abcjs-rails 2.1 → 2.3
Sign up to get free protection for your applications and to get access to all the features.
- checksums.yaml +4 -4
- data/app/assets/javascripts/abcjs/api/abc_tunebook.js +5 -2
- data/app/assets/javascripts/abcjs/edit/abc_editor.js +12 -6
- data/app/assets/javascripts/abcjs/midi/abc_midi_create.js +72 -0
- data/app/assets/javascripts/abcjs/midi/abc_midi_flattener.js +565 -0
- data/app/assets/javascripts/abcjs/midi/abc_midi_renderer.js +426 -0
- data/app/assets/javascripts/abcjs/midi/abc_midi_sequencer.js +207 -0
- data/app/assets/javascripts/abcjs/parse/abc_parse.js +5 -3
- data/app/assets/javascripts/abcjs/parse/abc_parse_header.js +4 -1
- data/app/assets/javascripts/abcjs/write/abc_beam_element.js +3 -1
- data/app/assets/javascripts/abcjs/write/abc_engraver_controller.js +1 -0
- data/app/assets/javascripts/abcjs/write/abc_renderer.js +6 -4
- data/app/assets/javascripts/abcjs/write/abc_staff_group_element.js +1 -0
- data/app/assets/javascripts/abcjs/write/abc_tempo_element.js +5 -5
- data/lib/abcjs-rails/version.rb +1 -1
- metadata +7 -4
- data/app/assets/javascripts/abcjs/midi/abc_midiwriter.js +0 -701
checksums.yaml
CHANGED
@@ -1,7 +1,7 @@
|
|
1
1
|
---
|
2
2
|
SHA1:
|
3
|
-
metadata.gz:
|
4
|
-
data.tar.gz:
|
3
|
+
metadata.gz: 92eedfe222f72fee3b313a63bd3c2965c198dfd2
|
4
|
+
data.tar.gz: 0a2092fb7c1c2b99bf67a628d310be52ac376816
|
5
5
|
SHA512:
|
6
|
-
metadata.gz:
|
7
|
-
data.tar.gz:
|
6
|
+
metadata.gz: e9368ee3727320885cb1a5acede442e1256d3e8c2158d3a7ad7219e73adaddbf92a2c885d49dc57090f5f831e15e25d848cf2f332dff52818caee10b04d72484
|
7
|
+
data.tar.gz: c1c82feb61cac98aa0ff32b75f02095c04278651682e21f2de515ae2bb6b067da31ca0d5c92cf66cb71248dee6930c05eba8e538b406ee4b48569b73432f9960
|
@@ -184,8 +184,11 @@ if (!window.ABCJS)
|
|
184
184
|
function callback(div, tune) {
|
185
185
|
if (midiParams === undefined)
|
186
186
|
midiParams = {};
|
187
|
-
var
|
188
|
-
|
187
|
+
var midi = window.ABCJS.midi.create(tune, midiParams);
|
188
|
+
var title = tune.metaText.title;
|
189
|
+
if (title)
|
190
|
+
title = title.toLowerCase().replace(/\W/g, '_');
|
191
|
+
div.innerHTML = '<a download="' + title + '.midi" href="' + midi + '">download midi</a>';
|
189
192
|
}
|
190
193
|
|
191
194
|
return renderEngine(callback, output, abc, parserParams, renderParams);
|
@@ -262,12 +262,18 @@ window.ABCJS.Editor.prototype.modelChanged = function() {
|
|
262
262
|
this.engraver_controller = new ABCJS.write.EngraverController(paper, this.engraverparams);
|
263
263
|
this.engraver_controller.engraveABC(this.tunes);
|
264
264
|
this.tunes[0].engraver = this.engraver_controller; // TODO-PER: We actually want an output object for each tune, not the entire controller. When refactoring, don't save data in the controller.
|
265
|
-
if (ABCJS.midi
|
266
|
-
if (this.mididiv !== this.div)
|
267
|
-
this.mididiv.innerHTML = "";
|
268
|
-
|
269
|
-
|
270
|
-
|
265
|
+
if (window.ABCJS.midi && this.mididiv) {
|
266
|
+
// if (this.mididiv !== this.div)
|
267
|
+
// this.mididiv.innerHTML = "";
|
268
|
+
var midi = window.ABCJS.midi.create(this.tunes[0], this.midiParams); //TODO handle multiple tunes
|
269
|
+
var title = this.tunes[0].metaText && this.tunes[0].metaText.title ? this.tunes[0].metaText.title : 'Untitled';
|
270
|
+
var linkTitle = "Download MIDI for \"" + title + "\"";
|
271
|
+
if (title)
|
272
|
+
title = title.toLowerCase().replace(/'/g, '').replace(/\W/g, '_').replace(/__/g, '_');
|
273
|
+
this.mididiv.innerHTML = '<a download="' + title + '.midi" href="' + midi + '">' + linkTitle + '</a>';
|
274
|
+
// var midiwriter = new ABCJS.midi.MidiWriter(this.mididiv,this.midiparams);
|
275
|
+
// midiwriter.addListener(this.engraver_controller);
|
276
|
+
// midiwriter.writeABC(this.tunes[0]); //TODO handle multiple tunes
|
271
277
|
}
|
272
278
|
if (this.warningsdiv) {
|
273
279
|
this.warningsdiv.innerHTML = (this.warnings) ? this.warnings.join("<br />") : "No errors";
|
@@ -0,0 +1,72 @@
|
|
1
|
+
// abc_midi_create.js: Turn a linear series of events into a midi file.
|
2
|
+
// Copyright (C) 2010,2015 Gregory Dyke (gregdyke at gmail dot com) and Paul Rosen
|
3
|
+
//
|
4
|
+
// This program is free software: you can redistribute it and/or modify
|
5
|
+
// it under the terms of the GNU General Public License as published by
|
6
|
+
// the Free Software Foundation, either version 3 of the License, or
|
7
|
+
// (at your option) any later version.
|
8
|
+
//
|
9
|
+
// This program is distributed in the hope that it will be useful,
|
10
|
+
// but WITHOUT ANY WARRANTY; without even the implied warranty of
|
11
|
+
// MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
|
12
|
+
// GNU General Public License for more details.
|
13
|
+
//
|
14
|
+
// You should have received a copy of the GNU General Public License
|
15
|
+
// along with this program. If not, see <http://www.gnu.org/licenses/>.
|
16
|
+
|
17
|
+
if (!window.ABCJS)
|
18
|
+
window.ABCJS = {};
|
19
|
+
|
20
|
+
if (!window.ABCJS.midi)
|
21
|
+
window.ABCJS.midi = {};
|
22
|
+
|
23
|
+
(function() {
|
24
|
+
"use strict";
|
25
|
+
|
26
|
+
var baseDuration = 480*4; // nice and divisible, equals 1 whole note
|
27
|
+
|
28
|
+
window.ABCJS.midi.create = function(abcTune, options) {
|
29
|
+
var sequence = window.ABCJS.midi.sequence(abcTune, options);
|
30
|
+
var commands = window.ABCJS.midi.flatten(sequence);
|
31
|
+
var midi = window.ABCJS.midi.rendererFactory(false);
|
32
|
+
|
33
|
+
if (commands.instrument !== undefined)
|
34
|
+
midi.setInstrument(commands.instrument);
|
35
|
+
if (commands.channel !== undefined)
|
36
|
+
midi.setChannel(commands.channel);
|
37
|
+
var title = abcTune.metaText ? abcTune.metaText.title : undefined;
|
38
|
+
if (title && title.length > 128)
|
39
|
+
title = title.substring(0,124) + '...';
|
40
|
+
midi.setGlobalInfo(commands.tempo, title);
|
41
|
+
|
42
|
+
for (var i = 0; i < commands.tracks.length; i++) {
|
43
|
+
midi.startTrack();
|
44
|
+
for (var j = 0; j < commands.tracks[i].length; j++) {
|
45
|
+
var event = commands.tracks[i][j];
|
46
|
+
switch (event.cmd) {
|
47
|
+
case 'instrument':
|
48
|
+
midi.setInstrument(event.instrument);
|
49
|
+
break;
|
50
|
+
case 'start':
|
51
|
+
midi.startNote(convertPitch(event.pitch), event.volume);
|
52
|
+
break;
|
53
|
+
case 'stop':
|
54
|
+
midi.endNote(convertPitch(event.pitch), 0); // TODO-PER: Refactor: the old midi used a duration here.
|
55
|
+
break;
|
56
|
+
case 'move':
|
57
|
+
midi.addRest(event.duration * baseDuration);
|
58
|
+
break;
|
59
|
+
default:
|
60
|
+
console.log("MIDI create Unknown: " + event.cmd);
|
61
|
+
}
|
62
|
+
}
|
63
|
+
midi.endTrack();
|
64
|
+
}
|
65
|
+
|
66
|
+
return midi.getData();
|
67
|
+
};
|
68
|
+
|
69
|
+
function convertPitch(pitch) {
|
70
|
+
return 60 + pitch;
|
71
|
+
}
|
72
|
+
})();
|
@@ -0,0 +1,565 @@
|
|
1
|
+
// abc_midi_create.js: Turn a linear series of events into a series of MIDI commands.
|
2
|
+
// Copyright (C) 2010,2015 Gregory Dyke (gregdyke at gmail dot com) and Paul Rosen
|
3
|
+
//
|
4
|
+
// This program is free software: you can redistribute it and/or modify
|
5
|
+
// it under the terms of the GNU General Public License as published by
|
6
|
+
// the Free Software Foundation, either version 3 of the License, or
|
7
|
+
// (at your option) any later version.
|
8
|
+
//
|
9
|
+
// This program is distributed in the hope that it will be useful,
|
10
|
+
// but WITHOUT ANY WARRANTY; without even the implied warranty of
|
11
|
+
// MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
|
12
|
+
// GNU General Public License for more details.
|
13
|
+
//
|
14
|
+
// You should have received a copy of the GNU General Public License
|
15
|
+
// along with this program. If not, see <http://www.gnu.org/licenses/>.
|
16
|
+
|
17
|
+
// We input a set of voices, but the notes are still complex. This pass changes the logical definitions
|
18
|
+
// of the grace notes, decorations, ties, triplets, rests, transpositions, keys, and accidentals into actual note durations.
|
19
|
+
// It also extracts guitar chords to a separate voice and resolves their rhythm.
|
20
|
+
|
21
|
+
if (!window.ABCJS)
|
22
|
+
window.ABCJS = {};
|
23
|
+
|
24
|
+
if (!window.ABCJS.midi)
|
25
|
+
window.ABCJS.midi = {};
|
26
|
+
|
27
|
+
(function() {
|
28
|
+
"use strict";
|
29
|
+
|
30
|
+
var barAccidentals;
|
31
|
+
var accidentals;
|
32
|
+
var transpose;
|
33
|
+
var bagpipes;
|
34
|
+
var multiplier;
|
35
|
+
var tracks;
|
36
|
+
var startingTempo;
|
37
|
+
var currentTempo;
|
38
|
+
var instrument;
|
39
|
+
var channel;
|
40
|
+
var currentTrack;
|
41
|
+
var pitchesTied;
|
42
|
+
var lastNoteDurationPosition;
|
43
|
+
|
44
|
+
var meter;
|
45
|
+
var chordTrack;
|
46
|
+
var chordTrackFinished;
|
47
|
+
var currentChords;
|
48
|
+
var lastChord;
|
49
|
+
var barBeat;
|
50
|
+
|
51
|
+
var normalBreakBetweenNotes = 1.0/128; // a 128th note of silence between notes for articulation.
|
52
|
+
|
53
|
+
window.ABCJS.midi.flatten = function(voices) {
|
54
|
+
barAccidentals = [];
|
55
|
+
accidentals = [0,0,0,0,0,0,0];
|
56
|
+
transpose = 0;
|
57
|
+
bagpipes = false;
|
58
|
+
multiplier = 1;
|
59
|
+
tracks = [];
|
60
|
+
startingTempo = undefined;
|
61
|
+
currentTempo = undefined;
|
62
|
+
instrument = undefined;
|
63
|
+
channel = undefined;
|
64
|
+
currentTrack = undefined;
|
65
|
+
pitchesTied = {};
|
66
|
+
lastNoteDurationPosition = -1;
|
67
|
+
|
68
|
+
// For resolving chords.
|
69
|
+
meter = undefined;
|
70
|
+
chordTrack = [];
|
71
|
+
chordTrackFinished = false;
|
72
|
+
currentChords = [];
|
73
|
+
lastChord = undefined;
|
74
|
+
barBeat = 0;
|
75
|
+
|
76
|
+
for (var i = 0; i < voices.length; i++) {
|
77
|
+
var voice = voices[i];
|
78
|
+
currentTrack = [];
|
79
|
+
pitchesTied = {};
|
80
|
+
for (var j = 0; j < voice.length; j++) {
|
81
|
+
var element = voice[j];
|
82
|
+
switch (element.el_type) {
|
83
|
+
case "note":
|
84
|
+
writeNote(element);
|
85
|
+
break;
|
86
|
+
case "key":
|
87
|
+
accidentals = setKeySignature(element);
|
88
|
+
break;
|
89
|
+
case "meter":
|
90
|
+
meter = element;
|
91
|
+
break;
|
92
|
+
case "tempo":
|
93
|
+
if (!startingTempo)
|
94
|
+
startingTempo = element.qpm;
|
95
|
+
else
|
96
|
+
currentTempo = element.qpm;
|
97
|
+
break;
|
98
|
+
case "transpose":
|
99
|
+
transpose = element.transpose;
|
100
|
+
break;
|
101
|
+
case "bar":
|
102
|
+
if (chordTrack.length > 0) {
|
103
|
+
resolveChords();
|
104
|
+
currentChords = [];
|
105
|
+
}
|
106
|
+
barBeat = 0;
|
107
|
+
barAccidentals = [];
|
108
|
+
break;
|
109
|
+
case "bagpipes":
|
110
|
+
bagpipes = true;
|
111
|
+
break;
|
112
|
+
case "instrument":
|
113
|
+
instrument = element.program;
|
114
|
+
break;
|
115
|
+
case "channel":
|
116
|
+
channel = element.channel;
|
117
|
+
break;
|
118
|
+
default:
|
119
|
+
// This should never happen
|
120
|
+
console.log("MIDI creation. Unknown el_type: " + element.el_type + "\n");// jshint ignore:line
|
121
|
+
break;
|
122
|
+
}
|
123
|
+
}
|
124
|
+
tracks.push(currentTrack);
|
125
|
+
if (chordTrack.length > 0) // Don't do chords on more than one track, so turn off chord detection after we create it.
|
126
|
+
chordTrackFinished = true;
|
127
|
+
}
|
128
|
+
if (chordTrack.length > 0)
|
129
|
+
tracks.push(chordTrack);
|
130
|
+
return { tempo: startingTempo, instrument: instrument, channel: channel, tracks: tracks };
|
131
|
+
};
|
132
|
+
|
133
|
+
//
|
134
|
+
// The algorithm for chords is:
|
135
|
+
// - The chords are done in a separate track.
|
136
|
+
// - If there are notes before the first chord, then put that much silence to start the track.
|
137
|
+
// - The pattern of chord expression depends on the meter, and how many chords are in a measure.
|
138
|
+
// - There is a possibility that a measure will have an incorrect number of beats, if that is the case, then
|
139
|
+
// start the pattern anew on the next measure number.
|
140
|
+
// - If a chord root is not A-G, then ignore it as if the chord wasn't there at all.
|
141
|
+
// - If a chord modification isn't in our supported list, change it to a major triad.
|
142
|
+
//
|
143
|
+
// - If there is only one chord in a measure:
|
144
|
+
// - If 2/4, play root chord
|
145
|
+
// - If cut time, play root(1) chord(3)
|
146
|
+
// - If 3/4, play root chord chord
|
147
|
+
// - If 4/4 or common time, play root chord fifth chord
|
148
|
+
// - If 6/8, play root(1) chord(3) fifth(4) chord(6)
|
149
|
+
// - For any other meter, play the full chord on each beat. (TODO-PER: expand this as more support is added.)
|
150
|
+
//
|
151
|
+
// - If there is a chord specified that is not on a beat, move it earlier to the previous beat, unless there is already a chord on that beat.
|
152
|
+
// - Otherwise, move it later, unless there is already a chord on that beat.
|
153
|
+
// - Otherwise, ignore it. (TODO-PER: expand this as more support is added.)
|
154
|
+
//
|
155
|
+
// - If there is a chord on the second beat, play a chord for the first beat instead of a bass note.
|
156
|
+
// - Likewise, if there is a chord on the fourth beat of 4/4, play a chord on the third beat instead of a bass note.
|
157
|
+
//
|
158
|
+
var breakSynonyms = [ 'break', '(break)', 'no chord', 'n.c.', 'tacet'];
|
159
|
+
|
160
|
+
function findChord(elem) {
|
161
|
+
// TODO-PER: Just using the first chord if there are more than one.
|
162
|
+
if (chordTrackFinished || !elem.chord || elem.chord.length === 0)
|
163
|
+
return null;
|
164
|
+
|
165
|
+
// Return the first annotation that is a regular chord: that is, it is in the default place or is a recognized "tacit" phrase.
|
166
|
+
for (var i = 0; i < elem.chord.length; i++) {
|
167
|
+
var ch = elem.chord[i];
|
168
|
+
if (ch.position === 'default')
|
169
|
+
return ch.name;
|
170
|
+
if (breakSynonyms.indexOf(ch.name.toLowerCase()) >= 0)
|
171
|
+
return 'break';
|
172
|
+
}
|
173
|
+
return null;
|
174
|
+
}
|
175
|
+
|
176
|
+
function writeNote(elem) {
|
177
|
+
//
|
178
|
+
// Create a series of note events to append to the current track.
|
179
|
+
// The output event is one of: { pitchStart: pitch_in_abc_units, volume: from_1_to_64 }
|
180
|
+
// { pitchStop: pitch_in_abc_units }
|
181
|
+
// { moveTime: duration_in_abc_units }
|
182
|
+
// If there are guitar chords, then they are put in a separate track, but they have the same format.
|
183
|
+
//
|
184
|
+
|
185
|
+
var chord = findChord(elem);
|
186
|
+
if (chord) {
|
187
|
+
var c = interpretChord(chord);
|
188
|
+
// If this isn't a recognized chord, just completely ignore it.
|
189
|
+
if (c) {
|
190
|
+
// If we ever have a chord in this voice, then we add the chord track.
|
191
|
+
// However, if there are chords on more than one voice, then just use the first voice.
|
192
|
+
if (chordTrack.length === 0) {
|
193
|
+
chordTrack.push({cmd: 'instrument', instrument: 2});
|
194
|
+
// need to figure out how far in time the chord started: if there are pickup notes before the chords start, we need pauses.
|
195
|
+
var distance = 0;
|
196
|
+
for (var ct = 0; ct < currentTrack.length; ct++) {
|
197
|
+
if (currentTrack[ct].cmd === 'move')
|
198
|
+
distance += currentTrack[ct].duration;
|
199
|
+
}
|
200
|
+
if (distance > 0)
|
201
|
+
chordTrack.push({cmd: 'move', duration: distance});
|
202
|
+
}
|
203
|
+
|
204
|
+
lastChord = c;
|
205
|
+
currentChords.push({chord: lastChord, beat: barBeat});
|
206
|
+
}
|
207
|
+
}
|
208
|
+
|
209
|
+
if (elem.startTriplet) {
|
210
|
+
if (elem.startTriplet === 2)
|
211
|
+
multiplier = 3/2;
|
212
|
+
else
|
213
|
+
multiplier=(elem.startTriplet-1)/elem.startTriplet;
|
214
|
+
}
|
215
|
+
|
216
|
+
var duration = elem.duration*multiplier;
|
217
|
+
barBeat += duration;
|
218
|
+
|
219
|
+
// if there are grace notes, then also play them.
|
220
|
+
// I'm not sure there is an exact rule for the length of the notes. My rule, unless I find
|
221
|
+
// a better one is: the grace notes cannot take more than 1/2 of the main note's value.
|
222
|
+
// A grace note (of 1/8 note duration) takes 1/8 of the main note's value.
|
223
|
+
var graces;
|
224
|
+
if (elem.gracenotes) {
|
225
|
+
// There are two cases: if this is bagpipe, the grace notes are played on the beat with the current note.
|
226
|
+
// Normally, the grace notes would be played before the beat. (If this is the first note in the track, however, then it is played on the current beat.)
|
227
|
+
// The reason for the exception on the first note is that it would otherwise move the whole track in time and would affect all the other tracks.
|
228
|
+
var stealFromCurrent = (bagpipes || lastNoteDurationPosition < 0);
|
229
|
+
var stealFromDuration = stealFromCurrent ? duration : currentTrack[lastNoteDurationPosition].duration;
|
230
|
+
graces = processGraceNotes(elem.gracenotes, stealFromDuration);
|
231
|
+
if (!bagpipes) {
|
232
|
+
duration = writeGraceNotes(graces, stealFromCurrent, duration);
|
233
|
+
}
|
234
|
+
}
|
235
|
+
|
236
|
+
if (elem.pitches) {
|
237
|
+
if (graces && bagpipes) {
|
238
|
+
// If it is bagpipes, then the graces are played with the note. If the grace has the same pitch as the note, then we just skip it.
|
239
|
+
duration = writeGraceNotes(graces, true, duration);
|
240
|
+
}
|
241
|
+
var pitches = [];
|
242
|
+
for (var i=0; i<elem.pitches.length; i++) {
|
243
|
+
var note = elem.pitches[i];
|
244
|
+
var actualPitch = adjustPitch(note);
|
245
|
+
pitches.push({ pitch: actualPitch, startTie: note.startTie });
|
246
|
+
|
247
|
+
// TODO-PER: should the volume vary depending on whether it is on a beat or measure start?
|
248
|
+
if (!pitchesTied[''+actualPitch]) // If this is the second note of a tie, we don't start it again.
|
249
|
+
currentTrack.push({ cmd: 'start', pitch: actualPitch, volume: 64 });
|
250
|
+
|
251
|
+
if (note.startTie)
|
252
|
+
pitchesTied[''+actualPitch] = true;
|
253
|
+
else if (note.endTie)
|
254
|
+
pitchesTied[''+actualPitch] = false;
|
255
|
+
}
|
256
|
+
currentTrack.push({ cmd: 'move', duration: duration-normalBreakBetweenNotes });
|
257
|
+
lastNoteDurationPosition = currentTrack.length-1;
|
258
|
+
|
259
|
+
for (var ii = 0; ii < pitches.length; ii++) {
|
260
|
+
if (!pitchesTied[''+pitches[ii].pitch])
|
261
|
+
currentTrack.push({ cmd: 'stop', pitch: pitches[ii].pitch });
|
262
|
+
}
|
263
|
+
currentTrack.push({ cmd: 'move', duration: normalBreakBetweenNotes });
|
264
|
+
} else if (elem.rest) {
|
265
|
+
currentTrack.push({ cmd: 'move', duration: duration });
|
266
|
+
}
|
267
|
+
|
268
|
+
if (elem.endTriplet) {
|
269
|
+
multiplier=1;
|
270
|
+
}
|
271
|
+
}
|
272
|
+
|
273
|
+
var scale = [0,2,4,5,7,9,11];
|
274
|
+
function adjustPitch(note) {
|
275
|
+
var pitch = note.pitch;
|
276
|
+
if (note.accidental) {
|
277
|
+
switch(note.accidental) { // change that pitch (not other octaves) for the rest of the bar
|
278
|
+
case "sharp":
|
279
|
+
barAccidentals[pitch]=1; break;
|
280
|
+
case "flat":
|
281
|
+
barAccidentals[pitch]=-1; break;
|
282
|
+
case "natural":
|
283
|
+
barAccidentals[pitch]=0; break;
|
284
|
+
case "dblsharp":
|
285
|
+
barAccidentals[pitch]=2; break;
|
286
|
+
case "dblflat":
|
287
|
+
barAccidentals[pitch]=-2; break;
|
288
|
+
}
|
289
|
+
}
|
290
|
+
|
291
|
+
var actualPitch = extractOctave(pitch) *12 + scale[extractNote(pitch)];
|
292
|
+
|
293
|
+
if ( barAccidentals[pitch]!==undefined) {
|
294
|
+
actualPitch += barAccidentals[pitch];
|
295
|
+
} else { // use normal accidentals
|
296
|
+
actualPitch += accidentals[extractNote(pitch)];
|
297
|
+
}
|
298
|
+
actualPitch += transpose;
|
299
|
+
return actualPitch;
|
300
|
+
}
|
301
|
+
|
302
|
+
function setKeySignature(elem) {
|
303
|
+
var accidentals = [0,0,0,0,0,0,0];
|
304
|
+
if (!elem.accidentals) return accidentals;
|
305
|
+
for (var i = 0; i < elem.accidentals.length; i++) {
|
306
|
+
var acc = elem.accidentals[i];
|
307
|
+
var d = (acc.acc === "sharp") ? 1 : (acc.acc === "natural") ?0 : -1;
|
308
|
+
|
309
|
+
var lowercase = acc.note.toLowerCase();
|
310
|
+
var note = extractNote(lowercase.charCodeAt(0)-'c'.charCodeAt(0));
|
311
|
+
accidentals[note]+=d;
|
312
|
+
}
|
313
|
+
return accidentals;
|
314
|
+
}
|
315
|
+
|
316
|
+
var graceDivider = 8; // This is the fraction of a note that the grace represents. That is, if this is 2, then a grace note of 1/16 would be a 1/32.
|
317
|
+
function processGraceNotes(graces, companionDuration) {
|
318
|
+
var graceDuration = 0;
|
319
|
+
var ret = [];
|
320
|
+
var grace;
|
321
|
+
for (var g = 0; g < graces.length; g++) {
|
322
|
+
grace = graces[g];
|
323
|
+
graceDuration += grace.duration;
|
324
|
+
}
|
325
|
+
graceDuration = graceDuration / graceDivider;
|
326
|
+
var multiplier = (graceDuration * 2 > companionDuration) ? companionDuration/(graceDuration * 2) : 1;
|
327
|
+
|
328
|
+
for (g = 0; g < graces.length; g++) {
|
329
|
+
grace = graces[g];
|
330
|
+
ret.push({ pitch: grace.pitch, duration: grace.duration/graceDivider*multiplier });
|
331
|
+
}
|
332
|
+
return ret;
|
333
|
+
}
|
334
|
+
|
335
|
+
function writeGraceNotes(graces, stealFromCurrent, duration, skipNote) {
|
336
|
+
for (var g = 0; g < graces.length; g++) {
|
337
|
+
var gp = adjustPitch(graces[g]);
|
338
|
+
if (gp !== skipNote)
|
339
|
+
currentTrack.push({cmd: 'start', pitch: gp, volume: 64});
|
340
|
+
currentTrack.push({cmd: 'move', duration: graces[g].duration});
|
341
|
+
if (gp !== skipNote)
|
342
|
+
currentTrack.push({cmd: 'stop', pitch: gp});
|
343
|
+
if (!stealFromCurrent)
|
344
|
+
currentTrack[lastNoteDurationPosition].duration -= graces[g].duration;
|
345
|
+
duration -= graces[g].duration;
|
346
|
+
}
|
347
|
+
return duration;
|
348
|
+
}
|
349
|
+
|
350
|
+
function extractOctave(pitch) {
|
351
|
+
return Math.floor(pitch/7);
|
352
|
+
}
|
353
|
+
|
354
|
+
function extractNote(pitch) {
|
355
|
+
pitch = pitch%7;
|
356
|
+
if (pitch<0) pitch+=7;
|
357
|
+
return pitch;
|
358
|
+
}
|
359
|
+
|
360
|
+
var basses = {
|
361
|
+
'A': -27, 'B': -25, 'C': -24, 'D': -22, 'E': -20, 'F': -19, 'G': -17
|
362
|
+
};
|
363
|
+
function interpretChord(name) {
|
364
|
+
// chords have the format:
|
365
|
+
// [root][acc][modifier][/][bass][acc]
|
366
|
+
// (The chord might be surrounded by parens. Just ignore them.)
|
367
|
+
// root must be present and must be from A-G.
|
368
|
+
// acc is optional and can be # or b
|
369
|
+
// The modifier can be a wide variety of things, like "maj7". As they are discovered, more are supported here.
|
370
|
+
// If there is a slash, then there is a bass note, which can be from A-G, with an optional acc.
|
371
|
+
// If the root is unrecognized, then "undefined" is returned and there is no chord.
|
372
|
+
// If the modifier is unrecognized, a major triad is returned.
|
373
|
+
// If the bass notes is unrecognized, it is ignored.
|
374
|
+
if (name.length === 0)
|
375
|
+
return undefined;
|
376
|
+
if (name === 'break')
|
377
|
+
return { chick: []};
|
378
|
+
var root = name.substring(0,1);
|
379
|
+
if (root === '(') {
|
380
|
+
name = name.substring(1,name.length-2);
|
381
|
+
if (name.length === 0)
|
382
|
+
return undefined;
|
383
|
+
root = name.substring(0,1);
|
384
|
+
}
|
385
|
+
var bass = basses[root];
|
386
|
+
if (!bass) // If the bass note isn't listed, then this was an unknown root. Only A-G are accepted.
|
387
|
+
return undefined;
|
388
|
+
bass += transpose;
|
389
|
+
var bass2 = bass - 5; // The alternating bass is a 4th below
|
390
|
+
var chick;
|
391
|
+
if (name.length === 1)
|
392
|
+
chick = chordNotes(bass, '');
|
393
|
+
var remaining = name.substring(1);
|
394
|
+
var acc = remaining.substring(0,1);
|
395
|
+
if (acc === 'b' || acc === '♭') {
|
396
|
+
bass--;
|
397
|
+
bass2--;
|
398
|
+
remaining = remaining.substring(1);
|
399
|
+
} else if (acc === '#' || acc === '♯') {
|
400
|
+
bass++;
|
401
|
+
bass2++;
|
402
|
+
remaining = remaining.substring(1);
|
403
|
+
}
|
404
|
+
var arr = remaining.split('/');
|
405
|
+
chick = chordNotes(bass, arr[0]);
|
406
|
+
if (arr.length === 2) {
|
407
|
+
bass = basses[arr[1]] + transpose;
|
408
|
+
bass2 = bass;
|
409
|
+
}
|
410
|
+
return { boom: bass, boom2: bass2, chick: chick };
|
411
|
+
}
|
412
|
+
|
413
|
+
var chordIntervals = {
|
414
|
+
'M': [ 0, 4, 7 ],
|
415
|
+
'6': [ 0, 4, 7, 9 ],
|
416
|
+
'7': [ 0, 4, 7, 10 ],
|
417
|
+
'+7': [ 0, 4, 8, 10 ],
|
418
|
+
'aug7': [ 0, 4, 8, 10 ],
|
419
|
+
'maj7': [ 0, 4, 7, 11 ],
|
420
|
+
'∆7': [ 0, 4, 7, 11 ],
|
421
|
+
'9': [ 0, 4, 7, 10, 14 ],
|
422
|
+
'11': [ 0, 4, 7, 10, 14, 16 ], // TODO-PER: check this one.
|
423
|
+
'13': [ 0, 4, 7, 10, 14, 18 ], // TODO-PER: check this one.
|
424
|
+
'+': [ 0, 4, 8 ],
|
425
|
+
'7#5': [ 0, 4, 8, 10 ],
|
426
|
+
'7+5': [ 0, 4, 8, 10 ],
|
427
|
+
'7b9': [ 0, 4, 7, 10, 13 ],
|
428
|
+
'7b5': [ 0, 4, 6, 10 ],
|
429
|
+
'9#5': [ 0, 4, 8, 10, 14 ],
|
430
|
+
'9+5': [ 0, 4, 8, 10, 14 ],
|
431
|
+
'm': [ 0, 3, 7 ],
|
432
|
+
'-': [ 0, 3, 7 ],
|
433
|
+
'm6': [ 0, 3, 7, 9 ],
|
434
|
+
'-6': [ 0, 3, 7, 9 ],
|
435
|
+
'm7': [ 0, 3, 7, 10 ],
|
436
|
+
'-7': [ 0, 3, 7, 10 ],
|
437
|
+
'dim': [ 0, 3, 6 ],
|
438
|
+
'dim7': [ 0, 3, 6, 9 ],
|
439
|
+
'°7': [ 0, 3, 6, 9 ],
|
440
|
+
'ø7': [ 0, 3, 6, 9 ], // TODO-PER: check this one.
|
441
|
+
'7sus4': [ 0, 5, 7, 10 ],
|
442
|
+
'm7sus4': [ 0, 5, 7, 10 ], // TODO-PER: check this one.
|
443
|
+
'sus4': [ 0, 5, 7 ]
|
444
|
+
};
|
445
|
+
function chordNotes(bass, modifier) {
|
446
|
+
var intervals = chordIntervals[modifier];
|
447
|
+
if (!intervals)
|
448
|
+
intervals = chordIntervals.M;
|
449
|
+
bass += 12; // the chord is an octave above the bass note.
|
450
|
+
var notes = [ ];
|
451
|
+
for (var i = 0; i < intervals.length; i++) {
|
452
|
+
notes.push(bass + intervals[i]);
|
453
|
+
}
|
454
|
+
return notes;
|
455
|
+
}
|
456
|
+
|
457
|
+
function writeBoom(boom, beatLength) {
|
458
|
+
// undefined means there is a stop time.
|
459
|
+
if (boom !== undefined)
|
460
|
+
chordTrack.push({cmd: 'start', pitch: boom, volume: 64});
|
461
|
+
chordTrack.push({ cmd: 'move', duration: beatLength/2 });
|
462
|
+
if (boom !== undefined)
|
463
|
+
chordTrack.push({ cmd: 'stop', pitch: boom });
|
464
|
+
chordTrack.push({ cmd: 'move', duration: beatLength/2 });
|
465
|
+
}
|
466
|
+
|
467
|
+
function writeChick(chick, beatLength) {
|
468
|
+
for (var c = 0; c < chick.length; c++)
|
469
|
+
chordTrack.push({cmd: 'start', pitch: chick[c], volume: 48});
|
470
|
+
chordTrack.push({ cmd: 'move', duration: beatLength/2 });
|
471
|
+
for (c = 0; c < chick.length; c++)
|
472
|
+
chordTrack.push({ cmd: 'stop', pitch: chick[c] });
|
473
|
+
chordTrack.push({ cmd: 'move', duration: beatLength/2 });
|
474
|
+
}
|
475
|
+
|
476
|
+
var rhythmPatterns = { "2/2": [ 'boom', 'chick' ],
|
477
|
+
"2/4": [ 'boom', 'chick' ],
|
478
|
+
"3/4": [ 'boom', 'chick', 'chick' ],
|
479
|
+
"4/4": [ 'boom', 'chick', 'boom2', 'chick' ],
|
480
|
+
"6/8": [ 'boom', '', 'chick', 'boom2', '', 'chick' ]
|
481
|
+
};
|
482
|
+
|
483
|
+
function resolveChords() {
|
484
|
+
var num = meter.num;
|
485
|
+
var den = meter.den;
|
486
|
+
var beatLength = 1/den;
|
487
|
+
var pattern = rhythmPatterns[num+'/'+den];
|
488
|
+
var thisMeasureLength = parseInt(num,10)/parseInt(den,10);
|
489
|
+
// See if this is a full measure: unfortunately, with triplets, there isn't an exact match, what with the floating point, so we just see if it is "close".
|
490
|
+
var portionOfAMeasure = Math.abs(thisMeasureLength - barBeat);
|
491
|
+
if (!pattern || portionOfAMeasure > 0.0078125) { // If it is an unsupported meter, or this isn't a full bar, just chick on each beat.
|
492
|
+
pattern = [];
|
493
|
+
var beatsPresent = barBeat / beatLength;
|
494
|
+
for (var p = 0; p < beatsPresent; p++)
|
495
|
+
pattern.push("chick");
|
496
|
+
}
|
497
|
+
|
498
|
+
if (currentChords.length === 0) { // there wasn't a new chord this measure, so use the last chord declared.
|
499
|
+
currentChords.push({ beat: 0, chord: lastChord});
|
500
|
+
}
|
501
|
+
if (currentChords[0].beat !== 0 && lastChord) { // this is the case where there is a chord declared in the measure, but not on its first beat.
|
502
|
+
currentChords.unshift({ beat: 0, chord: lastChord});
|
503
|
+
}
|
504
|
+
if (currentChords.length === 1) {
|
505
|
+
for (var m = 0; m < pattern.length; m++) {
|
506
|
+
switch (pattern[m]) {
|
507
|
+
case 'boom':
|
508
|
+
writeBoom(currentChords[0].chord.boom, beatLength);
|
509
|
+
break;
|
510
|
+
case 'boom2':
|
511
|
+
writeBoom(currentChords[0].chord.boom2, beatLength);
|
512
|
+
break;
|
513
|
+
case 'chick':
|
514
|
+
writeChick(currentChords[0].chord.chick, beatLength);
|
515
|
+
break;
|
516
|
+
case '':
|
517
|
+
chordTrack.push({ cmd: 'move', duration: beatLength });
|
518
|
+
break;
|
519
|
+
}
|
520
|
+
}
|
521
|
+
return;
|
522
|
+
}
|
523
|
+
|
524
|
+
// If we are here it is because more than one chord was declared in the measure, so we have to sort out what chord goes where.
|
525
|
+
|
526
|
+
// First, normalize the chords on beats.
|
527
|
+
var beats = {};
|
528
|
+
for (var i = 0; i < currentChords.length; i++) {
|
529
|
+
var cc = currentChords[i];
|
530
|
+
var beat = Math.floor(cc.beat / beatLength); // now all the beats are integers, there may be
|
531
|
+
beats[''+beat] = cc;
|
532
|
+
}
|
533
|
+
|
534
|
+
// - If there is a chord on the second beat, play a chord for the first beat instead of a bass note.
|
535
|
+
// - Likewise, if there is a chord on the fourth beat of 4/4, play a chord on the third beat instead of a bass note.
|
536
|
+
for (var m2 = 0; m2 < pattern.length; m2++) {
|
537
|
+
var thisChord;
|
538
|
+
if (beats[''+m2])
|
539
|
+
thisChord = beats[''+m2];
|
540
|
+
switch (pattern[m2]) {
|
541
|
+
case 'boom':
|
542
|
+
if (beats[''+(m2+1)]) // If there is not a chord change on the next beat, play a bass note.
|
543
|
+
writeChick(thisChord.chord.chick, beatLength);
|
544
|
+
else
|
545
|
+
writeBoom(thisChord.chord.boom, beatLength);
|
546
|
+
break;
|
547
|
+
case 'boom2':
|
548
|
+
if (beats[''+(m2+1)])
|
549
|
+
writeChick(thisChord.chord.chick, beatLength);
|
550
|
+
else
|
551
|
+
writeBoom(thisChord.chord.boom2, beatLength);
|
552
|
+
break;
|
553
|
+
case 'chick':
|
554
|
+
writeChick(thisChord.chord.chick, beatLength);
|
555
|
+
break;
|
556
|
+
case '':
|
557
|
+
if (beats[''+m2]) // If there is an explicit chord on this beat, play it.
|
558
|
+
writeChick(thisChord.chord.chick, beatLength);
|
559
|
+
else
|
560
|
+
chordTrack.push({cmd: 'move', duration: beatLength});
|
561
|
+
break;
|
562
|
+
}
|
563
|
+
}
|
564
|
+
}
|
565
|
+
})();
|