weed-cli 2.8.10__tar.gz → 2.9.0__tar.gz

This diff represents the content of publicly available package versions that have been released to one of the supported registries. The information contained in this diff is provided for informational purposes only and reflects changes between package versions as they appear in their respective public registries.
Files changed (31) hide show
  1. {weed_cli-2.8.10 → weed_cli-2.9.0}/PKG-INFO +28 -5
  2. {weed_cli-2.8.10 → weed_cli-2.9.0}/README.md +27 -4
  3. {weed_cli-2.8.10 → weed_cli-2.9.0}/pyproject.toml +1 -1
  4. {weed_cli-2.8.10 → weed_cli-2.9.0}/weed_cli.egg-info/PKG-INFO +28 -5
  5. {weed_cli-2.8.10 → weed_cli-2.9.0}/LICENSE +0 -0
  6. {weed_cli-2.8.10 → weed_cli-2.9.0}/dht.py +0 -0
  7. {weed_cli-2.8.10 → weed_cli-2.9.0}/discovery_relay.py +0 -0
  8. {weed_cli-2.8.10 → weed_cli-2.9.0}/lightning_settle.py +0 -0
  9. {weed_cli-2.8.10 → weed_cli-2.9.0}/node.py +0 -0
  10. {weed_cli-2.8.10 → weed_cli-2.9.0}/poc_reputation.py +0 -0
  11. {weed_cli-2.8.10 → weed_cli-2.9.0}/setup.cfg +0 -0
  12. {weed_cli-2.8.10 → weed_cli-2.9.0}/shell.py +0 -0
  13. {weed_cli-2.8.10 → weed_cli-2.9.0}/tests/test_dht.py +0 -0
  14. {weed_cli-2.8.10 → weed_cli-2.9.0}/tests/test_discovery_relay.py +0 -0
  15. {weed_cli-2.8.10 → weed_cli-2.9.0}/tests/test_host_live_reload.py +0 -0
  16. {weed_cli-2.8.10 → weed_cli-2.9.0}/tests/test_kodi_addon.py +0 -0
  17. {weed_cli-2.8.10 → weed_cli-2.9.0}/tests/test_node_manifest.py +0 -0
  18. {weed_cli-2.8.10 → weed_cli-2.9.0}/tests/test_orbit_audio.py +0 -0
  19. {weed_cli-2.8.10 → weed_cli-2.9.0}/tests/test_orbit_ws.py +0 -0
  20. {weed_cli-2.8.10 → weed_cli-2.9.0}/tests/test_timing_challenge.py +0 -0
  21. {weed_cli-2.8.10 → weed_cli-2.9.0}/tests/test_tunnel_failover.py +0 -0
  22. {weed_cli-2.8.10 → weed_cli-2.9.0}/tests/test_web_ui_api.py +0 -0
  23. {weed_cli-2.8.10 → weed_cli-2.9.0}/tests/testutil.py +0 -0
  24. {weed_cli-2.8.10 → weed_cli-2.9.0}/tunnel_relay.py +0 -0
  25. {weed_cli-2.8.10 → weed_cli-2.9.0}/web_ui.py +0 -0
  26. {weed_cli-2.8.10 → weed_cli-2.9.0}/weed.py +0 -0
  27. {weed_cli-2.8.10 → weed_cli-2.9.0}/weed_cli.egg-info/SOURCES.txt +0 -0
  28. {weed_cli-2.8.10 → weed_cli-2.9.0}/weed_cli.egg-info/dependency_links.txt +0 -0
  29. {weed_cli-2.8.10 → weed_cli-2.9.0}/weed_cli.egg-info/entry_points.txt +0 -0
  30. {weed_cli-2.8.10 → weed_cli-2.9.0}/weed_cli.egg-info/requires.txt +0 -0
  31. {weed_cli-2.8.10 → weed_cli-2.9.0}/weed_cli.egg-info/top_level.txt +0 -0
@@ -1,6 +1,6 @@
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  Metadata-Version: 2.4
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  Name: weed-cli
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- Version: 2.8.10
3
+ Version: 2.9.0
4
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  Summary: Censorship-resistant video PoC — discovery/hosting/download over signed relay events, a real Kademlia DHT, or a TLS-capable NAT-traversal tunnel
5
5
  License: MIT
6
6
  Keywords: p2p,video,censorship-resistant,discovery,dht,kademlia,nat-traversal
@@ -226,7 +226,7 @@ The player's 🌀 button opens the **Orbit Visualizer**: a canvas driven by
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  the track's audio (Web Audio analyser) and a low-res sample of its
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  picture. Eleven built-in modes — Tunnel, Bars, Mirror, Scope, Spiral,
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  Pixels, ASCII (six character sets, natural or neon), Plasma, Kaleido,
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- Particles, Freefall — plus the thirty-three in `web/orbit_extras.js` (next
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+ Particles, Freefall — plus the thirty-four in `web/orbit_extras.js` (next
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  section). Click the lit mode again for the plain video. Speed, React and
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  Zoom retune every mode; every setting persists in the browser.
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@@ -245,8 +245,11 @@ Zoom retune every mode; every setting persists in the browser.
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  `/api/orbit-view` for VLC (`vlc --demux=mjpeg --network-caching=300
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  <url>`; 🔗 copies the URL, token included), a Roku IP-camera viewer,
247
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  or the guest party page. Resolution and JPEG quality are selectable;
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- the ⏱ slider delays the local audio by up to 10 s to line up with a
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- laggy viewer. While it runs the canvas is held at the stream's 16:9
248
+ the ⏱ slider shifts sound against picture up to 10 s either way:
249
+ right holds the local speakers back for a laggy picture (the stream in
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+ VLC), left holds the picture back (player, visualizer and the stream
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+ alike) for sound that arrives late, such as AirPlay mirroring or
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+ Bluetooth. Double-click resets it to 0. While it runs the canvas is held at the stream's 16:9
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  (letterboxed on screen if the window isn't), so the frame is filled
251
254
  edge to edge and never distorted whatever shape the window is. The
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  stream keeps running while the visualizer is closed, minimised to PIP,
@@ -380,7 +383,27 @@ left, treble on the right, each burner's tongue as tall as its band is
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  loud -- rising through a turbulence that makes the tongues lick, curl and
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  taper to points, gusting in a wind, over the video -- at full resolution,
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  dimmed, each flame shading it so the fire reads on a bright picture, Zoom
383
- and drag framing it -- and every kick flaring the bed and throwing a shower of sparks),
386
+ and drag framing it -- and every kick flaring the bed and throwing a shower of sparks) and
387
+ LMan (The Lawnmower Man: Jobe's 1992 cyberspace, a flight down a twisting neon
388
+ wireframe tunnel whose rings bulge with the spectrum, its panels a
389
+ checkerboard of bright, glowing screens playing the video, with chrome mirrors among them
390
+ reflecting the head, past spinning
391
+ wireframe shards, toward a flat-shaded low-poly head that morphs between
392
+ a face, a ball, a crystal and a spiked star, each vertex pushed out by its
393
+ own band and its faces lit by the video, all on springs so it jiggles like
394
+ flubber; now and then it melts into a far finer liquid ball that is drawn
395
+ out into an hourglass the way a ball of water stretches between two fingers
396
+ in zero g, necking to a thread, then swells back and explodes under control,
397
+ the liquid's polygons flying out while the faceted head's fly back in and
398
+ lock into place; every kick flashing the tunnel
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+ and a big hit putting "I AM GOD HERE" up in chrome) and
400
+ Attractor (a strange attractor traced in light by ten thousand
401
+ particles riding its flow, each trailing a long streak, the camera orbiting it: Lorenz's butterfly,
402
+ Aizawa, Thomas and Halvorsen in turn, each particle as bright as its
403
+ band, the bass bending the system's own parameter, the video showing
404
+ through the streaks, every kick shoving the cloud outward to fall back
405
+ onto the shape, and on a change of system the cloud unravelling from
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+ one into the next),
384
407
  plus the Melt, Dissolve, Iris, Shatter, Wave, Spin, Zoom
385
408
  blur, RGB split, VHS, Win95, Blinds, Flip tiles, CRT off, Droplet, Blur,
386
409
  Slide, Flash, Desktop cube, Carousel and Doors transitions (the 3D ones
@@ -194,7 +194,7 @@ The player's 🌀 button opens the **Orbit Visualizer**: a canvas driven by
194
194
  the track's audio (Web Audio analyser) and a low-res sample of its
195
195
  picture. Eleven built-in modes — Tunnel, Bars, Mirror, Scope, Spiral,
196
196
  Pixels, ASCII (six character sets, natural or neon), Plasma, Kaleido,
197
- Particles, Freefall — plus the thirty-three in `web/orbit_extras.js` (next
197
+ Particles, Freefall — plus the thirty-four in `web/orbit_extras.js` (next
198
198
  section). Click the lit mode again for the plain video. Speed, React and
199
199
  Zoom retune every mode; every setting persists in the browser.
200
200
 
@@ -213,8 +213,11 @@ Zoom retune every mode; every setting persists in the browser.
213
213
  `/api/orbit-view` for VLC (`vlc --demux=mjpeg --network-caching=300
214
214
  <url>`; 🔗 copies the URL, token included), a Roku IP-camera viewer,
215
215
  or the guest party page. Resolution and JPEG quality are selectable;
216
- the ⏱ slider delays the local audio by up to 10 s to line up with a
217
- laggy viewer. While it runs the canvas is held at the stream's 16:9
216
+ the ⏱ slider shifts sound against picture up to 10 s either way:
217
+ right holds the local speakers back for a laggy picture (the stream in
218
+ VLC), left holds the picture back (player, visualizer and the stream
219
+ alike) for sound that arrives late, such as AirPlay mirroring or
220
+ Bluetooth. Double-click resets it to 0. While it runs the canvas is held at the stream's 16:9
218
221
  (letterboxed on screen if the window isn't), so the frame is filled
219
222
  edge to edge and never distorted whatever shape the window is. The
220
223
  stream keeps running while the visualizer is closed, minimised to PIP,
@@ -348,7 +351,27 @@ left, treble on the right, each burner's tongue as tall as its band is
348
351
  loud -- rising through a turbulence that makes the tongues lick, curl and
349
352
  taper to points, gusting in a wind, over the video -- at full resolution,
350
353
  dimmed, each flame shading it so the fire reads on a bright picture, Zoom
351
- and drag framing it -- and every kick flaring the bed and throwing a shower of sparks),
354
+ and drag framing it -- and every kick flaring the bed and throwing a shower of sparks) and
355
+ LMan (The Lawnmower Man: Jobe's 1992 cyberspace, a flight down a twisting neon
356
+ wireframe tunnel whose rings bulge with the spectrum, its panels a
357
+ checkerboard of bright, glowing screens playing the video, with chrome mirrors among them
358
+ reflecting the head, past spinning
359
+ wireframe shards, toward a flat-shaded low-poly head that morphs between
360
+ a face, a ball, a crystal and a spiked star, each vertex pushed out by its
361
+ own band and its faces lit by the video, all on springs so it jiggles like
362
+ flubber; now and then it melts into a far finer liquid ball that is drawn
363
+ out into an hourglass the way a ball of water stretches between two fingers
364
+ in zero g, necking to a thread, then swells back and explodes under control,
365
+ the liquid's polygons flying out while the faceted head's fly back in and
366
+ lock into place; every kick flashing the tunnel
367
+ and a big hit putting "I AM GOD HERE" up in chrome) and
368
+ Attractor (a strange attractor traced in light by ten thousand
369
+ particles riding its flow, each trailing a long streak, the camera orbiting it: Lorenz's butterfly,
370
+ Aizawa, Thomas and Halvorsen in turn, each particle as bright as its
371
+ band, the bass bending the system's own parameter, the video showing
372
+ through the streaks, every kick shoving the cloud outward to fall back
373
+ onto the shape, and on a change of system the cloud unravelling from
374
+ one into the next),
352
375
  plus the Melt, Dissolve, Iris, Shatter, Wave, Spin, Zoom
353
376
  blur, RGB split, VHS, Win95, Blinds, Flip tiles, CRT off, Droplet, Blur,
354
377
  Slide, Flash, Desktop cube, Carousel and Doors transitions (the 3D ones
@@ -4,7 +4,7 @@ build-backend = "setuptools.build_meta"
4
4
 
5
5
  [project]
6
6
  name = "weed-cli"
7
- version = "2.8.10"
7
+ version = "2.9.0"
8
8
  description = "Censorship-resistant video PoC — discovery/hosting/download over signed relay events, a real Kademlia DHT, or a TLS-capable NAT-traversal tunnel"
9
9
  readme = "README.md"
10
10
  license = { text = "MIT" }
@@ -1,6 +1,6 @@
1
1
  Metadata-Version: 2.4
2
2
  Name: weed-cli
3
- Version: 2.8.10
3
+ Version: 2.9.0
4
4
  Summary: Censorship-resistant video PoC — discovery/hosting/download over signed relay events, a real Kademlia DHT, or a TLS-capable NAT-traversal tunnel
5
5
  License: MIT
6
6
  Keywords: p2p,video,censorship-resistant,discovery,dht,kademlia,nat-traversal
@@ -226,7 +226,7 @@ The player's 🌀 button opens the **Orbit Visualizer**: a canvas driven by
226
226
  the track's audio (Web Audio analyser) and a low-res sample of its
227
227
  picture. Eleven built-in modes — Tunnel, Bars, Mirror, Scope, Spiral,
228
228
  Pixels, ASCII (six character sets, natural or neon), Plasma, Kaleido,
229
- Particles, Freefall — plus the thirty-three in `web/orbit_extras.js` (next
229
+ Particles, Freefall — plus the thirty-four in `web/orbit_extras.js` (next
230
230
  section). Click the lit mode again for the plain video. Speed, React and
231
231
  Zoom retune every mode; every setting persists in the browser.
232
232
 
@@ -245,8 +245,11 @@ Zoom retune every mode; every setting persists in the browser.
245
245
  `/api/orbit-view` for VLC (`vlc --demux=mjpeg --network-caching=300
246
246
  <url>`; 🔗 copies the URL, token included), a Roku IP-camera viewer,
247
247
  or the guest party page. Resolution and JPEG quality are selectable;
248
- the ⏱ slider delays the local audio by up to 10 s to line up with a
249
- laggy viewer. While it runs the canvas is held at the stream's 16:9
248
+ the ⏱ slider shifts sound against picture up to 10 s either way:
249
+ right holds the local speakers back for a laggy picture (the stream in
250
+ VLC), left holds the picture back (player, visualizer and the stream
251
+ alike) for sound that arrives late, such as AirPlay mirroring or
252
+ Bluetooth. Double-click resets it to 0. While it runs the canvas is held at the stream's 16:9
250
253
  (letterboxed on screen if the window isn't), so the frame is filled
251
254
  edge to edge and never distorted whatever shape the window is. The
252
255
  stream keeps running while the visualizer is closed, minimised to PIP,
@@ -380,7 +383,27 @@ left, treble on the right, each burner's tongue as tall as its band is
380
383
  loud -- rising through a turbulence that makes the tongues lick, curl and
381
384
  taper to points, gusting in a wind, over the video -- at full resolution,
382
385
  dimmed, each flame shading it so the fire reads on a bright picture, Zoom
383
- and drag framing it -- and every kick flaring the bed and throwing a shower of sparks),
386
+ and drag framing it -- and every kick flaring the bed and throwing a shower of sparks) and
387
+ LMan (The Lawnmower Man: Jobe's 1992 cyberspace, a flight down a twisting neon
388
+ wireframe tunnel whose rings bulge with the spectrum, its panels a
389
+ checkerboard of bright, glowing screens playing the video, with chrome mirrors among them
390
+ reflecting the head, past spinning
391
+ wireframe shards, toward a flat-shaded low-poly head that morphs between
392
+ a face, a ball, a crystal and a spiked star, each vertex pushed out by its
393
+ own band and its faces lit by the video, all on springs so it jiggles like
394
+ flubber; now and then it melts into a far finer liquid ball that is drawn
395
+ out into an hourglass the way a ball of water stretches between two fingers
396
+ in zero g, necking to a thread, then swells back and explodes under control,
397
+ the liquid's polygons flying out while the faceted head's fly back in and
398
+ lock into place; every kick flashing the tunnel
399
+ and a big hit putting "I AM GOD HERE" up in chrome) and
400
+ Attractor (a strange attractor traced in light by ten thousand
401
+ particles riding its flow, each trailing a long streak, the camera orbiting it: Lorenz's butterfly,
402
+ Aizawa, Thomas and Halvorsen in turn, each particle as bright as its
403
+ band, the bass bending the system's own parameter, the video showing
404
+ through the streaks, every kick shoving the cloud outward to fall back
405
+ onto the shape, and on a change of system the cloud unravelling from
406
+ one into the next),
384
407
  plus the Melt, Dissolve, Iris, Shatter, Wave, Spin, Zoom
385
408
  blur, RGB split, VHS, Win95, Blinds, Flip tiles, CRT off, Droplet, Blur,
386
409
  Slide, Flash, Desktop cube, Carousel and Doors transitions (the 3D ones
File without changes
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