distorted 0.5.6 → 0.5.7

data/README.md

@@ -1,49 +1,13 @@
 # Cooltrainer::DistorteD
 
-`DistorteD` is a multimedia framework for Jekyll websites.
-
-Right now this repo contains two Gems:
-- [`DistorteD-Jekyll`](https://rubygems.org/gems/distorted-jekyll) contains anything and everything that depends on Jekyll.
-- [`DistorteD-Ruby`](https://rubygems.org/gems/distorted) contains just the abstract media file format handling code. It's separate so I can use those functions in other contexts and/or easily replace the Ruby core if necessary.
-
-## Motivation
-
-DD is my solution for displaying photos, videos, and other types of media on [cooltrainer.org](https://cooltrainer.org) due to my dissatisfaction with every other solution I could find.
-
-My previous approach was similar to what's [described here](https://eduardoboucas.com/blog/2014/12/07/including-and-managing-images-in-jekyll.html), with small/medium/large image size variations generated with [Jekyll-MiniMagick](https://github.com/MattKevan/Jekyll-MiniMagick-new).
-
-Here are some already-existing ways to put pictures on your Jekyll site that are worth your consideration before choosing DistorteD:
-
-- [jekyll-responsive-image](https://github.com/wildlyinaccurate/jekyll-responsive-image)
-- [jekyll_picture_tag](https://rbuchberger.github.io/jekyll_picture_tag/)
-- [jekyll-gallery-generator](https://github.com/ggreer/jekyll-gallery-generator)
-- [jekyll-photo-gallery](https://github.com/aerobless/jekyll-photo-gallery)
-- [jekyll-thumbnail](https://superterran.github.io/jekyll-thumbnail/)
-- [jekyll-assets](https://github.com/envygeeks/jekyll-assets)
-
-I wanted a solution that fit all of my preferences:
-
-- I want to write Markdown and stop littering my Markdown files with instances of Liquid tags like `{% my_image_tag some_photo.jpg %}`. Markdown has an image syntax: same as the hyperlink syntax but with a preceding bang (`!`). It seems [generally accepted](https://talk.commonmark.org/t/embedded-audio-and-video/441/15) that this same syntax is used for video as well.
-- I try to [avoid shelling out](https://julialang.org/blog/2012/03/shelling-out-sucks/) if possible, mostly for the sake of efficiency with very large Jekyll sites so we aren't forking and spawning an entire shell just to call `convert` or `ffmpeg` for every single image in every single page. That means avoiding some popular libraries like [mini_magick](https://github.com/minimagick/minimagick/blob/master/lib/mini_magick/shell.rb) and [streamio-ffmpeg](https://github.com/streamio/streamio-ffmpeg/blob/master/lib/streamio-ffmpeg.rb).
-- I want to support many media types (images, videos, PDF, SVG, etc) with the same syntax and workflow on the source side, and with consistent look-and-feel on the output side.
-- I want my media files to be able to live in the same directory as their corresponding post/page Markdown. This is something I think Hugo gets right with its concept of [Page Bundles](https://gohugo.io/content-management/page-bundles/). You can get similar functionality with [jekyll-postfiles](https://nhoizey.github.io/jekyll-postfiles/), but it won't generate thumbnails or `<img>`/`<picture>` tags for you. Most Jekyll asset plugins want me to have a single images folder for my entire site.
-- I don't want to depend on any APIs, so plugins like [jekyll-cloudinary](https://nhoizey.github.io/jekyll-cloudinary/), [S3_Video](https://gist.github.com/TimShi/a48fa83abbc8a0242557), and [jekyll-imgix](https://docs.imgix.com/libraries/jekyll-imgix) are out.
-- I want automatic format conversion to maximize compatibility and efficiency, e.g. JPEGs and PNGs should also generate a WebP, native WebPs should generate JPEG or PNG for older browsers, single-frame GIFs should generate a PNG/WebP, animated GIFs should generate an MPEG-4 (or other format) video, all videos should generate HLS and DASH segments/playlists, etc.
-- I want to good defaults handling of things like EXIF tag sanitization, auto-rotation, smart cropping, and chosen formats. Any of these options should be configurable per-instance with a Maruku/Kramdown-style [attribute list](https://golem.ph.utexas.edu/~distler/maruku/proposal.html).
-
-## Status
-
-Images are fairly well supported and are enabled by default. Video support is very experimental and fragile and is not enabled in the default config. HLS works fine right now with iOS/Safari/Edge, but my current Gst pipeline is very specific to my hardware. I'm waiting on a version of GStreamer to include the new [dashsink2](https://gitlab.freedesktop.org/gstreamer/gst-plugins-bad/merge_requests/704) before I do the work to rewrite my basic `gst_parse`-based pipeline and get it into a usable state for Firefox/Chrome. All other media types are still conceptual. Please don't ask me for ETAs :)
+`DistorteD-Ruby` is the core file-handling code for `DistorteD-Jekyll`.
 
 ## Installation
 
-Add to your site's Gemfile:
+Add this line to your site's Gemfile:
 
 ```ruby
-group :jekyll_plugins do
-  gem 'distorted-jekyll'
-  gem 'distorted'
-end
+gem 'distorted'
 ```
 
 And then execute:
@@ -52,116 +16,17 @@ And then execute:
 
 Or install it yourself as:
 
-    $ gem install distorted-jekyll
-
-## Usage
-
-No manual usage is necessary! Just write Markdown and use Markdown's image syntax
-for photos and videos. DistorteD (by default) uses a `pre_render` hook to
-transform instances of Markdown image syntax to instances of DistorteD's
-Liquid tag.
-
-```
-![alt text](some-photo.jpg "title text")
-```
-
-e.g.
-
-```
-!["beatmania IIDX WavePass card readers being removed from shipping box."](IIDX-Readers-Unboxing.jpg "Including that authentic game center cigarette smell."]
-```
-
-Two or more adjacent lines containing a Markdown image/video inside a Markdown
-list item will be combined into a DistorteD Block where the images or videos
-will group and flow together in one block on the page, like a tweet.
-
-```
-‑ ![Wavepass card reader installed on my IIDX machine](IIDX-Readers-Installed.jpg "Number one")
-‑ ![IIDX PC parts](IIDX-PC-Parts.jpg "Twoooo")
-‑ ![Adjusting monitor height](IIDX-Raising-Monitor.jpg "Three.")
-‑ ![Card reader enclosures unlocked and hanging open](IIDX-Readers-Unlocked.jpg "Four!")
-```
-## Manual Usage
+    $ gem install distorted
 
-You can also invoke DD's Liquid tag directly. This is the syntax the above Markdown
-will be transformed into.
-
-```
-{% distorted 
-  IIDX-Readers-Unboxing.jpg
-  href="original"
-  alt="Wavepass card reader hardware being removed from a shipping box"
-  title="Complete with that fresh Game Center cigarette smell."
-%}
-```
-
-Or, for a DD grid:
-
-```
-{% distort %}
-  {% distorted […] %}
-  {% distorted […] %}
-  {% distorted […] %}
-  {% distorted […] %}
-{% enddistort %}
-```
-
-## Example
-
-Here's an example of embedding an example image in a Jekyll demo site's first post. No site configuration was changed aside from installing the Gem.
-
-The Markdown:
-
-```
-![DistorteD logo](DistorteD.png 'This is so cool')
-```
-
-The log output:
-
-```
- DistorteD Writing: /home/okeeblow/Works/DDDemo/jekyll/update/2020/06/17/DistorteD-full.png
- DistorteD Writing: /home/okeeblow/Works/DDDemo/jekyll/update/2020/06/17/DistorteD-small.png
- DistorteD Writing: /home/okeeblow/Works/DDDemo/jekyll/update/2020/06/17/DistorteD-medium.png
- DistorteD Writing: /home/okeeblow/Works/DDDemo/jekyll/update/2020/06/17/DistorteD-large.png
- DistorteD Writing: /home/okeeblow/Works/DDDemo/jekyll/update/2020/06/17/DistorteD-full.webp
- DistorteD Writing: /home/okeeblow/Works/DDDemo/jekyll/update/2020/06/17/DistorteD-small.webp
- DistorteD Writing: /home/okeeblow/Works/DDDemo/jekyll/update/2020/06/17/DistorteD-medium.webp
- DistorteD Writing: /home/okeeblow/Works/DDDemo/jekyll/update/2020/06/17/DistorteD-large.webp
-           Writing: /home/okeeblow/Works/DDDemo/_site/jekyll/update/2020/06/17/welcome-to-jekyll.html
-```
-
-And the actual template output that ends up in the final page:
-
-```
-<div class="distorted">
-  <a href="/jekyll/update/2020/06/17/DistorteD.png" target="_blank">
-    <picture>
-      <source srcset="/jekyll/update/2020/06/17/DistorteD-full.png" />
-      <source srcset="/jekyll/update/2020/06/17/DistorteD-small.png" media="(max-width: 400px)" />
-      <source srcset="/jekyll/update/2020/06/17/DistorteD-medium.png" media="(min-width: 800px)" />
-      <source srcset="/jekyll/update/2020/06/17/DistorteD-large.png" media="(min-width: 1500px)" />
-      <source srcset="/jekyll/update/2020/06/17/DistorteD-full.webp" />
-      <source srcset="/jekyll/update/2020/06/17/DistorteD-small.webp" media="(max-width: 400px)" />
-      <source srcset="/jekyll/update/2020/06/17/DistorteD-medium.webp" media="(min-width: 800px)" />
-      <source srcset="/jekyll/update/2020/06/17/DistorteD-large.webp" media="(min-width: 1500px)" />
-      <img src="/jekyll/update/2020/06/17/DistorteD.png" alt="DistorteD logo" title="This is so cool" loading="eager" />
-    </picture>
-  </a>
-  <span style="clear: left;"></span>
-</div>
-```
 
 ## Development
 
 Clone the DistorteD repository and modify your Jekyll `Gemfile` to refer to your local path instead of to the newest published version of the gem:
 
 ```
-gem 'distorted-jekyll', :path => '~/repos/DistorteD/DistorteD-Jekyll/'[, :branch => 'NEW-SENSATION']
 gem 'distorted', :path => '~/repos/DistorteD/DistorteD-Ruby/'[, :branch => 'NEW-SENSATION']
 ```
 
-The `DistorteD-Jekyll` Gem will automatically use its local sibling `DistorteD-Ruby` Gem if used in this way.
-
 ## License
 
 DistorteD is available as open source under the terms of the [GNU Affero General Public License version 3](https://opensource.org/licenses/AGPL-3.0).

data/font/1252/LICENSE/MoreLessPerfectDOSVGA437/less_more_perfect_dos_vga_437.html

@@ -0,0 +1,52 @@
+<!DOCTYPE html>
+<html>
+  <head>
+    <title>LÆMEUR's Fonts (@SDF.org)</title>
+    <meta charset="utf-8">
+    <style>@import url("../laemeur_com.css");</style>
+  </head>
+  <body>
+    <article>
+      <h1>Fonts</h1>
+      <section>
+	<h1>More and Less Perfect DOS VGA</h1>
+	<p>
+	  <img src="img/Perfect_DOS_VGA.png" alt="[Zeh Fernando's Perfect DOS VGA 437]"><br>
+	</p>
+	<p>
+	  <a href="http://www.zehfernando.com/about" title="Zeh Fernando">Zeh Fernando</a> made <a href="http://www.dafont.com/perfect-dos-vga-437.font" title="Perfect DOS VGA 437 @ dafont">Perfect DOS VGA 437</a> back in 2003, and it is <em>almost</em> the best TrueType VGA font out there. To my eye it looks a bit too spaced-out horizontally; this is for a couple of reasons. I made the following alterations to his font to address them.</p>
+	<p>First, while his font is done on a proper 9x16 pixel matrix (VGA characters are stored as 8x16 matrices in ROM, but <a href="http://support.microsoft.com/kb/59953">the adapter displays them in a padded 9x16 cell</a>), none of his alphanumeric glyphs are more than 7 pixels wide, which is not as it should be. For <strong>More Perfect DOS VGA</strong> I fixed the capitals T and Z, both cases of M, V, X, and W, the zero, the ligatured AE, and a few other glyphs to better match IBM’s VGA ROM font. The result of this is that some glyphs lie a little closer to one another, which makes text look a little less spread-out.</p>
+	<p>
+	  <img src="img/More_Perfect_DOS_VGA.png" alt="[Laemeur's More Perfect DOS VGA]">
+	</p>
+	<p>The other reason things look spread-out is because they just are. Default VGA text mode is 720x400 pixels, and on a CRT monitor that would have filled a display area with an aspect ratio of roughly 3:4.  Those are non-square pixels.  Nowadays all of our displays have square pixels, though &ndash; so if you display a pixel-perfect VGA ROM font on modern displays, it's stretched-out horizontally<sup><a name="fnr.1" id="fnr.1" href="index.html#fn.1">1</a></sup>.</p>
+	<p>An aesthetic remedy to this is just to kern the TrueType font one “pixel” narrower, and that’s what I did for <strong>Less Perfect DOS VGA</strong>.  I left Zeh’s glyphs as he made them and just narrowed the width of the font definition. The result is more tightly packed, less perfect, but nicer as a screen font.</p>
+	<p>
+	  <img alt="[Laemeur's Less Perfect DOS VGA]" src="img/Less_Perfect_DOS_VGA.png">
+	</p>
+	<p>Zeh made Perfect DOS VGA 437 for a Flash ANSI viewer, so his font is available in code page 437 (DOS) and Windows encodings. I don’t care about viewing ANSI graphics, and I’m lazy, so there are no code page 437 versions of Less and More.</p>
+	<h2>Downloads</h2>
+	<ul>
+	  <li>
+	    <a href="../MorePerfectDOSVGA.ttf">More Perfect DOS VGA</a> (.ttf, ~80k)
+	  </li>
+	  <li>
+	    <a href="../LessPerfectDOSVGA.ttf">Less Perfect DOS VGA</a> (.ttf, ~80k)
+	  </li>
+	</ul>
+	
+	<h2>License</h2>
+	<p>More Perfect DOS VGA and Less Perfect DOS VGA are both free for all use, commercial and non-commercial.  IBM designed the glyphs and Zeh Fernando did most of the work converting them to TrueType, so I don't claim ownership of anything.</p>
+	<p>If you use either of the fonts in a project, I'd love to hear about it, and I'd be happy to put a hyperlink to your project on this page if you <a href="mailto:adam@laemeur.com?subject=More%20and%20Less%20Perfect%20DOS%20VGA">send me a note</a>.</p>
+	<hr>
+	<p>
+	  <a id="fn.1" name="fn.1" href="index.html#fnr.1">1</a>. To my knowledge, the best emulation of VGA fonts &ndash; that is, the best emulation of their visible geometry as it appeared on original hardware &ndash; is Arto Hatanpää’s <a href="http://www.dafont.com/nouveau-ibm.font">Nouveau IBM Stretch</a>.
+	</p>
+      </section>
+    </article>
+    <footer>
+Page text ©2014 <a href="http://laemeur.sdf.org">LÆMEUR</a>. <a href="http://laemeur.sdf.org/copyright.html">Most rights reserved</a>.
+</footer>
+
+
+</body></html>

data/font/1252/LICENSE/PerfectDOSVGA437/font-comment.php@file=perfect_dos_vga_437.html

@@ -0,0 +1,5 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/html4/loose.dtd"><html><head><title>Perfect DOS VGA 437 - comments | dafont.com</title><meta name="description" content="Perfect DOS VGA 437 - comments | dafont.com"><meta name="keywords" content="Perfect DOS VGA 437, font, download, ttf, freeware, typefaces, typography, typeface, fonts, free, true type, dingbats"><link rel="canonical" href="https://www.dafont.com/font-comment.php?file=perfect_dos_vga_437">
+<div id="va2" style="display:none" class="dfsmall">google</div><script type="text/javascript">document.write('</div>')</script><div style="margin-left:140px;display:block"><div class="dfsmall" style="float:right;margin:6px 5px"><a class="dfsmall tdh" href="./forum/requests.php?f=perfect_dos_vga_437">3 matching requests on the forum</a></div><h1>Perfect DOS VGA 437</h1><div style="min-width:837px;margin-bottom:4px"><form method="get" name="nb" action="change_display.php"><input type="hidden" name="file" value="perfect_dos_vga_437"><input type="hidden" name="page" value="1"><input type="hidden" name="fpp_old" value="25"><input type="hidden" name="back" value=""><input type="hidden" name="ref" value="/font-comment.php"><input type="hidden" name="dsort" value=""><input type="hidden" name="fpp_default" value="25"><div id="custom" class="perso"><b>Preview</b><br><input class="form_elt" style="width:250px" type="text" id="text" name="text" value="" maxlength="80" placeholder="Type your text here"> </div><div id="fpp" style="display:none" class="perso"><b>Fonts</b><br><select name="fpp"><option value="25" selected>25</option><option value="50" >50</option><option value="100" >100</option><option value="200" >200</option></select>  </div><div class="perso" style="display:none"><br><div class="form_elt_bg"><input type="checkbox" id="af" name="af"><label for="af">&nbsp;Show variants</label></div></div><div class="perso"><b>Size</b><br><select name="psize"><option value="xs">Tiny</option><option value="s">Small</option><option value="m" selected>Medium</option><option value="l">Large</option></select></div><div style="display:none" class="perso"><b>Sort by</b><br><select name="sort"><option value="alpha" selected>Name</option><option value="pop">Popularity</option><option value="date">Newest</option></select></div><div class="perso" style="padding-right:0px"><br><input class="form_button" style="" type="submit" value="Submit">&nbsp; <span style="display:none" id="options"><a class="dfsmall" onclick="change_block('ae','options');change_block('licence','options');" href="#null" >More&nbsp;options<img style="vertical-align:1px;margin-left:3px" width="9" height="5" src="/img/dropdown.gif"></a></span></div><div style="height:45px">&nbsp;<br></div><div class="dfsmall" style="display:none" id="licence"><b>Only as </b> <span class="dfsmall"><input type="checkbox" id="l10" name="l[]" value="10"><label for="l10">&nbsp;Public domain / GPL / OFL</label> <input type="checkbox" id="l1" name="l[]" value="1" onclick="checkl(this,'l10')"><label for="l1">&nbsp;100% Free</label> <input type="checkbox" id="l6" name="l[]" value="6" onclick="checkl(this,'l10|l1')"><label for="l6">&nbsp;Free for personal use</label> <input type="checkbox" id="l13" name="l[]" value="13" onclick="checkl(this,'l10|l1|l6')"><label for="l13">&nbsp;Donationware</label> <input type="checkbox" id="l2" name="l[]" value="2" onclick="checkl(this,'l10|l1|l6|l13')"><label for="l2">&nbsp;Shareware</label> <input type="checkbox" id="l3" name="l[]" value="3" onclick="checkl(this,'l10|l1|l6|l13|l2')"><label for="l3">&nbsp;Demo</label> <input type="checkbox" id="l0" name="l[]" value="0"><label for="l0">&nbsp;Unknown</label></span></div><div class="dfsmall"style="display:none"  id="ae"><b>Only fonts with</b> <span class="dfsmall"> <input type="checkbox" id="accents" name="a"><label for="accents">&nbsp;Accents</label> <input type="checkbox" id="euro" name="e"><label for="euro">&nbsp;Euro</label></span></div><div style="height:10px">&nbsp;<br></div></form></div><a name="3605"></a><div class="lv1left dfbg"><a href="perfect-dos-vga-437.font"><strong>Perfect DOS VGA 437</strong></a>&nbsp;<span title="Accents" class="contain">&agrave;</span> by <a href="zeh-jose-fernando-baldo-caneiro.d467">Zeh Fernando</a><a class="tdn" title="http://portfolio.zehfernando.com" href="http://portfolio.zehfernando.com" target="_blank" rel="nofollow">&nbsp;<img width="11" height="11" class="out" src="/img/out3.gif"></a></div><div class="lv1right dfbg">in <a href="bitmap.php">Bitmap</a><span style="cursor:help" title="Use at 16 px (or multiple of 16), anti-alias off"> (16 px)</span> [<a href="#null" onclick="window.open('bitmap_help.php','bitmap_help','width=490,height=480,resizable=yes')"><b>help</b></a>]</div><div class="lv2right">&nbsp;<span class="light">226,217 downloads (91 yesterday)</span> &nbsp; <a class="tdn help black" style="cursor:help" target="_blank" href="./faq.php#copyright">100% Free</a>&nbsp;- 2 font files</div><div class="dlbox" style="height:88px" ><a class="dl" title="49 K" href="//dl.dafont.com/dl/?f=perfect_dos_vga_437"  rel="nofollow">&nbsp;Download&nbsp;</a><a class="donate dfsmall" href="#null" onclick="document.getElementById('donate1').submit()">Donate to author</a><form id="donate1" action="https://www.paypal.com/1/cgi-bin/webscr" target="_blank" method="post"><input type="hidden" name="cmd" value="_xclick"><input type="hidden" name="business" value="&#122;&#101;&#104;&#64;&#122;&#101;&#104;&#102;&#101;&#114;&#110;&#97;&#110;&#100;&#111;&#46;&#99;&#111;&#109;"><input type="hidden" name="item_name" value="To Zeh Fernando, from a nice dafont visitor"><input type="hidden" name="item_number" value="Perfect DOS VGA 437 font"><input type="hidden" name="no_shipping" value="1"><input type="hidden" name="cn" value="Add a comment"><input type="hidden" name="tax" value="0"><input type="hidden" name="lc" value="EN"/><input type="hidden" name="locale.x" value="en_XC"/><input type="hidden" name="currency_code" value="USD"></form></div><div style="background-image:url(/img/preview/p/e/perfect_dos_vga_4370.png)" class="preview"><a href="perfect-dos-vga-437.font"></a></div><div style="height:8px"></div><div class="points"></div><br><h4>9 comments</h4><div style="padding:9px 3px;background:#e9e9e9"><div class="dfsmall"><b><a class="tdh" href="profile.php?user=596503">WM3DAS</a> </b> &nbsp;Dec 27, 2012</div><div style="padding-top:5px;word-wrap:break-word">Nice font!</div></div><div style="padding:9px 3px;background:#fff"><div class="dfsmall"><b><a class="tdh" href="profile.php?user=667059">MissIndependent</a> </b> &nbsp;Mar 28, 2013</div><div style="padding-top:5px;word-wrap:break-word">as I download the shrift and place it in my Font folder, why I can't use it in my word? it appears in the word but it didn't change the font</div></div><div style="padding:9px 3px;background:#e9e9e9"><div class="dfsmall"><b><a class="tdh" href="profile.php?user=769228">flberger</a> </b> &nbsp;Mar 02, 2014</div><div style="padding-top:5px;word-wrap:break-word">Sadly, the font does not come with a license.</div></div><div style="padding:9px 3px;background:#fff"><div class="dfsmall"><b><a class="tdh" href="profile.php?user=770800">antopolo</a> </b> &nbsp;Mar 10, 2014</div><div style="padding-top:5px;word-wrap:break-word">This font helped me to port an old dos program under W7 32 bit. I used semigraphical characters to draw rectangles. PerfectDOS is slighty different from original 437 characters: Vertical bar is 179 decimal. If I put 179 on the same column in different rows, I see a long continuous vertical line. With PerfectDOS the line in not continuous: most upper and lower dots are off ! The same holds for orizontal lines. Anyway: great work !</div></div><div style="padding:9px 3px;background:#e9e9e9"><div class="dfsmall"><b><a class="tdh" href="profile.php?user=177476">zeh</a> </b><span style="background:#ff0">&nbsp;author of Perfect DOS VGA 437&nbsp;</span>  &nbsp;Sep 16, 2014</div><div style="padding-top:5px;word-wrap:break-word">The license is this: this font is free to use in whatever you want.</div></div><div style="padding:9px 3px;background:#fff"><div class="dfsmall"><b><a class="tdh" href="profile.php?user=933485">aespo</a> </b> &nbsp;Aug 09, 2016</div><div style="padding-top:5px;word-wrap:break-word">Beautiful work! Thanks, Zeh!!! I will use this in a web user interface that will look<br>
+like old VGA text mode user interface</div></div><div style="padding:9px 3px;background:#e9e9e9"><div class="dfsmall"><b><a class="tdh" href="profile.php?user=960917">183078</a> </b> &nbsp;Jan 09, 2017</div><div style="padding-top:5px;word-wrap:break-word">a little hard to read</div></div><div style="padding:9px 3px;background:#fff"><div class="dfsmall"><b><a class="tdh" href="profile.php?user=972097">grenzfurthner</a> </b> &nbsp;Mar 11, 2017</div><div style="padding-top:5px;word-wrap:break-word">Hey Zeh! Just wanted to tell you that 'Perfect DOS VGA 437' is a really great font and I used it as the main font in my nerd documentary 'Traceroute': <a target="_blank" href="http://www.monochrom.at/traceroute" rel="nofollow">http://www.monochrom.at/traceroute</a><br>
+In case you want to watch it, drop me a line: jg At monochrom.at<br>
+Cheers!</div></div><div style="padding:9px 3px;background:#e9e9e9"><div class="dfsmall"><b><a class="tdh" href="profile.php?user=1118278">Band</a> </b> &nbsp;Feb 03, 2019</div><div style="padding-top:5px;word-wrap:break-word">If anybody wonders what's the difference between &quot;Perfect DOS VGA 437&quot; and &quot;Perfect DOS VGA 437 Win&quot; - Win version uses normal places for glyphs like &#1105;, and non-win version isn't (i guess it's for something like KOI8 or other obsolete encoding system).</div></div><br><br><div class="dfsmall"><a href="login.php?ref=%2Ffont-comment.php%3Ffile%3Dperfect_dos_vga_437">Login</a> to add a comment.</div><br><br></div></div></div></div></div><div style="margin-left:140px;clear:left"><div class="points" style="padding-bottom:12px"></div><div style="padding-right:1px" class="dfsmall tdh right"><a href="./privacy.php">Privacy Policy</a>&nbsp; -&nbsp; <a href="./contact.php">Contact</a></div><div class="dfsmall tdh">Links:&nbsp; <a target="_blank" href="http://luc.devroye.org/fonts.html">On snot and fonts</a></div></div>&nbsp;</body></html>

data/font/437/dos437.txt

@@ -0,0 +1,72 @@
+ /
+/(_____________            ____
+\              /______)\  |    |        
+:\      |     /         \:|    |:::::::::: : .. . : ..  . .  :.    .
+  \_____|    /      |    \|    |______  
+___ /               ________          \...     .     .      .
+\______________     \       |  |      /.. . .   .   .             .
+               \            |__|     /
+--x--x-----x----\______     |-/_____/-x--x-xx--x-- - -x -- - -   --  - - - 
+. . . . . . . . . . . .\____|. . . . . .
+-------------------------------------------------------------------------------
+>> perfect dos vga 437 - general information  >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
+-------------------------------------------------------------------------------
+
+ "Perfect DOS VGA 437" and "Perfect DOS VGA 437 Win" are truetype fonts
+ designed to emulate the MS-DOS/Text mode standard font, used on VGA monitors,
+ with the 437 Codepage (standard US/International). This is a "bitmap" font,
+ meaning it emulates a bitmap font and can only be used at a given size (8 or
+ multiples of it like 16, 24, 32, etc). It's optimized for Flash too, so it
+ won't produce antialias if used at round positions.
+ 
+ There are two fonts available. "Perfect DOS VGA 437" uses the original DOS
+ codepage 437. It should be used, for example, if you're opening DOS ASCII
+ files on notepad or another windows-based editor. Since it's faithful to the
+ original DOS codes, it won't accent correctly in windows ("�" would produce
+ something different, not an "e" with an acute).
+ 
+ There's also "Perfect DOS VGA 437 Win" which is the exactly same font adapted
+ to a windows codepage. This should use accented characters correctly but won't
+ work if you're opening a DOS-based text file.
+ 
+ UPDATE: this is a new version, updated in august/2008. It has fixed leading
+ metrics for Mac systems.
+
+-------------------------------------------------------------------------------
+>> perfect dos vga 437 - creation process >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
+-------------------------------------------------------------------------------
+ 
+ This font was created to be used on a Flash-based ANSi viewer I'm working. To
+ create it, I created a small Quick Basic program to write all characters on
+ screen,
+ 
+  CLS
+  FOR l = 0 TO 255
+    charWrite 1 + (l MOD 20), 1 + (l \ 20) * 6 + (l MOD 2), LTRIM$(RTRIM$(STR$(l))) + CHR$(l)
+  NEXT
+  SUB charWrite (lin, col, char$)
+    DEF SEG = &HB800
+    FOR i = 1 TO LEN(char$)
+      POKE ((lin - 1) * 160) + ((col - 2 + i) * 2), ASC(MID$(char$, i, 1))
+      IF (i = LEN(char$)) THEN POKE ((lin - 1) * 160) + ((col - 2 + i) * 2) + 1, 113
+    NEXT
+  END SUB
+  
+ Then captured the text screen using SCREEN THIEF (a very, very old screen
+ capture TSR program which converts text screens to images accurately). I then
+ recreated the font polygon by polygon on Fontlab, while looking at the image
+ on Photoshop. No conversion took place.
+
+-------------------------------------------------------------------------------
+>> author >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
+-------------------------------------------------------------------------------
+
+ zeh fernando remembers the old days. SMASH DAH FUCKING ENTAH.
+
+ http://www.fatorcaos.com.br
+
+ rorshack ^ maiden brazil
+
+-------------------------------------------------------------------------------
+^zehPULLSdahTRICK^kudosOUTtoWHOkeepsITreal^smashDAHfuckingENTAH!!!^lowres4ever^
+-------------------------------------------------------------------------------

data/font/65001/LICENSE/AnonymousPro/FONTLOG.txt

@@ -0,0 +1,45 @@
+FONTLOG for Anonymous Pro
+
+This file provides detailed information on the Anonymous Pro Font Software. This information should be distributed along with the Anonymous Pro fonts and any derivative works.
+
+Anonymous Pro is a family of four fixed-width fonts designed especially with coding in mind. Characters that could be mistaken for one another (O, 0, I, l, 1, etc.) have distinct shapes to make them easier to tell apart in the context of source code.
+
+Anonymous Pro is distributed with the Open Font License (OFL).
+
+For more information, see the file "README for Anonymous Pro".
+
+Mark Simonson
+September 8, 2010
+Mark Simonson Studio LLC 
+http://www.ms-studio.com 
+mark@marksimonson.com
+
+CHANGELOG
+
+8 September 2010 (Mark Simonson) Anonymous Pro Version 1.002
+- Fixed (stupid) incorrect design of quotesinglbase and quotedblbase
+- Lengthened hyphen
+- Shortened underscore so that it is distinct from adjacent underscores
+- Increased the weight of the ampersand to make it visually the same weight as other glyphs
+- Adjusted vertical position of "<", ">" and math characters to align with hyphen
+- Modified design of Cyrillic "ze" to better distinguish it from "3"
+- Modified 12ppm and 13ppm "m" bitmap so it does not touch adjacent glyphs
+- Corrected asymmetrical parentheses in 13ppm bitmaps
+- Corrected missing encoding of .null and CR
+- Added installation instructions for Linux to README.txt
+
+9 October 2009 (Mark Simonson) Anonymous Pro Version 1.001
+- Lowered comma and comma portion of semicolon for better legibility
+- Tweaked design of quotesinglbase and quotedblbase
+- Tweaked bitmaps for period and other "dot" punctuation for better legibility
+- Fixed bad value in CVT that caused uneven cap height at some sizes on Windows
+- Corrected 13ppem bitmaps for omicrontonos
+- Switched to the SIL Open Font License (OFL)
+- Created FONTLOG and new README file
+
+10 June 2009 (Mark Simonson) Anonymous Pro Version 1.0
+- Initial release of Anonymous Pro fonts
+
+ACKNOWLEDGEMENTS
+
+Thanks to Susan Lesch and David Lamkins for creating the Anonymous 9 Macintosh bitmap font (1991-1994), the basis for the TrueType fonts Anonymous™ and its successor, Anonymous Pro.

data/font/65001/LICENSE/AnonymousPro/OFL-FAQ.txt

@@ -0,0 +1,235 @@
+OFL FAQ - Frequently Asked Questions about the SIL Open Font License (OFL)
+Version 1.1-update1 - 31 March 2009
+(See http://scripts.sil.org/OFL for updates)
+
+
+1  ABOUT USING AND DISTRIBUTING FONTS LICENSED UNDER THE OFL
+
+1.1  Can I use the fonts in any publication, even embedded in the file?
+Yes. You may use them like most other fonts, but unlike some fonts you may include an embedded subset of the fonts in your document. Such use does not require you to include this license or other files (listed in OFL condition 2), nor does it require any type of acknowledgement within the publication. Some mention of the font name within the publication information (such as in a colophon) is usually appreciated. If you wish to include the complete font as a separate file, you should distribute the full font package, including all existing acknowledgements, and comply with the OFL conditions. Of course, referencing or embedding an OFL font in any document does not change the license of the document itself. The requirement for fonts to remain under the OFL does not apply to any document created using the fonts and their derivatives. Similarly, creating any kind of graphic using a font under OFL does not make the resulting artwork subject to the OFL.
+
+1.2  Can I make web pages using these fonts?
+Yes! Go ahead! Using CSS (Cascading Style Sheets) is recommended. Direct usage of fonts retrieved from a remote server - also referred to as font linking - using cross-platform open standards like @font-face is encouraged. This is considered to be use and distribution for which the OFL explicitly grants permission. The font file itself is not embedded in the webpage but referenced through a web address (i.e. a URI regardless of file format or access protocol) which will cause the browser to retrieve and use the corresponding font to render the webpage. This usage scenario is different from font embedding within a document (i.e. a PDF) where the font or some of its elements become part of the document. Note that embedding in a document is also permitted by the license as indicated in 1.1. (See 1.10 for details related to URL-based access restrictions methods or DRM mechanisms).
+
+1.3  Can I make the fonts available to others from my web site?
+Yes, as long as you meet the conditions of the license (do not sell by itself, include the necessary files, include the necessary copyright and license information, rename Modified Versions, do not abuse the Author(s)' name(s) and do not sublicense). In the case where you are hosting fonts to be served on the web, make sure the file contains the needed copyright notice(s) and licensing information in its metadata. Please double-check the accuracy of every field to prevent contradictory information. If you are making the font available for use via the @font-face open standard, putting this information in the standard font metadata fields is sufficient. Other font formats, including EOT and proposed superior alternatives, already provide fields for this information. 
+
+1.4  Can the fonts be included with Free/Libre and Open Source Software collections such as GNU/Linux and BSD distributions?
+Yes! Fonts licensed under the OFL can be freely aggregated with software under FLOSS (Free/Libre and Open Source Software) licenses. Since fonts are much more useful aggregated to than merged with existing software, possible incompatibility with existing software licenses is not a problem. You can also repackage the fonts and the accompanying components in a .rpm or .deb package and include them in distro CD/DVDs and online repositories.
+
+1.5  I want to distribute the fonts with my program. Does this mean my program also has to be free/libre and open source software?
+No. Only the portions based on the Font Software are required to be released under the OFL. The intent of the license is to allow aggregation or bundling with software under restricted licensing as well.
+
+1.6  Can I include the fonts on a CD of freeware or commercial fonts?
+Yes, as long some other font or software is also on the disk, so the OFL font is not sold by itself.
+
+1.7  Can I sell a software package that includes these fonts?
+Yes, you can do this with both the Original Version and a Modified Version. Examples of bundling made possible by the OFL would include: word processors, design and publishing applications, training and educational software, edutainment software, etc.
+
+1.8  Why won't the OFL let me sell the fonts alone?
+The intent is to keep people from making money by simply redistributing the fonts. The only people who ought to profit directly from the fonts should be the original authors, and those authors have kindly given up potential direct income to distribute their fonts under the OFL. Please honor and respect their contribution!
+
+1.9  I've come across a font released under the OFL. How can I easily get more information about the Original Version? How can I know where it stands compared to the Original Version or other Modified Versions?
+Consult the copyright statement(s) in the license for ways to contact the original authors. Consult the FONTLOG for information on how the font differs from the Original Version, and get in touch with the various contributors via the information in the acknowledgment section. Please consider using the Original Versions of the fonts whenever possible.
+
+1.10  What do you mean in condition 4? Can you provide examples of abusive promotion / endorsement / advertisement vs. normal acknowledgement?
+The intent is that the goodwill and reputation of the author(s) should not be used in a way that makes it sound like the original author(s) endorse or approve of a specific Modified Version or software bundle. For example, it would not be right to advertise a word processor by naming the author(s) in a listing of software features, or to promote a Modified Version on a web site by saying "designed by ...". However, it would be appropriate to acknowledge the author(s) if your software package has a list of people who deserve thanks. We realize that this can seem to be a gray area, but the standard used to judge an acknowledgement is that if the acknowledgement benefits the author(s) it is allowed, but if it primarily benefits other parties, or could reflect poorly on the author(s), then it is not.
+
+1.11  Can Font Software released under the OFL be subject to URL-based access restrictions methods or DRM mechanisms?
+Yes, but these issues are out-of-scope for the OFL. The license itself neither encourages their use nor prohibits them since such mechanisms are not implemented in the components of the Font Software but through external software. Such restrictions are put in place for many different purposes corresponding to various usage scenarios. One common example is to limit potentially dangerous cross-site scripting attacks. However, in the spirit of libre/open fonts and unrestricted writing systems, we strongly encourage open sharing and reuse of OFL fonts, and the establishment of an environment where such restrictions are unnecessary. Note that whether you wish to use such mechanisms or you prefer not to, you must still abide by the rules set forth by the OFL when using fonts released by their authors under this license. Derivative fonts must be licensed under the OFL, even if they are part of a service for which you charge fees and/or for which access to source code is restricted. You may not sell the fonts on their own - they must be part of a larger software package or bundle. For example, even if the OFL font is distributed in a software package or via an online service using a DRM mechanism, the user would still have the right to extract that font, use, study, modify and redistribute it under the OFL.
+
+1.12  What about distributing fonts with a document? Within a compressed folder structure like an OpenDocument file (.odt) for example? Is it redistribution, bundling or embedding?
+The vast majority of the time, documents circulated in electronic form reference a font name which will match the corresponding font on the target system but do not carry the font within themselves. There may, however, be some cases where you need to bundle a font with the document. Certain document formats may allow the inclusion of an unmodified font within their file structure which consists of a compressed folder containing the various resources forming the document (such as pictures and thumbnails). Including fonts within such a structure is understood as being different from embedding but rather similar to bundling (or mere aggregation) for which the licensing makes explicit provision. In this case the font is conveyed unchanged whereas embedding a font transforms it from the original format. The OFL does not allow anyone to extract the font from such a structure to then redistribute it under another license. The explicit permission to redistribute and embed does not cancel the requirement for the Font Software to remain under the license chosen by its Author(s).
+
+1.13  If OFL fonts are extracted from a document in which they are embedded (such as a PDF file), what can be done with them? Is this a risk to Author(s)?
+The few utilities that can extract fonts embedded in a PDF will only output limited amounts of outlines - not a complete font. To create a working font from this method is much more difficult than finding the source of the original OFL font. So there is little chance that an OFL font would be extracted and redistributed inappropriately through this method. Even so, copyright laws address any misrepresentation of authorship. All Font Software released under the OFL and marked as such by the Author(s) is intended to remain under this license regardless of the distribution method, and cannot be redistributed under any other license. We strongly discourage any font extraction - we recommend directly using the font sources instead - but if you extract font outlines from a document please be considerate, use your common sense and respect the work of the Author(s) and the licensing model.
+
+1.14  What about sharing OFL fonts with friends on a CD, DVD or USB stick? 
+You are very welcome to share open fonts with friends, family and colleagues on such removable media. Please make sure that you share and share-alike as much as possible from what the Author(s) released and that you don't strip away useful information which may not be present in the binary font files themselves. Just remember that in the case where you sell the font, it has to come bundled with software.
+
+
+2  ABOUT MODIFYING OFL LICENSED FONTS
+
+2.1  Can I change the fonts? Are there any limitations to what things I can and cannot change?
+You are allowed to change anything, as long as such changes do not violate the terms of the license. In other words, you are not allowed to remove the copyright statement(s) from the font, but you could add additional information into it that covers your contribution.
+
+2.2  I have a font that needs a few extra glyphs - can I take them from an OFL licensed font and copy them into mine?
+Yes, but if you distribute that font to others it must be under the OFL, and include the information mentioned in condition 2 of the license.
+
+2.3  Can I charge people for my additional work? In other words, if I add a bunch of special glyphs and/or OpenType/Graphite code, can I sell the enhanced font?
+Not by itself. Derivative fonts must be released under the OFL and cannot be sold by themselves. It is permitted, however, to include them in a larger software package (such as text editors, office suites or operating systems), even if the larger package is sold. In that case, you are strongly encouraged, but not required, to also make that derived font easily and freely available outside of the larger package.
+
+2.4  Can I pay someone to enhance the fonts for my use and distribution?
+Yes. This is a good way to fund the further development of the fonts. Keep in mind, however, that if the font is distributed to others it must be under the OFL. You won't be able to recover your investment by exclusively selling the font, but you will be making a valuable contribution to the community. Please remember how you have benefitted from the contributions of others.
+
+2.5  I need to make substantial revisions to the font to make it work with my program. It will be a lot of work, and a big investment, and I want to be sure that it can only be distributed with my program. Can I restrict its use?
+No. If you redistribute a Modified Version of the font it must be under the OFL. You may not restrict it in any way. This is intended to ensure that all released improvements to the fonts become available to everyone. But you will likely get an edge over competitors by being the first to distribute a bundle with the enhancements. Again, please remember how you have benefitted from the contributions of others.
+
+2.6  Do I have to make any derivative fonts (including extended source files, build scripts, documentation, etc.) publicly available?
+No, but please do share your improvements with others. You may find that you receive more than what you gave in return.
+
+2.7  Why can't I use the Reserved Font Name(s) in my derivative font names? I'd like people to know where the design came from.
+The best way to acknowledge the source of the design is to thank the original authors and any other contributors in the files that are distributed with your revised font (although no acknowledgement is required). The FONTLOG is a natural place to do this. Reserved Font Name(s) ensure that the only fonts that have the original names are the unmodified Original Versions. This allows designers to maintain artistic integrity while allowing collaboration to happen. It eliminates potential confusion and name conflicts. When choosing a name be creative and avoid names that reuse almost all the same letters in the same order or sound like the original. Keep in mind that the Copyright Holder(s) can allow a specific trusted partner to use Reserved Font Name(s) through a separate written agreement.
+
+2.8  What do you mean by "primary name as presented to the user"? Are you referring to the font menu name?
+Yes, the requirement to change the visible name used to differentiate the font from others applies to the font menu name and other mechanisms to specify a font in a document. It would be fine, for example, to keep a text reference to the original fonts in the description field, in your modified source file or in documentation provided alongside your derivative as long as no one could be confused that your modified source is the original. But you cannot use the Reserved Font Names in any way to identify the font to the user (unless the Copyright Holder(s) allow(s) it through a separate agreement; see section 2.7). Users who install derivatives ("Modified Versions") on their systems should not see any of the original names ("Reserved Font Names") in their font menus, for example. Again, this is to ensure that users are not confused and do not mistake a font for another and so expect features only another derivative or the Original Version can actually offer. Ultimately, creating name conflicts will cause many problems for the users as well as for the designer of both the Original and Modified versions, so please think ahead and find a good name for your own derivative. Font substitution systems like fontconfig, or application-level font fallback configuration within OpenOffice.org or Scribus, will also get very confused if the name of the font they are configured to substitute to actually refers to another physical font on the user's hard drive. It will help everyone if Original Versions and Modified Versions can easily be distinguished from one another and from other derivatives. The substitution mechanism itself is outside the scope of the license. Users can always manually change a font reference in a document or set up some kind of substitution at a higher level but at the lower level the fonts themselves have to respect the Reserved Font Name(s) requirement to prevent ambiguity. If a substitution is currently active the user should be aware of it.
+
+2.9  Am I not allowed to use any part of the Reserved Font Names?
+You may not use the words of the font names, but you would be allowed to use parts of words, as long as you do not use any word from the Reserved Font Names entirely. We do not recommend using parts of words because of potential confusion, but it is allowed. For example, if "Foobar" was a Reserved Font Name, you would be allowed to use "Foo" or "bar", although we would not recommend it. Such an unfortunate choice would confuse the users of your fonts as well as make it harder for other designers to contribute.
+
+2.10  So what should I, as an author, identify as Reserved Font Names?
+Original authors are encouraged to name their fonts using clear, distinct names, and only declare the unique parts of the name as Reserved Font Names. For example, the author of a font called "Foobar Sans" would declare "Foobar" as a Reserved Font Name, but not "Sans", as that is a common typographical term, and may be a useful word to use in a derivative font name. Reserved Font Names should also be single words. A font called "Flowing River" should have Reserved Font Names "Flowing" and "River", not "Flowing River".
+
+2.11  Do I, as an author, have to identify any Reserved Font Names?
+No, but we strongly encourage you to do so. This is to avoid confusion between your work and Modified versions. You may, however, give certain trusted parties the right to use any of your Reserved Font Names through separate written agreements. For example, even if "Foobar" is a RFN, you could write up an agreement to give company "XYZ" the right to distribute a modified version with a name that includes "Foobar". This allows for freedom without confusion.
+
+2.12  Are any names (such as the main font name) reserved by default?
+No. That is a change to the license as of version 1.1. If you want any names to be Reserved Font Names, they must be specified after the copyright statement(s).
+
+2.13  What is this FONTLOG thing exactly?
+It has three purposes: 1) to provide basic information on the font to users and other developers, 2) to document changes that have been made to the font or accompanying files, either by the original authors or others, and 3) to provide a place to acknowledge the authors and other contributors. Please use it! See below for details on how changes should be noted.
+
+2.14  Am I required to update the FONTLOG?
+No, but users, designers and other developers might get very frustrated at you if you don't! People need to know how derivative fonts differ from the original, and how to take advantage of the changes, or build on them.
+
+
+3  ABOUT THE FONTLOG
+
+The FONTLOG can take a variety of formats, but should include these four sections:
+
+3.1  FONTLOG for <FontFamilyName>
+This file provides detailed information on the <FontFamilyName> Font Software. This information should be distributed along with the <FontFamilyName> fonts and any derivative works.
+
+3.2  Basic Font Information
+(Here is where you would describe the purpose and brief specifications for the font project, and where users can find more detailed documentation. It can also include references to how changes can be contributed back to the Original Version. You may also wish to include a short guide to the design, or a reference to such a document.)
+
+3.3  ChangeLog
+(This should list both major and minor changes, most recent first. Here are some examples:)
+
+7 February 2007 (Pat Johnson) <NewFontFamilyName> Version 1.3
+- Added Greek and Cyrillic glyphs
+- Released as "<NewFontFamilyName>"
+
+7 March 2006 (Fred Foobar) <NewFontFamilyName> Version 1.2
+- Tweaked contextual behaviours
+- Released as "<NewFontFamilyName>"
+
+1 Feb 2005 (Jane Doe) <NewFontFamilyName> Version 1.1
+- Improved build script performance and verbosity
+- Extended the smart code documentation
+- Corrected minor typos in the documentation
+- Fixed position of combining inverted breve below (U+032F)
+- Added OpenType/Graphite smart code for Armenian
+- Added Armenian glyphs (U+0531 -> U+0587) 
+- Released as "<NewFontFamilyName>"
+
+1 Jan 2005 (Joe Smith) <FontFamilyName> Version 1.0
+- Initial release of font "<FontFamilyName>"
+
+3.4  Acknowledgements
+(Here is where contributors can be acknowledged. 
+
+If you make modifications be sure to add your name (N), email (E), web-address (W) and description (D). This list is sorted by last name in alphabetical order.)
+
+N: Jane Doe
+E: jane@university.edu
+W: http://art.university.edu/projects/fonts
+D: Contributor - Armenian glyphs and code
+
+N: Fred Foobar
+E: fred@foobar.org
+W: http://foobar.org
+D: Contributor - misc Graphite fixes
+
+N: Pat Johnson
+E: pat@fontstudio.org
+W: http://pat.fontstudio.org
+D: Designer - Greek & Cyrillic glyphs based on Roman design
+
+N: Tom Parker
+E: tom@company.com
+W: http://www.company.com/tom/projects/fonts
+D: Engineer - original smart font code
+
+N: Joe Smith
+E: joe@fontstudio.org
+W: http://joe.fontstudio.org
+D: Designer - original Roman glyphs
+
+(Original authors can also include information here about their organization.)
+
+
+4  ABOUT MAKING CONTRIBUTIONS
+
+4.1  Why should I contribute my changes back to the original authors?
+It would benefit many people if you contributed back to what you've received. Providing your contributions and improvements to the fonts and other components (data files, source code, build scripts, documentation, etc.) could be a tremendous help and would encourage others to contribute as well and 'give back', which means you will have an opportunity to benefit from other people's contributions as well. Sometimes maintaining your own separate version takes more effort than merging back with the original. Be aware that any contributions, however, must be either your own original creation or work that you own, and you may be asked to affirm that clearly when you contribute.
+
+4.2  I've made some very nice improvements to the font, will you consider adopting them and putting them into future Original Versions?
+Most authors would be very happy to receive such contributions. Keep in mind that it is unlikely that they would want to incorporate major changes that would require additional work on their end. Any contributions would likely need to be made for all the fonts in a family and match the overall design and style. Authors are encouraged to include a guide to the design with the fonts. It would also help to have contributions submitted as patches or clearly marked changes (the use of smart source revision control systems like subversion, svk, mercurial, git or bzr is a good idea). Examples of useful contributions are bug fixes, additional glyphs, stylistic alternates (and the smart font code to access them) or improved hinting.
+
+4.3  How can I financially support the development of OFL fonts?
+It is likely that most authors of OFL fonts would accept financial contributions - contact them for instructions on how to do this. Such contributions would support future development. You can also pay for others to enhance the fonts and contribute the results back to the original authors for inclusion in the Original Version.
+
+
+5  ABOUT THE LICENSE
+
+5.1  I see that this is version 1.1 of the license. Will there be later changes?
+Version 1.1 is the first minor revision of the OFL. We are confident that version 1.1 will meet most needs, but are open to future improvements. Any revisions would be for future font releases, and previously existing licenses would remain in effect. No retroactive changes are possible, although the Copyright Holder(s) can re-release the font under a revised OFL. All versions will be available on our web site: http://scripts.sil.org/OFL.
+
+5.2  Can I use the SIL Open Font License for my own fonts?
+Yes! We heartily encourage anyone to use the OFL to distribute their own original fonts. It is a carefully constructed license that allows great freedom along with enough artistic integrity protection for the work of the authors as well as clear rules for other contributors and those who redistribute the fonts. Some additional information about using the OFL is included at the end of this FAQ.
+
+5.3  Does this license restrict the rights of the Copyright Holder(s)?
+No. The Copyright Holder(s) still retain(s) all the rights to their creation; they are only releasing a portion of it for use in a specific way. For example, the Copyright Holder(s) may choose to release a 'basic' version of their font under the OFL, but sell a restricted 'enhanced' version. Only the Copyright Holder(s) can do this.
+
+5.4 Is the OFL a contract or a license?
+The OFL is a license and not a contract and so does not require you to sign it to have legal validity. By using, modifying and redistributing components under the OFL you indicate that you accept the license.
+
+5.5 How about translating the license and the FAQ into other languages?
+SIL certainly recognises the need for people who are not familiar with English to be able to understand the OFL and this FAQ better in their own language. Making the license very clear and readable is a key goal of the OFL.
+
+If you are an experienced translator, you are very welcome to help by translating the OFL and its FAQ so that designers and users in your language community can understand the license better. But only the original English version of the license has legal value and has been approved by the community. Translations do not count as legal substitutes and should only serve as a way to explain the original license. SIL - as the author and steward of the license for the community at large - does not approve any translation of the OFL as legally valid because even small translation ambiguities could be abused and create problems.
+
+We give permission to publish unofficial translations into other languages provided that they comply with the following guidelines:
+
+- put the following disclaimer in both English and the target language stating clearly that the translation is unofficial:
+
+"This is an unofficial translation of the SIL Open Font License into $language. It was not published by SIL International, and does not legally state the distribution terms for fonts that use the OFL. A release under the OFL is only valid when using the original English text.
+
+However, we recognize that this unofficial translation will help users and designers not familiar with English to understand the SIL OFL better and make it easier to use and release font families under this collaborative font design model. We encourage designers who consider releasing their creation under the OFL to read the FAQ in their own language if it is available.
+ 
+Please go to http://scripts.sil.org/OFL for the official version of the license and the accompanying FAQ."
+
+- keep your unofficial translation current and update it at our request if needed, for example if there is any ambiguity which could lead to confusion.  
+
+If you start such a unofficial translation effort of the OFL and its accompanying FAQ please let us know, thank you.
+
+
+6  ABOUT SIL INTERNATIONAL
+
+6.1  Who is SIL International and what does it do?
+SIL International is a worldwide faith-based education and development organization (NGO) that studies, documents, and assists in developing the world's lesser-known languages through literacy, linguistics, translation, and other academic disciplines. SIL makes its services available to all without regard to religious belief, political ideology, gender, race, or ethnic background. SIL's members and volunteers share a Christian commitment.
+
+6.2  What does this have to do with font licensing?
+The ability to read, write, type and publish in one's own language is one of the most critical needs for millions of people around the world. This requires fonts that are widely available and support lesser-known languages. SIL develops - and encourages others to develop - a complete stack of writing systems implementation components available under open licenses. This open stack includes input methods, smart fonts, smart rendering libraries and smart applications. There has been a need for a common open license that is specifically applicable to fonts and related software (a crucial component of this stack) so SIL developed the SIL Open Font License with the help of the FLOSS community.
+
+6.3  How can I contact SIL?
+Our main web site is: http://www.sil.org/
+Our site about complex scripts is: http://scripts.sil.org/
+Information about this license (including contact email information) is at: http://scripts.sil.org/OFL
+
+
+7  ABOUT USING THE OFL FOR YOUR ORIGINAL FONTS
+
+If you want to release your fonts under the OFL, you only need to do the following:
+
+7.1  Put your copyright and reserved font names information in the beginning of the main OFL file (simply use the dedicated placeholders).
+7.2  Put your copyright and the OFL references in your various font files (such as in the copyright, license and description fields) and in your other components (build scripts, glyph databases, documentation, rendering samples, etc). Accurate metadata in your font files is beneficial to you as an increasing number of applications are exposing this information to the user. For example, clickable links can bring users back to your website and let them know about other work you have done or services you provide. Depending on the format of your fonts and sources, you can use template human-readable headers or machine-readable metadata.
+7.3  Write an initial FONTLOG for your font and include it in the release package.
+7.4  Include the OFL license file in your release package.
+7.5  We also highly recommend you include the relevant practical documentation on the license by putting the OFL-FAQ in your package.
+7.6  If you wish, you can use the OFL Graphics on your web page.
+
+That's all. If you have any more questions please get in touch with us.
+
+