCTB13EBA18ADAE"}}

data/spec/fixtures/taste_profile/delete.json

@@ -0,0 +1,11 @@
+{
+  "response": {
+    "status": {
+      "code": 0,
+      "message": "Success",
+      "version": "4.2"
+    },
+    "name": "test_artist_catalog",
+    "id": "CAOFUDS12BB066268E"
+  }
+}

data/spec/fixtures/taste_profile/favorite.json

@@ -0,0 +1,9 @@
+{
+  "response": {
+    "status": {
+      "code": 0,
+      "message": "Success",
+      "version": 4
+    }
+  }
+}

data/spec/fixtures/taste_profile/feed.json

@@ -0,0 +1 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "Success"}, "feed": [{"name": "John Scofield Trio Burghausen 2013-03-14 mp2", "url": "http://mohaoffbeat.blogspot.com/2013/05/john-scofield-trio-burghausen-2013-03.html", "date_posted": "2013-05-10T20:39:39", "date_found": "2013-05-11T00:00:00", "references": [{"artist_id": "AR6HLNH1187B990435", "artist_name": "John Scofield"}], "summary": "Jazztime All that Jazz Donnerstag, 09.05.2013 Groove und knackige Saiten: Das Organic Trio des Gitarristen <span>John Scofield</span> bei der 44. Internationalen Jazzwoche Burghausen. Aufnahme vom 14. März 2013. Moderation und Auswahl: Roland Spiegel \"Slinky\" (<span>John Scofield</span>) \"Country Man\" (Larry Goldings) \"I want to talk about you\" (Billy Eckstine) \"Green pajamas\" (<span>John Scofield</span>) \"Tennessee Waltz\" (Pee Wee King/Redd Stewart) http://www.br.de/radio/br-klassik/programmkalender/sendung539106.html John Scofield Trio Burghausen 2013-03-14 mp2", "type": "blogs", "id": "e124dae0b5da8c37bc287abd0dd41a86"}, {"name": "John Wheatcroft,Jim Clarke: Professor Wheato's All Stars", "url": "http://www.truthinshredding.com/2013/05/john-wheatcroftjim-clarke-professor.html", "date_posted": "2013-05-11T15:09:16", "date_found": "2013-05-11T00:00:00", "references": [{"artist_id": "AR6HLNH1187B990435", "artist_name": "John Scofield"}], "summary": "Professor Wheato's All Stars rocked The Rocket in Acton. Here's a clip of Jim Clarke giving it large over the <span>John Scofield</span> tune 'Jeep on 35' Professor Wheato's All Stars were: John Wheatcroft: Guitar Richie Garrison: Sax Jim Clarke: Guitar Oscar Stieler: Keys Dave Marks: Bass Erik Stams: Drums Joao Caetano: Percussion' John Wheatcroft tears it up! Freddie freeloader guitar solo Jim Clarke killer guitar Solo: Jeep on 35 John Wheatcroft,Jim Clarke: Professor Wheato's All Stars", "type": "blogs", "id": "5b226946bb5a898ab60aed376dc2a100"}]}}

data/spec/fixtures/taste_profile/keyvalues.json

@@ -0,0 +1,4 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "Success"}, "keyvalues": {"cat_type": "persona",
+"is_active": "yes",
+"timestamp": "2012-07-09 06:57:00.405776",
+"version": "3"}}}

data/spec/fixtures/taste_profile/list.json

@@ -0,0 +1 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "Success"}, "start": 0, "total": 42, "catalogs": [{"total": 0, "name": "Test", "type": "artist", "id": "CAZOFXZ13EB0258BD4"}, {"total": 0, "name": "Test Profile Name", "type": "artist", "id": "CAOVLRL13EB02B239E"}, {"total": 0, "name": "Test Profile Name1368822817422", "type": "artist", "id": "CAJDJTR13EB43277B1"}, {"total": 0, "name": "Test Profile Name1368822897152", "type": "artist", "id": "CAASZIM13EB433AF11"}, {"total": 0, "name": "Test Profile Name1368822958776", "type": "artist", "id": "CARVQDF13EB4349F9F"}, {"total": 0, "name": "Test Profile Name1368823058365", "type": "artist", "id": "CAQWBLD13EB43624DE"}, {"total": 0, "name": "Test Profile Name1368823156264", "type": "artist", "id": "CATQKEJ13EB437A2F1"}, {"total": 0, "name": "Test Profile Name1368823174821", "type": "artist", "id": "CARSFYI13EB437EB99"}, {"total": 0, "name": "foo", "type": "general", "id": "CAKPNGM13D417676C6"}, {"total": 0, "name": "test_artist_catalog", "type": "artist", "id": "CAUWCTB13EBA18ADAE"}, {"total": 0, "name": "test_profile50:artist:97B687CCE1A81054E043C0A87FBE1054", "type": "artist", "id": "CASGGGE13E13FD16C4"}, {"total": 5, "name": "test_profile50:song:1EF00CA8BF5500D6E043C0A87FE400D6", "type": "song", "id": "CAYRNBW13E00A4FE33"}, {"total": 0, "name": "test_profile50:song:97B687CCE1A81054E043C0A87FBE1054", "type": "song", "id": "CAFQROA13E1431DE28"}, {"total": 8, "name": "test_song_catalog-0x2ebbb427addfa859", "type": "song", "id": "CAWWNJL13E1E368C11"}, {"total": 8, "name": "test_song_catalog-0x31c5545002a2710", "type": "song", "id": "CASYDQV13E1E223F01"}, {"total": 8, "name": "test_song_catalog-0x31d210e865d8e09", "type": "song", "id": "CAAPNRZ13E1E23195D"}, {"total": 8, "name": "test_song_catalog-0x3efc63689b50fca9", "type": "song", "id": "CATTXUN13E1E4C9F62"}, {"total": 8, "name": "test_song_catalog-0x5006c6423b8adc4d", "type": "song", "id": "CAARNAC13E1E2463AE"}, {"total": 8, "name": "test_song_catalog-0x51ed66e28e7b987a", "type": "song", "id": "CACZEYJ13E1E5EA996"}, {"total": 8, "name": "test_song_catalog-0x56ed76d7290dba9d", "type": "song", "id": "CAJUKFY13E1E42681B"}, {"total": 8, "name": "test_song_catalog-0x57d311bd19d2e841", "type": "song", "id": "CAUQTSX13E1E3BE502"}, {"total": 8, "name": "test_song_catalog-0x5f3b3e45405e2b99", "type": "song", "id": "CAQQYTK13E1E354EDF"}, {"total": 8, "name": "test_song_catalog-0x605f69d1df507f34", "type": "song", "id": "CAYBVRM13E1E2C21D7"}, {"total": 8, "name": "test_song_catalog-0x606c7622daacf2df", "type": "song", "id": "CAVELQJ13E1E2CA636"}, {"total": 8, "name": "test_song_catalog-0x76c342a617f40d20", "type": "song", "id": "CABQZFD13E1E3F3331"}, {"total": 8, "name": "test_song_catalog0x1dd7f08f40e3c883", "type": "song", "id": "CAHTSNQ13E1E495654"}, {"total": 8, "name": "test_song_catalog0x23ebd6b2543b9b6", "type": "song", "id": "CAYXXYO13E1E23F224"}, {"total": 8, "name": "test_song_catalog0x253797cdbbd40fcc", "type": "song", "id": "CAEDFAO13E1E446DC2"}, {"total": 8, "name": "test_song_catalog0x28161599915cc436", "type": "song", "id": "CACJZAD13E1E285201"}, {"total": 8, "name": "test_song_catalog0x2ae9af32ac3b8c58", "type": "song", "id": "CAEPLBP13E1E341B6E"}]}}

data/spec/fixtures/taste_profile/play.json

@@ -0,0 +1,9 @@
+{
+  "response": {
+    "status": {
+      "code": 0,
+      "message": "Success",
+      "version": 4
+    }
+  }
+}

data/spec/fixtures/taste_profile/predict.json

@@ -0,0 +1 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "Success"}, "catalog": {"type": "song", "name": "Tim's Test Profile", "predictions": [{"category": "mainstreamness", "results": 0.62698439999999989}, {"category": "freshness", "results": 0.79107142857142865}, {"category": "diversity", "results": 0.81904865495760804}, {"category": "top_years", "results": {"histogram": [[1992, 5], [1993, 4], [1994, 4], [1995, 4], [1996, 4], [1997, 4], [1988, 3], [1989, 3], [1990, 3], [1991, 3], [1998, 3], [1999, 3], [2000, 3], [2001, 3], [2002, 3], [2003, 3], [2004, 3], [2005, 3], [2006, 3], [2007, 3], [2008, 3], [2009, 3], [2010, 3], [2011, 3], [2012, 3], [1986, 2], [1987, 2], [1985, 1]]}}, {"category": "top_styles", "results": {"histogram": [["hip hop", 5], ["rap", 5], ["pop", 1], ["r&b", 1], ["rock", 1], ["80s", 1], ["funk", 1]]}}, {"category": "audio_features", "results": {"loudness": [["-20 to -15 dB", 2], ["-10 to -5 dB", 2], ["-15 to -10 dB", 1]], "energy": [["0.65 to 0.75", 2], ["0.15 to 0.25", 1], ["0.35 to 0.45", 1], ["0.25 to 0.35", 1]], "tempo": [["90 to 100 BPM", 4], ["180 to 190 BPM", 1]], "danceability": [["0.75 to 0.85", 2], ["0.85 to 0.95", 2], ["0.55 to 0.65", 1]]}}, {"category": "adventurousness", "results": 0.74570149450967882}], "id": "CAVSCUQ13EBDDD2DB9"}}}

data/spec/fixtures/taste_profile/profile.json

@@ -0,0 +1 @@
+{"response": {"status": {"version": "4.2", "code": 0, "message": "Success"}, "catalog": {"resolved": 74, "pending_tickets": [], "name": "top hot song catalog by ID", "total": 74, "type": "song", "id": "CAJTFEO131216286ED"}}}

data/spec/fixtures/taste_profile/rate.json

@@ -0,0 +1,9 @@
+{
+  "response": {
+    "status": {
+      "code": 0,
+      "message": "Success",
+      "version": 4
+    }
+  }
+}