weed-cli 2.8.10__tar.gz → 2.9.0__tar.gz
This diff represents the content of publicly available package versions that have been released to one of the supported registries. The information contained in this diff is provided for informational purposes only and reflects changes between package versions as they appear in their respective public registries.
- {weed_cli-2.8.10 → weed_cli-2.9.0}/PKG-INFO +28 -5
- {weed_cli-2.8.10 → weed_cli-2.9.0}/README.md +27 -4
- {weed_cli-2.8.10 → weed_cli-2.9.0}/pyproject.toml +1 -1
- {weed_cli-2.8.10 → weed_cli-2.9.0}/weed_cli.egg-info/PKG-INFO +28 -5
- {weed_cli-2.8.10 → weed_cli-2.9.0}/LICENSE +0 -0
- {weed_cli-2.8.10 → weed_cli-2.9.0}/dht.py +0 -0
- {weed_cli-2.8.10 → weed_cli-2.9.0}/discovery_relay.py +0 -0
- {weed_cli-2.8.10 → weed_cli-2.9.0}/lightning_settle.py +0 -0
- {weed_cli-2.8.10 → weed_cli-2.9.0}/node.py +0 -0
- {weed_cli-2.8.10 → weed_cli-2.9.0}/poc_reputation.py +0 -0
- {weed_cli-2.8.10 → weed_cli-2.9.0}/setup.cfg +0 -0
- {weed_cli-2.8.10 → weed_cli-2.9.0}/shell.py +0 -0
- {weed_cli-2.8.10 → weed_cli-2.9.0}/tests/test_dht.py +0 -0
- {weed_cli-2.8.10 → weed_cli-2.9.0}/tests/test_discovery_relay.py +0 -0
- {weed_cli-2.8.10 → weed_cli-2.9.0}/tests/test_host_live_reload.py +0 -0
- {weed_cli-2.8.10 → weed_cli-2.9.0}/tests/test_kodi_addon.py +0 -0
- {weed_cli-2.8.10 → weed_cli-2.9.0}/tests/test_node_manifest.py +0 -0
- {weed_cli-2.8.10 → weed_cli-2.9.0}/tests/test_orbit_audio.py +0 -0
- {weed_cli-2.8.10 → weed_cli-2.9.0}/tests/test_orbit_ws.py +0 -0
- {weed_cli-2.8.10 → weed_cli-2.9.0}/tests/test_timing_challenge.py +0 -0
- {weed_cli-2.8.10 → weed_cli-2.9.0}/tests/test_tunnel_failover.py +0 -0
- {weed_cli-2.8.10 → weed_cli-2.9.0}/tests/test_web_ui_api.py +0 -0
- {weed_cli-2.8.10 → weed_cli-2.9.0}/tests/testutil.py +0 -0
- {weed_cli-2.8.10 → weed_cli-2.9.0}/tunnel_relay.py +0 -0
- {weed_cli-2.8.10 → weed_cli-2.9.0}/web_ui.py +0 -0
- {weed_cli-2.8.10 → weed_cli-2.9.0}/weed.py +0 -0
- {weed_cli-2.8.10 → weed_cli-2.9.0}/weed_cli.egg-info/SOURCES.txt +0 -0
- {weed_cli-2.8.10 → weed_cli-2.9.0}/weed_cli.egg-info/dependency_links.txt +0 -0
- {weed_cli-2.8.10 → weed_cli-2.9.0}/weed_cli.egg-info/entry_points.txt +0 -0
- {weed_cli-2.8.10 → weed_cli-2.9.0}/weed_cli.egg-info/requires.txt +0 -0
- {weed_cli-2.8.10 → weed_cli-2.9.0}/weed_cli.egg-info/top_level.txt +0 -0
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Metadata-Version: 2.4
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Name: weed-cli
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Version: 2.
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Version: 2.9.0
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Summary: Censorship-resistant video PoC — discovery/hosting/download over signed relay events, a real Kademlia DHT, or a TLS-capable NAT-traversal tunnel
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License: MIT
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Keywords: p2p,video,censorship-resistant,discovery,dht,kademlia,nat-traversal
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the track's audio (Web Audio analyser) and a low-res sample of its
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picture. Eleven built-in modes — Tunnel, Bars, Mirror, Scope, Spiral,
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Pixels, ASCII (six character sets, natural or neon), Plasma, Kaleido,
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Particles, Freefall — plus the thirty-
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Particles, Freefall — plus the thirty-four in `web/orbit_extras.js` (next
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section). Click the lit mode again for the plain video. Speed, React and
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Zoom retune every mode; every setting persists in the browser.
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`/api/orbit-view` for VLC (`vlc --demux=mjpeg --network-caching=300
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<url>`; 🔗 copies the URL, token included), a Roku IP-camera viewer,
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or the guest party page. Resolution and JPEG quality are selectable;
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the ⏱ slider
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the ⏱ slider shifts sound against picture up to 10 s either way:
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right holds the local speakers back for a laggy picture (the stream in
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VLC), left holds the picture back (player, visualizer and the stream
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alike) for sound that arrives late, such as AirPlay mirroring or
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Bluetooth. Double-click resets it to 0. While it runs the canvas is held at the stream's 16:9
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(letterboxed on screen if the window isn't), so the frame is filled
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edge to edge and never distorted whatever shape the window is. The
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stream keeps running while the visualizer is closed, minimised to PIP,
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loud -- rising through a turbulence that makes the tongues lick, curl and
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taper to points, gusting in a wind, over the video -- at full resolution,
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dimmed, each flame shading it so the fire reads on a bright picture, Zoom
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and drag framing it -- and every kick flaring the bed and throwing a shower of sparks)
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and drag framing it -- and every kick flaring the bed and throwing a shower of sparks) and
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LMan (The Lawnmower Man: Jobe's 1992 cyberspace, a flight down a twisting neon
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wireframe tunnel whose rings bulge with the spectrum, its panels a
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checkerboard of bright, glowing screens playing the video, with chrome mirrors among them
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reflecting the head, past spinning
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wireframe shards, toward a flat-shaded low-poly head that morphs between
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a face, a ball, a crystal and a spiked star, each vertex pushed out by its
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own band and its faces lit by the video, all on springs so it jiggles like
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flubber; now and then it melts into a far finer liquid ball that is drawn
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out into an hourglass the way a ball of water stretches between two fingers
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in zero g, necking to a thread, then swells back and explodes under control,
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the liquid's polygons flying out while the faceted head's fly back in and
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lock into place; every kick flashing the tunnel
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and a big hit putting "I AM GOD HERE" up in chrome) and
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Attractor (a strange attractor traced in light by ten thousand
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particles riding its flow, each trailing a long streak, the camera orbiting it: Lorenz's butterfly,
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Aizawa, Thomas and Halvorsen in turn, each particle as bright as its
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band, the bass bending the system's own parameter, the video showing
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through the streaks, every kick shoving the cloud outward to fall back
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onto the shape, and on a change of system the cloud unravelling from
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one into the next),
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plus the Melt, Dissolve, Iris, Shatter, Wave, Spin, Zoom
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blur, RGB split, VHS, Win95, Blinds, Flip tiles, CRT off, Droplet, Blur,
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Slide, Flash, Desktop cube, Carousel and Doors transitions (the 3D ones
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the track's audio (Web Audio analyser) and a low-res sample of its
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picture. Eleven built-in modes — Tunnel, Bars, Mirror, Scope, Spiral,
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Pixels, ASCII (six character sets, natural or neon), Plasma, Kaleido,
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-
Particles, Freefall — plus the thirty-
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+
Particles, Freefall — plus the thirty-four in `web/orbit_extras.js` (next
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section). Click the lit mode again for the plain video. Speed, React and
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Zoom retune every mode; every setting persists in the browser.
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@@ -213,8 +213,11 @@ Zoom retune every mode; every setting persists in the browser.
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`/api/orbit-view` for VLC (`vlc --demux=mjpeg --network-caching=300
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<url>`; 🔗 copies the URL, token included), a Roku IP-camera viewer,
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or the guest party page. Resolution and JPEG quality are selectable;
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-
the ⏱ slider
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-
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the ⏱ slider shifts sound against picture up to 10 s either way:
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+
right holds the local speakers back for a laggy picture (the stream in
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+
VLC), left holds the picture back (player, visualizer and the stream
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alike) for sound that arrives late, such as AirPlay mirroring or
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Bluetooth. Double-click resets it to 0. While it runs the canvas is held at the stream's 16:9
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(letterboxed on screen if the window isn't), so the frame is filled
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edge to edge and never distorted whatever shape the window is. The
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stream keeps running while the visualizer is closed, minimised to PIP,
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@@ -348,7 +351,27 @@ left, treble on the right, each burner's tongue as tall as its band is
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loud -- rising through a turbulence that makes the tongues lick, curl and
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taper to points, gusting in a wind, over the video -- at full resolution,
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dimmed, each flame shading it so the fire reads on a bright picture, Zoom
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and drag framing it -- and every kick flaring the bed and throwing a shower of sparks)
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and drag framing it -- and every kick flaring the bed and throwing a shower of sparks) and
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LMan (The Lawnmower Man: Jobe's 1992 cyberspace, a flight down a twisting neon
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wireframe tunnel whose rings bulge with the spectrum, its panels a
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checkerboard of bright, glowing screens playing the video, with chrome mirrors among them
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reflecting the head, past spinning
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wireframe shards, toward a flat-shaded low-poly head that morphs between
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a face, a ball, a crystal and a spiked star, each vertex pushed out by its
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own band and its faces lit by the video, all on springs so it jiggles like
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flubber; now and then it melts into a far finer liquid ball that is drawn
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out into an hourglass the way a ball of water stretches between two fingers
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in zero g, necking to a thread, then swells back and explodes under control,
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the liquid's polygons flying out while the faceted head's fly back in and
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lock into place; every kick flashing the tunnel
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and a big hit putting "I AM GOD HERE" up in chrome) and
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Attractor (a strange attractor traced in light by ten thousand
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particles riding its flow, each trailing a long streak, the camera orbiting it: Lorenz's butterfly,
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Aizawa, Thomas and Halvorsen in turn, each particle as bright as its
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band, the bass bending the system's own parameter, the video showing
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through the streaks, every kick shoving the cloud outward to fall back
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onto the shape, and on a change of system the cloud unravelling from
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one into the next),
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plus the Melt, Dissolve, Iris, Shatter, Wave, Spin, Zoom
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blur, RGB split, VHS, Win95, Blinds, Flip tiles, CRT off, Droplet, Blur,
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Slide, Flash, Desktop cube, Carousel and Doors transitions (the 3D ones
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[project]
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name = "weed-cli"
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version = "2.
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version = "2.9.0"
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description = "Censorship-resistant video PoC — discovery/hosting/download over signed relay events, a real Kademlia DHT, or a TLS-capable NAT-traversal tunnel"
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readme = "README.md"
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license = { text = "MIT" }
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Metadata-Version: 2.4
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Name: weed-cli
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Version: 2.
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+
Version: 2.9.0
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Summary: Censorship-resistant video PoC — discovery/hosting/download over signed relay events, a real Kademlia DHT, or a TLS-capable NAT-traversal tunnel
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License: MIT
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Keywords: p2p,video,censorship-resistant,discovery,dht,kademlia,nat-traversal
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@@ -226,7 +226,7 @@ The player's 🌀 button opens the **Orbit Visualizer**: a canvas driven by
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226
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the track's audio (Web Audio analyser) and a low-res sample of its
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227
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picture. Eleven built-in modes — Tunnel, Bars, Mirror, Scope, Spiral,
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228
228
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Pixels, ASCII (six character sets, natural or neon), Plasma, Kaleido,
|
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229
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-
Particles, Freefall — plus the thirty-
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229
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+
Particles, Freefall — plus the thirty-four in `web/orbit_extras.js` (next
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section). Click the lit mode again for the plain video. Speed, React and
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Zoom retune every mode; every setting persists in the browser.
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@@ -245,8 +245,11 @@ Zoom retune every mode; every setting persists in the browser.
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245
245
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`/api/orbit-view` for VLC (`vlc --demux=mjpeg --network-caching=300
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246
246
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<url>`; 🔗 copies the URL, token included), a Roku IP-camera viewer,
|
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247
247
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or the guest party page. Resolution and JPEG quality are selectable;
|
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248
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-
the ⏱ slider
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249
|
-
|
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248
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+
the ⏱ slider shifts sound against picture up to 10 s either way:
|
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249
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+
right holds the local speakers back for a laggy picture (the stream in
|
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250
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+
VLC), left holds the picture back (player, visualizer and the stream
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251
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+
alike) for sound that arrives late, such as AirPlay mirroring or
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252
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Bluetooth. Double-click resets it to 0. While it runs the canvas is held at the stream's 16:9
|
|
250
253
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(letterboxed on screen if the window isn't), so the frame is filled
|
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251
254
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edge to edge and never distorted whatever shape the window is. The
|
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252
255
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stream keeps running while the visualizer is closed, minimised to PIP,
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@@ -380,7 +383,27 @@ left, treble on the right, each burner's tongue as tall as its band is
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380
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loud -- rising through a turbulence that makes the tongues lick, curl and
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381
384
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taper to points, gusting in a wind, over the video -- at full resolution,
|
|
382
385
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dimmed, each flame shading it so the fire reads on a bright picture, Zoom
|
|
383
|
-
and drag framing it -- and every kick flaring the bed and throwing a shower of sparks)
|
|
386
|
+
and drag framing it -- and every kick flaring the bed and throwing a shower of sparks) and
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387
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+
LMan (The Lawnmower Man: Jobe's 1992 cyberspace, a flight down a twisting neon
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388
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+
wireframe tunnel whose rings bulge with the spectrum, its panels a
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389
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+
checkerboard of bright, glowing screens playing the video, with chrome mirrors among them
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390
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+
reflecting the head, past spinning
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391
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+
wireframe shards, toward a flat-shaded low-poly head that morphs between
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392
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+
a face, a ball, a crystal and a spiked star, each vertex pushed out by its
|
|
393
|
+
own band and its faces lit by the video, all on springs so it jiggles like
|
|
394
|
+
flubber; now and then it melts into a far finer liquid ball that is drawn
|
|
395
|
+
out into an hourglass the way a ball of water stretches between two fingers
|
|
396
|
+
in zero g, necking to a thread, then swells back and explodes under control,
|
|
397
|
+
the liquid's polygons flying out while the faceted head's fly back in and
|
|
398
|
+
lock into place; every kick flashing the tunnel
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|
399
|
+
and a big hit putting "I AM GOD HERE" up in chrome) and
|
|
400
|
+
Attractor (a strange attractor traced in light by ten thousand
|
|
401
|
+
particles riding its flow, each trailing a long streak, the camera orbiting it: Lorenz's butterfly,
|
|
402
|
+
Aizawa, Thomas and Halvorsen in turn, each particle as bright as its
|
|
403
|
+
band, the bass bending the system's own parameter, the video showing
|
|
404
|
+
through the streaks, every kick shoving the cloud outward to fall back
|
|
405
|
+
onto the shape, and on a change of system the cloud unravelling from
|
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406
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+
one into the next),
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384
407
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plus the Melt, Dissolve, Iris, Shatter, Wave, Spin, Zoom
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385
408
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blur, RGB split, VHS, Win95, Blinds, Flip tiles, CRT off, Droplet, Blur,
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386
409
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Slide, Flash, Desktop cube, Carousel and Doors transitions (the 3D ones
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